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8 articles
Article
Roubiliac and Sprimont: a friendship revisited
06/2023 | 1443 | 165
Pages: 601–611
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related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Roubiliac, Louis François / Sprimont, Nicholas / Coustou, Nicolas / Germain, Thomas, 1674-1748 / Crespin, Paul
dates:
1740-1749 / 1750-1759
museums and institutions:
Chelsea Porcelain Manufactory
places:
London
styles:
Rococo
subjects:
Huguenot / French sculpture / Porcelain / Silverwork / Bronzes / Clocks
Illustrations
Attributed works:
1. Louis-François Roubiliac, attributed to François Xavier Vispré. c.1760. Pastel on paper mounted on canvas, 62.2 by 54.6 cm. (Yale Center for British Art, New Haven CT).
Attributed works:
10. Head of a laughing child, after a model attributed to Louis-François Roubiliac. 1746–49. Chelsea porcelain, 19.7 by 16.7 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Persia and Macedonia (Greece) from the Temple of the Four Monarchies clock, by Louis-François Roubiliac. c.1738. Bronze, height 30 cm. each. Wet collodion negative by John Wesley Livingston. 1875. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
12. Chaldea (Assyria) and Rome from the Temple of the Four Monarchies clock, by Louis-François Roubiliac. c.1738. Bronze, height 30 cm. each. Wet collodion negative by John Wesley Livingston. 1875. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
13. Floor-standing clock, by Charles Clay, with paintings by Jacopo Amigoni and sculptures by Louis-François Roubiliac and John Michael Rysbrack. 1740–43. Wood with gilded metal, silver and paint, height 85 cm. (Royal Collection Trust / © HM King Charles III 2023).
Attributed works:
14. Britannia, after a model here attributed to Louis-François Roubiliac. c.1746–48. Chelsea porcelain, 25.7 by 16.2 cm. (Errol Manners, London).
Attributed works:
2. Nicholas Sprimont with his wife, Ann, and sister-in-law Susannah Protin. 1759–62. Oil on canvas, 76.5 by 53.7 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Retrieving hound, after a model attributed to Nicholas Sprimont. 1749. Chelsea porcelain, 19.8 by 19.8 by 8.3 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Paul Crespin. c.1726. Oil on canvas, 114 by 90 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Centrepiece. English, by Paul Crespin possibly in association with Nicholas Sprimont. 1740. Silver, 36 by 54.5 cm. (Toledo Museum of Art).
Attributed works:
6. Sauceboats with figures of Venus and Adonis, by Nicholas Sprimont. 1743–45. Gilded silver, 22.7 by 23.2 by 13 cm. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
7. Design for a soup tureen for Thomas Coke, 1st Earl of Leicester, by Nicholas Sprimont. c.1744. Pen and black ink with brown ink wash on paper, 26 by 43.2 cm. (Victoria and Albert Museum, London).
Attributed works:
8. Girl in a swing, Charles Gouyn Factory, St James’s, London. 1749–59. Porcelain, 15.9 by 16.8 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Trump, William Hogarth’s pug, after a model by Louis-François Roubiliac. 1747–50. Chelsea porcelain, 13.2 by 26.5 cm. (Victoria and Albert Museum, London).
Article
A set of silver-gilt waiters by Benjamin Pyne for the Courtenay family of Powderham Castle, Devon
06/2018 | 1383 | 160
Pages: 478-485
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related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Pyne, Benjamin / Della Bella, Stefano / Gribelin, Simon, II
buildings:
Powderham Castle, Exeter, Great Britain
collectors and dealers:
Fetherstonhaugh, Harry, Sir, 2nd Baronet
dates:
1650-1699 / 1700-1799 / 1800-1829
media:
Silverwork
museums and institutions:
Victoria and Albert Museum, London, Great Britain / Gilbert Collection, London, Great Britain / State Historical Museum, Moscow, Russia / Royal Ontario Museum, Toronto, Canada
patrons:
Courtenay, William, Sir
places:
Great Britain / London
subjects:
Decorative arts / Country houses / Ornament / Dinner services / Coats of arms / Goldsmiths / Chasing (metalwork) / Antiquarianism / Baroque / Dating / Attribution / Provenance
Illustrations
Attributed works:
9. Salver, marked for Edward Farrell, London. 1824–25. Silver-gilt, width 25.5 cm. (Private collection).
Attributed works:
1. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Niche in the buffet servery linked to the dining room, Uppark, West Sussex. 1812–13. (Photograph National Trust).
