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2 articles
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
works:
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Article
Was Lord Burlington a Jacobite?
08/2019 | 1397 | 161
Pages: 626-637
related names
Author:
Echlin, Alexander (Echlin, Alexander)
Subjects
art literature:
artists:
Illustrations
Attributed works:
1. Ceiling of the Octagonal Hall at Chiswick House, London. (Historic England Archive).
Attributed works:
10. Detail of the ceiling painting in the King’s Gallery, Kensington Palace, London, by William Kent. 1728. (Historic Royal Palaces).
Attributed works:
11. Opposite Detail of the ceiling painting in the Red Velvet Room, Chiswick House, London, attributed to William Kent. c.1729/30. (Historic England Archive).
Attributed works:
12. Detail of the ceiling painting in the Summer Parlour, Chiswick House, London, attributed to William Kent. c.1735.
Attributed works:
13. The Banquet of the Gods, by William Kent. 1719–20. Oil on canvas, 350 by 630 cm. (Royal Academy of Arts, London).
Attributed works:
14. and 15. Winter and Spring from The Four Seasons, by Massimiliano Soldani-Benzi. 1715. Bronze with ebonised pearwood frames, each 48 by 66.3 cm. (Royal Collection, © Her Majesty Queen Elizabeth II 2019).
Attributed works:
16. Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, with his wife Dorothy Savile and their daughters, by Jean-Baptise van Loo. 1739. Oil on canvas, 264.2 by 190.5 cm. (Devonshire Collection, Chatsworth, reproduced by permission of Chatsworth Settlement Trustees; Bridgeman Images).
Attributed works:
17. Captain Lord George Graham in his cabin, by William Hogarth. 1742–44. Oil on canvas, 68.5 by 88.9 cm. (National Maritime Museum, Greenwich, London, Caird Collection).
Attributed works:
18. Richard Boyle Earl of Burlington &c, by John Faber the Younger after Sir Godfrey Kneller. 1734. Mezzotint on paper, 36.5 by 26.5 cm. (Victoria and Albert Museum, London).
Attributed works:
2. ‘The inside of the Octagonal Hall’, Chiswick House, London, from William Kent: The Designs of Inigo Jones, London 1727, I, p.72.
Attributed works:
3. Opposite top left ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.13. (Photograph Alec Barr).
Attributed works:
4. Opposite top right ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.14. (Photograph Alec Barr).
Attributed works:
5. Opposite bottom left ‘Temple of Fortuna Virilis’ (Temple of Portunus), Rome, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.102.
Attributed works:
6. Opposite bottom right ‘Temple of Vesta, Tivoli’, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.93.
Attributed works:
7. Right Ceiling of the Cupola Room, Kensington Palace, London, 1722–23. (Historic Royal Palaces).
Attributed works:
8. Below right George II in the library of St James’s Palace, by Charles Phillips. c.1725–48. Oil on canvas, 112 by 86 cm. (Marble Hill House, London; photograph Historic England Archive).
Attributed works:
9. Detail of the ceiling painting in the North Hall, Stowe House, Buckinghamshire, by William Kent. c.1728–31.