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11 articles
Book Review
Charles Robert Cockerell in the Mediterranean: Letters and Travels, 1810–1817. By Susan Pearce and Theresa Ormrod
07/2019 | 1396 | 161
Pages: 613
related names
Reviewer:
Bryant, Max (Bryant, Max)
Subjects
dates:
Reviewed Items
subjects:
Charles Robert Cockerell in the Mediterranean: Letters and Travels, 1810–1817 By Susan Pearce and Theresa Ormrod. 330 pp. incl. 21 b. & w. ills. (Boydell Press, Martlesham, 2017), | :
Obituary
David Watkin (1941–2018)
03/2019 | 1392 | 161
Pages: 266-268
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
art literature:
Illustrations
Attributed works:
2. David Watkin, Fellowship admission photograph. 1970. (The Master and Fellows of Peterhouse, Cambridge).
Attributed works:
3. David Watkin on stage as John Soane, preparing to deliver one of Soane’s Royal Academy lectures. c.1997. (Photograph Paul Doyle).
Publication Received
Charles Robert Cockerell, Architect in Time. Reflections around Anachronistic Drawings. By Anne Bordeleau.
05/2015 | 1346 | 157
Pages: 357-358
Advertisements
Advertisements March 1991 (front)
03/1991 | 1056 | 133
Pages: i-xxxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Jan Boeckhorst (1605-1668) The Crucifixion Black chalk heightened with white on light brown paper. 400 x 300 mm.
Attributed works:
[Agnew's, 43 Old Bond Street, London] GIOVANNI BATTISTA TIEPOLO (1696-1770) Study of two Villas in the Veneto Pen and brown ink and brown wash, 153 x 182 mm
Attributed works:
[Arnoldi - Livie, Galeriestrasse 2B, Munich] CASPAR DAVID FRIEDRICH Greifswald 1774-1840 Dresden Study for the painting Hutten's Tomb. Pen and black ink. 28x11 cm.
Attributed works:
[Arturo Cuellar - Nathan, Galerie, Ramistr. 29, Zurich] FERDINAND HODLER (1853-1918). Portrait of Berthe Hodler Pen and ink over pencil. 24.8 x 16.2 cm. Expertise: Jura Brüschweiler.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Ernst Ludwig Kirchner. Pen and brush in black ink. Signed. (Ca 1908). 445 x 340 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] J.B. Le Prince Horseman in a landscape. Pen and brown wash. Diam: 28 cm. Signed & dated 1777
Attributed works:
[Charles Ratton & Guy Ladriere, 11 quai Voltaire, Paris] Attributed to Bartolomeo BUON - Italy 15th century Marble - 62 x 44 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] GIUSEPPE MARIA CRESPI 1665-1747 A Procuress Oil on canvas: 81 x 61.5 cms
Attributed works:
[David Jones, 8 Rue Rossini, Paris] PIER FRANCESCO MOLA 1612-1666 Lot and his daugthers Pen and brown ink with red chalk 134 x 203mm. A preparatory study for the fresco Lot and his daughters in the Palazzo Pamphili, Nettuno. Other studies for the same fresco are in the Kupferstichkabinett, Berlin, the Albertina, Vienna and the Henry E. Huntington Art Gallery, California.
Attributed works:
[David Koetser Gallery, Talstrasse 37, Zurich] Portrait of a Cavalier by AELBERT CUYP (1620-Dordrecht-1691) panel, 74 x 59 cm. Signed & dated: 1631 Literature: C. Hofstede de Groot, 1909, Vol. II, p. 38, no. 114.
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] PIETER MEULENER 1602 Antwerp 1654 Duck Shooting Signed Oil on panel 40.8 x 69.3 cm.
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, Paris] "FEMME A LA VOILETTE" Oil on canvas Signed and dated: Anquetin 91 81 cm x 55 cm - 31"7/8 x 21"5/8
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C.R. Cockerell (1788-1863) A Tribute to Sir Christopher Wren c. 1838 Brown washes over pencil 39 x 52 inches
Attributed works:
[Huguette Beres, 25 Quai Voltaire, Paris] Vincent VAN GOGH (1853-1890) View from the window of Vincent's studio in winter, 1883 Watercolour, 39 x 58.5 cm.
