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18 articles
Obituary
Walter Liedtke (1945–2015)
04/2015 | 1345 | 157
Pages: 268-269
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
art literature:
Supplement
Recent acquisitions (2004–09) at the Ashmolean Museum, Oxford
10/2009 | 1279 | 151
Pages: 729-736
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
I. Music, by Edward Burne-Jones (1833–98). 1877. Canvas, 67.7 by 43.5 cm. Accepted by HM Government in lieu of Inheritance Tax on the estate of Miss Jean Fiora Preston and allocated to the Ashmolean Museum. (WA2008.15).
Attributed works:
IX. Musician in a landscape. North India, Mughal, c.1575–80. Attributed to Basawan. Gouache with gold on paper, 9.6 by 6 cm. Purchased with funds provided by the Neil Kreitman Foundation in honour of Andrew Topsfield. (EA2008.81).
Attributed works:
X. A wind (Aeolus) unchained, by Giulio Romano (1499–1546). Preparatory drawing for a fresco compartment in the Camera dei Venti at the Palazzo Te, Mantua, decorated in 1527–28. Pen, brown ink and wash over black chalk, pricked for transfer, 32.8 by 27.7 cm. Presented by Charlotte Gere in accordance with the wishes of the late John Gere, Keeper of Prints and Drawings at the British Museum, London. (WA2007.77).
Attributed works:
XI. Study of a youth, by Cristofano Allori (1577–1621). c.1615. Black chalk on off-white paper, 21.0 by 16.7 cm. Presented by Mary-Jane Harris of New York City, in honour of Timothy Wilson and Catherine Whistler, through Americans for Oxford. (WA2006.59).
Attributed works:
XII. Salver on foot. London, 1688–89; mark of William Gamble. Silver, diameter 24.1 cm. Presented by the Executors of Mrs Corinne Whiteley. (WA2004.97)
Attributed works:
XIV. Tureen in the form of a boar’s head. Chelsea porcelain factory, c.1755–59. Soft-paste porcelain, red anchor mark; 27 cm. high. Purchased by tax-concessionary private treaty sale through Christie’s (Bouch, Madan, Jones, and Virtue-Tebbs funds), with the aid of the Art Fund, the National Heritage Memorial Fund, the MLA/V. & A. Purchase Grant Fund, the Friends of the Ashmolean, Martin Foley, the Oxford Ceramics Group and numerous private donors. (WA2007.1).
Attributed works:
XIX. Portrait of a lady, by Jan Cornelisz Verspronck (c.1606/9–62). Early 1640s. Canvas, 101.9 by 78.8 cm. Accepted by HM Government in lieu of Inheritance Tax and allocated to the Ashmolean. (WA2004.102)
Attributed works:
XV. Osprey. Meissen factory, modelled by J.J. Kändler (1706–75). 1731. Hard-paste porcelain, 54.5 cm. high. Presented by a donor who wishes to remain anonymous. (WA2008.61)
Attributed works:
XVIII. Triumph of Love, by Titian (c.1485–1576). c.1545. Canvas mounted on panel, diameter 88.3 cm. Accepted by HM Government in lieu of Inheritance Tax and allocated to the Ashmolean, hybrid purchase (Virtue-Tebbs, Madan and Russell Funds) with the assistance of the Art Fund (with a contribution from the Wolfson Foundation), Daniel Katz Ltd, the Friends of the Ashmolean, the Tradescant Group, the Elias Ashmole Group, Michael Barclay, Roger Highfield, the late Yvonne Carey, the late Felicity Rhodes and other private donations. (WA 2008.89).
