By using this website you agree to our Cookie policy

Search

21 articles
Exhibition Review
Forged in Fire: Bronze Sculpture in Florence under the Last Medici Palazzo Pitti, Florence
12/2019 | 1401 | 161
Pages: 1044-1047
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
dates:
media:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
14. Louis XIII of France on horseback, by Pietro Tacca. c.1615–18. Bronze, height 68 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Pitti, Florence).
Attributed works:
16. Study for a decorative component for the poop of a galley, by Massimiliano Soldani-Benzi. c.1695. Black chalk, pen and brown ink on paper, 25.8 by 43.2 cm. (Gabinetto dei Disegni e delle Stampe, Uffizi, Florence, inv. no.124361, verso; exh. Palazzo Pitti, Florence).
Attributed works:
Opposite 15. Sacrifice of Isaac, by Giuseppe Piamontini. 1722. Bronze, height 65 cm. (Etro Collection, Milan; exh. Palazzo Pitti, Florence).
Article
Was Lord Burlington a Jacobite?
08/2019 | 1397 | 161
Pages: 626-637
related names
Author:
Echlin, Alexander (Echlin, Alexander)
Subjects
art literature:
artists:
Illustrations
Attributed works:
1. Ceiling of the Octagonal Hall at Chiswick House, London. (Historic England Archive).
Attributed works:
10. Detail of the ceiling painting in the King’s Gallery, Kensington Palace, London, by William Kent. 1728. (Historic Royal Palaces).
Attributed works:
11. Opposite Detail of the ceiling painting in the Red Velvet Room, Chiswick House, London, attributed to William Kent. c.1729/30. (Historic England Archive).
Attributed works:
12. Detail of the ceiling painting in the Summer Parlour, Chiswick House, London, attributed to William Kent. c.1735.
Attributed works:
13. The Banquet of the Gods, by William Kent. 1719–20. Oil on canvas, 350 by 630 cm. (Royal Academy of Arts, London).
Attributed works:
14. and 15. Winter and Spring from The Four Seasons, by Massimiliano Soldani-Benzi. 1715. Bronze with ebonised pearwood frames, each 48 by 66.3 cm. (Royal Collection, © Her Majesty Queen Elizabeth II 2019).
Attributed works:
16. Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, with his wife Dorothy Savile and their daughters, by Jean-Baptise van Loo. 1739. Oil on canvas, 264.2 by 190.5 cm. (Devonshire Collection, Chatsworth, reproduced by permission of Chatsworth Settlement Trustees; Bridgeman Images).
Attributed works:
17. Captain Lord George Graham in his cabin, by William Hogarth. 1742–44. Oil on canvas, 68.5 by 88.9 cm. (National Maritime Museum, Greenwich, London, Caird Collection).
Attributed works:
18. Richard Boyle Earl of Burlington &c, by John Faber the Younger after Sir Godfrey Kneller. 1734. Mezzotint on paper, 36.5 by 26.5 cm. (Victoria and Albert Museum, London).
Attributed works:
2. ‘The inside of the Octagonal Hall’, Chiswick House, London, from William Kent: The Designs of Inigo Jones, London 1727, I, p.72.
Attributed works:
3. Opposite top left ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.13. (Photograph Alec Barr).
Attributed works:
4. Opposite top right ‘Temple of Peace’ (the Basilica of Maxentius), Rome, from Andrea Palladio: I Quattro Libri dell’Architettura, Venice 1570, IV, p.14. (Photograph Alec Barr).
Attributed works:
5. Opposite bottom left ‘Temple of Fortuna Virilis’ (Temple of Portunus), Rome, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.102.
Attributed works:
6. Opposite bottom right ‘Temple of Vesta, Tivoli’, from Antoine Desgodetz: Les Edifices antiques de Rome dessinés et mesurés très exactement, Paris 1682, p.93.
Attributed works:
7. Right Ceiling of the Cupola Room, Kensington Palace, London, 1722–23. (Historic Royal Palaces).
Attributed works:
8. Below right George II in the library of St James’s Palace, by Charles Phillips. c.1725–48. Oil on canvas, 112 by 86 cm. (Marble Hill House, London; photograph Historic England Archive).
Attributed works:
9. Detail of the ceiling painting in the North Hall, Stowe House, Buckinghamshire, by William Kent. c.1728–31.
Advertisements
Advertisements December 2005 (Front)
12/2005 | 1233 | 147
Pages: i-xvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Workshop of ANTONIO SUSINI (Documented 1580-1624). Bull. Cast after a model by Giambologna. Patinated bronze. Height: 22 cm. Lenght: 26.5 cm. Depth: 7 cm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. BARTOLOMè ESTEBAN MURILLO (Seville 1618-1682). Christ the Man of Sorrows. Oil on canvas. 25 1/8 x 21 in. (63.8 x 53.3 cm.)]
Attributed works:
[Conner . Rosenkranz. 19 East 74th Street, NY 10021. Henry Kirke Brown (American 1814-1866), FILATRICE, 1850, bronze, 20 inches (detail)]
Attributed works:
[David & Constance Yates. Lenox Hill Station. New York 10021. ANTOINE BOURDELLE (Montauban 1861-1929 Vesinet) Muse échelée. Cast and reworked patinated plaster relief. 39 3/8 x 39 3/8 x 11 3/4 inches (100 x 100 x 30 cm). Dedicated in graphite: à l'ami granité au substitut poète. Cette étude Emile Antoine Bourdelle 1913.]
Attributed works:
[Galleria Nella Longari. Via Bigli 15, 20121 Milan. Ercole Ferrata. Sculptor active in Rome in the second half of the 17th century. Triton sounding a horn riding on a dolphin. White marble, 101 x 50 x 72 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. THOMAS BANKS (1735-1805). Oliver Cromwell. Marble, height 76 cm (30 in)]
Attributed works:
[NewArtCentre. Roche Court. East Winterslow. Salisbury, Wiltshire. SP5 1BG. Tony Smith, Wall, 1964, Steel.]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Sebastian Nicolini Roccatagliata (fl. Venice, 1614-1636). Minerva. Bronze statuette. Height 38.4 cm.]