Attributed works:
[IDC Microform Publishers, Leiden] Theo van Doesburg. Photograph by Lucia Moholy Nagy
Attributed works:
[J. Kugel, 279 Rue Saint - Honore, Paris] TROMPE L'ŒIL by Jean VALETTE-PENOT (1710-1777). Oil on canvas signed. 40 x 80 cm - 15 ¾ x 31 ½ in. Exhibiting at THE EUROPEAN FINE ART FAIR-MECC MAASTRICHT-HOLL. 9-17 March 1991/Stand 220.
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil Paris] Paul HUET (1803-1869) "Le gardien de la vallée" (Château de Tournoel). 1831. Aquarelle sur traits de crayon. Cachet de l'atelier en bas à gauche. 28.6 x 43.1 cm.
Attributed works:
[Kate de Rothschild] Jean-Antoine Watteau (1684-1721) Study of a seated Girl
Attributed works:
[Marcello Aldega Margot Gordon] Pier Francesco Mola 1612-1666 Brown ink and wash, black chalk on blue paper 186 x 122 mm. Related to the painting in the Louvre of 'Venefrio ed Erminia che curano l'ancredi'.
Attributed works:
[Newhouse Galleries, Inc, 19 East 66th Street, New York] DIRCK VAN BABUREN (1595?-1624) Jesus Chasing the Merchants from the Temple Oil on canvas: $62{scriptstyle{1over 4}} times 81{scriptstyle{1over 8}}$ inches (158 x 206 cm)
Attributed works:
[Patrick Perrin, 98 Faubourg Saint - Honore, Paris] Nicolas-Marie OZANNE (1728-1811) Ecole Française VUE DE LA RIVIERE DE LANDERNEAU Plume, encre de Chine et lavis d'encre de Chine H. 13.5 cm; L. 25.5 cm
Attributed works:
[Paul Proute S.A., 74 Rue de Seine, Paris] Hyacinthe Rigaud and studio (Perpignan 1659-Paris 1743) Portrait of Gaspard de Gueidan as Avocat Général at the Parlement of Aix en Provence. Black chalk with stumping and white gouache highlights on faded blue paper. The drawing is connected with Rigaud's portrait at the Musée Granet, Aix and provides evidence for the original composition of the painting, altered at the request of G. Gueidan in 1740.
Attributed works:
[Phillips, 101 New Bond Street, London] Abraham Storck, (1635-1710), "A harbour scene", signed "A. Storck Fecit", oil on canvas, 45.5cm x 55.3cm.
Attributed works:
[Richard L. Feigen, 6 Ryder Street, St James, London/ 49 East 68th Street, New York] Nicolaes van Helt-Stockade, The Flight Into Egypt, 22 by 28 inches (56 by 71.1 cm). Signed: StockAde. F.
Attributed works:
[Sotheby's] William Hogarth (1697-1764) A Harlot's Progress -The Quarrel with Her New Lover, oil on canvas, 45.5 by 62cm. This picture and another from Hogarth's A Harlot's Progress, The Scene in Bridewell, are included in the 10th April sale of British Paintings 1500-1850. Each estimated at £100,000-150,000.
Attributed works:
[Th. Laurentius, Orangerie Duivenvoorde, 2252 AK Voorschoten] Rembrandt van Rijn (1606-1669) 'Landscape with a cottage and a large tree' Etching, B 226. Signed and dated: 1641 12.7 x 32 cm. with small margins.
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] ***Guillerot (France ca. 1620-1670) River landscape with a castle, pen and brown ink; 212 x 308 mm. Lit.: Marcel Roethlisberger, "Dessins De Barrière et De Guillerot", in: Gazzette des Beaux-Arts, April 1987, p. 148 ff. and fig.33.
