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47 articles
Short Notice
The earliest documented work of Marinus van Reymerswale
07/2024 | 1456 | 166
Pages: 704–7
related names
Author:
Parada López de Corselas, Manuel (Parada López de Corselas, Manuel)
Author:
Seidel, Christine (Seidel, Christine)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Parable of the unjust steward, by Marinus van Reymerswale. c.1530?. Oil on panel, 77 by 96.5 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverband).
Attributed works:
2. The so-called Money changer and his wife, by Marinus van Reymerswale. 1539. Oil on panel, 83 by 97 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
3. Banquet in the house of Nicolaas Rockox, by Frans Francken the Younger. c.1630–35. Oil on panel, 62.3 by 96.5 cm. (Alte Pinakothek, Munich).
Attributed works:
4. St Jerome in his study, by Marinus van Reymerswale. 1533. Oil on panel, 80 by 108 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; Bridgeman Images). del Prado, Madrid).
Article
Silvio and Vincenzo Cosini in Venice and the altar of Girolamo Priuli in S. Salvatore
11/2023 | 1448 | 165
Pages: 1182-1189
related names
Author:
Schulz, Anne Markham (Schulz, Anne Markham)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Altar of Girolamo di Lorenzo Priuli, S. Salvatore, Venice, by Guglielmo di Jacopo Grigi and Silvio and Vincenzo Cosini. 1524–37. White and coloured marbles, 6.25 by 2.14 m. (Photograph Magliani, Padua).
Attributed works:
10–12. Details of Fig.1, showing the capitals on the right side of the altar. (Photograph Magliani, Padua).
Attributed works:
13–14. Details of Fig.1, showing the capitals on the left side of the altar. (Photograph Magliani, Padua).
Attributed works:
15. Trophy, by Silvio Cosini. Marble. (Corridor outside Cappella Medici, S. Lorenzo, Florence; photograph Magliani, Padua).
Attributed works:
2. God the Father, by Silvio and Vincenzo Cosini. (Altar of Girolomo Priuli, S. Salvatore, Venice; photograph Magliani, Padua).
Attributed works:
3. St Jerome, by Tommaso Lombardo da Lugano. (Altar of Girolomo Priuli, S. Salvatore, Venice; photograph Magliani, Padua).
Attributed works:
4 and 5. Details of Fig.2, showing the face of God the Father. (Photograph Magliani, Padua).
Attributed works:
6. Detail of Fig.3, showing the face of St Jerome. (Photograph Magliani, Padua).
Attributed works:
7. Detail of Fig.1, showing the capitals on the right side of the altar. (Photograph Magliani, Padua)
Attributed works:
8. Presentation of the Virgin in the Temple, by Silvio Cosini. Marble. (Cathedral of S. Maria Assunta, Savona; photograph Magliani, Padua).
Attributed works:
9. Detail of God the Father, by an assistant of Silvio Cosini. Marble. (Crowning of the reliquary altar, S. Lorenzo, Portovenere; photograph Magliani, Padua).
Short Notice
An overlooked Antwerp Mannerist panel in Florida: suggestions for an attribution to Noël Bellemare
11/2023 | 1448 | 165
Pages: 1209-1213
related names
Shorter Notice by:
Cartwright, Sarah (Cartwright, Sarah)
Subjects
artists:
dates:
places:
styles:
Illustrations
Attributed works:
1. Massacre of the Innocents, here attributed to Noël Bellemare and dated early 1520s. Oil on panel, 84.13 by 79.37 cm. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
2. Infra-red reflectogram of Fig.1. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
3. Adoration of the Magi with Philippe de Villiers de l’Isle-Adam, by Noël Bellemare. c.1529–30. Oil on panel, 112.6 by 225.5 cm. (Kunstmuseum Basel; photograph Martin P. Bühler).
