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Exhibition Review

Glasgow International. Various locations

07/2018 | 1384 | 160

Pages: 599-601

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Reviewer:

Thompson, Susannah (Thompson, Susannah)

Subjects

art literature:

Obrist, Hans-Ulrich

artists:

Himid, Lubaina / Jane, E. / Pandhal, Hardeep / Eatough, Graham / Sutcliffe, Stephen / Peter, Mick / Leckey, Mark / Kiwanga, Kapwani / Shani, Tai / Nicoll, Janie / Rutherford, Ailie / Ottinger, Ulrike / Ferrer, Esther / Linder / Fields, Duggie / Fields, Duggie

dates:

2010-2019

media:

Paintings / Sculpture / Videos / Mixed media / Installations (visual works) / Performance art / Ceramics / Art objects

museums and institutions:

places:

Great Britain / Glasgow

subjects:

Glasgow International / Conceptual art / Gender / Race / Class / Politics / Feminism / Theatre design / Literature in art

subjects:

Science fiction / Cultural tourism / Colonialism / Postcolonialism

Illustrations

Attributed works:

31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).

Attributed works:

32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).

Attributed works:

33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).

Exhibition Review

Glasgow International. Glasgow

07/2016 | 1360 | 158

Pages: 574-576

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Reviewer:

Vasey, George (Vasey, George)

Subjects

artists:

Henderson, Tamara / Boyce, Martin, b. 1967 / Hicks, Sheila / Bircken, Alexandra, b. 1967 / Rottenberg, Mika, b. 1976 / Barclay, Claire, b. 1968 / Johnson, Helen, b. 1979 / Bonin, Cosima von / Takala, Pilvi, b. 1981

dates:

2010-2019

museums and institutions:

Tramway, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / The Albus, Glasgow, Great Britain

museums and institutions:

Mitchell Library, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain

places:

Scotland / Glasgow

subjects:

Reviews / Exhibitions

subjects:

Glasgow International

Illustrations

Attributed works:

58. Installation view of Seasons End, by Tamara Henderson. 2016 (Courtesy of the artist and Rodeo; exh. Mitchell Library, Glasgow)

Attributed works:

59. The Mighty Mathilde and Her Consort, by Sheila Hicks. 2016 (Courtesy of the artist and Alison Jacques Gallery; exh. Tramway, Glasgow)

Attributed works:

60. Installation view of Bright Bodies, by Claire Barclay. 2016 (Courtesy of the artist and Stephen Friedman Gallery; exh. Mitchell Library, Glasgow)

Exhibition Review

GENERATION

09/2014 | 1338 | 156

Pages: 619-622

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Reviewer:

Barratt, Martha (Barratt, Martha)

Subjects

artists:

Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981

artists:

Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981

artists:

Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971

dates:

2010-2019

museums and institutions:

National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain

museums and institutions:

Tramway, Glasgow, Great Britain

places:

Glasgow / Edinburgh / Scotland

private galleries:

The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain

subjects:

Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)

subjects:

Prints / Videos

Illustrations

Attributed works:

55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).

Attributed works:

56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).

Attributed works:

57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).

Attributed works:

58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).

Attributed works:

59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).

Exhibition Review

British Art Show 7. Nottingham, London, Glasgow and Plymouth

02/2011 | 1295 | 153

Pages: 121-122

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related names

Reviewer:

Griffin, Christopher (Griffin, Christopher)

Subjects

dates:

2010-2019 / 2000-2009

dates:

2010-2019

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Peninsula Arts, Plymouth, Great Britain / Plymouth Arts Centre, Plymouth, Great Britain / Plymouth City Museum and Art Gallery, Plymouth, Great Britain / Slaughterhouse, Royal William Yard, Plymouth, Great Britain / Hayward Gallery, London, Great Britain

museums and institutions:

Nottingham Contemporary, Nottingham, Great Britain

places:

Glasgow / London / Nottingham / Plymouth / Scotland / England

print:

Contemporary art

print:

British art

subjects:

Reviews / Exhibitions / British painting / British sculpture / Art / British / Video / Film (cinema) / Films (motion pictures) / Videos

Reviewed Items

subjects:

British Art Show 7 | institution: Hayward Gallery , institution: Nottingham Contemporary , institution: Plymouth City Museum and Art Gallery , institution: Slaughterhouse, Royal William Yard , institution: Tramway

Illustrations

Attributed works:

45. Bernadette, by Duncan Campbell. 2008. Film still. (Copyright of the artist; courtesy of Hotel Gallery, London; exh. Hayward Gallery, London).

Attributed works:

46. Twenty rolls of tape, by Cullinan Richards. 2010. Mixed media, dimensions variable. (Courtesy of the artist; exh. Hayward Gallery, London).

Attributed works:

47. User group disco, by Elizabeth Price. 2009. Film still. (Courtesy of the artist and MOT International; exh. Hayward Gallery, London).

Exhibition Review

Exhibitions of Contemporary British Sculpture. Birmingham, Dublin, Glasgow

12/1993 | 1089 | 135

Pages: 840-842

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related names

Reviewer:

Godfrey, Tony (Godfrey, Tony)

Subjects

dates:

1990-1999

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain

museums and institutions:

Trinity College, Douglas Hyde Gallery, Dublin, Ireland

museums and institutions:

Ikon Gallery, Birmingham, Great Britain

places:

England / Scotland / Birmingham / Birmingham / Dublin / Manchester / Glasgow / Bristol

private galleries:

Arnolfini Gallery, Bristol, Great Britain

private galleries:

Castlefield Gallery, Manchester, Great Britain

subjects:

Modern Art / British sculpture / Exhibitions / Reviews

Illustrations

Attributed works:

60. Inverted Architrave, by Edward Allington. 1990. (Exh. Ikon Gallery, Birmingham).

Attributed works:

61. The Enclosure of Sanctity, by Shirazeh Houshiary. 1992-3. Mixed Media, (Lisson Gallery, London; Exh. Douglas Hyde Gallery, Dublin).

Attributed works:

62. New Touchstone, by Peter Randall-Page. 1991. Kilkenny Limestone, 36.5 by 32.8 by 31 cm. (Private Collection, Devon; Exh. Castlefield Gallery, Manchester).

Attributed works:

63. Once upon a Duchamp, by Cathy de Monchaux. 1992. Velvet, Leather, Brass, Ribbons and Enamel. (Galerie Jennifer Flay, Paris; Exh. Centre for Contemporary Arts, Glasgow).

Exhibition Review

John Heartfield. Glasgow

05/1989 | 1034 | 131

Pages: 378-379

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related names

Reviewer:

Rainbird, Sean (Rainbird, Sean)

Subjects

artists:

Heartfield, John

dates:

1980-1989

museums and institutions:

Centre for Contemporary Arts, Glasgow, Great Britain

places:

Scotland / Glasgow

subjects:

Exhibitions / Reviews

Illustrations

Attributed works:

68. Adolf, the Superman: Swallows Gold and Spouts Junk, by John Heartfield. 31 by 24 cm. (Werkbund-Archiv, West Berlin; Exh. Glasgow Arts Centre).

Attributed works:

69. The Reichstag Fire Trail in Leipzig, by John Heartfield. 31 by 23 cm. (Werkbund-Archiv, West Berlin; Exh. Glasgow Arts Centre).

Attributed works:

70. The Meaning of the Hitler Salute, by John Heartfield. 37.5 by 27 cm. (Werkbund-Archiv, West Berlin; Exh. Glasgow Arts Centre).

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