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London] Francesco Guardi A Capriccio View of Palladio's Project for the Rialto Bridge. Pen, brown ink, grey and brown wash over traces of black chalk, 278 x 444 mm
Attributed works:
[Vendu Notarishuis, Kipstraat 54, Rotterdam] For march auction H. Ronner water-colour 44 x 62 cm
Attributed works:
[Voena, Via dei Mille 36, Turin] BERNARDINO ZAGANELLI Cotignola, 1470 ca. - 1513 ca. VIRGIN and CHILD Oil on Panel: 53 x 38 cms. Literature: A. De Marchi, La mostra di "Pittura italiana del Gotico e del Rinascimento" a Praga, in Prospettiva, n. 45, 1986, pag. 74, fig. 8; A. Colombi Ferretti, Bernardino e Francesco Zaganelli, in "La Pittura in Italia - Il Cinquecento", Milano 1988, p. 867
Non-western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] An exquisite Indian so-called Indo-Persian carpet, with a wine red field. 13'9" x 9'11" (420cm x 302cm)
Western art unattributed:
[Bader, Mythenquai 22, Zurich] HERMAPHRODITE, MARBLE, ROMAN AFTER A GREEK ORIGINAL, HEIGHT: 71CM PROV: HADRIAN'S VILLA, TIVOLI, CA.130 AD. COLLECTION: FRITZ AUGUST VON KAULBACH, 1929 MUNICH
Western art unattributed:
[Galerie Neuse, Contrescarpe 14, Bremen] Adam and Eve in Paradise Alabaster, 58 x 75 cm circa 1560
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Saint John the Evangelist Bolognese School, 17th Century, Red and black chalk. 210 x 140 mm.
Western art unattributed:
[Otto Naumann, 4 East 74th Street, New York] anon. Dutch 17th century Panel $4{scriptstyle{1over 2}} times 3{scriptstyle{1over 2}}$ ins.
Supplement
Recent Acquisitions - And Some Rediscoveries Made by the Department of Western Art in the Ashmolean Museum: Supplement
01/1987 | 1006 | 129
Pages: 56-60
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
After Augustin Pajou (1730-1809). Blaise Pascal. (Fig.63). Biscuit de Sèvres, Probably 1784. 32.5 cm High.
Attributed works:
Atributed to Nicholaes Maes (1632-93). Holy Family, after Rembrandt. (Fig.59). Red Chalk, Pen Drawing in Brown Inks, with Washes, on Vellum. 22.3 by 28 cm (Arched Top).
Attributed works:
Attributed to Jacopo Guarana (1720-62). The Hand of a Young Man and the Head of an Old Man. (Fig.62). Black Crayon and White Chalk on Pinky Buff Paper. 41.3 by 27.8 cm.
Attributed works:
Ben Nicholson (1894-1982). View of the Harbour, St Ives, 1929. (Fig.76). Pencil on Yellowed Paper (From a Sketch Pad). Inscribed on Verso (See Below). 33 by 42 cm.
Attributed works:
Blair Rowlands Hughes-Stanton (1902-81). Troisième Classe, 1925. (Fig.73). Wood Engraving. Signed 'Blair H. S.', Dated and Numbered 8/30. 11.9 by 9.6 cm. Actual Size.
Attributed works:
Charles Robert Cockerell (1788-1863). Study of a Greek Antefixa. (Fig.66). Water-Colour Brushed over Pen Drawing with Ink, over Faint Pencil Drawing, on Paper. 35.6 by 27.4 cm.
Attributed works:
Etienne Aubry (1745-81). Portrait of a Gentleman. (Fig.60). Oil on Canvas, Signed. 63.5 by 54 cm.
Attributed works:
Félix Joseph Barrias (1822-1907). Figure Studies, Perhaps for a Group of Captives. (Fig.68). Black Chalk on Paper. Studio Stamp Lower Left. 13.4 by 20.9 cm.
Attributed works:
François Dieussart (c. 1600-61). Thomas Howard, Earl of Arundel, c. 1636. (Fig.58). Marble, with Some Plaster Repairs. 115 cm. High (Including a Socle of 24.8 cm).
Attributed works:
Giuseppe Grandi (1843-94). Alessandro Volta. (Fig.71). Bronze. Lost Wax Cast. Inscribed 'Grandi' in the Cold Metal and A Volta - The A Interlaced with the V - in the Wax on the Integral Plinth. 66 cm High.
Attributed works:
Glyn Philpot (1884-1937). Man with a Gun, 1933. (Fig.75). Oil on Canvas. Signed 'G. P.'. 114.5 by 92 cm.
