Oxfordshire: Oxford and the South-East
(The Buildings of England)
By Simon Bradley, Nikolaus Pevsner and Jennifer
Sherwood. 936 pp. incl. 130 col. + 80 b. & w. ills.
(Yale University Press, New Haven and London,
2023), £45. ISBN 978–0–300–20929–7. |
:
Illustrations
Attributed works:
1. St Catherine’s College, Oxford, designed
by Arne Jacobsen. 1960–64.
Exhibition Review
America’s Cool Modernism:O’Keeffe to Hopper. Ashmolean Museum, Oxford
2. Dish with a composite head of penises, by Francesco Urbini. c.1536. Tin-glazed earthenware, possibly Gubbio. Diameter 23.2 cm. (Ashmolean Museum, Oxford).
1. Seated male nude, by Raphael. c.1511–14. Black chalk, 34.4 by 26.7 cm. (Ashmolean Museum, Oxford).
Attributed works:
10. Infra-red reflectograph of Venus, Vulcan, Cupid and five putti, by Giulio Romano. c.1530. Panel, 37.6 by 24.3 cm. (Musée du Louvre, Paris).
Attributed works:
2. Two figure studies and drafts of a sonnet, by Raphael. c.1508–10. Black
chalk, pen and brown ink over blind stylus, 38.8 by 23.6 cm. (Ashmolean
Museum, Oxford).
Attributed works:
3. A standing figure and a drapery study, by Raphael. c.1499–1502. Pen and brown ink and black chalk, 25.4 by 21.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
4. Portrait of a boy, here attributed to Giulio Romano. c.1516–18. Canvas, 43.8 by 29 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
5. Portrait of a woman, by Giulio Romano. c.1518–20. Panel, 59.5 by 44 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
6. The Transfiguration with nude figures, school of Raphael. c.1519–20. Pen and brown ink, over some black chalk, 53.6 by 37.7 cm. (Albertina, Vienna).
Attributed works:
7. Overlay highlighting the spolvero on The heads and hands of two apostles, by Raphael. c.1519–20. Black chalk over pounced underdrawing with some white heightening, 49.9 by 36.4 cm. (Ashmolean
Museum, Oxford).
Attributed works:
8. Detail of Fig.6. Compare with the overlay in Fig.7.
Attributed works:
9. Venus, Vulcan, Cupid and five putti, here attributed to Giulio Romano. c.1518–20. Pen and ink, heightened with white over traces of black chalk and stylus, 37.1 by 24.2 cm. (Musée du Louvre, Paris).
63. Virgin and Child enthroned with angels, and a separate study of a cherub's head, by Titian. c.1517-20 (Christ Church, Oxford; exh. Ashmolean Museum, Oxford)
Attributed works:
64. The triumph of St George, by Vittore Carpaccio. c.1500-04 (Galleria degli Uffizi, Florence; exh. Ashmolean Museum, Oxford)
Attributed works:
65. Lagoon view with the island of San Michele, by Canaletto. c.1742-44 (Ashmolean Museum, Oxford)
Attributed works:
66. Head of Giuliano de'Medici, by Jacopo Tintoretto. 1540s or later (Christ Church, Oxford; exh. Ashmolean Museum, Oxford)
56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
63. Los smitten, by William Blake. Exerpted from The first Book of Urizen, 1794, for A Small Book of Designs (British Museum, London; exh. Ashmolean Museum, Oxford)
Attributed works:
64. Jehovah and his Sons, Satan and Adam, by William Blake (The Keynes Family Trust, on loan to the Fitzwilliam Museum, Cambridge; exh. Ashmolean Museum, Oxford)
Attributed works:
65. Head of a Damned Soul or Satan, after an oil-sketch by Henry Fuseli, by William Blake (The Hunterian, University of Glasgow; exh. Ashmolean Museum, Oxford)