Attributed works:
[Richard Philp. 7 Ravenscourt Square, London. Northern Italian. Figure of Christ, c. 1560-1580. Limewood; traces of original gesso. Height 149.9 cm]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. GIOVANNI FRANCESCO SUSINI (Florence, 1585-after 1633) The Young St. John the Baptiste. Marble. Height: 41 3/4 inches (106 cm). Width: 22 inches (55.9 cm).]
Attributed works:
[W. Agnew & Company. Two Florentine Doccia porcelain figures of an Athlete holding a vase and Leda and the swan, after bronzes by Massimiliano Soldani-Benzi (1685-1740) circa 1747-50. Size: Height 29 cm, 11 3/8 in., with original Florentine ebonised, square wood bases.]
Western art unattributed:
[Abbey Green. Mariaplaats 45. 3511 LL Utrecht. Bishop Erasmus. Limewood statue. Late gothic, ca. 1505. South Germany. Ht. ca. 20 cm. Museum quality.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. North German, Lower Saxon. 13th century. A rare bronze lion aquamanile. 33 by 36 cm., 13 by 14 1/8 in. Estimate: £150,000-200,000]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A spectacularly large & glorious limestone chimenypiece in the richest Italian Renaissance manner. Circa 1850.]
Advertisements
Advertisements June 2002 (front)
06/2002 | 1191 | 144
Pages: i-xxxii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Brooch-Pendant by Augusto Castellani, with a Sapphire Engraved by Giorgio Antonio Girardet. 1887-88. Enamelled Gold, Set with an Engraved Sapphire, Rubies, Pearls and a Diamond, 9.4 by 5.2 cm. (Victoria and Albert Museum, London)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Jean Louis Andre Theodore Géricault (1791 - 1824) Recto: Studies of Two Heads and Four Legs of a Dog Pen and Brown Ink over Traces of Black Chalk, within Brown Ink Framing Lines, 208 × 131mm Estimate: £6,000 - 8,000
Attributed works:
[C.John, 70 South Audley Street, London, UK] A Mortlake Tapestry Woven in Red, Blue and Brown Wools and Silks, Depicting a Scene from the Life of Diogenes with a Philosopher Departing from Diogenes, Who Is Seated Outside His Barrel with a Fort beyond. The Cartouche Inscribed, Qui Domu Amrit Hanc Me Sepeliat and Set within a Foliage Border and a Bead and Reed Frame with Strapwork Scrolls, Flowers and Foliage with the Mortlake Shield. Late 17th Century. Dimensions, 107 × 71½ in (272 × 182 cm).
Attributed works:
[Christie's, 8 King Street, London, UK] Giambattista Tiepolo (Venice 1696-1770 Madrid) The Lamentation. Oil on Canvas 23¼ × 16 in. (59 × 40.5 cm.); Excluding Additions of Approx 1¼ in. to Both Sides Estimate: £1,000,000-1,500,000
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Detail of Leda and the Swan, Massimiliano Soldani Benzi (Florence 1656-1740)
Attributed works:
[David Jones, 65, rue du Faubourg Saint-Honore, Paris, France] François le Moyne 1688-1737, a Head of Christ Black, Red and White Chalk. 325 × 229 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Collier-de-Chien, by René Lalique, Paris, c.1900. Gold, Diamond and Plique-à-Jour Enamel, Width 5cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Tankard, with an Unrecorded Mark (The Arms of Saxony), probably Dresden, c.1530-50. Silver-Gilt and Enamel, ht 26.6 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Unicorn Cup Carved from a Narwhal Tusk, Circle of Leonard Kern (1588-1662). Ivory, ht 15.2 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] One of a Pair of Silver Three-Light Candelabra, London, 1808, Made by Paul Storr for Rundell, Bridge & Rundell, London, Ht 70.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Two Opposing Forms (Grey and Green), by Barbara Hepworth. Marble, ht.27.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Young Woman Holding a Piece of Sewing, by Gwen John. Oil on Canvas, 46 × 38 cm.
Attributed works:
[Exh. Master Drawings Week, London] A Study of Heads, James Gillray, (1756-1815). Pen and Black Ink and Watercolour, 169 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] American Drinks, by George Lepape, (1887-1971). Pen and Ink and Watercolour, 253 × 243mm.
Attributed works:
[Exh. Master Drawings Week, London] Diana in a Medallion, by Jacob Matham, (1571-1631). Pen and Brown Ink and Wash, 137 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] Jacopo Ligozzi Verona c.1547-1627 Florence. An Allegory of the Fall and Redemption of Man Pen and Ink, Brown Wash, Heightened with White, 415 × 275mm
Attributed works:
[Exh. Master Drawings Week, London] Mercury and Argos, by Pierre Henri de Valencienne, (1750-1819). Black Chalk, 514 × 400mm.
Attributed works:
[Exh. Master Drawings Week, London] Portrait of Peter Francis Nassau, by Richard Cosway, (c1742-1821). Graphite and Watercolour, 228 × 147mm.
Attributed works:
[Exh. Master Drawings Week, London] Preparatory Study for the Planes of Heaven, by John Martin, (1789-1854). Watercolour, Signed and Dated 1851.
Attributed works:
[Exh. Master Drawings Week, London] Studies of a Lion and a Wolf (Detail), by Bartolomeo Passarotti, (1529-1592). Red Chalk, 268 × 189mm.
Attributed works:
[Exh. Master Drawings Week, London] Study for a Seated Prophet, Luca Signorelli, (1441-1523). Black Chalk Heightened with White, 11 5/8 by 8¼ in.
Attributed works:
[Exh. Master Drawings Week, London] View of the Villa Aldobrandini at Frascati, Seen from the Garden, Hubert Robert, (1733-1808). Red Chalk, 309 × 448mm.
