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93 articles
Exhibition Review
Die Fäden der Moderne: Matisse, Picasso, Miró und die französischen Gobelins
05/2021 | 1418 | 163
Pages: 457-459
related names
Reviewer:
Neumann-Golle, Antje (Neumann-Golle, Antje)
Subjects
art literature:
Reviewed Items
subjects:
Die F den der Moderne: Matisse, Picasso, Mir  und die franz sischen Gobelins Edited by Roger Diederen. 216 pp. incl. 140 col. ills. (Hirmer, Munich, 2020), €39.90. ISBN 978–3–7774–3456–8. | :
Illustrations
Attributed works:
10. Women at their toilette, by Pablo Picasso. Gobelins tapestry, designed 1937, second version in colour 1971–77. Wool, 290 by 425 cm. (Mobilier national, Paris;   Succession Picasso / DACS, London, 2021).
Attributed works:
11. Cheyt pyr, by Victor Vasarely. Beauvais tapestry, designed 1975, woven 1977. Wool, 258 by 258 cm. (Mobilier national, Paris;   ADAGP, Paris, and DACS, London, 2021).
Attributed works:
12. Chair with Aviation, from Salon de la Guerre, a set of furniture by Robert Bonfils and Maurice Dufr ne. Gobelins tapestry, designed 1922, woven 1925. Wool, silk, beechwood and gilding, 103 by 61 by 52 cm. (Mobilier national, Paris).
Attributed works:
9. Summer, from the series The Seasons, by Jean Lurçat. Aubusson tapestry (Atelier Goubely), designed 1939, woven 1940–41. Wool, 335 by 485 cm. (Mobilier national, Paris;   ADAGP, Paris, and DACS, London, 2021).
Exhibition Review
Marie Cuttoli: The Modern Thread from Miró to Man Ray
12/2020 | 1413 | 162
Pages: 1098-1101
related names
Reviewer:
Parrish, Sarah (Parrish, Sarah)
Subjects
art literature:
Reviewed Items
subjects:
Marie Cuttoli: The Modern Thread from Miró to Man Ray By Cindy Kang. 160 pp. incl. 100 col. ills. (Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London, 2020), £35. ISBN 978–0– 300–25131–9. | :
Illustrations
Attributed works:
18. Composition with three figures – Fragment, by Fernand Léger. 1932. Oil on canvas, 144.2 by 114.3 cm. (Carnegie Museum of Art, Pittsburgh; Artists Rights Society (ARS), New York / ADAGP, Paris 2020; exh. Barnes Foundation, Philadelphia).
Attributed works:
19. Rhythmic figures (woman and birds), designed by Joan Miró for Myrbor. 1934. Cotton and wool with silk, 195.6 by 175.3 cm. (Barnes Foundation, Philadelphia; © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2020).
Attributed works:
20. Evening dress, embroidery designed by Natalia Goncharova for Myrbor. c.1926. Silk with silk appliqué and metallic thread and wool yarn embroidery (Philadelphia Museum of Art).
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Advertisements (front)
04/2019 | 1393 | 161
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Exhibition Review
Joan Miró: Sculptures 1928–1982. Centro Botín, Santander
09/2018 | 1386 | 160
Pages: 786-788
related names
Reviewer:
Watkins, Nicholas (Watkins, Nicholas)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
19. The Centro Botín, Santander, photographed from the Pareda Gardens, June 2017. (Photograph Belen de Beneto).
Attributed works:
20. Souvenir de la Tour Eiffel, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 334 by 54 by 80 cm. (Private collection; exh. Centro Botín, Santander).
Attributed works:
21. Personnage et oiseau, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 104 by 63 by 20 cm. (Private collection; exh. Centro Botín, Santander).
Obituary
William B. Jordan (1940–2018)
05/2018 | 1382 | 160
Pages: 440
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
dates:
media:
places:
Illustrations
Western art unattributed:
2. William B. Jordan and the portrait of Philip III by Diego Velázquez that he donated to the Museo Nacional del Prado in 2016. (Courtesy Museo Nacional del Prado, Madrid).
Exhibition Review
Contemporary round up. London
04/2017 | 1369 | 159
Pages: 329-330
related names
Reviewer:
Parry, Richard (Parry, Richard)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
59. Integration Alone Is Not Enough, by Bob Cobbing. 1966 (Richard Saltoun, London)
Attributed works:
60. Miró and Life in General: Relevant, by John Baldessari. 2016 (Marian Goodman Gallery, London)
Attributed works:
61. Mass Media: Today and Yesterday, by Gustav Metzger. 1972/2017 (Courtesy of the artist; exh. Raven Row, London)
Advertisements
Advertisements September 2016 (front)
09/2016 | 1362 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Giovanni Boldini. Statue in the Park of Versailles]
Attributed works:
[Bottegantica, Milan. Female nude with black stockings, by Giovanni Boldini (1842-1931). Oil on panel, 33 by 55 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625 - 1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm.)]