Attributed works:
XX. Seated shepherd with cows and sheep in a meadow, by Aelbert Cuyp (1620–91). c.1644. Panel, 48.3 by 74.3 cm. Signed lower right ‘A. Cuyp’. Purchased under the tax-concessionary scheme for private sales to museums, with the assistance of the Art Fund, the MLA/V. & A. Purchase Grant Fund, the Friends of the Ashmolean, the Tradescant Group, the Elias Ashmole Group and a private donation. (WA2004.123)
Attributed works:
XXI. Cicero and his friends, Atticus and Quintus, at his Villa at Arpinum, by Richard Wilson (1713–82). c.1769–70. Canvas, 91.8 by 129.5 cm. Accepted by HM Government in lieu of Inheritance Tax and allocated to the Ashmolean. (WA2007.155)
Attributed works:
XXII. Jerusalem, by Edward Lear (1812–88). Signed in monogram and dated ‘EL 1865’. Canvas, 81 by 161.6 cm. Accepted by HM Government in lieu of Inheritance Tax on the estates of Captain and Mrs L.E.D. Walthall and allocated to the Ashmolean. (WA2006.26)
Attributed works:
XXIII. The Prospect, by Samuel Palmer (1805–81). 1881. Watercolour and bodycolour over pencil on London board, 50.8 by 70.5 cm. Signed ‘SAMUEL PALMER’. Purchased with the assistance of the Art Fund, the National Heritage Memorial Fund, the MLA/V. & A. Purchase Grant Fund, the Headley Trust, the Warden and Fellows of All Souls College, the Friends of the Ashmolean and many private donations following a public appeal. (WA2005.165)
Attributed works:
XXIV. Saint Florent le Vieil, by Joseph Mallord William Turner (1775–1851). Early 1830s. [date correct?] Watercolour and bodycolour on blue paper, 13.7 by 18.5 cm. Accepted by HM Government in lieu of Inheritance Tax on the estate of Audrey Sale and allocated to the Ashmolean. (WA2006.199)
Attributed works:
XXV. Mönchroda, by Lionel Feininger (1871–1956). Inscribed at lower centre ‘MÖNCHRODA’. Dated, lower right in black ink, ‘6 Dez. 1922’. Signed lower left in black ink ‘Feininger’. Pen and black ink and watercolour, 26 by 32 cm. Accepted by HM Government in lieu of Inheritance Tax on the estate of Sir James Colyer-Fergusson and allocated to the Ashmolean Museum. (WA2005.196)
Attributed works:
XXVI. One of a pair of six-fold screens, by Watanabe Seitei (1851–1918). c.1900. Colours on silver-foiled paper in lacquer frame, 60 by 174 cm. Purchased (Story Fund) with the help of the Art Fund, the MLA/V. & A. Purchase Grant Fund and the Friends of the Ashmolean. (EA2004.9).
Attributed works:
XXVII. Lacquer writing set. Tomita Koshichi (1854–1910). Japan, mid-1890s to early 1900s. Lacquer on wood, writing box: 22.5 by 24.7 5.5 cm.; document box: 41.5 by 35.5 15.7 cm. Purchased (Story Fund) with the help of the MLA/V. & A. Purchase Grant Fund, the Art Fund and the Elias Ashmole Group. (EA2007.258–59).
Attributed works:
XXVIII. Reclining, by Jean Arp (1886–1966). 1960. Marble, 16.2 by 26 by 3.2 cm. Presented by the Trustees of Robert and Rena Lewin. (WA2007.2)
Non-western art unattributed:
VII. The mandala of Manjuvajra. Tibet, early fifteenth century. Gouache on cotton cloth, 49.5 by 41.3 cm. Purchased with funds provided by the Neil Kreitman Foundation in memory of Hyman and Irene Kreitman. (EA2007.246).
Non-western art unattributed:
VIII. Chandikeshvara. Tamilnadu, South India, late twelfth century. Bronze, 55 cm. high. Purchased in memory of J.C. Harle (Keeper of Eastern Art 1967–87), with the help of an anonymous benefactor. (EA2005.90).
Western art unattributed:
II. Hair-ring. Late Bronze Age, c.1200–700 BC. Gold leaf on a metal core, diameter 2 cm. Found at Combe, Oxfordshire, in 1911. Presented by J.M. Joslin in memory of his father John Joslin and his grandfather John Joslin. (AN2005.17).
Western art unattributed:
III. The Wilshere Collection of thirty-six fragments of gold-glass and twenty-three sculptured reliefs and inscriptions. Fourth century AD. Acquired from the Governors of Pusey House, Oxford, with the aid of The Art Fund, the National Heritage Memorial Fund, the MLA/V. & A. Purchase Grant Fund and the Patrons, Friends, Young Friends and private benefactors of the Ashmolean. (AN2007.13).