Attributed works:
4. Detail of St John on Patmos, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.7v).
Attributed works:
5. Detail of Christ carrying the Cross, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.60r).
Attributed works:
6. Detail of Fig.2, showing the soldier in the right foreground.
Attributed works:
7. Detail of infra-red reflectogram of Fig.3, showing the magus at the right. (Kunstmuseum Basel; Art Care).
Attributed works:
8. Magnanimity, Fortitude and a small elephant, from Livre du fort Chandio. Paris, c.1515/1522–23. Black and red chalk and watercolour on paper, 28.5 by 21 cm. (Bibliothèque nationale de France, Paris, Département des Manuscrits, Français 1194, fol.6v).
Attributed works:
9. Detail of Fig.1, showing a man wearing a green head covering.
Letter
Jacopo Bassano’s Wormley ‘Last Supper’ revisited
04/2023 | 1441 | 165
Pages: 356-7
related names
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
dates:
Illustrations
Attributed works:
1. The Last Supper, by Jacopo Bassano. Oil on canvas, 119 by 311 cm. (St Laurence, Wormley, Hertfordshire).
Attributed works:
2 and 3. Details of Fig.1, showing tableware and two apostles.
Attributed works:
4. Detail of Fig.1, showing St Peter and St John the Evangelist.
Article
Bronzino’s ‘Petrarch’ retrieved: new light on Bartolomeo Bettini’s ‘camera’
01/2023 | 1438 | 165
Pages: 16-41
related names
Author:
Stumpel, Jeroen (Stumpel, Jeroen; Stumpel, Jeroem)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1 and 2. Portraits of Dante and Petrarch published as works by Pontormo. (From L’arte, November 1941, pp.xvii and xix).
Attributed works:
10. Venus and Cupid, by Jacopo Pontormo, based on a cartoon by Michelangelo. c.1532–33. Oil on panel, 194 by 128 cm. (Galleria dell’Accademia, Florence; Bridgeman Images).
Attributed works:
11. Detail of Fig.6, probably showing Petrarch’s house in the Vaucluse.
Attributed works:
12. Detail of Fig.6, showing a lira da braccio tied to a laurel tree.
Attributed works:
13. Detail of Fig.6, showing Petrarch holding an open book.
Attributed works:
14. Proposed reconstruction of original placement of Figs.3 and 8.
Attributed works:
15. Cosimo I de’ Medici as Orpheus, by Agnolo Bronzino. c.1537–39. Oil on canvas, 93.7 by 76.4 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
16. Six Tuscan poets, by Giorgio Vasari. c.1544. Oil on panel, 132.1 by 131.1 cm. (Minneapolis Institute of Art; Bridgeman Images).
Attributed works:
17. Petrarch, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
18. Dante, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
19. Boccaccio, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 65 by 51 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
20. Proposed reconstruction of Figs.3, 8 and 22 as they might have appeared in the camera of Bartolomeo Bettini.
Attributed works:
21. Allegorical portrait of Dante, by Carlo Dolci after Agnolo Bronzino. Red and black chalk on paper, 23.2 by 20.1 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
22. Boccaccio holding a copy of the ‘Decameron’, attributed to a follower of Cristofano di Papi dell’Altissimo. c.1570. Oil on canvas, 70 by 94.2 cm. (Private collection).
Attributed works:
23. Detail of Ugolino Martelli, by Agnolo Bronzino, showing the sitter’s left hand. 1536–37. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
24. Detail of Laura Battiferro, by Agnolo Bronzino, showing the sitter’s right hand. 1552. (Palazzo Vecchio, Florence; Bridgeman Images).
Attributed works:
25. Detail of Fig.22, showing Boccaccio’s hands.
Attributed works:
26. Detail of Guidobaldo della Rovere, by Agnolo Bronzino, showing the sitter’s right hand. c.1544–45. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
3. Allegorical portrait of Dante, by Agnolo Bronzino. c.1532. Oil on canvas, 130 by 136 cm. (Private collection).
Attributed works:
4. Dante Alighieri, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
5. Petrarch, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
6. Detail of Fig.8, showing Petrarch’s face.
Attributed works:
7. Detail of Fig.5, showing Petrarch’s face.
Attributed works:
8. Allegorical portrait of Petrarch, here attributed to a follower of Bronzino. c.1550? Oil on canvas, 110.6 by 124 cm. (Private collection).