Attributed works:
12. Design for a cartouche, Plate 18 from Raccolta di varii capricci, by Stefano della Bella. c.1646. Etching. (Victoria and Albert Museum, London).
Attributed works:
13. Sideboard dish, one of a pair, marked for Edward Farrell, London. 1824–25. Silver-gilt, diam. 38.1 cm. (The National Trust).
Attributed works:
2. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (The Gilbert Collection, on long loan to the Victoria and Albert Museum, London).
Attributed works:
3. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (State Historical Museum, Moscow).
Attributed works:
4. Waiter, one of a set of seven, marked for Benjamin Pyne, London. 1698–99. Silver-gilt, Britannia standard, width 21.7 cm. (Royal Ontario Museum, Toronto).
Attributed works:
5. Diverses figures a l’eau forte de petits amours [sic], by Abraham Bosse after Paolo Farinati. 1644. Etching, 12.8 by 16.2 cm. (British Museum, London).
Attributed works:
6. Plate 3 from A book of ornaments useful to Jewellers, Watchmakers and All Other Artists, by Simon Gribelin. London 1697. Engraving, 19.2 by 15.8 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Design for a frieze, plate 12 from Ornamenti di Fregi et Fogliami, by Stefano della Bella. c.1648–49. Etching, 8.2 by 24.9 cm. (Victoria and Albert Museum, London).
Attributed works:
8. Detail of one of the Powderham waiters, showing maker’s mark for Benjamin Pyne, with Britannia standard mark, London hallmark and the date letter for 1698–99. (Victoria and Albert Museum, London).
Western art unattributed:
11. Trade card of Kensington Lewis. c.1822–27. Etching. (British Museum, London).
Article
Power and plate: Sir Robert Walpole’s silver
05/2015 | 1346 | 157
Pages: 318-324
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Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Lamerie, Paul de / Wickes, George / Lukin, William
buildings:
Houghton Hall, nr. Kings Lynn, Great Britain
collectors and dealers:
Walpole, Robert, First Earl of Orford, 1676-1745
dates:
1700-1749
subjects:
Silverwork / Estate inventories / Dinner services / Candelabras (candleholders) / Salvers / Domestic (house related concept) / Art dealers / Goldsmiths / Account books
subjects:
Tureens / Silver plate / Candleholders / Candlesticks / Decorative arts
Illustrations
Attributed works:
18. Wine cooler. Britannia standard, one of a pair, marked for the London goldsmith William Lukin (Metropolitan Museum of Art, New York)
Attributed works:
19. Candelabra. One of a pair supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
20. Soup tureen. Supplied as a matching pair to that made by Paul Crespin by George Wickes (Norwich Castle Museum and Art Gallery)
Attributed works:
21. Bread basket. Supplied by Paul de Lamerie (The Rosalinde and Arthur Gilbert Collection, Victoria and Albert Museum, London)
Attributed works:
22. Exchequer seal salver. Britannia standard, marked by Paul de Lamerie (Victoria and Albert Museum, London)
Attributed works:
23. The Stature of a Great Man, or the English Colossus, by George Bickham the Younger (British Museum, London)
Attributed works:
24. Scale drawing for a silver chandelier, possibly from the workshop of Paul de Lamerie (The Marquess of Cholmondeley, Houghton Hall)
Attributed works:
25. Two alternate designs for a silver chandelier crowned with an Earl's coronet and incorporating the Walpole family crest, a Saracen's head, ducally crowned, supplied by George Wickes
Attributed works:
26. A pull of the engraving of the circular Exchequer seal salver, supplied by William Lukin, engraved by Joseph Sympson (British Museum, London)
Attributed works:
27. 'Treasury' inkstand. Britannia standard, supplied by Paul de Lamerie
Article
The King's Cabinet-Maker: The Giltwood Furniture of James Moore the Elder
06/2003 | 1203 | 145
Pages: 408-420
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related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Moore, James, the elder, cabinetmaker, 1670-1726
dates:
1650-1749
patrons:
George I, King of Great Britain, 1660-1727
places:
England
subjects:
Furniture makers / Furniture / Georgian
Illustrations
Attributed works:
1. Stand for lacquer cabinet from George I's bedroom, Kensington Palace, London, by James Moore the Elder. c. 1715. Giltwood, 140 by 122 by 61 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Desk and bookcase, formerly belonging to the Portuguese Royal Family, attributed to James Moore the Elder. c. 1720. Giltwood, 240.5 by 112 by 60 cm. (Mallett's, London).