Western art unattributed:
IV. Altar. First century AD. Marble, 66 cm. high. Accepted by HM Government in lieu of Inheritance Tax on the estate of Sir Howard Colvin and allocated to the Ashmolean. (AN2008.47).
Western art unattributed:
V. The Chalgrove II Hoard with coin of Domitianus II. 4,957 Roman base silver coins spanning 251 to 279 AD, in a Roman grey-ware jar. Acquired from the Department of Culture, Media and Sport, with the aid of The Art Fund, the Headley Trust for Treasure, the MLA/V. & A. Purchase Grant Fund, the Carl & Eileen Subak Family Foundation and the Friends of the Ashmolean. (HCR6365).
Western art unattributed:
VI. Ottoman embroidered wall-hanging. Turkey, sixteenth century. Linen with silk embroidery, 237 by 130 cm. Purchased with the aid of the MLA/V. & A. Purchase Grant Fund. (EA2007.104)
Western art unattributed:
XIII. Ewer and basin. London 1592–93. Silver-gilt, diameter of basin, 41.2 cm; ewer, 29.8 cm. high. Maker’s mark of IN or TN above a mullet. Formerly in the collection of Sir Ernest Cassel. Purchased (France Fund) through Sotheby’s with the aid of the National Heritage Memorial Fund, the Art Fund and the Friends of the Ashmolean, with donations from Diane Bacon and Helen Smyth in memory of their Grandfather A.H. Whiteley, Mr and Mrs Brian Wilson, Mr and Mrs Michael Pix, Lady Heseltine and other donors. (WA2005.131).
Western art unattributed:
XVI. Maiolica dish with Alcyone and Ceyx. Italian, probably Pesaro, c.1500. Tin-glazed earthenware, diameter 29.4 cm. Purchased (Madan Fund) with the aid of the Art Fund, the MLA/V. & A. Purchase Grant Fund, the Friends of the Ashmolean and private donations. (WA2006.3)
Western art unattributed:
XVII. Jug painted with grotesques. London (Southwark), c.1635–40. Tin-glazed earthenware (delftware), 28 cm. high. Initialled on the neck with D over IE. Purchased at the sale at Christie’s of works from the collection of the late Simon Sainsbury, with the aid of the Art Fund, the MLA/V. & A. Purchase Grant Fund, the Friends of the Ashmolean, Martin Foley, Sir Harry Djanogly, the Oxford Ceramics Group and other donors. (WA2008.65)
Short Notice
The Rembrandt Year
02/2007 | 1247 | 149
Pages: 104-108
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
art literature:
dates:
Illustrations
Attributed works:
36. Old woman reading a book, by Rembrandt?. c.1631. Canvas, 74.4 by 62.7 cm. (Wilton Estate, Salisbury).
Attributed works:
37. The mill, by Rembrandt. c.1645. Canvas, 87.6 by 105.6 cm. (National Gallery of Art, Washington).
Attributed works:
38. Weeping woman, copy after Rembrandt. Panel, 21.4 by 16.8 cm. (Detroit Institute of Arts).
Attributed works:
39. Abraham and the three angels, by Rembrandt. 1646. Panel, 16 by 21 cm. (Private collection).
Attributed works:
