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Publication Received
Natur als Garten. Barbizons Folgen. Frankreichs Maler des Waldes von Fontainebleau und die Münchner Landschaftsmalerei
05/2006 | 1238 | 148
Pages: 355
related names
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Cornelis, Bart (Cornelis, Bart; C., B.)
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Reviewed Items
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Natur als Garten. Barbizons Folgen. Frankreichs Maler des Waldes von Fontainebleau und die Münchner Landschaftsmalerei | author: Bertuleit, Sigrid , author: Valter, Claudia
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05/2005 | 1226 | 147
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Ben Elwes, London. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005.A Neapolitan coastal view from Pozzuoli, by Thomas Jones (British, 1742-1802). 1781. Oil on canvas, 73.6 by 97.8 cm.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. JUSTUS SUSTERMANS (Anvers 1597-Florence 1681). Portrait of Ferdinando II de'Medici, Grand Duke of Tuscany. Oil on canvas, 128.5 x 105.2 cm. Stretcher and lining recent.]
Attributed works:
[Didier Aaron, Inc., New York. The Internationa Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The abduction of Oreithya, by François-André Vincent 81746-1816). 89 by 70.5 cm. Signed and dated lower left: 'Vincent 1781']
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. The Favourite or the elder sister, by Louis Léopold Boilly (1761-1845). Charcoal with white heightening on grey paper, 35.4 by 29.7 cm. Signed lower right: 'OEL Boilly']
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Orazio BORGIANNI. Florence, 1574-1616. Saint Charles Borromeo Visiting the Plague-Stricken. Oil on canvas. cm 63 x 49,8 (24 13x16 x 19 5/8). This bozzetto is a preparatory study for the celebrated altarpiece of the same subject, executed by the artist for the Mercedarian Fathers of Sant'Adriano in Rome.]
Attributed works:
[Galerie Cazeau-Beraudiere, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Poeme II, by Joan Mirò (1893-1983). Oil and acrylic on canvas, 205 by 174 cm. Signed on the back: 'MIRO./POEME/17/V/68']
Attributed works:
[Galerie Eric Coatalem, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Seated oriental, by Eugène Delacroix (1798-1863). c. 1840. 43.5 by 44 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. ANTON RAPHAEL MENGS. (Aussig 1728-Rome 1779). Allegory of Pleasure. Oval, pastel on paper, H.620 mm. L. 490 mm]
Attributed works:
[Galerie Fabien Boulakia, Paris. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Le vase bleu, by Georges Braque (1882-1963). c. 1941. Oil on canvas, 65 by 50 cm. Signed lower left: 'G. Braque']
Attributed works:
[Guarisco Gallery, Washington. The Interantional Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. La maison sous l'église, le matin, by Henry Le Sidaner. (1862-1939). 1930. Oil on canvas, 91.4 by 71.1 cm. Signed lower right.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. MASTER OF ALZIRA (active between 1527 and 1533). The Deposition. Oil on panel 50 x 41 cm. 19 5/8 x 16 1/8 in.]
Attributed works:
[Jack Kilgore & co., New York. The International FIne Art Fair. The seventh Regiment Armory, New York, 13th-18th May 2005. Moses striking the rock, by Hendrick van Balen and Jan Brueghel the Elder. Oil on copper, 44.5 by 66.7 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Cornelius Varley (1781-1873). Watercolour.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. A wooded river landscape with travellers resting near a tower, by Thomas Gainsborough, R.A. (1727-1788). c. 1750. Oil on canvas, 23.5 by 31.1 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. The International Fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Madonna of humility and blessing... with saints and other figures. Portable devotional triptych by the Master of the Terni Dormitio (active and 14th c to 1415).]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Ernst Ludwig Kirchner. Franzi in front of carved Chair, 1910.]
Attributed works:
[Museo Thyssen-Bornemisza, Madrid. Hans Memling. Portrait of a young man at preyer, c. 1485.]
Attributed works:
[Neumeister. Fine Art Auctioneer. Barer Strasse 37. 80799 Munich. Urbino, dat. 1545. Francesco Durantino.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. FRANCISCO DE ZURBARAN, 1598-1664, Spanish School. The Virgin presenting the Habit of Mercy to St. Peter Nolasco. 42 1/2 x 32 inches (108 x 81 cm)]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Maestro della Madonna del Giunchetto. Arezzo (Italy), circa 1490-1510. Virgin and Child. Terracotta. Height: 110 cm]
Attributed works:
[Stiebel. New York, Upper Eastside. "Cosimo de' Medici III" by Antonio Montauti.]
