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Exhibition Review

Glasgow International. Various locations

07/2018 | 1384 | 160

Pages: 599-601

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related names

Reviewer:

Thompson, Susannah (Thompson, Susannah)

Subjects

art literature:

Obrist, Hans-Ulrich

artists:

Himid, Lubaina / Jane, E. / Pandhal, Hardeep / Eatough, Graham / Sutcliffe, Stephen / Peter, Mick / Leckey, Mark / Kiwanga, Kapwani / Shani, Tai / Nicoll, Janie / Rutherford, Ailie / Ottinger, Ulrike / Ferrer, Esther / Linder / Fields, Duggie / Fields, Duggie

dates:

2010-2019

media:

Paintings / Sculpture / Videos / Mixed media / Installations (visual works) / Performance art / Ceramics / Art objects

museums and institutions:

places:

Great Britain / Glasgow

subjects:

Glasgow International / Conceptual art / Gender / Race / Class / Politics / Feminism / Theatre design / Literature in art

subjects:

Science fiction / Cultural tourism / Colonialism / Postcolonialism

Illustrations

Attributed works:

31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).

Attributed works:

32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).

Attributed works:

33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).

Exhibition Review

Glasgow International. Glasgow

07/2016 | 1360 | 158

Pages: 574-576

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related names

Reviewer:

Vasey, George (Vasey, George)

Subjects

artists:

Henderson, Tamara / Boyce, Martin, b. 1967 / Hicks, Sheila / Bircken, Alexandra, b. 1967 / Rottenberg, Mika, b. 1976 / Barclay, Claire, b. 1968 / Johnson, Helen, b. 1979 / Bonin, Cosima von / Takala, Pilvi, b. 1981

dates:

2010-2019

museums and institutions:

Tramway, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / The Albus, Glasgow, Great Britain

museums and institutions:

Mitchell Library, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain

places:

Scotland / Glasgow

subjects:

Reviews / Exhibitions

subjects:

Glasgow International

Illustrations

Attributed works:

58. Installation view of Seasons End, by Tamara Henderson. 2016 (Courtesy of the artist and Rodeo; exh. Mitchell Library, Glasgow)

Attributed works:

59. The Mighty Mathilde and Her Consort, by Sheila Hicks. 2016 (Courtesy of the artist and Alison Jacques Gallery; exh. Tramway, Glasgow)

Attributed works:

60. Installation view of Bright Bodies, by Claire Barclay. 2016 (Courtesy of the artist and Stephen Friedman Gallery; exh. Mitchell Library, Glasgow)

Exhibition Review

Turner Prize; Glasgow exhibitions

01/2016 | 1354 | 158

Pages: 053–055

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related names

Reviewer:

Jeffrey, Moira (Jeffrey, Moira)

Subjects

artists:

Assemble (art collective) / Camplin, Bonnie, b. 1970 / Kerbel, Janice, b. 1969 / Wermers, Nicole, b. 1971

dates:

2010-2019

museums and institutions:

Tramway, Glasgow, Great Britain / Glasgow Sculpture Studios, Glasgow, Great Britain / Museum of Modern Art, Glasgow, Great Britain

places:

Scotland / Glasgow

private galleries:

42 Carlton Place, Glasgow, Great Britain

subjects:

Reviews / Exhibitions / Turner Prize

Illustrations

Attributed works:

67. Untitled chairs, a part of Infrastruktur, by Nicole Wermers. 2015 (Herald Street Gallery, London; exh. Tramway, Glasgow)

Attributed works:

68. Installation view of Granby workshop, by Assemble. 2015 (exh. Tramway, Glasgow)

Attributed works:

69. Concrete building, by Adrian Morris. 1972 (Courtesy the artist's estate; exh. 42 Carlton Place, Glasgow)

Attributed works:

70. Installation view of Darling, Gutter, by Nicolas Deshayes. 2015 (Glasgow Sculpture School)

Exhibition Review

GENERATION

09/2014 | 1338 | 156

Pages: 619-622

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related names

Reviewer:

Barratt, Martha (Barratt, Martha)

Subjects

artists:

Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981

artists:

Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981

artists:

Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971

dates:

2010-2019

museums and institutions:

National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain

museums and institutions:

Tramway, Glasgow, Great Britain

places:

Glasgow / Edinburgh / Scotland

private galleries:

The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain

subjects:

Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)

subjects:

Prints / Videos

Illustrations

Attributed works:

55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).

Attributed works:

56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).

Attributed works:

57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).

Attributed works:

58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).

Attributed works:

59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).

Exhibition Review

British Art Show 7. Nottingham, London, Glasgow and Plymouth

02/2011 | 1295 | 153

Pages: 121-122

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related names

Reviewer:

Griffin, Christopher (Griffin, Christopher)

Subjects

dates:

2010-2019 / 2000-2009

dates:

2010-2019

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Peninsula Arts, Plymouth, Great Britain / Plymouth Arts Centre, Plymouth, Great Britain / Plymouth City Museum and Art Gallery, Plymouth, Great Britain / Slaughterhouse, Royal William Yard, Plymouth, Great Britain / Hayward Gallery, London, Great Britain

museums and institutions:

Nottingham Contemporary, Nottingham, Great Britain

places:

Glasgow / London / Nottingham / Plymouth / Scotland / England

print:

Contemporary art

print:

British art

subjects:

Reviews / Exhibitions / British painting / British sculpture / Art / British / Video / Film (cinema) / Films (motion pictures) / Videos

Reviewed Items

subjects:

British Art Show 7 | institution: Hayward Gallery , institution: Nottingham Contemporary , institution: Plymouth City Museum and Art Gallery , institution: Slaughterhouse, Royal William Yard , institution: Tramway

Illustrations

Attributed works:

45. Bernadette, by Duncan Campbell. 2008. Film still. (Copyright of the artist; courtesy of Hotel Gallery, London; exh. Hayward Gallery, London).

Attributed works:

46. Twenty rolls of tape, by Cullinan Richards. 2010. Mixed media, dimensions variable. (Courtesy of the artist; exh. Hayward Gallery, London).

Attributed works:

47. User group disco, by Elizabeth Price. 2009. Film still. (Courtesy of the artist and MOT International; exh. Hayward Gallery, London).

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