A-The Rape of Europa. Mortlake Tapestry, Seventeenth Century. 251 by 305 cm., Reduced by Folding to 251 by 251 cm. (Chirk Castle, North Wales). Shorter Notice: The English "Metamorphoses": A Confirmation of Origin
Western art unattributed:
B-Cadmus Superintending the Building of Thebes. Mortlake Tapestry, Seventeenth Century. 251 by 442 cm., Reduced by Folding to 244 by 305 cm. (Chirk Castle, North Wales). Shorter Notice: The English "Metamorphoses": A Confirmation of Origin
Western art unattributed:
C-Cadmus in Combat with the Dragon. Mortlake Tapestry, Seventeenth Century, 251 by 373 cm. (Chirk Castle, North Wales). Shorter Notice: The English "Metamorphoses": A Confirmation of Origin
Western art unattributed:
D-The Wedding of Cadmus and Harmonia. Mortlake Tapestry, Seventeenth Century. 251 by 387 cm., Reduced by Folding to 251 by 274 cm. (Chirk Castle, North Wales). Shorter Notice: The English "Metamorphoses": A Confirmation of Origin
"Alexander of Scotland in Italy," Here Identified as Probably the Submission of the Kings of Cappadocia, Cyprus and Phœnicia to Alexander the Great. Third Quarter of the Fifteenth Century. Flemish Gothic Tapestry, 3.55 by 5.33 m. (Mr. Lionel Harris.). Shorter Notices: The "Alexander of Scotland" Tapestry
Plate I. Tapestries of the Sacraments, Probably Touraine Work, from Ronceray Abbey, Angers. A and D-(Château de Langeais). B-(M. Jumel, Amiens) C-(Leeds Castle). The Ronceray Tapestries of the Sacraments
Western art unattributed:
Plate II. Tapestries of the Sacraments, Probably Touraine Work, from Ronceray Abbey, Angers. A and B-(Leeds Castle). C-(Louvre). D-(Museum of Fine Arts, Boston). The Ronceray Tapestries of the Sacraments
Plate I. The Seigneur Administering Justice; Late Fifteenth Century Tournai Tapestry. (Figdor Collection, No. 36). Shorter Notices: The Figdor Tapestries