Attributed works:
[Stoppenbach & Delestre, London. The International Fine Art Fair. The Sevent Regiment Armory, New York, 13th-18th May 2005. Paysage à l'Estaque, by André Derain (1880-1954). 1906. Oil on canvas, 53.5 by 65.5 cm]
Attributed works:
[Thomas Le Claire, Hamburg. The International FIne Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Rearing Horse, by Edgar Degas (1834-1917). Charcoal on paper, 31.7 by 22.8 cm. Stamped lower left with the red signature stamp of the estate (Lugt 658).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. BENEDETTI LUTI. Florence 1666-1724 Rome. Portrait of a Boy Wearing a Blue Jacket, 1717. Pastel. Inscribed and dated on a label attached to the back of the frame, Rome 1717/Il Caval. Benedetto Luti Fec[it]. 16 x 13 inches (405 x 330 mm)]
Western art unattributed:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Franco-Flemish artist, active in Burgundy (c.1400). The Adoration of the Magi with St. Anthony Abbot. Panel, 34 3/4 x 67 1/2 in.]
Western art unattributed:
[Trinity Fine Art, London. The International fine Art Fair. The Seventh Regiment Armory, New York, 13th-18th May 2005. Standing angel, attribuited to Giovanni Rinaldi, called 'Monsu' Giovanni' (active 1668-1672). Roman, 17th century. Silver and gilt bronze.]
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09/2004 | 1218 | 146
Pages: i-xiv
Subjects
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subjects:
Illustrations
Attributed works:
[Antiquariat Bibermuhle. Bibermuhle. Book of Hours, by the Master of Girard Acarie (or Master of Fraçois Ier). Paris, c. 1515-18. Illuminated manuscript on vellum with 27 (15 large) miniature. Complete and in the finest state of preservation, from the famous Yussoupoff collection.]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Juan Reixach (active 1431-1486). Saint Vincent Ferrer. Tempera on gold ground panel, shaped top. 75 5/8 x 40 3/4 in. (187x103.5cm)]
Attributed works:
[Brame & Lorenceau. Paris. Still life with fish, by Carolus-Duran (1837-1917). 1866. Oil on canvas, 91.5 x 160.5 cm. Signed and dated at lower right.]
Attributed works:
[Brimo de Laroussilhe. 7, Quai Voltaire, Paris. Maestro Aloy, Catalonian, middle of the XIV century. Mourner from the royal tombs of the Abbey of Poblet commissioned by King Pedro IV in 1349. Alabaster. Height: 30 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Livio Mehus (Oudenarde 1627-Florence 1691). Last communion of the apostles. Oil on canvas (lined), 79. by 70 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Medallion showing three profiles of Roman emperors (recto) and the head of Medusa (verso), by Jean Thierry (1669-1739). Alabaster, 28.2x26.5 cm]
Attributed works:
[Clars Auctions. 5644 Telegraph Ave. Oakland, USA. Circle of Giacinto Brandi (Italian 1623-1691). Framed oil on canvas. Susannah and the ELders.]
Attributed works:
[Clars Auctions. 5644 Telegraph Ave. Oakland, USA.Paulus Constantijn La Fargue (Dutch 1732-1782). Framed oil on panel, depicting east-northeast view of Leidschendam (between The Hague and Leiden) and the Delftsekade, signed lower left.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Pair of candelabra, by George Bullock (c. 1782-1818). Gilt bronze and blackened rosewood with brass and rosewood marquetry, 206x50x34.5cm]
Attributed works:
[Galerie Berès. Paris. Seated woman, by Jacques Lipchitz (1891-1973). 1918. Gouache on panel, 46 by 37.8 cm. Signed at lower left.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Giovanni Battista Langetti. Genoa, 1635-Venice, 1676. Archimedes with Allegorical Figures of War and Peace. Oil on canvas, 69 11/16 x 92 1/2in. (177x235cm.)]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Still life with fruit (grapes,quinces, a watermelon and pomegranates), by the Master of the Acquavella still life (Rome, active between ?1615 and 1630-35). Oil on canvas, 76 x 61.4 cm]
Attributed works:
[Galerie Lestranger. 38 Rue de l’Université, Paris. Théodore Caruelle D'Aligny (1798-1871), Saint Jérome dans le Désert, huile sur toile, 17.8 x 16.2 cm]
Attributed works:
[Galerie Patrice Bellanger. Paris. Faun and Child, by Christophe Veyrier (1637-1689). c. 1680. Gilded terracotta model, height: 82cm; base 27x21.5 cm.]
Attributed works:
[Habolt & Co. New York. Half-length portrait of a beared man, probably a duke of Poméraine, wearing an embroided hat, by Lucas Cranach the Elder (1472-1553). 1534. Oil on panel, 49x 35 cm. Signed and dated at top left.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Portrait of Ida, circa 1900. Pencil. 10 x 8 1/2 inches; 25.5 x 21.5 cm. Signed John.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. Giovanni da Milano. Florence and Rome, 1346-1369. St, Michael Panel, 33x10.2 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. Virgin and Child with two angels, by Biagio d'Antonio (Florence, active c. 1445-1510). Panel, 28.8 x 24.4 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Two seated women drinking absinthe, by Hermann-Paul (1864-1940). Charcoal and pastel, 37x25.4 cm. Signed at lower right.]