40. Girl in a picture frame, circle of Rembrandt. 1641. Panel, 104 by 76 cm. (Royal Castle, Warsaw).
Supplement
Recent acquisitions (2000–03) at the Ashmolean Museum, Oxford
05/2004 | 1214 | 146
Pages: 365-372
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
VIII. Portrait of Giacomo Doria, by Titian. c.1530–35. 116 by 98 cm. (Ashmolean Museum, Oxford)
Attributed works:
X. The spellbound Rinaldo placed in Armida's chariot, by Andrea Boscoli. Pen and ink over traces of red chalk, with brush and brown wash, 15 by 22.3 cm. (Ashmolean Museum, Oxford)
Attributed works:
XI. Perfume burner. Italian (Padua), c.1530–40, attributed to Desiderio da Firenze. Bronze, 51.3 cm. (Ashmolean Museum, Oxford)
Attributed works:
XIII. Charles I and the Knights of the Garter in procession, by Anthony van Dyck. c.1618. Oil over silverpoint on panel, 29.8 by 130.8 cm. (Ashmolean Museum, Oxford)
Attributed works:
XIV. Portrait of Lady Charles Spencer, by Jean-Etienne Liotard. Pastel, 62.8 by 50.2 cm. (Ashmolean Museum, Oxford)
Attributed works:
XV. Shipping off the Kent coast, by Richard Parkes Bonington. Pen and ink and watercolour, over pencil, 15.8 by 23.5 cm. (Ashmolean Museum, Oxford)
Attributed works:
XVI. Christ Church College, Oxford, by J.M.W. Turner. Watercolour and bodycolour over pencil, 29.9 by 41.9 cm. (Ashmolean Museum, Oxford)
Attributed works:
XVII. View of the Nile at Luxor, by Jean-Léon Gérôme. 1857. Canvas laid on board, 16.5 by 28.7 cm. (Ashmolean Museum, Oxford)
Attributed works:
XVIII. Flowers and birds and a fruiting tree, six-fold screen, Japanese, by Hasegawa Shiei (1822–79). Ink and colours on paper, 168 by 370 cm. (Ashmolean Museum, Oxford)
Attributed works:
XX. 'Monteith' bowl with flat-chased chinoiserie decoration. Silver, hallmarked London 1684–85, maker's mark of George Garthorne. 29 cm. diameter. (Ashmolean Museum, Oxford)
Attributed works:
XXII. Gold fob-seal of Sir Joshua Reynolds, inset with a chalcedony neo-classical intaglio; the face, 3 by 2.5 cm. The subject is Winter, by Edward Burch, after Falconet's sculpture first exhibited at the 1765 Paris Salon. (Ashmolean Museum, Oxford)
Attributed works:
XXIII. Brighton Pierrots, by Walter Richard Sickert. 1915. 64 by 76 cm. (Ashmolean Museum, Oxford)
Attributed works:
XXIV. Boswood's thigh and the right arm of Michelangelo's David, by George Richmond. 1828. Red chalk, pencil and brown ink, 26.9 by 18.7 cm. (Ashmolean Museum, Oxford)
Attributed works:
XXV. Ein Faschist flog vorüber (A Fascist flew past), one of a series of eight, by Georg Baselitz. 1998–99. Etching, aquatint and drypoint, 66.1 by 49.5 cm. (Ashmolean Museum, Oxford)
Non-western art unattributed:
VII. Wood and lacquer tripod basin. Japanese Negoro lacquer, inscribed 'the Itokuin subtemple in Jisso-in valley' and dated cyclically 1345 or 1405. 15.8 cm. high. (Ashmolean Museum, Oxford)
Non-western art unattributed:
XII. Huang huali games table. Chinese, Ming Dynasty, sixteenth-seventeenth century. (Ashmolean Museum, Oxford)
Non-western art unattributed:
XIX. Figures of a stag and a doe. Japanese, Kakiemon style, Arita, c.1680. Enamelled porcelain, stag, 17.3 cm. high; doe, 15 cm. high. (Ashmolean Museum, Oxford)
Western art unattributed:
I. Roman bronze arm-purse, probably dating from the time of Hadrian (117–138 A.D.). Found during ploughing near Vindolanda. Bronze, 11cm. high. (Ashmolean Museum, Oxford)
Western art unattributed:
II. Cup with embossed olive sprays. Roman, second-third century A.D. Silver-gilt, 10.5 cm high. (Ashmolean Museum, Oxford)
Western art unattributed:
III. Portrait head of Oikoumenios, govnor of Caria, c.400 A.D. Plaster cast from Late Roman marble original found at Aphrodisias, S.W. Turkey, in 2000. 30 cm. high. (Ashmolean Museum, Oxford)
Western art unattributed:
IV. Torso of the god Vishnu. Cambodia pre-Angkor period, sixth-seventh century A.D. Sandstone, 35 cm. high. (Ashmolean Museum, Oxford)
