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3 articles
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
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related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
Obrist, Hans-Ulrich
artists:
Himid, Lubaina / Jane, E. / Pandhal, Hardeep / Eatough, Graham / Sutcliffe, Stephen / Peter, Mick / Leckey, Mark / Kiwanga, Kapwani / Shani, Tai / Nicoll, Janie / Rutherford, Ailie / Ottinger, Ulrike / Ferrer, Esther / Linder / Fields, Duggie / Fields, Duggie
dates:
2010-2019
media:
Paintings / Sculpture / Videos / Mixed media / Installations (visual works) / Performance art / Ceramics / Art objects
museums and institutions:
Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain / Trongate 103, Glasgow, Great Britain / Platform, Glasgow, Great Britain / Glasgow Project Room, Glasgow, Great Britain / Many Studios, Glasgow, Great Britain / Hunterian Museum and Art Gallery, Glasgow, Great Britain
places:
Great Britain / Glasgow
subjects:
Glasgow International / Conceptual art / Gender / Race / Class / Politics / Feminism / Theatre design / Literature in art
subjects:
Science fiction / Cultural tourism / Colonialism / Postcolonialism
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).
Exhibition Review
Contemporary round up. London
04/2017 | 1369 | 159
Pages: 329-330
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related names
Reviewer:
Parry, Richard (Parry, Richard)
Subjects
artists:
Miró, Joan / Chaimowicz, Marc Camille / Metzger, Gustav
artists:
Furnival, John / Cox, Kenelm / Houédard, Sylvester / Cobbing, Bob, 1920-2002 / Almeida, Sonia
artists:
Mayer, Peter
dates:
2010-2019
places:
London / England
private galleries:
Marian Goodman Gallery, London, Great Britain / Raven Row, London, Great Britain / Richard Saltoun Gallery, London, Great Britain / The Approach, London, Great Britain
private galleries:
Herald Street, London, Great Britain / Tanya Leighton, Berlin, Germany / The Modern Institute, Glasgow, Great Britain
subjects:
Reviews / Exhibitions
subjects:
Concrete poetry
Illustrations
Attributed works:
59. Integration Alone Is Not Enough, by Bob Cobbing. 1966 (Richard Saltoun, London)
Attributed works:
60. Miró and Life in General: Relevant, by John Baldessari. 2016 (Marian Goodman Gallery, London)
Attributed works:
61. Mass Media: Today and Yesterday, by Gustav Metzger. 1972/2017 (Courtesy of the artist; exh. Raven Row, London)
Exhibition Review
GENERATION
09/2014 | 1338 | 156
Pages: 619-622
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related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971
dates:
2010-2019
museums and institutions:
National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain
museums and institutions:
Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain
museums and institutions:
Tramway, Glasgow, Great Britain
places:
Glasgow / Edinburgh / Scotland
private galleries:
The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain
subjects:
Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)
subjects:
Prints / Videos
Illustrations
Attributed works:
55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).
Attributed works:
56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).
Attributed works:
58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).
Attributed works:
59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).