Attributed works:
[Robert C. Noortman, Maastricht. Festival in Venice, by Félix Ziem (1821-1911). Oil on canvas, 50x80.9 cm. Signed at lower right.]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Beach scene at Dieppe, by Karl-Pierre Daubigny (1846-1886). 1882. Oil on canvas, 25.8x46.1 cm. Signed and dated at lower left.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Adolph v. Menzel: Bearded Man. Black chalk, pencil. 1887. (21,5x13cm). Monogrammed, dated.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Albrecht Durer: Hercules. Engraving about 1498. (32x22,2). Ref.: B.73. M. 63, III, b (of f)]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Franz Alt: Baden-Baden. Watercolour 1883. (35,7 x 36 cm). Signed, dated, described]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Ludwig Passini: Venice, Corte Vecchia. Watercolour 1855. (46,5x32,9) Signed, dated, described.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Pablo Picasso: Bull and picador. Black felt pen 1964 (in a sketch-book from Tymian Pachl). (44x32cm). Signed, dated, described ,,Arles''.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Pablo Picasso: Sculptor and model with sculpture group. Drypoint etching 1933. (Suite Vollard). (19,3x26,8cm). Ref.: Bl. 167. Baer 320, B, d. signed.]
Western art unattributed:
[Anthony Blumka. New York. Reliquary with crucifixion group. France (Limoges), 1190-95. Champlevé enamel on gilt copper, original gilt copper comb set with three cabochon rock crystals, 21.5 x 16.5 cm]
Western art unattributed:
[Brimo de Laroussilhe. 7, Quai Voltaire. Paris. Detail of Corpus of Christ. French or English, c. 1280. Walrus ivory, height: 19cm.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Flemish feuille de choux tapestry. Mid-16th Century, probably Audenarde or Enghien. 328x390 cm (129x153 1/2in)]
Western art unattributed:
[Galerie Chevalier. Paris. The Astronomers. Beauvais Royal Manufactory, early 18th century. Wool and silk, 318x232 cm]
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07/2003 | 1204 | 145
Pages: i-xii
Subjects
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Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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02/2003 | 1199 | 145
Pages: i-viii
Subjects
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Illustrations
Attributed works:
After Muybridge - Study of 'the human figure in motion: Woman emptying a bowl of water and paralytic child walking on all fours', by Francis Bacon. 1965. 198 by 147.5 cm. (Stedelijk Museum, Amsterdam).
Attributed works:
[Elwes & Hanham LTD, 14 Old Bond Street, London, UK] Alexandre-Marie Colin (1798-1873) Portrait of Eugene Delacroix in his Studio Oil on wooden cigar-box lid 10 x 6 / inches: 25.2 x 16.5 cm Painted circa 1830
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A James II tankard; engraved with a contemporary Armorial. Made in London in 1686 by Benjamin Traherne. Height: 15.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A small William and Mary period oyster veneered chest of drawers. English, c. 1690. Height: 79 cm. Width: 85 cm. Depth: 56 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Articulated Form, 1951, chalk and gouache on board. Private Collection
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Bouquet on a table with a wine glass, by S.J. Peploe. Scottish, c. 1906. Oil on canvas, 24.4 x 35.6 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Christ Appearing to St Mary Magdalene, 1961, oil on canvas. Pallant House Gallery, Chichester
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Eve Dansant, by Enoch-Henryk Glicenstein. Italian, c. 1920. Bas relief. Oak, 115 x 29 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Graham Sutherland (1903-1980) Self-portrait 1977 Oil on canvas Private collection. Italy, © estate of Graham Sutherland
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Grey Day, Cagnes by Sir Matthew Smith RA, French, c. 1933. Oil on canvas, 38 x 46 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Landscape Study of Cairns, 1944, gouache and ink. Pallant House Galley, Chichester All images © Estate of Graham Sutherland
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Seated female nude, by George Grosz. German, c. 1915. Crayon with stamped signature, 30 x 22 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] The Deposition (detail) 1946, oil on millboard. The Syndics of the Fitzwilliam Museum, Cambridge
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] George Richmond, RA (1809-1896) Self Portrait Oil on canvas, 60 x 47 cm (23⅝ x 18½ in)
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Study for Portrait of John Edwards, 1986, oil and pastel on canvas, 78 x 58 in. / 198 x 147.5 cm
Attributed works:
[Tony Shafrazi Gallery, 119 Wooster Street, New York, New York] Bacon. Study from the Human Body, 1991, Oil on canvas, 78 x 58 inches / 198 x 147.5 cm
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Adam period elliptical card table of exotic timbers. English, c. 1785. Height: 74 cm. Width: 122 cm. Depth: 53 cm. Anthemion, Grange-Over-Sands
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An early eighteenth century elaborately carved wooden console with the original mecca gilding and a breccia fantasia marble top. Italian, circa 1715. Height: 91.4 cm. Width: 152.3 cm. Depth: 66 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Detail of a fine limewood statue of the Virgin and Child with polychrome and gilt decoration. German, c. 1500. Height: 120 cm.
