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Advertisements June 1995 (front)
06/1995 | 1107 | 137
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15Duke Street St. James, London ] Rembrandt Harmensz. van Rijn. Portrait of Jan Asselyn. Etching, Drypoint and Burin. Size: 219 × 167 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important Pair of George III Neo-Classical Soup Tureens with Covers and Liners, after a Design by Sir William Chambers, One by Daniel Smith and Robert Sharp, 1771, the Other by Robert Sharp, 1794, 13″ Long, 336 ozs. The Arms Are Those of William, 4th Earl Fitzwilliam.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Rembrandt Harmensz. van Rijn (1606-1669). The Sense of Touch: The Stone Operation on Panel 8½×7in. (21.6×17.7cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean-Baptiste Perronneau Paris 1715 - 1783 Amsterdam. Portrait of Jean-Baptiste Antoine Le Moyne. Pastel: 431 × 350 cms (17 × $13frac{3}{4}$ ins)
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Giulio Cesare Procaccini (Bologna 1574 - Milan 1625). Resurrection. Oil on Panel, 76.3 × 55.7 cm
Attributed works:
[ Cover ] Toilet Mirror by Joseph-Germain Dutalis. Silver-gilt, 87 x 118cm.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Pietro Fabris, (Active in Naples 1754 - 1804). The Tarantella with Merry-Makers at Mergellina with a Distant View of Posillipo. Oil on Canvas, 72.5 × 99.3 cms
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert). (Breda 1640 - Paris 1694), Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for each relief. Limestone.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jean-Michel Picart Canvas. Anvers 1600 - Paris 1682. 51 × 64 cms
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street St James, London ] Louis-Léopold Boilly, 1761-1845. Study of a Young Girl. Black Chalk, Estompé, 26.7 × 21.5 cm
Attributed works:
[ National Portrait Gallery, St. Martins Place, London ] Jane Patterson, Raphael
Attributed works:
[ Partridge Fine Arts PLC, 144-146 New Bond Street, London ] Silver-Gilt Made for William Beckford of Fonthill Abbey (1760-1844), a Pair of Mounted Chinese Porcelain Coffee Pots, James Aldridge, 1820, a Mounted Agate Cup and Cover, Circa 1820, and a Pair of Candlesticks, John Scofield, 1791
Attributed works:
[ S. J. Shrubsole, 104 East 57th Street, New York ] Important James I Antique English Parcel-Gilt, Pineapple Cup & Cover, One of Only Four Known. Date: London 1610. Maker's Mark: IE a Crescent with Three Pellets below Height: 15½ Inches; Weight: 30ozs., 4 dwts.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes, Fuente de Todos 1746-1828 Bordeaux. Sorting the Bulls, Inscribed on the Reverse 5 and 9, Oil on tin Plate, 42.6 by 32cm. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Johann Heinrich Fuseli, R. A. (1741-1825). Edgar, Feigning Madness, Approaches King Lear. Pen and Black Ink and Brown and Grey Washes over Pencil, Recto; Verso-A Study for Balaam Blessing the People of Israel 62.5 cm. by 96 cm.; $24frac{5}{8}$ by $37frac{3}{4}$ in. Estimate £180,000-£240,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Dirck Hals (1591 - Haarlem - 1656). An Elegant Company Feasting in an Arbour. Signed. Netherlands. Height: $19frac{3}{4}$ in (50 cm) Width: 28 in (71 cm). Painted Circa 1615. Oil on Panel.
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Willem Van Aelst (Delft 1627 - c. 1683 Amsterdam). A Still Life with a Basket of Peaches and a Blue Velvet Cloth on a Marble Ledge. Signed and Dated 1650. Oil on Canvas. Height: $14frac{3}{4}$ in (37.5 cm) Width: 19½ in (49.5 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Philip van der Linden Van Dyck. Portrait of a Gentleman of the Hoste or Henley Family in Chinese Dress Holland, 1723. Framed: Height: 87 in (221 cm) Width: $55frac{3}{4}$ in (142 cm). 1723. Oil on Canvas.
Non-western art unattributed:
[ Grace Wu Bruce Inc , 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] A Very Fine Pair of Huanghuali Wood Yokeback Side Chairs. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 111 cm ($43frac{11}{16}$ in). Width 51.5 cm (20¼ in). Depth 42 cm (16½ in).
Non-western art unattributed:
[ The Chinese Porcelain Company, 475 Park Avenue at 58th Street, New York ] A Fine Mirror Painting, Circa 1760 (One of a Pair), 71.12 × 55.8 cm (28 × 22 in).
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] Antique Chinese Snuff Bottle. Glass Red Overlay with Fish Amidst Bubbles. 18th Century.