Western art unattributed:
IX. Plate with a head of penises. Attributed to Francesco Urbini. Gubbio, 1536. Maiolica 23.2 cm. (Ashmolean Museum, Oxford)
Western art unattributed:
V. Trachy of John III Vatatzes (1222-54), Byzantine Emperor in exile in Nicea. Obverse: the Virgin Mary enthroned with the infant Christ; reverse: the Emperor crowned by Christ. Electrum, 3 cm. (Ashmolean Museum, Oxford)
Western art unattributed:
VI. French mirror case. c.1300–50. Ivory, 11.1 cm. (Ashmolean Museum, Oxford)
Western art unattributed:
XXI. Cushion cover. Ottoman Turkey, early seventeenth-century. Velvet, silk pile and satin weave with silver and gilded metal-thread brocade, 166 by 123 cm. (Ashmolean Museum, Oxford)
Supplement
Recent Acquisitions at the Ashmolean Museum, Oxford: Supplement
05/2000 | 1166 | 142
Pages: 336-340
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
museums and institutions:
Illustrations
Attributed works:
V. Annoni-Visconti marriage bowl. Italian (Milan), perhaps workshop of Leone Leoni, c. 1575-80. Bronze, ht. 11.3 cm.; diam. 33 cm. Purchased with the aid of the Heritage Lottery Fund, the MGC/V&A Purchase Grant Fund, the National Art Collections Fund, and the Friends of the Ashmolean. WA 1997.81.
Attributed works:
X. Madonna of the rosary, by Francesco Vanni (1563-1610). Black chalk, pen and brown ink and brown wash on paper, squared for transfer in red chalk, 30.2 by 20.2 cm. Purchased with the aid of the MGC/V&A Purchase Grant Fund, the National Art Collections Fund, and the Friends of the Ashmolean. WA 1998.174.
Attributed works:
XI. Entombment of Christ, by Guy François (Before 1580-1650). Charcoal with White Chalk on Toned Paper, 40 by 28.6 cm. Purchased with the Aid of the National Art Collections Fund, and the Friends of the Ashmolean. WA 1998.3.
Attributed works:
XII. Winter Landscape, by Aert van der Neer (1603/04-77). Oil on Panel, 56 by 71.2 cm. Accepted by H. M. Government in Lieu of Inheritance Tax from the Estate of Elizabeth Alys Sandars and Allocated to the Ashmolean. WA 1998.52.
Attributed works:
XIII. Edward Salter aged six, by Michael Rysbrack (1694-1770). 1748. Terracotta with a putty-coloured overpaint, ht. 41.9 cm. Purchased with the aid of the National Art Collections Fund, the Henry Moore Foundation, the Michael Marks Charitable Trust, the late Mrs Eileen Stamers-Smith, the Friends of the Ashmolean, and other organisations and individuals. WA 1999.22.
Attributed works:
XIV. David Garrick, by Johann Zoffany (1733-1810). Oil on Canvas, 75.2 by 62.7 cm. Accepted by H. M. Government in Lieu of Inheritance Tax from the Estate of Mrs Joan Conway and Allocated to the Ashmolean. WA 1999.10.
Attributed works:
XIX. A young stonebreaker seen from behind, by Gustave Courbet (1819-1877). Black and white chalk on paper, 29.5 by 21.1 cm. Purchased with the aid of the MGC/V&A Purchase Grant Fund, the National Art Collections Fund, and the Friends of the Ashmolean, by private treaty sale under tax concessionary arrangements through David Carritt Ltd. WA 1998.3.
Attributed works:
XV. Self-portrait, by Sir Thomas Lawrence (1769-1830). Black and red chalks on paper, 20 by 16 cm. Purchased with the aid of the MGC/V&A Purchase Grant Fund, the Friends of the Ashmolean, the National Art Collections Fund, the late Mrs Dorothy Rowe, Professor Luke Herrmann, and two benefactors who wish to remain anonymous. WA 1997.13.
Attributed works:
XVI. Charles Robert Cockerell, by Jean-Auguste-Dominique Ingres (1780-1867). Graphite on white paper, 19.1 by 14.6 cm. Purchased with the aid of the Heritage Lottery Fund, the MGC/V&A Purchase Grant Fund, the National Art Collections Fund, and the Friends of the Ashmolean, with the assistance of Hazlitt, Gooden and Fox, in memory of Hugh Macandrew (1931-93). WA 1998.179.