Attributed works:
[Exh. Master Drawings Week, London]The Head of a Young Boy Crowned with Laurel, by Lorenzo Credi, (c.1457-1537). Black Chalk and Partly Pricked for Transfer, 230 × 212mm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Netherlandish Alabaster Carving of the Pietà. Height: 33 cm (13 in). Width: 24 cm (9½ in). Depth: 13 cm (5 in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Console Table in the Manner of Matthias Lock, English, c.1745. Gilt-Wood with Marble Top, 87 × 137 × 69 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Louis XVI urns. French c.1790. Ormolu-Mounted Marble, bt.32.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Renaissance Revival Pendant, by A. Phillips. English, c.1860.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Three Dimensional Needlework Embroidery (Stumpwork) Depicting the Biblical Scene of Esther Presenting Herself to King Ahasuerus. English, c.1650. 44 × 54 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Lady with a Fan by Albert Ludovici Junior (1852-1932). British. Oil on Panel, 18.5 × 11 cm (7½ × 4½ in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Console Tables, by Gabriele Capello after Drawings by Pelagio Palagi. Italian c.1835. Yew wood, 110 × 117 × 59.5 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Pompeo Batoni (Lucca 1708 - 1787 Rome) Portrait of Robert Clements, Later 1st Earl of Leitrim (1732-1804). Oil on Canvas, 101 × 73 cm (39 /34 x 28 3/4 ins)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Paul Colin (1889-1985) La folie de la danse Pen and Ink and Gouache, 21.8 × 16 cm Marcel Sauvage, Les Mémoires de Joséphine Baker, Paris, Undated (1927), p. 21
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Philips Wouwerman (1619 - Haarlem - 1668) Soldiers Carousing with a Serving Woman Outside a Tent. Oil on panel. 16 × 13 3/4 in. (40.7 × 35 cm)
Attributed works:
[Keshishian, 73 Pimlico Road, London, UK] The Defeat of Porus A Fine Brussels Tapestry from the Series The Story of Alexander after Charles Le Brun, Woven in the Workshop of Geraert Peemans, Circa 1690. 16 ft 5 in × 10 ft 8 in (487 × 311 cm). Similar Example: Wurzburg Palace, Residenz, Germany.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Robert Cozens 1752 - 1797. The Valley of the Eisak near Brixen in the Tyrol Watercolour Size: 9 7/8 x 14 7/8 Inches Painted Circa 1783-4
Attributed works:
[Marks Fine Antique Silver, 49 Curazon Street, London, UK] The Strafford Wine Coolers. A Remarkable Pair of Queen Anne Silver Wine Coolers David Willaume, London, Circa 1711
Attributed works:
[National Gallery of Ireland, Merrion Square West, Dublin, Ireland] Julius Gari Melchers, The Communicant, c.1900, Oil on Canvas, Courtesy of Detroit Institute of Arts
Attributed works:
[National Portrait Gallery, London, UK] Georgiana, Lady Greville by George Romney, c.1771 © Courtauld Gallery, Courtauld Institute, London
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] The Harvey Suite: A Set of George III Drawing Room Furniture Comprising Four Mahogany Armchairs and a Pair of Window Seats of Outstanding Quality.
Attributed works:
[Rupert Wace Ancient Art Limited, 14 Old Bond Street, London, UK] Roman Bronze of Aphrodite 2nd century AD Height 24 cms
Attributed works:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Robert Hooke, Micrographica, London 1665
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to Alessandro Bonvicino Called Moretto da Brescia (1498-1554) Young Man Holding a Staff Red Chalk, 225 × 160mm. Estimate: £30,000-50,000 €48,000-80,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jean-Etienne Liotard (1702-89) Portrait of Anton Corfiz, Count Ulfield, Austrian Ambassador to the Ottoman Court 1740-41 Gouache and Watercolour over Black Chalk on Vellum, 316 × 230 mm Estimate: £300,000-500,000 €480,500-900,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Victorian Cut Crystal Glass, Silvered-Metal and Button-Upholstered Armchair Circa 1882 by F & C Osler Estimate: £15,000 - 20,000 Part of a Group of Cut Crystal Glass Furniture Stamped by and Attributed to the Birmingham Firm of F & C Osler
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Aimé-Jules Dalou (Paris 1838-1902). Allegorical Figure of a Nude Seated Woman, Probably Minerva. Dark Brown-Black Wax Maquette; on Original Rectangular Wood Base; Signed on the Right of the Wax Base: Dalou. Height of the Wax Figure: 36 cm.
Attributed works:
[Victor Franses Gallery, 57 Jermyn Street, London, UK] A Fine and Rare 19th Century French Bronze Model of an Owl and Tortoise by Jean-Baptiste Clésinger (1814-1883).
Attributed works:
[Wolseley Fine Arts, 12 Needham Road, Westbourne Grove, London, UK] Aristide Maillol, Femme debout en mouvement, c. 1920. Sanguine, 34 × 23 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Blue-and-White Octagonal Baluster Vases and Covers. Japanese, Arita, 17th c. ht. 85 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Art Deco Three-Drawer Chest with Shagreen Panels. English, c.1930. 76 × 91 × 53 cm.