Attributed works:
[Charles Beddington Ltd, London. An African in profile, by Lorenz Frølich (1820-1908). Oil on paper laid on canvas, 43.5 by 29.5 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22.3 cm. Signed on the shoulder "Chinard Lyon".]
Attributed works:
[Frieze Masters. Regent's Park, London. Sassetta, San Sepolcro. Altarpiece (detail). The National Gallery, London.]
Attributed works:
[Galerie Canesso, Paris. Still life with basket of grapes, pomegranates, quinces and pears, fig branch and a barrel of grapes, by Carlo Manieri (1662-1700). Oil on canvas, 145 by 195 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Manieri. Taranto (?), Documented in Rome between 1662 and 1700. Still Life with a Basket of Grapes, Pomegranates, Quinces and Pears, with a Fig Branch and Cask of Grapes.]
Attributed works:
[Galerie de Jonckheere, Geneva and Paris. The Temptation of St. Anthony (a pair), School of Hieronymus Bosch (1450-1516). Oil on panel, 115.4 by 43 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Self-Portrait. Hippolyte Flandrin (1809-64). Oil on canvas. 24.4 by 34.9 cm]
Attributed works:
[Galerie Widmer. 9001 St Gallen. Unterstrasse 11. Switzerland. Pieter Pietersz (1540-1603). Adoration of the Shepherds, 1568-69. 44 x 67 cm]
Attributed works:
[Haboldt Pictura Fine Arts, Paris, Amsterdam, New York.A Trompel'Oeil hunting trophy of two ducks and heron, by Johannes Leemans (1633-88). Oil on canvas, 108 by 134 cm]
Attributed works:
[Hazlitt. 38 Bury Street, St. James’s London. SW1Y 6BB. Joris Hoefnagel. 1532-1600. Nonesuch Palace from the South. Black chalk, pen and brown and black ink, watercolour brightened with white and gold on paper. 8 1/2 x 12 3/4 inches]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Boldini (Ferrara 1842-1931 Pais). The audience at the Opera Garnier. Oil on panel. 87.5 x 39 cms. (34 1/4 x 15 1/4 in)]
Attributed works:
[Landau Fine Art, Montreal. Menace, by Le Corbusier (1887-1965). Oil on canvas, 162 by130 cm]
Attributed works:
[Maurizio Nobile, Bologna and Paris. Moonlit seascape, by Claude-Joseph Vernet (1714-89). Oil on canvas. 135 by 100 cm]
Attributed works:
[Mayoral, Barcelona. Femmes V, by Joan Mirò (1893-1983). Oil and charcoal on canvas, 66 by 81 cm.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adriaen Thomasz. Key. Portrait of a Bearded Gentleman. Bust-Length, in a Black Doublet with a White Lace Ruff (detail)]
Attributed works:
[Talabardon & Gautier, Paris. The porter's lodge of the Villa Borghese, Rome, by Gustaf Wilhelm Palm (1810-90). Oil on canvas mounted on board, 34 by 62.3 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755). Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Virgin and Child. Limestone, with traces of original polychrome. France, the border of Burgundy and Champagne. Mussy sur Seine, Aube (c. 1300-25). Height: 89 cm. Depth: 28 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Holy Water Font. Carved ivory relief of Maria Lactans with bloodstone bowl, mounted in gold old inventory label verso. Italy, early 17th century. Height: 12.2 cm. Width: 6.2 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Italian chiselled fluted iron powder-flask bearing the Arms of the Princes Medici, Grand-Dukes of Tuscany, Third Quarter of the 16th Century]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Queen Victoria & Prince Albert. Hitherto unknown presentation album with 62 etchings. 1840-44. Handwritten dedication for F. X. Winterhalter.]
Exhibition Review
Bonheur de Vivre. London
05/2016 | 1358 | 158
Pages: 379–80
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
45. Nude in a bathrobe, by Henri Matisse. 1933 (exh. Bernard Jacobson Gallery, London)
Attributed works:
46. Landscape, by Joan Miró. 1974 (exh. Bernard Jacobson Gallery, London)
Exhibition Review
Miró’s Studio. London & New York
05/2016 | 1358 | 158
Pages: 394–95
related names
Reviewer:
Watkins, Nicholas (Watkins, Nicholas)
Subjects
artists:
dates:
Illustrations
Attributed works:
66. Installation view of Miró's studio, Mayoral at 6 Duke St., London, 2016
Attributed works:
67. Untitled, by Joan Miró. c.1875 (Picture courtesy of Mayoral Gallery; exh. Mayoral at 6 Duke St., London)
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