By using this website you agree to our Cookie policy

Search

34 articles
Book Review
Jean Bellegambe (c.1470–1535/36): Making, Meaning and Patronage of His Works
07/2024 | 1456 | 166
Pages: 748–9
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
artists:
places:
Reviewed Items
subjects:
Jean Bellegambe (c.1470–1535/36): Making, Meaning and Patronage of His Works By Anna Koopstra. 160 pp. incl. 105 col. + 10 b. & w. ills. (Brepols, Turnhout, 2022), €100. ISBN 978–2–503–57437–0. | :
Illustrations
Attributed works:
1. Pottier Triptych (right wing, interior), by Jean Bellegambe. 1526. Oil on panel, 224 by 93 cm. (Musée de la Chartreuse, Douai).
Attributed works:
2. Anchin Polyptych (first opening), by Jean Bellegambe. c.1511–20. Oil on panel, 161 by 112 cm (central panel); 162 by 78 cm (wings). (Musée de la Chartreuse, Douai).
Exhibition Review
Revoir Van Eyck: La Vierge du chancelier Rolin
06/2024 | 1455 | 166
Pages: 626–629
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Revoir Van Eyck: La Vierge du chancelier Rolin Musée du Louvre, Paris 20th March–17th June | :
Illustrations
Attributed works:
7. Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430-35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
8. Reverse of the Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430–35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Epitaph of Jacques Isaac and Isabeau d’Anvaing. After 1401, c.1420–30?. Tournai stone, 59 by 86 by 12 cm. (Cathedral of Notre-Dame, Tournai; exh. Musée du Louvre, Paris)
Article
A rediscovered ‘Pietà’ by Andrea del Sarto
03/2024 | 1452 | 166
Pages: 236–243
related names
Author:
Franklin, David (Franklin, David)
Subjects
art literature:
artists:
dates:
Illustrations
Attributed works:
1. Infra-red image of Fig.2. (Courtesy Institute of Fine Arts, New York).
Attributed works:
2. Pietà, by Andrea del Sarto. c.1515. Oil on panel, 76.8 by 59 cm. (Private collection).
Attributed works:
3. Christ the Redeemer, by Andrea del Sarto. c.1511–12. Oil on panel, 47 by 27 cm. (SS. Annunziata, Florence; Bridgeman Images).
Attributed works:
4. Pietà, by Perugino. c.1494–98. Oil on panel, 71.8 by 92.6 cm. (Clark Art Institute, Williamstown MA).
Attributed works:
5. Pietà with three angels, by Agostino Veneziano after Andrea del Sarto. 1516. Engraving on paper, 28.8 by 21.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Two studies of a right hand, by Andrea del Sarto. c.1515. Red chalk on paper, 8 by 18.9 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
7. Baptism of the multitudes, by Andrea del Sarto. 1515–16. Fresco, 192 by 205 cm. (Chiostro del Scalzo, Florence; Bridgeman Images).
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
related names
Author:
Davies, Justin (Davies, Justin)
Subjects
dates:
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Book Review
Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean
10/2023 | 1447 | 165
Pages: 1153–1154
related names
Reviewer:
Tedbury, Imogen (Tedbury, Imogen)
Subjects
places:
Reviewed Items
subjects:
Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean By Sarah K. Kozlowski. 292 pp. incl. 132 col. + 11 b. & w. ills. (Brepols, Turnhout, 2022), £115. ISBN 978–2–503–59695–2. | :
Short Notice
A panel painting of Our Lady with the Child by Leonardo
04/2023 | 1441 | 165
Pages: 412-413
related names
Author:
Spallanzani, Marco (Spallanzani, Marco)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Virgin and Child enthroned with Sts Dionysius the Aeropagite, Domenic, Clement and Thomas Aquinas, by Domenico Ghirlandaio. 1481–83. Oil on panel, 168 by 197 cm. (Gallerie degli Uffizi, Florence; photograph Nicolò Orsi Battaglini; Bridgeman Images).
Exhibition Review
Il Rinascimento europeo di Antoine de Lonhy
12/2021 | 1425 | 163
Pages: 1175-1178
related names
Reviewer:
Castano Martinez, Mireia (Castano Martinez, Mireia)
Subjects
dates:
museums and institutions:
museums and institutions:
Reviewed Items
subjects:
Il Rinascimento europeo di Antoine de Lonhy Palazzo Madama, Turin 7th October 2021–9th January 2022 | :
Illustrations
Attributed works:
5. The Trinity, by Antoine de Lonhy. 1465–70. Tempera and gold on panel transferred to canvas, 172 by 82 cm. (Museo Civico, Turin; exh. Palazzo Madama, Turin).
