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11 articles
Article
The Photography Centre at the Victoria and Albert Museum, London
05/2023 | 1442 | 165
Pages: 536-543
related names
Author:
Stein, Lisa (Stein, Lisa)
Subjects
Illustrations
Attributed works:
1. The display of cameras at the entrance to the Photography Centre at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
10. Devotion, by Julia Margaret Cameron. 1865. Albumen print from wet collodion glass negative, 22.8 by 27.9 cm. (Victoria and Albert Museum, London, inv. no.45154).
Attributed works:
2. The Sir Elton John and David Furnish Gallery at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
3. Architectural rendering of the Kusama Gallery (Room 98) in the Photography Centre at the Victoria and Albert Museum, London, designed by Gibson Thornley Architects (© Schmidt Massie).
Attributed works:
4. Architectural rendering of the Parasol Foundation Gallery (Room 97) in the Photography Centre at the Victoria and Albert Museum, London. (© Gibson Thornley Architects).
Attributed works:
5. Self-portrait as walking woman with bag, 1979 Lima, Peru 2019 Los Angeles, CA, from the series 1979 contact negatives, by Tarrah Krajnak. 2019, printed in 2022. Cyanotype, 60.8 by 50.5 cm. (© Tarrah Krajnak; Victoria and Albert Museum, London; inv. no.PH.139-2023).
Attributed works:
6. Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London, inv. no.PH.1209).
Attributed works:
7. The Exhibition of the Photographic Society of London and the Société Française de Photographie at the South Kensington Museum, by Charles Thurston Thompson. 1858. Albumen print from wet collodion negative, 29 by 33.3 cm. (Victoria and Albert Museum, London, inv. no.2715-1913).
Attributed works:
8. Raphael Cartoon, The conversion of the proconsul also known as The blinding of Elymas, by Raphael, c.1515–16, by Charles Thurston Thompson. 1858. Scan from a glass plate negative, 91.4 by 91.4 cm. (Victoria and Albert Museum, London, inv. no.E.644-2017).
Attributed works:
9. Ancient ruins in the Canon de Chelle, New Mexico, by Timothy O’Sullivan. 1873. Albumen print, 20.1 by 27.3 cm. (Victoria and Albert Museum, London, inv. no.PH.242-1979).
Book Review
The Idea of Italy: Photography and the British Imagination, 1840–1900 In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871
05/2023 | 1442 | 165
Pages: 564-565
related names
Reviewer:
Iuliano, Marco (Iuliano, Marco)
Subjects
places:
Reviewed Items
subjects:
In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871 By John F. McGuigan Jr and Frank H. Goodyear III. 272 pp. incl. 135 col. ills. (Bowdoin College Museum of Art, Brunswick MA, and Pennsylvania State University Press, University Park PA, 2023), £60.95. ISBN 978–0–271–09488–5. | :
subjects:
The Idea of Italy: Photography and the British Imagination, 1840–1900 Edited by Maria Antonella Pelizzari and Scott Wilcox. 288 pp. incl. 180 col. ills. (Yale Centre for British Art, New Haven, and Yale University Press, New Haven and London, 2022), £40. ISBN 978–0–300–26383–1. | :
Illustrations
Attributed works:
1. Cloud study with Trinità dei Monti, by Carlo Baldassare Simelli. c.1860. Untrimmed albumen print from a glass negative, 23.3 by 26.1 cm. (Private collection).
Article
Nicéphore Niépce and the industry of photographic replication
12/2021 | 1425 | 163
Pages: 1112-1119
related names
Author:
Siegel, Steffen (Siegel, Steffen)
Subjects
Illustrations
Attributed works:
1. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1827. Print on paper after a heliographic plate, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
2. Georges Cardinal d’Amboise Grand Ministre d’Estat et Legat en France, by Isaac Briot. 1633. Engraving, 16.6 by 13 cm. (Musée Nicéphore Niépce, Chalon-sur-Saône).
Attributed works:
3. A horse and groom, by Nicéphore Niépce. 1825. Print on paper after a heliographic plate, taken from a copy of an etching by Dirck Stoop (1651), 14.7 by 10 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
4. View from the window at Le Gras, by Nicéphore Niépce. 1826. Heliograph, 25.8 by 29 cm. (Harry Ransom Humanities Research Center, University of Texas at Austin).
Attributed works:
5. The Holy Family, by Nicéphore Niépce. 1826. Helio-engraved metal plate (tin-led-alloy), taken from an engraving by Étienne-Jehandier Desrochers after Le Brun, probably early 18th century, 26.7 by 19.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
6. A prisoner, by Nicéphore Niépce. 1826. ‘Gravure vernie’ of a print by Jean-Baptiste de Poilly after a drawing by François Verdier, probably early 18th century, 24.5 by 18 cm. (Musée Nicéphore-Niépce, Chalonsur- Saône).
Attributed works:
7. Landscape (‘after Le Lorrain’), by Nicéphore Niépce. 1826–27. Helioengraved metal plate (tin), 14.2 by 20.8 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
8. Cardinal Georges d’Amboise, by Nicéphore Niépce. 1826. Helioengraved metal plate (tin), 17.9 by 14.1 cm. (Musée Nicéphore-Niépce, Chalon-sur-Saône).
Attributed works:
9. Composition, by John William Draper. c.1840. Daguerreotype, 8.2 cm by 10.2 cm. (Photographic History Collection, National Museum of American History, Smithsonian Institution, Washington).