Western art unattributed:
[ Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Ivory Panel from a Polyptych. Byzantium, Late 10th Century. Ivory (Obverse and Reverse) with Traces of Inscriptions h. 0,12: 1.0.056
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Highly Decorative Eastern European Bessarabian Carpet with a Design of Stylised Floral Sprays on a Dark Brown Field, Very Finely Woven in the Tapestry Manner. Circa 1880. Wool. Length 385 cm (152 in). Width 251 cm (99 in).
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup of a Set of Six - Paris, Early 15th Century Rim and Foot Gilded, Center Decorated with Enamelled Coat of Arms of the Families Orgemont - Paillard
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] A Fine Giltwood Side Table with a Breche Violette top in the Manner of Mathias Lock, the Frieze Carved with Bows above a Band of Fluting, the Apron Richly Carved with Strapwork Scrolls and Shells. Each Cabriole Leg Sumounted by a Bearded Mask with Plumes Raised on Hairy Paw Feet. English: Circa 1740 Height 32 ins (81cms). Width 79 ins (201cms). Depth 29 ins (73.5cms)
Western art unattributed:
[ Norman Adams Limited, 8-10 Hans Road, Knightsbridge, London ] A Pair of Late 18th-Century Marble, Ormolu and Cut Glass Candelabra. Baltic, Circa 1790. Height 81.5 cm (32 in). An Outstanding Pair of Early George III Carved Mahogany Torchères. English, Circa 1760. Height 125 cm (49 in). Width 59 cm (23 in).
Western art unattributed:
[ Philip Antrobus, 11 New Bond Street, London ] Fine Victorian Suite of Necklace, with Detachable Pendant, Hangle, Broooch and Earrings in Gold and Diamonds.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Brass Mounted Mahogany Games Table. Russian - Early 19th Century. Height: $29frac{3}{4}$ in (75.5 cm) Width: $40frac{3}{4}$ in (103.5 cm) Diameter: 20½ in (52 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Very Rare Queen Anne Red Lacquer Kneehole Desk. England. Height: $28frac{3}{4}$ in (73 cm). Width: $37frac{3}{4}$ in (96 cm). Circa 1710.
Article
William Beckford's Silver II
12/1980 | 933 | 122
Pages: 820-831+833-834
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
artists:
artists:
artists:
artists:
collectors and dealers:
collectors and dealers:
dates:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
16. Jug. Maker's Mark of Philip Rundell. London, 1823-24. Silver, with an Ivory Handle and Knob. (National Trust for Scotland, Brodick Castle).
Attributed works:
17. Salt Cellar. Maker's Mark of J. H. W. London 1843-44. Silver-Gilt. Inscribed 'Short Fecit Bristol'. (National Trust for Scotland, Brodick Castle).
Attributed works:
18. Detail of a Page from Gregorio Franchi's Accounts, Showing Those for John Cuttel (1817) and James Aldridge (1818). (From the Beckford Papers, Formerly in the Possession of the Duke of Hamilton).
Attributed works:
19. Pair of Scent of Flasks. Maker's Mark of James Aldridge. London 1820-21. Glass in Gold and Agate Mounts. (National Trust for Scotland, Brodick Castle).
Article
William Beckford's Silver I
11/1980 | 932 | 122
Pages: 734-748
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
collectors and dealers:
collectors and dealers:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
12. Candlestick. Maker's Mark of John Schofield. London 1781-82. Silver. (National Trust for Scotland, Brodick Castle).
Attributed works:
13. Bowl. Maker's Mark of John Schofield. London 1796-97. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
15. Ewer and Basin, Designed by Jean Guillaume Moitte. Maker's Mark of Henri Auguste. Paris, 1787. Inscribed: H Auguste F Paris 14 Avril 1802. Silver-Gilt. (Present Whereabouts Unknown).
Attributed works:
16. 'A Groupe of the Rarest Articles of Virtu'. W. Hughes after T. Higham. Woodcut from J. Rutter: Delineations of Fonthill and Its Abbey, London 1823, p.7. The Gold Tazza by Auguste Is on the Extreme Right.
Attributed works:
17. Wall Sconce. Maker's Mark of Paul Storr. London 1804-05. Silver-Gilt. (National Trust for Scotland, Brodick Castle).
Attributed works:
18. The Oratory Lamp. Anonymous Woodcut from J. Rutter, op cit., p.65.
Attributed works:
19. Interior of St Michael's Gallery (Detail). J. Cleghorn and D. Wolstenholme Jnr. after W. Finley. Engraving and Acquatint from J. Rutter, op cit., pl.7.