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09/2002 | 1194 | 144
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.
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Pages: i-iv
Subjects
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subjects:
Illustrations
Attributed works:
Portrait of Claude Dupouch, by Maurice-Quentin de La Tour. Pastel on Paper, 60 by 50 cm. (Musée Antoine Lécuyer, Saint-Quentin)
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Still Life of a Landscape, Fruits and 'Putti', by Michelangelo Pace, Called Michelangelo del Campidoglio. Rome, 1610-1670. Oil on Canvas, 100 × 150 cm. Plus Art, Monte Carlo
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Horses in Watering Place, by Pietro Giacomo Palmieri (Bologna 1737-1804). Pen and Wash Drawing with Brown Ink, 17 × 25 cm. Galerie Artesepia et R-F Teissedre, Paris
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] The Caleche in Front of the Shepherd's Hut, by Francesco Foschi (Ancona, 1710 - Rome 1780). Oil on Canvas, 124 × 175 cm. Maison d'Art, Monte Carlo
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Theodore Gericault (1791-1824) Trois hommes abattant un taureau Pen and Brown Ink, 16.2 × 23.2 cm
Non-western art unattributed:
[Nasser Carpets, 522 N. La Cienega Blvd, Los Angeles, USA] Antique Serapi Carpet 8.00m × 4.88m (26′3″ × 16′) Circa 1890
Western art unattributed:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Bust Figuring the Emperor Julius Caesar. Rome, Second Part of the 7th Century. Carrara Marble, ht. 100cm. Antichità, Rome
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Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Coastal Landscape, by Claude Monet. c.1864. 53.2 by 80.7 cm. (Van Gogh Museum, Amsterdam; See the Supplement, p.604).
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Johann Moritz Rugendas (Augsburg 1802 - 1858 Weilheim/Teck) Fight between Chilean Indians (Araucanians) and Soldiers from Argentina. Oil and Pencil on Canvas, about 1845. Study probably to 'La Cautiva' (Cycle). 21 × 25.8 cm. Exhibited: 1998 Augsburg: Städt. Kunstsammlungen, 'Rugendas. Eine Künstlerfamilie in Wandel und Tradition'.
Attributed works:
[Brimo de Laroussilhe, 7 Quai Voltaire, 75007 Paris, France] Morse Ivory Reliquary Pectoral Cross. Late Anglo-Saxon or Ottonian. 11th Century. Height: 8 cm. Width: 5.5 cm.
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Vases Allegorical of Land and Sea. Signed Eugene Cornu and G. Viot. Of Carrara Marble. French. Dated 1867. Exhibited: Paris International Exhibition 1867. Measurements: Height: 45″ (114.5 cm); Width: 30″ (76 cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] A Violinist by Alphonse Legros (1837-1911). Oil on Canvas, Signed Lower Right, 52 × 41 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] François Van Loo (1708 - 1732). A Reclining Nude Seen from the Back. Oil on Canvas: 104 × 142 cms.
Attributed works:
[Exh. Dallas International Art and Antique Fair] Music Szalon, San Francisco. Landau Fine Arts, Montreal
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giulio Carpioni (Venice, 1613 - Vicenza, 1678). Pan and Syrinx. Oil on Canvas, 53.5 by 45.5 cm.
Attributed works:
[Mall Galleries, The Mall, London, UK] Grand Chef - Alexis Pellissou by Christopher Prewett
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] An Italian Empire Giltwood and Composition Console Table (178cm Wide). To be Included in Our 3rd October Sale. Estimate: £25,000-35,000
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Avant Barbizon: Antoine-Laurent Castellan a Fountainebleau Trees at Dusk, 1819. Watercolour, 14.1 × 18.9 cm.
Attributed works:
[Tate Gallery, Millbank, London, UK] John Bettes, A Man in a Black Cap, 1545 (Detail)
Attributed works:
[Tate Gallery, Millbank, London, UK] Lucian Freud, Leigh Bowery, 1991
Attributed works:
[Triple Gallery, P.O. Box CH-3047 Bremgarten-Berne, Switzerland] Stefano della Bella (1610-1664), A Horseman Wrapped in a Cloak Fighting against the Wind in an Extensive Landscape. Black Chalk, Pen and Brown Ink, Grey-Brown Wash, 151 × 193 mm.