Exhibition Review
Notre-Dame, Paris: From Victor Hugo to Eugène Viollet-Le-Duc
01/2021 | 1414 | 163
Pages: 59-61
related names
Reviewer:
Dumaine, Samantha (Dumaine, Samantha)
Subjects
dates:
Reviewed Items
subjects:
Notre-Dame, Paris: From Victor Hugo to Eugène Viollet-le-Duc Crypte archéologique de l’île de la Cité, Paris 9th September 2020–ongoing | :
Illustrations
Attributed works:
4. The parvis of Notre-Dame, by Charles Fréchot. 1833. Watercolour, brush and ink, 39 by 30.7 cm. (Musée Carnavalet– Histoire de Paris; exh. Crypte archéologique de l’île de la Cité, Paris).
Attributed works:
5. North tower of Notre-Dame, Paris, showing Henri Le Secq and the stone chimera called Le stryge, by Charles Nègre. c.1853. Modern salt paper print from paper negative, 32.5 by 23 cm. (Musée d’Orsay, Paris; exh. Crypte archéologique de l’île de la Cité, Paris).
Attributed works:
6. Attack on Notre-Dame, by François Nicolas Chifflart. 1876–77. Pen, ink and watercolour, 30 by 26.3 cm. (Maisons de Victor Hugo / Roger-Viollet; exh. Crypte archéologique de l’île de la Cité, Paris).
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part II: the daguerreotypes and their texts
06/2016 | 1359 | 158
Pages: 430-439
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
places:
Illustrations
Attributed works:
15. Pyramids of Geezeh, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, II, pl.24 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
16. Pyramid of Cheops, by Frédéric Goupil-Fesquet and Horace Vernet. 22nd November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
17. Pompey's Pillar, by Frédéric Goupil-Fesquet. 8th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
18. Pompey's Pillar, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.5 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
19. View of Luxor, by Frédéric Goupil-Fesquet (and Horace Vernet?) November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
20. View of the Ruins of Luxor from the Nile, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.16 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
21. Harem of Mehmet-Ali, by Frédéric Goupil-Fesquet and Horace Vernet. 7th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
22. View of Beirut by Frédéric Goupil-Fesquet (and Horace Vernet?). 31st January-1st February 1840. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
23. View of Nazareth by Frédéric Goupil-Fesquet (and Horace Vernet?). 23rd December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
24. View of Acre by Frédéric Goupil-Fesquet (and Horace Vernet?). 25th-28th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
25. View of Jerusalem by Frédéric Goupil-Fesquet (and Horace Vernet?). c.18th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
26. View of Jerusalem from the road leading to Bethany, by David Roberts. 8th April 1839. Lithograph by Louis Haghe from The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1842-45, I, pl.1 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
27. Study of Oriental dancers, by Horace Vernet. 1839 (Musée du Louvre, Paris)
Attributed works:
28. Study for Tamar, by Horace Vernet. 1840 (Musée du Louvre, Paris)
Attributed works:
29. Almée by Emile Vernet-Lecomte. 1869 (Courtesy Sotheby's, New York, sale 4th November 2010, lot 5)
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part I: a daguerrean excursion
04/2016 | 1357 | 158
Pages: 264-271
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
38. Self-portrait, by Horace Vernet. 1835 (State Hermitage Museum, St Petersburg)
Attributed works:
39. The Arab tale-teller, by Horace Vernet. 1833 (Wallace Collection, London)
Attributed works:
40. Rebecca at the well, by Horace Vernet. 1833 (Location unknown)
Attributed works:
41. Central motif of the vault, Turkish Chamber, designed by Horace Vernet. 1833 (Villa Medici, Rome)
Attributed works:
42. Judah and Tamar, by Horace Vernet. 1840 (Wallace Collection, London)
Attributed works:
43. Portrait of Soliman Pasha, by Horace Vernet. 1840 (Location unknown, formerly in the collection of Sherif Sabry Pasha, Cairo). Fig.6 from J.M. Carré: Voyageurs et écrivains français en Egypte, Cairo 1932, II, p.54
Attributed works:
44. Arabs travelling in the desert, by Horace Vernet. 1843 (Wallace Collection, London)
Book Review
Carrying Off the Palaces. John Ruskin’s Lost Daguerreotypes, K. Jacobson and J. Jacobson, with additional research by G. Bologna and an essay by A. Arribas
04/2016 | 1357 | 158
Pages: 295-296
Subjects
collectors and dealers:
places:
Illustrations
Attributed works:
62. Venice. The Grand Canal. Palazzo Loredan dell'Ambasciatore, by John Ruskin and Le Cavalier Iller. c.1846-49 (Penrith collection)
Book Review
The Origins of American Photography: From Daguerreotype to Dry-Plate
07/2009 | 1276 | 151
Pages: 481
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
print:
Reviewed Items
subjects:
The Origins of American Photography: From Daguerreotype to Dry-Plate | contributor: Aspinwall, Jane L. , author: Davis, Keith F.
Publication Received
The Silver Canvas: Daguerreotype Masterpieces from the J. Paul Getty Museum
05/1999 | 1154 | 141
Pages: 302
related names
Reviewer:
Haworth-Booth, Mark (Haworth-Booth, Mark; Booth, Mark Haworth-)
Subjects
subjects:
subjects:
Reviewed Items
subjects:
The Silver Canvas: Daguerreotype Masterpieces from the J. Paul Getty Museum | author: Lowry, Bates , author: Lowry, Isabel Barrett
Publication Received
Scenic Daguerreotype. Romanticism and Early Photography
09/1997 | 1134 | 139
Pages: 640-641
related names
Reviewer:
Stallabrass, Julian (Stallabrass, Julian; S., J.)
Subjects
subjects:
Reviewed Items
subjects:
Scenic Daguerreotype. Romanticism and Early Photography | author: Wood, John
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