Western art unattributed:
[Galerie Bresset, 5, quai Voltaire, Paris, France] Sculpted Heads
Western art unattributed:
[Galerie Chevalier, 17 quai Voltaire, Paris, France] Antique Tapestries - Oriental Rugs European Rugs - Antique Textiles
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Florentine, Mid 16th Century. A Pair of Large and Impressive Mannerist Bronze Groups of Allegorical Male Figures Astride Fantastic Beasts Overall Heights: 91 and 93cm Estimate: £1,000,000-1,500,000
Advertisements
Advertisements December 2001 (front)
12/2001 | 1185 | 143
Pages: i-xxviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Antonio Tantardini (1829-1879). A Late 19th Century Italian White Carved Marble Figure of Marguerite
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Gregorio de' Ferrari (1647-1726). The Apotheosis of Hercules. Oil on Canvas, 189.5 × 148.5 cm. Estimate: £200,000-300,000
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Attributed to Dominique Florentin (Domenico del Barbiere, 1506-1565). A Woman with Three Children: Allegory of Charity. Marble with Traces of Gold Paint. Height: 41 cm. Length: 16 cm. Depth: 12 cm. Dated Circa 1550-1551
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Jean-Baptiste (dit Auguste) Clésinger (Besançon 1814 - 1883 Paris). Alba. Marble, 28 3/8 Inches (72cm). Signed A. Clésinger and Dated 1868
Attributed works:
[Galleria Nella Longari, Via Bigli 15, 20121, Milan, Italy] Puer Mingens. Matteo Ferrucci. Fiesole 1570-? Marmo. 54cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanni Girolamo Savoldo (Active 1508-Brescia-After 1548). The Death of St. Peter Martyr. Oil on Canvas, 117.6 × 140.9 cm (56 5/16 × 55½ Inches)
Attributed works:
[Hilary Chelminski, 616 King's Road, London, UK] The Archangel Michael Overcoming Evil by Henry Hugh Armstead R. A. (1825-1905). One of the Limited Edition of Five Bronze Sculptures Entitled Satan Dismayed. Made for the Art Union of London. 1852. Height 38 in (96.5 cm)
Attributed works:
[James Graham & Sons, 1014 Madison Avenue, New York, New York] Pierre Jules Mene (French 1810-1879) Roi de Thulé. Bronze, 16½ × 18 × 5½ Inches. Brown Patina. Signed on Base: P. J. Mêne
Attributed works:
[Michael Hall Fine Arts, Inc., 49 82nd Street, New York, New York] Severo Calzetta Called Severo da Ravenna, (b. Ravenna 1465-1538). Rearing Stallion and Rider (Separately Cast). Bronze 21 × 24 cm
Attributed works:
[Patricia Wengraf, The Old Knoll, Eliot Hill, London, UK] Antonio Susini (Active c. 1580-1624). Cristo Morto (Christ Crucified, Dead). Bronze Statuette, c. 1609-1615. Overall Height: 9¼ in: 23.5 cm; Span of Hands: 8¼ in: 21 cm
Attributed works:
[Sladmore Gallery, 32 Bruton Place, off Berkley Square, London, UK] Jean-Louis-Ernest Meissonier (French 1815-1891). Horseman in a Storm (Retreat of Marshal Ney) c.1878. Bronze. Height 18 3/4 Inches. Fine Original Brown Patina.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Bronze Group of the Scythian Slave Cast from a Model by Massimiliano Soldani-Benzi (1656-1740) Florentine Circa 1700 Height 33.5cm. 13¼in. Estimate: £15,000 - 20,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Lucas Cranach the Elder (1472-1553). Phyllis and Aristotle Signed Lower Left with the Serpent Device and Dated: 1530. Oil on Panel 22 3/4 by 15¼ in. 57.5 by 37.9 cm. Estimate: £1,500,000 - 2,000,000 ($2,200,000 - 2,800,000)
Attributed works:
[Tate Gallery, Millbank, London, UK] John Singer Sargent, Carnation, Lily, Lily, Rose 1885-6
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Leonardo Bistolfi (Casale Monferrato 1859-Turin 1933), An Allegory of Grief (Il dolore- I genitori), Stucco Relief Panel for the Toscanini Monument, Incised with the Artist's Monogram, 52.5 × 42.8 cms.
Western art unattributed:
Tree of Jesse. Fifteenth-century. Wood, 89 by 293 by 58 cm. (St Mary Priory Church, Abergavenny; Exh. Tate Britain, London).
Western art unattributed:
[Colnaghi, 15 Old Bond Street, London, UK] Florentine School Circa 1600. The Head of a Young Boy, Resting his Chin on His Hand. Black and Red Chalk: 154 × 118 mm. Actual Size.
Western art unattributed:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Netherlands, Antwerp. The Mourning Virgin with the Three Marys. Early 16th Century. Polychrome Wood. Height: 37cm
Western art unattributed:
[Joanna Booth, 247 King's Road, London, UK] Head of a King, French Circa 1350. Limestone. Height 37 cms (14½ Inches)
Western art unattributed:
[Valentine Walsh Restorations] 15th Century Tuscan Christ Child
Advertisements
Advertisements June 2000 (front)
06/2000 | 1167 | 142
Pages: i-xxxii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Vase Enamelled with an Allegory of the Arts, Attributed to William Collins, London, c.1820. Ht. 31 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Agostino da Lodi (c.1495-1520). The Adoration of the Magi. Panel, 27 × 36 in (68.5 × 91.5 cm)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Coral Mounted Vases. Trapani. Mid-Seventeenth Century. Of Gilt Bronze, Coral and Enamel. Measurements: Height: 8 3/4 (22cm); Width: 7″ (17.7cm); Depth: 4 3/4 (12cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Bust of Napoleon in Classical Armour by Angelo Pizzi (Milan 1775-1819). White Marble. Height 64.5 cm. Length 55 cm. Depth 22 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Tiziano Vecellio, Called Titian (Pieve Di Cadore 1477-1576 Venice) Portrait of Giacomo Doria, Half-Length, in Black Robes, His Cap in His Right Hand, before a Marble Column. Signed 'Ticianvs/F' Flower Right, on Pedestal), and with Nearly Contemporary Inscription 'Giacomo. Doria / .Q. Avgvstini' (Centre Right at the top of the Pedestal) and with the Sitter's Coat-of-Arms (Upper Left) Oil on Canvas, $45frac{3}{4}$ × $38frac{3}{4}$ in. (116.2 × 98.4 cm.) Estimate: £800,000-1,200,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovanni Domenico Tiepolo (1727-1804) Christ and the Centurion. Pen and Brown Ink and Brown Wash, 491 × 383 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Seated Youth Reading, by Guercino, c.1626. Red Chalk, 30.5 × 21.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bonheur du jour, by Pierre Pioniez, 1765. Oak Veneered with Sycamore, Satin- and Rosewood, 88 × 65 × 38 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Console Table, Inspired by François de Cuvilliés, German, c.1745. 78 × 137.2 × 58.4 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Children before a Fire, by Jean-Honoré Fragonard. 29.9 × 38.1 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Organ Clock, Case Italian 1791, the Movement by Robert et fils et Cie, Neuchâtel. Wood, Simulating Porphyry and Granite, 94 × 61.5 × 34.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Thistle-Shaped Neo-Classical Vase, by Philip Rundell of Rundell, Bridge and Rundell, 1823. Wt. 52 oz., ht. 24 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Vase with Cover, Doccia Porcelain Manufactory, Florence, c.1748-50. Modelled by Gaspero Bruschi after a Wax by Massimiliano Soldani. White Doccia Porcelain, 60 by 34.3 by 21 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Walking Jaguar, by Rembrandt Bugatti, c.1911. Bronze, 17.8 × 38.7 cm.