Attributed works:
20. Wall Sconce. Maker's Mark of William Burwash. London 1818-19. Silver-Gilt. (National Trust for Scotland, Brodick Castle).
Attributed works:
21. King Edward's Gallery, Looking North. J. le Keux after Cattermole, Shaw, etc. Engraving from J. Briton: Graphical and Literary Illustrations of Fonthill Abbey, London 1823, Pl. VIII.
Attributed works:
22. Pair of Candlesticks. Maker's Mark of Paul Storr. London 1800. Silver-Gilt. Inscribed: 'Made for the Abbey at Fonthill by Vulliamy & Son, 1800'. (Private Collection).
Attributed works:
23. Bowl. Maker's Mark of James Aldridge. London 1812-13. Silver-Gilt. (Victoria and Albert Museum).
Attributed works:
24. Tea Pot. Maker's Mark of Paul Storr. London 1812-13. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
25. Tea Pot. Maker's Mark of John Page. London 1817-18. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
26. Ladle, the Stem after an Engraving by Heinrich Aldegrever, 1539. Maker's Mark of John Robins. London 1812-13. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
27. Sugar Tongs. Unmarked, but Probably by Story and Elliott. c.1812-13. Maker's Mark of John William Story. London 1812-13. Unmarked. All Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
28. Milk Jug. Maker's Mark of Philip Rundell. London 1819-20. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
29. Sugar Bowl. Maker's Mark of Philip Rundell. London 1819-20. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
31. Sideboard Dish. Maker's Mark of Samuel Whitford II, the Arms and Centre Plate Marked by William Burwash. London 1814-15. Silver-Gilt. (Victoria and Albert Museum).
Attributed works:
32. Salver. Maker's Mark of William Burwash. London 1817-18. Silver-Gilt. (Private Collection).
Attributed works:
33. Ladle. Maker's Mark of Paul Storr. London 1815-16. Gold, the Finial an Indian Jade Set with Rubies. (National Trust for Scotland, Brodick Castle).
Attributed works:
34. Cup and Cover. Maker's Mark of James Aldridge. London 1815-16. Indian Agate Bowl and Cover and Chalcedony Knops Set with Rubies, All in Silver-Gilt Mounts. (Victoria and Albert Museum).
Attributed works:
36. Circular Arabesque Ornament, by Peter Flötner. Woodcut from the Kunstbuch.
Attributed works:
37. Bowl and Cover. Maker's Mark of John Harris VI. London 1818-19. Agate in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
38. Detail of Fig.34.
Attributed works:
39. Design for a Standing Cup of Mounted Hardstone. Probably by Gregorio Franchi, c. 1815. Pen and Ink and Wash. (From the Aldridge Design Book, Victoria and Albert Museum).
Attributed works:
40. Cup and Cover. Maker's Mark of James Aldridge. London 1816-17. Agate in Gold Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
41. Teaspoon. Maker's Mark of John Harris VI. London 1820-81. Gold. (National Trust for Scotland, Brodick Castle).
Attributed works:
42. Bowl. Maker's Mark of Paul Storr. London 1816-17. Agate in Silver-Gilt Mounts. (Private Collection, Lent to the National Trust for Scotland, Brodick Castle).
Attributed works:
44. Cream Jug. Maker's Mark of John Robins. London. Famille Rose Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
45. Cream Jug. Maker's Mark of James Aldridge. London 1817-18. Famille Rose Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
46. Design for a Mounted Cream Jug. Probably by Gregorio Franchi, c. 1817. Pen and Ink. (From the Aldridge Design Book, Victoria and Albert Museum).
Attributed works:
47. Cream Jug. Maker's Mark of James Aldridge. London 1818-19. Chinese Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
48. Cream Jug. Maker's Mark of James Aldridge. London 1820-21. Famille Verte Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
49. Design for a Hardstone Cup in Enamelled Mounts. By Gregorio Franchi, c. 1815-20. Pen and Ink and Wash and Water-Colour. (From the Aldridge Design Book, Victoria and Albert Museum).
Western art unattributed:
14. Toasting Fork. London 1793-94. Gold. (The Duke of Hamilton).
Western art unattributed:
30. Design for a Cup. Anonymous, Nuremberg, c. 1580. Dotted Manner Engraving with Added Pencil Lines. (Victoria and Albert Museum).
Western art unattributed:
35. Cup and Cover. Maker's Mark and Hall-Mark Unrecorded. Lapsis Lazuli Mounted in Silver-Gilt. (From Christie's: Sale Catalogue, 17th to 19th June 1882, p.220).
Western art unattributed:
43. Spoon. No Marks. Carved Agate in Enamelled Gold Mounts. (National Trust for Scotland, Brodick Castle).