Attributed works:
Jean-Auguste-Dominique Ingres (1780-1867). Portrait of a Man. (Fig.64). Graphite on Paper. Signed. 7.5 cm (Diameter).
Attributed works:
Johannes Niessen (1821-1910). Head of a Young Woman, 1847. (Fig.70). Pencil on Brown Paper. Signed and Dated 'J. Niessen 4/7 1847', with an Inscription Vertically at the Right. 32.3 by 27 cm.
Attributed works:
John Bacon the Elder R. A. (1740-99). Preparatory Study for the Statue of Samuel Johnson in St Paul's Cathedral. (Fig.65). Some Wash Brushed over Pen Drawing in Ink on Whatman Paper, Inscribed with Observations on Size and Scale in the Artist's Hand. 47.3 by 32.5 cm.
Attributed works:
Pablo Picasso (1881-1973). Untitled Nocturnal Scene (Bloch 1589). (Fig.74). Aquatint, Dated '25-5-68'. Signed by the Artist in Pencil and Numbered 7/50). 29.5 by 34.6 cm. (Plate).
Attributed works:
Robert Sargent Austin (1895-1973). Two Riders. (Fig.72). Charcoal, with Red-Brown and White Crayon on Cream Paper. 31.6 by 27.5 cm.
Attributed works:
Sir David Wilkie (1785-1841). A Lady Descending from Her Carriage. (Fig.67). Some White Body-Colour and Water-Colours Brushed over Drawing in Black Chalk, on Paper. Signed and Dated, 1822. 13.5 by 18.9 cm.
Attributed works:
Sir Richard Westmacott, R. A. (1775-1856). Fragment of a Cast of the Original Clay Model for 'The Gypsy', 1832. (Fig.69). Plaster Coated in Stone Coloured Paint (Probably Original, Now Darkened). 29 cm High (From Fractured Chest to Top of Head).
Western art unattributed:
Anon. Probably Italian (Before 1693). Reduced Copy of an Ancient Roman Marble Relief. (Fig.61). Terracotta, with Some Old Plaster Repairs. 30 by 24.8 cm.
Book Review
The Life and Work of C. R. Cockerell
04/1976 | 877 | 118
Pages: 239-240
related names
Reviewer:
Stroud, Dorothy (Stroud, Dorothy)
Subjects
dates:
places:
Reviewed Items
subjects:
The Life and Work of C. R. Cockerell | author: Cockerell, Charles Robert , author: Watkin, David
Article
The Spirit of Despair: Patronage, Primitivism and the Art of John Flaxman
10/1975 | 871 | 117
Pages: 644-651
related names
Author:
Symmons, Sarah (Symmons, Sarah)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
19. The Massacre of the Innocents, by Nicolas Poussin. Canvas, 147 by 171 cm. (Musée Condé, Chantilly).
Attributed works:
20. Fury of Athamas, by John Flaxman. 1790-94. (The National Trust, Ickworth, Suffolk).
Attributed works:
22. Copy of Thirteenth-Century Last Judgement, by John Flaxman. c.1792. Black Chalk, 16.5 by 23.5 cm. From Flaxman Sketchbook No.832/8, f.59 Recto. (Fitzwilliam Museum, Cambridge).
Attributed works:
23. The Lake of Pitch. Engraving from John Flaxman's Illustrations to Dante, Plate 24, Canto 22, 1807 Edition, Engraved by Thomas Piroli.
Attributed works:
24. A Procession of Saints, by John Flaxman. Pen, Ink, and Wash, 47 by 66 cm. c.1783. Mount 832/1 g, from Large Flaxman Album. (Fitzwilliam Museum, Cambridge).
Attributed works:
25. Figure Drawing, by Thomas Stothard. Ink and Wash, from Stothard Album No.3689 n. p. (Fitzwilliam Museum, Cambridge).
Attributed works:
26. Chatterton Drawing, by John Flaxman. Black Chalk, 18.8 by 15.3 cm. c.1782. (British Museum).
Attributed works:
27. The Nightmare, by Fuseli. Canvas, 101 by 124.5 cm. 1781. Exh. 1782. (Institute of Arts, Detroit).
Attributed works:
28. Chatterton Taking the Poison from the Spirit of Despair, by John Flaxman. 1782. Pen and Brown Wash, 27 by 32 cm. (British Museum).