Attributed works:
9. Allegorical portrait of Dante, by the workshop of Bronzino. 1 550–1600? Oil on panel, 126.9 by 120 cm. (National Gallery of Art, Washington).
Article
The meanings of Domenico Beccafumi’s ‘Nativity’ in S. Martino, Siena
08/2021 | 1421 | 163
Pages: 706-717
related names
Author:
Medicus, Gustav (Medicus, Gustav)
Subjects
dates:
Illustrations
Attributed works:
1. The Marsili Chapel, S. Martino, Siena, showing the Nativity by Domenico Beccafumi, set in a marble frame by Lorenzo di Mariano (‘Il Marrina’). 1522–23. (Bridgeman Images).
Attributed works:
10. Study for St Joseph in the Nativity, by Domenico Beccafumi. c.1522. Pen and brown ink on paper, 18.6 by 16.3 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence; inv. no.10748 F).
Attributed works:
11. Detail of Fig.1, showing the stemma of the Ugolini family.
Attributed works:
12. Detail of Fig.1, showing the stemma of the Marsili family.
Attributed works:
13. Detail of Fig.3, showing the relief on the triumphal arch.
Attributed works:
14. Drawing of Sodoma’s Nativity on the Porta Pispini, Siena, by Johann Anton Ramboux. 1832–42. Pencil on paper, 19.1 by 14.3 cm. (Städelsches Kunstinstitut, Frankfurt).
Attributed works:
15. Nativity, by Bartolomeo Neroni (Il Riccio) and Arcangelo Salimbeni. 1565–79. Oil on panel, 348 by 215 cm. (S. Niccolò al Carmine, Siena).
Attributed works:
16. Detail of Adoration of the shepherds, by Alessandro Casolani. 1591. Oil on canvas, 414 by 190 cm. (Collegiata dei Santi Simone e Giuda, Radicondoli).
Attributed works:
17. Adoration of the shepherds, by Cosimo Gamberucci. 1618. Oil on canvas, 412 by 294 cm. (S. Maria Maddalena de’Pazzi, Florence).
Attributed works:
18. Adoration of the Magi, by Baldassare Peruzzi. 1522–23. Pen and ink and brown wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
2. Nativity, by Francesco di Giorgio. 1485–90. Tempera and oil on canvas, 204 by 239 cm., without the lunette by Matteo di Giovanni or the predella by Bernardino Fungai (S. Domenico, Siena; Scala Archives).
Attributed works:
3. Nativity by Domenico Beccafumi. 1522–23. Oil on panel, 390 by 235 cm. (S. Martino, Siena; Scala Archives).
Attributed works:
4. The stigmatisation of St Catherine, by Domenico Beccafumi. c.1515. Oil on panel, 212 by 162 cm. (Pinacoteca Nazionale, Siena; Scala Archives).
Attributed works:
5. Detail of Fig.3, showing the lamb and Christ Child.
Attributed works:
6. Detail of Fig.3, showing shepherds.
Attributed works:
7. Detail of the shepherds in the Portinari Altarpiece, by Hugo van der Goes. 1474–76. Tempera and oil on canvas, 253 by 304 cm. (Galleria degli Uffizi, Florence; Scala Archives).
Attributed works:
8. Madonna of the blue diadem, by Raphael or Gianfrancesco Penni. 1510–12. Oil on panel, 68 by 48.2 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