Attributed works:
[Getty Publications] Photo Credit: Rembrandt Harmensz van Rijn, The Syndics of the Drapers' Guild, 1662, Oil on Canvas, 191.5 × 279 cm, Rijksmuseum, Amsterdam, inv. SK-C-6.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanini Francesco Barbieri, Called Il Guercino (1591-Cento-1666) Christ in the Garden of Gethsemane. Oil on Canvas, $84frac{3}{4}$ × 55½ Inches (215.3 × 141 cm) Painted in 1632 for the Benedictine Church of Saint Margaret in Bologna
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Théodore Géricault (1791-1824). La Porteuse d'eau. Pen and Brown Ink over Black Chalk and Watercolour, 27.8×19.9 cm
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] The Triumph of Neptune and Amphitrite, by Frans Francken the Younger. Copper. 53 × 76 cm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Jean-François Thomas dit Thomas de Thomon (Paris 1759 - St. Petersbourg 1813). «Ugolin» Pen, Ink Wash and Watercolour Heightened with White Bodycolour. 51 × 73 cm. Signed and Dated Lower Left: Thomas f. à Rome 1786.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Jacopo Guarana (1720 Verona - 1808 Venice). Oil on Canvas. Each 54 × 37 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Regency Painted, Grained and Gilded Chiffonier, Circa 1815. The Original Decoration Is in the Manner of Dawes and Newton of Soho, London (See Furniture History, 1995, p.169, fig.60 etc.) Width 34½ ins (87.5 cms). Depth 13 3/4 ins (34.5 cms). Height 61½ ins (156 cms).
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] François Boucher, Venus Disarming Cupid. Signed, Oil on Canvas, 96.5 × 82.5 cm (One of a Pair), Estimate upon Request
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] John William Waterhouse, Ophelia. Oil on Canvas, Signed J. W. Waterhouse, 124 × 74 cm, Estimate: £1,500,000-2,000,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Sir Peter Paul Rubens, Virgin and Child. Red Chalk Heightened with White. 243 × 133 mm. Estimate: £100,000-150,000
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Gaspar van Wittel, Called Vanvitelli (1652/3-1736). Italian School. An Architectural Capriccio from Inside the Colosseum. Oil on Panel. 6½ × 10 3/4 Inches (16.5 × 27.5 cms). Signed with Initials and Dated 1721
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A Page from the Turin-Milan Hours Illuminated in the Workshop of Jan Van Eyck. Painted in Bruges around 1440, This Previously Unknown Sheet Was Removed from the Manuscript before 1713
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Aimé-Jules Dalou French, 1838-1902. A Bust of Albert Ludovici. Signed and Dated: J. Dalou 1873. Terracotta. 57cm., 22½in. Estimate: £30,000-£50,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Doménikos Theotokópoulos, El Greco. Crete 1541-1614 Toledo. Christ on the Cross (Detail). Signed in Greek at the Foot of the, Cross: doménikos theotokópolos/époiei. Oil on Canvas 82.6 by 51.6cm. Estimate: £600,000-800,000
Attributed works:
[Sothebys.com] John Varley. On the Mahmoudieh Canal, Alexandria. Circa 1880. Oil on Canvas. 17 7/8 in. by 24 in. (45.5 cm. by 61 cm.). Opening Bid: $2,000
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Archibald Skirving (1749-1819), Mrs Johnston of Hutton Hall, Circa 1796-1800, Pastel, National Gallery of Scotland
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Landscape with Herdsmen, Cows and Washerwomen, with the Temple of the Sibyl at Tivoli behind, by Herman van Swanevelt, Rome, 1649. 60.9 × 122 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Letter from Elizabeth I to Peregrine Bertie, Lord Willoughby de Eresby, 30th March 1588
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Magnificent letter signed by Elizabeth I ('Elizabeth R', the signature measuring 63 mm deep and 133 mm wide), dating from just over two months before the Spanish Armada set sail, and one of very few letters by the Queen written in Armada year to have come on the market.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Set of Six George III Silver-Gilt Wine Coasters, by Paul Storr, London, 1814
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Young Nymph, by René Lalique, c.1897-99. Gold and 'Window Enamel', Set with Diamonds.
Attributed works:
[The Weiss Gallery, 1B Albemarle Street, London, UK] Jan van Scorel 1495-1652. Edmund, 1st Lord Sheffield (1521-1549). Painted Circa 1547 Oil on Panel: 17 3/4 × 14 ¼ ins. (45.5 × 36.3 cm.)
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Manuscript of the Garshaspnama with 22 Paintings. Persia Isfahan.
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Porcelain Blue-and-White Ewer, Jiajing 1522-66. Ht. 24.2 cm.
Non-western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Underglaze Blue Charger with V. O. C. Monogram Surrounded by Ho-Ho Birds. Japanese, Arita, 17th Century.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of George III Drawing Room Furniture, c.1780. Mahogany.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Manuscript of St Thomas Aquinas's Quaestiones de Veritate, c.1450, in a Contemporary Pigskin Binding.
Western art unattributed:
[Motionworks, 1/5 Clerkenwell Road, London, UK] English Ormolu Automata Clock Recently Restored by Motionwork
Western art unattributed:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Galerie Theatrale. Three Volumes Containing 144 Fine Engraved Plates Printed in Colours and Finished by Hand. Printed in Paris by Bance ainé, 1812-1834. The First Edition of a masterpiece of Early Colour Printing. £14,000
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Black-Figure Attic Krater, Manner of Lysippides, Late 6th Century BC. Ht 33 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Female Saint, Attributed to the Heggebacher Meister, Ulm, c.1460. Limewood, ht.98 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Pastille Burner, Derby, c.1810. Porcelain, 22.5 × 12 × 12 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Tortoiseshell and Gold piqué boite à Ballon Snuff Box, with Gold Inlay and Hinge, Naples c.1720-40. Diameter 7 cm.
