1. Massacre of the Innocents, here attributed
to Noël Bellemare and dated early 1520s.
Oil on panel, 84.13 by 79.37 cm. (John and
Mable Ringling Museum of Art, Sarasota).
Attributed works:
2. Infra-red reflectogram of Fig.1. (John and
Mable Ringling Museum of Art, Sarasota).
Attributed works:
3. Adoration of the Magi with Philippe de
Villiers de l’Isle-Adam, by Noël Bellemare.
c.1529–30. Oil on panel, 112.6 by 225.5 cm.
(Kunstmuseum Basel; photograph Martin
P. Bühler).
Attributed works:
4. Detail of St John on Patmos, from the
Rosenwald Hours by Noël Bellemare. 1524.
Tempera and gold on parchment. (Rare Book
and Special Collections Division, Library of
Congress, Washington, MS 52, Rosenwald
Collection, MS 10 [14], fol.7v).
Attributed works:
5. Detail of Christ carrying the Cross, from
the Rosenwald Hours by Noël Bellemare. 1524.
Tempera and gold on parchment. (Rare Book
and Special Collections Division, Library of
Congress, Washington, MS 52, Rosenwald
Collection, MS 10 [14], fol.60r).
Attributed works:
6. Detail of Fig.2, showing the soldier in
the right foreground.
Attributed works:
7. Detail of infra-red reflectogram of
Fig.3, showing the magus at the right.
(Kunstmuseum Basel; Art Care).
Attributed works:
8. Magnanimity, Fortitude and a small
elephant, from Livre du fort Chandio.
Paris, c.1515/1522–23. Black and red chalk
and watercolour on paper, 28.5 by 21 cm.
(Bibliothèque nationale de France, Paris,
Département des Manuscrits, Français 1194,
fol.6v).
Attributed works:
9. Detail of Fig.1, showing a man wearing a
green head covering.
Book Review
François Ier et l’art des Pays-Bas. Edited by Cécile Scailliérez.
1. Hours of the Use of Rome, known as the Rosenwald Hours, by Noël Bellemare. 1524. Parchment, 24 by 17 cm. (Library of Congress, Washington, MS 52, fols.43v–44r).