9. Detail of Fig.3, showing the trellis with a vine and sheaves of wheat.
Article
New drawings by Sebastiano Serlio in Bologna
07/2017 | 1372 | 159
Pages: 520-527
related names
Author:
Sambin de Norcen, Maria Teresa (Sambin de Norcen, Maria Teresa)
Subjects
dates:
Illustrations
Attributed works:
1. Studies for the altar of the Madonna di Galliera, Bologna, by Sebastiano Serlio. 1533-34 (Archivio di stato, Bologna, Fondo Demaniale, busta 163/6815, fols.14-151)
Attributed works:
2. Verso of the right sheet of Fig.1
Attributed works:
3. Plan for the altar of the Madonna di Galliera, Bologna, by Sebastiano Serlio and an assistant. 1533-34 (Archivio di stato, Bologna, Fondo Demaniale, busta 163/6815, fol.17)
Attributed works:
4. Letter written by Sebastiano Serlio to the fabbricieri of the Madonna di Galliera, Bologna, 18th May 1539 (Archivio di stato, Bologna, Demaniale, busta 112/5995)
Attributed works:
5. Altar of the Virgin with Sts Eustace and Laurence, by Vincenzo Onofri. 1503 (S. Maria dei Servi, Bologna; Photograph: Polo Museale dell'Emilia Romagna, GFS 108677)
Attributed works:
6. Two Serlian windows inscribed in two half circles, by Sebastiano Serlio. 1538-34 (Archivio di stato, Bologna, Fondo Demaniale, busta 163/6815, fols.18-19)
Attributed works:
7. Serlian window for a garret, from Sebastiano Serlio: manuscript of the seventh book of I sette libri dell'architettura (Österreichische National-bibliothek, Vienna, MS Cod. Ser. Nov. 2649, fol.87r)
Attributed works:
8. Window for a garret, from Sebastiano Serlio, Tutte l'opere d'architettura e prospettiva, Venice 1600, VII, p.83
Article
A re-assembled altarpiece by Bernard van Orley
02/2017 | 1367 | 159
Pages: 88-98
related names
Author:
Lootsma, Hilbert (Lootsma, Hilbert)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1. Apelles painting Campaspe, by Willem van Haecht. c.1630 (Mauritshuis, The Hague)
Attributed works:
11. The Holy Women and St John, by Bernard van Orley. c.1520 (Private collection, Antwerp)
Attributed works:
12. Stoning of St Stephen from the Acts of the Apostles, by Pieter van Aelst after Raphael. 1519 (Musei Vaticani, Vatican City)
Attributed works:
13. Figs.3 and 11 juxtaposed to show the alignment of the landscape
Attributed works:
14. The Circumcision (the front of a double-sided panel), by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
15. Fragment of an Ecce Homo, the reverse of Fig.13, by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
2. The left outer wing of the Job and Lazarus polyptych, by Bernard van Orley. 1521 (Royal Museums of Fine Arts, Brussels)
Attributed works:
3. Roman warrior and kneeling figure, by Bernard van Orley (and studio). c.1520 (Museum der bildenden Künste, Leipzig)
Attributed works:
4. The Crucifixion from the Alba Passion, by Pieter de Pannemaker after Bernard van Orley. c.1520 (National Gallery of Art, Washington)
Attributed works:
5. Frontispiece of vol. 2 of Franz-Xavier de Burtin's Traité, by Frédéric Théodore Faber. c.1808
Attributed works:
6. Detail of Fig.3
Attributed works:
7. Detail of Fig.4
Western art unattributed:
10. Infra-red photograph of Fig.11
Western art unattributed:
8. Infra-red photograph of Fig.3
Western art unattributed:
9. X-radiograph photograph of Fig.3
Book Review
Parmigianino’s ‘Madonna of the Long Neck’: A Grace beyond the Reach of Art, E.J. Olszewski
10/2015 | 1351 | 157
Pages: 711-712
related names
Reviewer:
Franklin, David (Franklin, David)
Subjects
artists:
dates:
museums and institutions:
Article
Tommaso de’ Cavalieri, formerly Orsini: Michelangelo’s muse and Medici cousin
08/2015 | 1349 | 157
Pages: 530-532
related names
Author:
Ruvoldt, Maria (Ruvoldt, Maria)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. Fall of Phaeton, by Giovanni Bernardi da Castel Bolognese. 1533-35 (Walters Art Museum, Baltimore)
Western art unattributed:
8. Coat of arms of Tommaso de'Cavalieri (Archivio Segreto Vaticano, Archivio Della Valle-Del Bufalo, vol.99, fasc.7. Stemmi gentilizzi delle nobili famiglie entrate in Casa della Valle, con alcune notizie circa le med[esim]e, fol.292)
Western art unattributed:
9. Extended Orsini genealogy
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