Attributed works:
XVII. Rome seen through an arch of the Colosseum, by François-Marius Granet (1775-1849). Oil on canvas, 47.3 by 60.9 cm. Purchased in commemoration of the Directorship of Professor Christopher White with donations from his friends and admirers, and contributions from the National Art Collections Fund, the Pilgrim Trust, and the Friends of the Ashmolean. WA 1997.26.
Attributed works:
XVIII. Murnau Staffelsee I, by Wassily Kandinsky (1866-1944). Oil on Paper Laid on Board, 33.8 by 44.5 cm. Accepted by H. M. Government in Lieu of Inheritance Tax from the Estate of Sir Antony Hornby and Allocated to the Ashmolean. WA 1997.33.
Attributed works:
XX. Abraham and Hagar Surprised by Sarah, by R. B. Kitaj (b. 1932). Charcoal on Paper, 77.3 by 55.9 cm. Purchased with the Aid of the MGC/V&A Purchase Grant Fund, and the National Art Collections Fund. WA 1997.5.
Attributed works:
XXI. The Bullfight, by Edward Burra (1905-76). 1933. Pencil on Paper, 65 by 46 cm. Purchased with the Aid of the National Art Collections Fund, the Friends of the Ashmolean, and the Paul Nash Trust. WA 1998.221.
Non-western art unattributed:
I. Bodhisattva Guanyin. North China, Northern Song (906-1127 A. D.) dynasty, tenth century. Gilt and polychromed wood, ht. 93 cm. Purchased with the aid of the National Art Collections Fund, S. Wheatland Fisher, the Friends of the Ashmolean, a benefactor who wishes to remain anonymous, and the Dr Mortimer and Theresa Sackler Foundation. EA 1999.96.
Non-western art unattributed:
II. Silver tetradrachm of King Azes. Indo-Scythian, second half of the first century B. C. Diam. 2.8 cm. HCR 1998.12.9.632. The coin combines Greek legends on the obverse with the same message 'Azes, great King of Kings' in the local Kharoshthi script on the reverse. The blending of classical and eastern traditions evident on this example, where Azes is combined with Zeus, is characteristic of the R. C. Senior collection of 5,673 Indo-Scythian and Indo-Parthian coins, acquired in December 1998 with the aid of a munificent gift from a charitable trust.
Non-western art unattributed:
IX. Namban cabinet. Japanese, late sixteenth century. Black lacquer with pearl shell inlay on a wooden carcase; metal fittings, ht. 30.3 cm. Purchased with the aid of the National Art Collections Fund, the MGC/V&A Purchase Grant Fund, and the Friends of the Ashmolean. EA 1998.17.
Non-western art unattributed:
VI. Body armour. Persian, by Lutfcali, dated 1150H/1737-38 A. D. Steel inlaid with gold, 27 by 20 cm. Purchased with the aid of the National Art Collections Fund, the MGC/V&A Purchase Grant Fund, and the Friends of the Ashmolean. EA 1997.176.
Non-western art unattributed:
VII. Flask. Chinese, Ming (1368-1644) dynasty, Yongle (1403-24) period. Porcelain with underglaze blue decoration, ht. 30.2 cm. Purchased in commemoration of the Directorship of Professor Christopher White, and with the aid of the Friends of the Ashmolean. EA 1997.190.
Non-western art unattributed:
VIII. Khmer caitya (temple shrine). Cambodian, Angkor period, tenth century A. D. Sandstone, ht. 110 cm. Purchased with the aid of the National Art Collections Fund, the MGC/V&A Purchase Grant Fund, the Friends of the Ashmolean, and a donor who wishes to remain anonymous. EA 1999.102.
Western art unattributed:
III. Pectoral Cross, from Burton Pidsea, Holderness, East Yorkshire. Anglo-Saxon, Seventh Century A. D. Gold and Garnet, ht. 5.3 cm. Purchased with the Aid of the National Art Collections Fund. AN 1999.206.
