By using this website you agree to our Cookie policy

Search

2 articles
Exhibition Review
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain
05/2025 | 1466 | 167
Pages: 494–7
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
Reviewed Items
subjects:
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain Estorick Collection, London 15th January–11th May | :
Illustrations
Attributed works:
13. Madrigale veneziano (Venetian madrigal) from Aeromusiche d’alfabeto in libertà: Marinetti Crali Cenisi, by Tullio Crali. 1944. (Private collection; exh. Estorick Collection, London).
Attributed works:
14. ishtar’s descent, by Dom Sylvester Houédard. 1971. Typed page 29.7 x 21 cm. (Courtest Lisson Gallery, London; exh. Estorick Collection, London).
Attributed works:
15. Untitled, by Dom Sylvester Houédard. 1967. Newspaper cuttings, fabric and PVC plastic, 35.7 by 33.7 cm. (Courtesy Lisson Gallery, London; exh. Estorick Collection, London).
Exhibition Review
Contemporary round up. London
04/2017 | 1369 | 159
Pages: 329-330
related names
Reviewer:
Parry, Richard (Parry, Richard)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
59. Integration Alone Is Not Enough, by Bob Cobbing. 1966 (Richard Saltoun, London)
Attributed works:
60. Miró and Life in General: Relevant, by John Baldessari. 2016 (Marian Goodman Gallery, London)
Attributed works:
61. Mass Media: Today and Yesterday, by Gustav Metzger. 1972/2017 (Courtesy of the artist; exh. Raven Row, London)