Advertisements
Advertisements December 1993 (front)
12/1993 | 1089 | 135
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] A Bronze Statuette of the Cesarini Venus from the Workshop of Massimiliano Soldani Benzi after a Model Made by Giambologna Circa 1583 Height: 26 cm.
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St James, London ] J.-A.-D. Ingres Portrait of Joseph Clérian Pencil, Signed and Dated Ingres-Rome/1814, 202 × 152 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Palézieux (Born 1919 in Vevey, Switzerland). Peonies. 1992. Black Chalk. 327 × 218 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street New York ] Martin Bernat Active in Zaragonza between 1469 and 1497. St Blaise Enthroned, Oil, Gold and Stucco on Panel: 136.5 × 97 cms $53frac{3}{4}times 38frac{1}{8}$ ins)
Attributed works:
[ Daniel Katz Ltd, 27 Lansdowne Walk Holland Park, London ] Antoine-Louis Barye (1796-Paris-1875). Theseus and the Minotaur, Bronze, $17frac{3}{4}$ in (45.2 cm) High
Attributed works:
[ David & Constance Yates, New York ] Henri baron de Triqueti (1807-1874). Portrait of a Woman, Marble. Height: $22frac{3}{4}$ Inches. (580 mm.) Width: $16frac{7}{8}$ Inches. (430 mm.) Depth: 7½ Inches. (190 mm.) Signed H. de Triqueti and Dated 1840 under the Shoulder.
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1610 Brussels-Antwerp 1690), The Guard-Room, Oil on Canvas, , 61,6 × 76,8 cm, Signed, Circa 1640
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Walter Richard Sickert Piazzetta S. Marco, Evening Painted in 1902. Oil on Canvas, 24 by 18 Inches; 61 by 46 cms.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Francesco Fontebasso Venice 1709-1796 Venice. The Magdalene Washing Christ's Feet, Black and Red Chalk, Pen and Brown Ink, Brown, Grey and Reddish Wash Heightened with White. 489 × 350 mm.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Luca Carlevarijs Venice, Il Molo and Riva Degli Schiavoni (Udine 1663 - Venice 1730). Oil on Canvas, cm 94 × 195
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Atalanta by Jean-Jacques, Called James Pradier (Geneva 1790 - Bougival 1852). Bronze: H. 78 cm. Signed: Pradier, Foundry Mark: Augmentation. Sauvage.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich / Harari & Johns 12 Duke Street, London ] Jan Wierix, Title-Page with Time and Death on Both Sides of an Altar. Pen and Brown Ink, on Parchment 94 × 123 mm
Attributed works:
[ Matthew Marks Gallery, 1018 Madison Avenue, New York ] Lucian Freud, Large Head 1993, Etching, 27¼ × 21¼ Inches, Edition of 40. Published by Matthew Marks Gallery.
Attributed works:
[ Minet Insurance, 66 Prescot Street, London ] "La Madonna che adora Gesù Bambino in un Paesaggio" by Francesco Botticini (1446-1498). Reproduced by Courtesy of Cassa di Risparmio di Firenze
Attributed works:
[ National Gallery Technical Bulletin ] Hans Holbein: A Lady with a Squirrel and a Starling
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Giovanni Battista Tiepolo, Venice 1696 - 1770 Madrid The Virgin and Child Adored by Angels. Pen and Black Ink, Gray Wash, over Black Chalk, 324 × 235 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Giovanni Battista Crespi, Called II Cerano, The Lamentation, Circa 1610-14. $38frac{3}{4}$ by 30½ Inches (98.5 by 77.5 cm.)
Attributed works:
[ Senger Bamberg Kunsthandel, Karolinenstrasse 8, Bamberg ] Adoration of the Christ Child. Erasmus II Quellinus (1607-1678), Signed and Dated '1669' Oil on Panel, 176 × 218 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Jan Harmensz Muller (1571 Amsterdam 1628) Arion Playing the Harp. Pen and Black Ink over Traces of Red Chalk. Black Ink Framing Lines. 227 × 240 mm.
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Silver Ewer Hallmarked Paris (?) Circa 1645, Height: 22cm
Western art unattributed:
[ cover ] Detail of Madonna and Child. Limestone, Late-Fifteenth Century, 48 cm High. (Winchester Cathedral).
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front cover, 1st Vol.
Article
Lord Harrold in Italy 1715-16: Four Frustrated Commissions to Leoni, Juvarra, Chiari and Soldani
11/1988 | 1028 | 130
Pages: 836-845
related names
Author:
Friedman, Terry (Friedman, Terry)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
29. Design for Remodelling Wrest Park, Ground Plan, by Giacomo Leoni. 1715. Pen and Wash. (Lady Lucas Collection, L33/46, Deposited Bedfordshire County Record Office).
Attributed works:
30. Design for a Garden Pavilion for Wrest Park, Plan and Elevation, by Filippo Juvarra. c.1715-16. Pen and Wash. (Lady Lucas Collection, L33/101, Deposited Bedfordshire County Record Office).
Attributed works:
31. Design for a Garden Pavilion for Wrest Park Plan and Elevation, by Filippo Juvarra. c.1715-16. Pen and Wash. (Lady Lucas Collection, L33/101, Deposited Bedfordshire County Record Office).
Attributed works:
32. The Lamentation Over the Dead Christ, by Massimiliano Soldani. 1715. Bronze, Height 50.5 cm. (The Walters Art Gallery, Baltimore).
Attributed works:
33. Venus and Adonis, by Massimiliano Soldani. c.1700. Bronze, Height 47 cm. (The Walters Art Gallery, Baltimore).
Advertisements
Advertisements August 1985 (Front)
08/1985 | 989 | 127
Pages: ii-xiv
Subjects
advertisements:
artists:
Illustrations
Attributed works:
The Martyrdom of S. Cecilia, by Carlo Saraceni. (Exh. Matthiesen Fine Art, London).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Jean Baptiste Jouvenet-Rouen 1644 - Paris 1717. The Deposition. Oil on Canvas, 131 × 81.5 cms.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Didier Aaron Ltd, 21 Ryder Street, London) A Louis XV Ormolu Mounted "dos d'ane secretaire" in Marquetry of Tulipwood Purplewood and Satinwood, by I. P. Latz, "privilegié du roi vers 1740". Height: 37½″ Width: 41″ Depth: 19¼″
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm (Lugt 271, 272, and 1442), Samuel, Graf von Festetits (Lugt 926) and Freidrich Kalle (Lugt 1021).