Western art unattributed:
IV. Strap-ends. Late Anglo-Saxon, ninth century A. D. Silver inlaid with gold filigree panels, 2.9 and 3.09 cm. long. Purchased with the aid of the MGC/V&A Purchase Grant Fund and Mr Christopher Kennington, the owner of the land on which they were found. AN 1997.56-7.
Article
Rembrandt's 'Alexander the Great'
05/1992 | 1070 | 134
Pages: 286-298
related names
Author:
Brown, Christopher (Brown, Christopher)
Author:
Roy, Ashok (Roy, Ashok)
Subjects
dates:
Illustrations
Attributed works:
1. Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).
Attributed works:
10. Cross section of paint photographed in reflected light at 250x from the dark red table cloth in Aristotle contemplating a bust of Homer, by Rembrandt (Metropolitan Museum of Art, New York). The two layers of colour contain mixtures of red earth pigment with red lake over a double ground (only the upper layer of ground is present in the sample).
Attributed works:
11. Unmounted sample photographed in transmitted light at 280x of a fragment of smalt glaze in oil from the lining of the cloak, main field, in Fig.1. There is extreme discoloration of both pigment and medium in the paint layer. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
12. Cross section of paint from Fig.1 showing the dull green patch just below the forearm containing azurite, smalt and ochre. Beneath is a layer of mixed pigment duplicating the colour of the brown quartz ground. Incomplete layer structure, photographed in reflected light at 250x. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
13. X-Radiograph Detail of Fig.1 Showing the Partially Completed Earlier Figure Beneath the Surface on the Main Canvas. The Image Has Been Turned Anticlockwise Through 90°. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
14. X-Radiograph Detail of Fig.1, Lower Left Corner, Showing the Junction of the Main Canvas and Added Strips. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
15. X-Radiograph of Self Portrait at the Age of Sixty-Three, by Rembrandt. 86 by 70.5 cm. (National Gallery, London).
Attributed works:
16. Detail of the Red Sleeve of the Woman Spilling Wine, Lower Right, in Belshazzar's Feast, by Rembrandt (National Gallery, London). Some Blanching Is Evident in the Red Glaze Layers.
Attributed works:
17. Infra-Red Photograph Detail of Fig.1, Showing the Use of Vermilion (Light Areas) in the Paint of the Cloak at the Shoulder. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
2. The Arrangement of Canvas Pieces in Fig.1, with Dimensions in Centimetres; The Drawing Is Not to Scale. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
3. X-Radiograph of Fig.1. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
4. Detail of Fig.1. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
5. Cross section of paint from Fig.1, photographed in reflected light at 250x, showing the red cloak extended on to the lower canvas addition (D in Fig.2). A double ground, orange below and light greyish brown above, is present with a further layer of paint containing lead white over this. The cloak comprises several layers of red and yellow lake combined with a little vermilion. There is a thin underpaint containing bone black and other translucent dark-coloured pigments. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
6. Cross section of paint from Fig.1, photographed in reflected light at 250x, from the dark background above the figure extended on to the upper canvas addition (A in Fig.2). Two layers of ground are present: a mid-orange lower priming and a light orange upper priming containing a significant proportion of lead white. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
7. Cross Section of Paint from Fig.1, Photographed in Reflected Light at 250x, Showing a White Impasto Touch on the Armour Applied Directly on to the Brown Quartz Ground. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Attributed works:
8. Cross section of paint from Fig.15, photographed in reflected light at 250x, showing pentimento of the turban. As in Fig.1, lead white impasto is applied directly on to the textured brown ground (layers of paint forming the finished background pass over the white paint of the turban). [Self Portrait at the Age of Sixty-Three, by Rembrandt. 86 by 70.5 cm. (National Gallery, London).]
Attributed works:
9. Cross section of paint from Fig.1, photographed in reflected light at 250x, showing orange-coloured impasto of the bow tied at the man's throat, made up of yellow ochre and yellow lake. The translucent dark-brown layer beneath represents the sketched design brushed directly on to the quartz ground, seen here as the lowest layer. [Man in Armour, by Rembrandt, Photographed after Cleaning and Restoration. 137.5 by 104.5 cm. (Art Gallery and Museum, Glasgow).]