Attributed works:
6. The Trinity, from The Saluces Hours, by Antoine de Lonhy. 1445–50/1465–70. Parchment, 28 by 20 cm. (British Library, London, MS Add. 27697, fol.75); exh. Museo Civico, Turin).
Attributed works:
7. St Fabian, St Sebastian and pilgrims adoring the relics of St Catherine, by Antoine de Lonhy. 1454. Fragments from a wall painting (Musée des Augustins, Toulouse; exh. Museo Civico, Turin).
Article
Battening spalliera paintings: reflections on twenty-five years of research
01/2020 | 1402 | 162
Pages: 37-45
related names
Author:
Barriault, Anne B. (Barriault, Anne B.)
Subjects
Illustrations
Attributed works:
1. Story of Virginia, by Sandro Botticelli. c.1500. Oil and tempera on panel, 86 by 165 cm. (Accademia Carrara, Bergamo).
Attributed works:
10. Fight between the Lapiths and centaurs, by Piero di Cosimo. c.1500–15. Oil on panel, 71 by 260 cm. (National Gallery, London).
Attributed works:
2. Story of Lucretia, by Sandro Botticelli. c.1500. Oil and tempera on panel, 83.8 cm by 176.8 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Episodes from the life of Alexander the Great, by the workshop of Ghirlandaio. 1493–94. Tempera on panel, 76 by 229.5 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Julius Caesar and the crossing of the Rubicon, by the workshop of Ghirlandaio. 1493–94. Tempera and gold on panel, 73.5 by 170 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The story of Griselda: Part one, marriage, by the Master of the Story of Griselda. c.1494. Oil and tempera on panel, 61.6 by 154.3 cm. (National Gallery, London).
Attributed works:
6. The back of the panel illustrated in Fig.5, showing vertical battens used to stabilise the panel and/or attach it to its setting. (National Gallery, London).
Attributed works:
7. Alexander the Great, by the Master of the Story of Griselda. c.1500. Tempera on panel, 105.4 by 50.8 cm. (The Barber Institute of Fine Arts, University of Birmingham).
Attributed works:
8. Claudia Quinta, by Neroccio de’ Landi and the Master of the Story of Griselda. c.1493–94. Tempera on panel, 104 by 46 cm. (National Gallery of Art, Washington).
Attributed works:
9. Detail of Fig.10, showing Hylonome and Cylarus.
Article
Mapping gold leaf in Gentile da Fabriano’s paintings: a case study
12/2019 | 1401 | 161
Pages: 988-995
related names
Author:
Llewellyn, Laura (Llewellyn, Laura)
Author:
MacLennan, Douglas (MacLennan, Douglas)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Coronation of the Virgin, by Gentile da Fabriano, c. 1420. Tempera and gold leaf on panel, 93 x 64.1 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
2. Madonna and Child enthroned, by Gentile da Fabriano. c.1420. Tempera on poplar panel, 95.7 by 56.5 cm. (Samuel H. Kress Collection, National Gallery of Art, Washington). The blue outline represents the scanned region.
Attributed works:
3. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.1. Scanning parameters: 37kV, 1000 μA, spotsize Ø1mm, 25mm/sec scan rate, 40ms/pixel dwell time. MA-XRF image collected and processed by John K. Delaney and Kathryn Dooley, National Gallery of Art, Washington.
Attributed works:
4. Detail of Fig.5.
Attributed works:
5. Nativity, by Gentile da Fabriano. c.1420–22. Tempera and gold leaf on panel, 72.1 by 42.6cm. (J. Paul Getty Museum, Los Angeles). The blue outline represents the scanned region.
Attributed works:
6. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.5. Scanning parameters: 50kV, 600A, spotsize Ø450m, 33mm/sec scan rate, 15ms/pixel dwell time.
Attributed works:
7. The painting illustrated in Fig.1. The blue outline represents the scanned region.
Attributed works:
8. Corrected gold (Au Lα [9.712 keV]) MA-XRF element distribution map of the scanned region of Fig.7. Scanning parameters: 50 kV, 600 μA, spot size Ø 530 μm, 66.3 mm/sec scan rate, 8 ms/pixel dwell time.
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
load more