Attributed works:
[Jean-Max Tassel, 17 quai Voltaire, Paris] Jean Lemaire, Called Lemaire-Poussin, (1598-1659). Vertume and Pomona among Roman Ruins, Canvas, 102 by 140 cm. The Figures of Vertume and Pomona Are by Jacques Stella (1596-1659), the Rest by Jean Lemaire
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] John Davies Triptych 'For Gods, Kings, Politicians and Popes,' 1983/4, Mixed Media.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pompeo Girolamo Batoni, Christ and the Woman of Samaria, 140.5 cm. × 101.5 cm., on Canvas. Realised £95,000. Giovanni Boldini, Portrait of William George Bradley, Viscount Uffington, Later 5th Earl of Craven, 91.5 cm. × 73 cm., Signed, Oil on Canvas. Realised £90,000. Camille Pissarro, "Jardin à Eragny, Gelée Blanche", 60 cm. × 75 cm., Signed and Dated 'C. Pissarro. '98' Lower Left. Realised £160,000. Thomas Jones, Larici (Ariccia) from the Convent of the Galoro, 26 cm. × 40 cm., Dated 22 May 1777, Signed Very Faintly with Initials, Inscribed, Watercolour over Traces of Pencil. Realised £21,000. Sir Thomas Lawrence, P. R. A., A Portrait of Felicity Trotter, 76 cm. × 62.5 cm., Oil on Canvas. Realised £48,000. Rembrandt, Christ Returning from the Temple between His Parents, 9.4 cm. × 14.4 cm., Etching with Drypoint, 1654, Only State. Realised £7,200. Alexander Nasmyth, R. B. A., A View of the Town of Stirling on the River Forth, 81 cm. × 115 cm., Oil on Canvas. Realised £21,000. John Singer Sargent, R. A., A Young Salmon Fisher, Alec McCulloch, 72 cm. × 56 cm., Oil on Canvas, Painted at Sunndal, Norway in August 1901. Realised £170,000.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Marie Francoise Constance La Martiniére Mayer (1775-1821). Signed, Lower Left: "C Mayer p"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Giovanni Battista Tiepolo, Phaeton and Apollo, Oil on Canvas, in a Painted Oval. A Sketch for the Large Fresco Painted in 1731 for the Palazzo Archinto in Milan, Now Destroyed, 62.8 by 45.6 cm. £120-150,000.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] A Toy Seller by William Mulready R. A. (1786-1863). Oil Paint on Panel. William Drummond, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Chelsea Derby Silver Shaped Sauce Boat c. 1760. Steppes Hill Farm, Kent.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Derby Compana-Shaped Vase with Gilt Bacchic Handles Painted by William 'Quaker' Pegg, Circa 1815. 16 Inches High. An Example of Derbyshire Porcelain to be Exhibited by the Newly Formed. Derby Porcelain International Society.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Ebony Veneered Month Spring Clock with Skeleton Chapter Ring, outside Numbered Count Wheel, Minute Numbered, Circa 1680 by Jonathan Pullar. De Havilland Antiques, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Fontainebleau by Henri Joseph Harpignies, 1884. Stoppenbach & Delestre, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Innocence by William Adolphe Bouguereau. Circa 1893. French. Owen Edgar Gallery, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Massimiliano Soldani-Benzi (1656-1740). The Sacrifice of Jephtha's Daughter Alex Wengraf, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] One of a Pair of Eighteenth Century Globes by B. Martin. The Celestial Globe Date 1767 and Terrestrial 1777 and Showing Three of Cook's Voyages of Discovery. Hotspur, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] Portrait of Mrs Kathleen Newton, Circa 1877, by James Jacques Tissot. Owen Edgar Gallery, London.
Attributed works:
[The Burlington House Fair at Royal Academy of Arts, London] The Grand Canal at the Church of St. Stae, Venice by Michele Marieschi. Circa 1710. Richard Green, London.
Non-western art unattributed:
[The Burlington House Fair at Royal Academy of Arts, London] A Pair of Russian Silver and Frosted Glass Vodka Bottles. The Silver Baskets Decorated with Simulated Vannerie Ware and Bands of Silver Rope Forming the Handle. St. Petersburg, Circa 1880. Similarly Decorated Single Vodka Bottle with Six Silver and Glass Cups. Circa 1880. Wartski, London.
Western art unattributed:
[The Burlington House Fair at Royal Academy of Arts London] North-German Armoire, Hamburg-Altona, Circa 1770-1780. Walnut Veneered on Oak and Gilt. Bernheimer, Germany
Western art unattributed:
[The Burlington House Fair at Royal Academy of Arts, London] Girl-in-a-Swing. Hitherto Unrecorded Model of a Pug Dog. Circa 1749-1754. Klaber & Klaber, London.
Western art unattributed:
[The Burlington House Fair at Royal Academy of Arts, London] One of a Pair of French Empire Bronze and Ormolu Candelabra. Circa 1805. Pelham Galleries, London.
Supplement
Recent Acquisitions by the Fitzwilliam Museum Cambridge: Supplement
05/1985 | 986 | 127
Pages: 328-332
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
84. Historiated initial 'O'; cutting from a choir-book. Italian, Florentine school. Early fifteenth century. Vellum, 16.9 by 16.7 cm. The initial contains a sainted Pope (St Gregory?). The figure and decoration letter recall the work of Silvestro dei Gherarducci at the Monastery of Santa Maria degli Angeli, Florence. Provenance: J. H. Fitzhenry. Sir Thomas Merton. Purchased from the Leverton Harris and University Purchase Funds.
Attributed works:
86. Leda and the swan, by Massimiliano Soldani-Benzi (1658-1740). Bronze, height 34.5 cm. Given by John Winter, Esq., together with a Ganymede and the eagle by the same artist, in memory of his father, Carl Winter, Director of the Fitzwilliam Museum (1946-1965). From the collection of Prince Lodovico Trivulzio and from the Luccardi Collection, Milan. See C. LUCCARDI and A. MINGHETTI: The Luccardi Collection of Milan, Milan, ill. pl. XXXVIII, attributed to Falconet. For the wax model for the bronze, see K. LANKHEIT: Die Modellsammlung der Porzellanmanufaktur Doccia, Munich [1982], p.119, No.3, ill. pl. 115.