Short Notice
Van Dyck's Collection: Some New Documents
10/1990 | 1051 | 132
Pages: 704-709
related names
Author:
Brown, Christopher (Brown, Christopher)
Author:
Ramsay, Nigel (Ramsay, Nigel)
Subjects
collectors and dealers:
dates:
places:
subjects:
Short Notice
'Mercury and Argus' by Carel Fabritius: A Newly Discovered Painting
11/1986 | 1004 | 128
Pages: 797-801
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. Mercury and Argus, by Carel Fabritius. 1693. 73.5 by 104 cm. (Richard Feigen, New York).
Attributed works:
19. Mercury and Argus, by Jean-Honoré Fragonard (After Carel Fabritius). 59 by 73 cm. (Musée du Louvre, Paris).
Attributed works:
20. Raising of Lazarus, by Carel Fabritius. 210 by 140 cm. (Museum Narodowe, Warsaw).
Attributed works:
22. Detail of Fig. 20. [Raising of Lazarus, by Carel Fabritius. 210 by 140 cm. (Museum Narodowe, Warsaw).]
Attributed works:
23. Detail of Fig. 18 [Mercury and Argus, by Carel Fabritius. 1693. 73.5 by 104 cm. (Richard Feigen, New York).]
Article
Jan Lievens in Leiden and London
11/1983 | 968 | 125
Pages: 663-671
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
artists:
artists:
dates:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. Head of a Negro, by Gerrit Dou. Signed. Panel, 42 by 33.5 cm. (Niedersächsische Landesgalerie, Hannover).
Attributed works:
11. Detail from The Palatinate Children, by Gerrit van Honthorst. Signed and Dated 1631. (Royal Collection). Reproduced by Gracious Permission of H. M. The Queen.
Attributed works:
12. Prince Rupert of the Palatinate, by Anthony van Dyck. 1632. 175 by 95.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. Detail from Jan. Jansz. Orlers, by Pieter Dubordieu. Signed in Monogram and Inscribed Aetat.70. 1640. (Stedelijk Museum 'De Lakenhal', Leiden).
Attributed works:
14. A Young Man, by Jan Lievens. 112 by 97 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
15. Self Portrait, by Jan Lievens. Signed. Panel, 42 by 33 cm. (Private Collection).
Attributed works:
16. Jacques Gouter (Or Gaultier), by Jan Lievens. Signed. Engraving, 26.5 by 21.2 cm. (Herzog Anton Ulrich-Museum, Braunschweig).
Attributed works:
2. Prince Rupert and an Elderly Man, by Gerrit Dou. 102.9 by 88.2 cm. (Private Collection, New York; On Loan to the Rijksmuseum, Amsterdam).
Attributed works:
3. Prince Charles Louis and His Tutor, Perhaps Wolrad von Plessen (As Aristotle Instructing the Young Alexander?) by Jan Lievens. Signed in Monogram and Dated 1631 (On Arm of Chair). 106 by 96 cm. (j. Paul Getty Museum, Malibu).
Attributed works:
4. Prince Charles Louis of the Palatinate, by Anthony van Dyck. 1632. 175 by 96.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
5. Detail from Fig. 3.
Attributed works:
6. Detail from The Palatinate Children, by Gerrit van Honthorst. Signed and Dated 1631. (Royal Collection). Reproduced by Gracious Permission of H. M. The Queen.
Attributed works:
7. Frederik, King of Bohemia, by Gerrit van Honthorst. Signed and Dated 1633. Panel, 49.5 by 38.7 cm. (Present Whereabouts Unknown).
Attributed works:
8. Prince Rupert of the Palatinate, by Gerrit van Honthorst. c.1634. Panel, 76.2 by 59.6 cm. (Collection the Earl of Pembroke, Wilton House, Wiltshire).
Attributed works:
9. Detail from Fig. 2.
Book Review
Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck and Vermeer
12/1982 | 957 | 124
Pages: 772
related names
Author:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck and Vermeer | author: Ainsworth, Maryan W. , author: Brealey, John M. , author: Haverkamp-Begemann, Egbert , author: Meyers, Pieter
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