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58 articles
Short Notice
‘Victory at San Pietro in Casale’ in the Galleria Doria Pamphilj, Rome
02/2025 | 1463 | 167
Pages: 154–157
related names
Author:
C. Leone, Stephanie (C. Leone, Stephanie)
Author:
Serrani, Alessandro (Serrani, Alessandro)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Victory at San Pietro in Casale, here attributed to Giovanni Andrea Sirani and others. 1649–51. Oil on canvas, 188 by 275 cm. (© ADP s.r.l.; Galleria Doria Pamphilj, Rome).
Attributed works:
3. Supper at the house of Simon the Pharisee, by Giovanni Andrea Sirani. 1652. Oil on canvas, 380 by 490 cm. (S. Girolamo alla Certosa, Bologna; su concessione del Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
2. View of the siege of Castro. 1641 or later. Engraving, 34.6 by 48.5 cm. (© His Majesty King Charles III, 2025; Royal Collection Trust).
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08/2023 | 1445 | 165
Pages: i-xii
Subjects
artists:
Illustrations
Attributed works:
Carlo Maratta Portrait of Gasparo Marcaccioni c.1672–74 Oil on canvas, 98 × 72 cm [Trinity Fine Art]
Attributed works:
From ‘Knottings, nothings, knots and no things’, by Emma McNally. 2023. (Commissioned for Burlington Contemporary Journal Issue 8).
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343
Attributed works:
Jeff Koons, Gazing Ball ( Centaur and Lapith Maiden), 2013. Plaster and glass, 249.2 x 226.4 x 80 cm [Robilant and Voena].
Western art unattributed:
A West-Indian emancipated wedding party of Free People of Colour, in affluent and fashionable dress Circa 1850 The British Virgin Islands £10,000-£15,000 [Sloane Street Auctions]
Letter
Laguerre’s Painted Hall at Chatsworth
05/2023 | 1442 | 165
Pages: 493
related names
Contributor:
Strunck, Christina (Strunck, Christina)
Subjects
Article
A modello by Louis Laguerre and the programme of the Painted Hall at Chatsworth
08/2022 | 1433 | 164
Pages: 760-767
related names
Author:
Marandet, François (Marandet, François)
Subjects
dates:
Illustrations
Attributed works:
1. Ruth and Boaz, here attributed to Louis Laguerre. c.1716. Oil on canvas, 38 by 63 cm. (Location unknown).
Attributed works:
10. The assassination of Julius Caesar, with the soul of Caesar transformed into a comet, by Antonio Tempesta. 1606. Engraving, 10.7 by 12 cm.
Attributed works:
11. The assassination of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
12. The apotheosis of the Duke of Buckingham, by Peter Paul Rubens. Before 1625. Oil on panel, 64 by 64 cm. (National Gallery, London).
Attributed works:
13. The apotheosis of Julius Caesar, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
2. Ruth and Boaz, by Louis Duguernier, after Louis Laguerre. 1717. Engraving, 10 by 15 cm. (From the Vinegar Bible, Oxford 1717).
Attributed works:
3. The Painted Hall, Chatsworth, Derbyshire, decorated by Louis Laguerre. 1695–97. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
4. Augustus ordering the closing of the doors of the Temple of Janus, here attributed to Louis Laguerre. c.1695. Oil on canvas, 54 by 126 cm. (Location unknown).
Attributed works:
5. Augustus ordering the closing of the doors of the Temple of Janus, by Carlo Maratta. c.1657. Oil on canvas, 280 by 275 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
6. Augustus ordering the closing of the doors of the Temple of Janus, by Louis Laguerre. 1695–97. Oil on plaster. (Painted Hall, Chatsworth House, Derbyshire; © The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
7. Detail of the east wall of the Painted Hall, Chatsworth House, showing the right-hand edge of the painting in Fig.6 and part of the painted frame and pilasters. (© The Devonshire Collections, Chatsworth; reproduced by permission of Chatsworth Settlement Trustees; photograph Paul Barker, 2014).
Attributed works:
8. Augustus ordering the closing of the doors of the Temple of Janus, by Louis de Boullogne. 1681. Oil on canvas, 176 by 215 cm. (Musée de Picardie, Amiens).
Attributed works:
9. St Ambrose forbidding the emperor Theodosius to enter Milan Cathedral, by Simon Thomassin, after Bon Boullogne. 1686. Engraving, 34 by 23 cm. (Bibliothèque Nationale de France, Paris).
Article
Carlo Maratti’s additions to the ‘Barberini Venus’
03/2022 | 1428 | 164
Pages: 260-265
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. The Barberini Venus, attributed to Giulio Mazzoni, shortly after 1550 (?) with additions by Carlo Maratti, 1693. Mural in oil with tempera, 163 by 190 cm. Photographed before the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
2. Fig.1, photographed after the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
3. Schematic reconstruction of the painting shown in Fig.1. From P. Iazurlo: ‘La Venere Barberini: un dipinto di Giulio Mazzoni da Palazzo Capodiferro’, Storia dell’arte 22–23 (2009), p.82.
Attributed works:
4. Detail of Fig.1, showing the face of Venus.
Attributed works:
5. Detail of Fig.2, showing the face of Venus.
Attributed works:
6. Fig.1, photographed during the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
New evidence for the ‘Barberini Apostles’ by Andrea Sacchi and Carlo Maratti
08/2019 | 1397 | 161
Pages: 653-659
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. St Peter, by Andrea Sacchi. 1631/44. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
2. St Matthew, by Carlo Maratti. 1660/61. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
3. St Matthias, by Carlo Maratti. 1696. Canvas, 221 by 152 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – I
10/2018 | 1387 | 160
Pages: 833-835
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
dates:
Illustrations
Attributed works:
1. Madonna of the pinks, by Jean Boulanger, after Raphael. c.1665–80? Engraving, 44.8 by 31.5 cm. (Wellcome Collection, London).
Attributed works:
2. Madonna of the pinks (‘Madonna dei garofani’), by Raphael. c.1506–07. Panel, 27.9 by 22.4 cm. (National Gallery, London).
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06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
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