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2 articles
Article
Carlo Maratti’s additions to the ‘Barberini Venus’
03/2022 | 1428 | 164
Pages: 260-265
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. The Barberini Venus, attributed to Giulio Mazzoni, shortly after 1550 (?) with additions by Carlo Maratti, 1693. Mural in oil with tempera, 163 by 190 cm. Photographed before the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
2. Fig.1, photographed after the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
3. Schematic reconstruction of the painting shown in Fig.1. From P. Iazurlo: ‘La Venere Barberini: un dipinto di Giulio Mazzoni da Palazzo Capodiferro’, Storia dell’arte 22–23 (2009), p.82.
Attributed works:
4. Detail of Fig.1, showing the face of Venus.
Attributed works:
5. Detail of Fig.2, showing the face of Venus.
Attributed works:
6. Fig.1, photographed during the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
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Advertisements September 2002 (front)
09/2002 | 1194 | 144
Pages: i-xvi
Subjects
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artists:
Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.