Attributed works:
29. Self Portrait, by John Flaxman. 1779. Pen, Brush with Brown Ink, 40 by 36 cm. (The Grammar School, Halesowen).
Western art unattributed:
21. Gaul Killing Himself and His Wife. c.240-200 B. C. (Terme Museum, Rome).
Short Notice
Géricault and Delacroix Seen by Cockerell
09/1971 | 822 | 113
Pages: 546-549+551
related names
Author:
Johnson, Lee (Johnson, Lee)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
68. Combat between Greeks and Amazons, by Théodore Géricault. c. 1816. Traced from the Engraving Reproduced in Fig.69. Pencil, 19.7 by 39.5 cm. (École des Beaux-Arts, Paris.)
Attributed works:
69. Combat between Greeks and Amazons, by F. Ruschweyh [Ruscheweyh]. 1814. Engraving, after a Bassae Relief, 16.8 by 35.5 cm. (Border.)
Attributed works:
70. Greek Carrying a Dead Comrade, by Théodore Géricault. c. 1816. Traced from the Engraving Reproduced in Fig.71. Pen and Brown Ink, 18.5 by 15.6 cm. (École des Beaux-Arts, Paris.)
Attributed works:
71. Combat between Greeks and Amazons, by F. Ruschweyh [Ruscheweyh]. 1814. Engraving, after a Bassae Relief, 16.7 by 38.8 cm. (Border.)
Attributed works:
72. Portrait of John Scandrett Harford, [by Sir Thomas Lawrence. Salon 1824. Canvas, 76 by 63 cm. (Collection Sir Timothy Harford, Bt.)
Attributed works:
73. Portrait of Lady Elizabeth Leveson-Gower, by Sir Thomas Lawrence. R. A. 1818. Canvas, 76 by 63 cm. (Collection the Countess of Sutherland.)
Attributed works:
74. Battle of the Centaurs and Lapiths, by Jules Robert Auguste, after a Bassae Relief. c. 1821. Pencil, Brown Wash, 14.14 by 23 cm. Formerly Collection Eugène Delacroix. (Private Collection, France.)
Attributed works:
76. Portrait of C. R. Cockerell, by Ingres. 1817. Pencil, 20.1 by 15.9 cm. (Sight.) (Collection the Late Mme D. David-Weill, Neuilly.)
Western art unattributed:
75. View of the New Gallery, Cleveland House. 1824.
Article
Ingres' Portrait Drawings of English People at Rome, 1806-1820
07/1939 | 436 | 75
Pages: 2-4+6-11+13
related names
Author:
Ford, Brinsley (Ford, Brinsley; Ford, Richard Brinsley)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
Mr. and Mrs. Woodhead and Mr. Comber, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing. 30.5 by 22.9 cm. (Brig. General H. A. Walker)
Attributed works:
Plate II. A-Sir John Hay and His Sister, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing (British Museum). Ingres' Portrait Drawings of English People at Rome, 1806-1820.
Attributed works:
Plate II. B-Mrs. Vesey and Her Daughter, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing (Whereabouts Unknown). Ingres' Portrait Drawings of English People at Rome, 1806-1820.
Attributed works:
Plate III. A-Lord Grantham, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing. (Capt. Edward Compton). Ingres' Portrait Drawings of English People at Rome, 1806-1820
Attributed works:
Plate III. B-John William, Viscount Hinchingbrook, by J. A. D. Ingres. Signed and Dated 1815. Pencil Drawing (The Earl of Sandwich). Ingres' Portrait Drawings of English People at Rome, 1806-1820
Attributed works:
Plate III. C-Mrs. Margaret Badham, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing (The Late Ambassador and Mrs. Jesse L. Strauss). Ingres' Portrait Drawings of English People at Rome, 1806-1820
Attributed works:
Plate III. D-Mr. Thomas Church, by J. A. D. Ingres. Signed and Dated 1816. Pencil Drawing (The Hon. Mrs. Wilson). Ingres' Portrait Drawings of English People at Rome, 1806-1820
Short Notice
Ingres Portrait of Charles Robert Cockerell
09/1918 | 186 | 33
Pages: 112
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