Attributed works:
88. Cabinet, by George Bullock (d. 1818). c. 1817. Larchwood and ebony with brass mounts and boulle-work, the top of Glen Tilt marble, 87.2 by 120.4 by 46 cm. It is perhaps the piece mentioned in the Blair Castle accounts on 12th July 1817, of which the materials are identical, but the width (188 cm) somewhat larger. A design in the Birmingham City Museum and Art Gallery, discovered by Clive Wainwright, shows the pattern of the boulle-work on the doors of the cabinet. It is inscribed 'Mrs. Barrows/Oak Book Commode/Pubd. Augt 1816'. Purchased from the Gow Fund with a contribution from the National Art Collections Fund and Grant-in-Aid from the Victoria and Albert Museum.
Attributed works:
89. Rebecca and Eliezer at the well, by Nicolas Poussin. The painting appears to be of the 1660s. 96.5 by 138 cm. Bought from the Gow Fund and the University Purchase Fund with contributions from the National Art-Collections Fund, The Pilgrim Trust, The Esmeé Fairbairn Trust, The American Friends of Cambridge University, The Goldsmiths' Company, The Grocers' Company, Ciba-Geigy Plastics and with a number of private donations encouraged by the Fitzwilliam Museum Trust.
Attributed works:
90. Allen Smith contemplating by the Arno, Florence, by François-Xavier Fabre. Signed and dated on the Corinthian capital, lower right: 'F. X. Fabri/Florentiae 1797'. Allen Smith must have been a man of some means as, when travelling in Italy he commissioned five paintings from Fabre, mentioned in a letter from the Countess of Albany post-marked 12th July 1797. These included two portraits, of which the second was a life-size painting of Smith amid the ruins of ancient Rome. A letter from Fabre to Lord Holland (24th August 1797) gives full credit for composition to Smith. Given by the Friends of the Fitzwilliam Museum in celebration of their seventy-fifth anniversary, with the aid of a special gift from the Directors of Hazlitt, Gooden and Fox, and contributions from the National Art-Collections Fund, the Cunliffe, Perceval and University Purchase Funds.
Attributed works:
91. Study of a Head of a Youth, by Ludovico Cardi, Called Il Cigoli. Oil on Paper, Laid down on Canvas, 44.3 by 36.4 cm. A Study for The Emperor Heraclius Bringing Back the True Cross to Jerusalem, Dated 1594, in S. Marco, Florence. Bought from the Gow Fund, with a Contribution from the National Art-Collections Fund.
Attributed works:
93. The Last Communion of St Francis of Assisi, by Sir Peter Paul Rubens. Oil on Oak Panel, 104 by 74.5 cm. Modello for Rubens's Altar-Piece Painted for Jasper Charles for the Church of the Recollects at Antwerp, Now in the Musée des Beaux-Arts, Antwerp. The Finished Painting, Which Shows Significant Differences Particularly in the Upper Zone, Was Paid for on 17th May 1619. Given by Edward Speelman.
Attributed works:
94. The Holy Family on the return from Egypt meets the Infant St John, by Ludovico Carracci. Tempera on canvas, 52.7 by 66 cm. Michael Jaffé, to whom the attribution to Ludovico Carracci of this well-preserved guazzo from the celebrated collection of the Marques del Carpio, Governor of Naples, is due, has suggested a date in the 1580s, and points out how the landscape background anticipates Guercino. Given by the Friends of the Fitzwilliam Museum with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Attributed works:
95. The month of June, by Giuseppe Zocchi. Oil on paper, laid down on canvas, 33.6 by 43.9 cm. A modelletto for Francesco Bartolozzi's print of a corresponding size in etching and engraving. The Bartolozzi Months, reversing Zocchi's compositions, were published at Wagner's in Venice in 1761. Giugno is lettered: 'bello e il veder, quando nel Cancro e il Sole'. Bought from the Gow Fund, with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Non-western art unattributed:
87. Wine Bottle. Korean, Koryŏ Dynasty, Early Twelfth Century. Stoneware with Celadon Glaze, Height 28.6 cm. Given by Mr and Mrs G. St G. M. Gompertz. See Korean and Chinese Ceramics, Exh. cat., Fitzwilliam Museum, Cambridge, 24th February-28th March 1975, p.35, No.76, ill. on Front Cover.
Western art unattributed:
82. 'Oriental' Eros Leaning on Herm. Tarentine (?), Late Third Century BC. Terracotta, Height 18.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
83. Standing Goddess (Persephone?). Corinthian, Mid-Fifth Century BC. Terracotta, Height 17.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
85. Gospel book, in Latin, with Anglo-Saxon glosses. West France (Brittany?). Ninth-tenth century. Vellum, 27 by 19 cm. Fol. 14, a full-page miniature, shows Eusebius wearing blue robes, surrounded by the symbols of the Four Evangelists, each holding a lectern with an open book. Purchased by the Marlay, Perceval, Cunliffe and University Purchase Funds, with the aid of the Victoria and Albert Museum Grant-in-Aid, and the National Heritage Memorial Funds, and with a contribution by Dr G. D. S. Henderson in memory of Francis Wormald.
Western art unattributed:
92. Elizabeth Vernon, Countess of Southampton. Anonymous English School. c. 1603. 188 by 109 cm. Elizabeth Vernon, born in 1573, was one of Elizabeth I's Maids of Honour. She married in secrecy Henry Wriothesley, Third Earl of Southampton, the intimate of Shakespeare. Two miniatures of her husband, by Nicholas Hilliard and Peter Oliver, are in the Museum's collection. The painting hangs near the Van Dyck portrait of her daughter-in-law, Rachel de Ruvigny (reproduced in the October 1984 issue of this Magazine, p.603). Bought from the Perceval Fund with contributions from the National-Art Collections Fund and the Victoria and Albert Museum Grant-in-Aid.
load more