Attributed works:
11. Frame, on a portrait of Sarah Chicheley, attributed to James Moore the Elder. c. 1720. Giltwood, 124.4 by 137.2 by 32 cm. (Photograph: Sotheby's, London).
Attributed works:
12. Side table, one of a pair, with the cypher of William Cavendish, Marquess of Hartington, attributed to James Moore the Elder. c. 1705. Giltwood, 73.6 by 85 by 54.6 cm. (Devonshire Collection, Chatsworth; by permission of the Duke of Devonshire and the Chatsworth Settlement Trustees).
Attributed works:
13. Table with coat of arms of Arundell of Wardour on the top, attributed to James Moore the Elder. c. 1716. Giltwood, 76.2 by 94 by 54.5 cm. (Portsmouth City Museums and Records Service).
Attributed works:
14. Side table, one of a pair formerly at Stowe, Buckinghamshire, attributed to James Moore the Elder. c. 1716. Giltwood, 78.8 by 81.2 by 48.2 cm. (Private collection).
Attributed works:
15. Detail of the frame, on portrait of Hon. Cicely Arundell, attributed to James Moore the Elder. c. 1717. Giltwood, 178.5 by 132 cm. (whole). (Tim Knox and Todd Longstaffe-Gowan).
Attributed works:
16. Table in the Bow Window Room, supplied by James Moore the Elder. c. 1719. Giltwood, 75 by 107 by 53 cm. (The Duke of Marlborough, Blenheim Palace).
Attributed works:
17. Candlestand, one of a pair, from the State Bedchamber, Blenheim Palace, supplied by James Moore the Elder. c. 1719. Giltwood, 320 by 39 cm., top 37 by 37 cm. (Frank Green Collection, The National Trust, Treasurer's House, York).
Attributed works:
18. Armchair, formerly at Harcourt House, London, by James Moore the Elder. c. 1724. Giltwood, 109 by 61 by 53.3 cm. (Private collection).
Attributed works:
19. Chair, supplied by James Moore the Elder. c. 1719. Giltwood, 117 by 63.5 by 66 cm. (The Duke of Marlborough, Blenheim Palace).
Attributed works:
2. Set of four candlestands, supplied by John Gumley and William Turing. 1726-27. Giltwood, all 53.8 cm. high. (The Royal Collection, Windsor Castle; ©2003, Her Majesty Queen Elizabeth II).
Attributed works:
20. Apron, from a table formerly at Harcourt House, London, by James Moore the Elder. c. 1724. Giltwood, 71 by 21.5 cm. (Private collection).
Attributed works:
21. Table, one of a pair, attributed to James Moore the Elder. c. 1716. Giltwood, 81.3 by 90.2 by 53.2 cm. (Private collection).
Attributed works:
22. Side table, by James Moore the Elder. c. 1721. Giltwood, 76 by 128.2 by 58.5 cm. (Frank Green Collection, The National Trust, Treasurer's House, York).
Attributed works:
3. Side table, one of a pair, by James Moore the Elder. c. 1715. Giltwood, 84 by 124 by 57 cm. (The Royal Collection, Windsor Castle; ©2003, Her Majesty Queen Elizabeth II).
Attributed works:
4. Side table, attributed to James Moore the Elder. c. 1715. Giltwood with original gilt gesso top, 79.5 by 119.4 by 56 cm. (The Duke of Grafton, Euston Hall, Suffolk).
Attributed works:
5. Side table, one of a pair, by James Moore the Elder. c. 1715. Giltwood, 85 by 144.5 by 68 cm. (The Royal Collection, Buckingham Palace; ©2003, Her Majesty Queen Elizabeth II).
Attributed works:
6. Centre table, attributed to James Moore the Elder. c. 1719. Giltwood, 81.2 by 47.2 by 68.5 cm. (The Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Attributed works:
7. Chest, attributed to James Moore the Elder. c. 1718. Giltwood, 85 by 135 by 65 cm. (The Earl of St Germans, Port Eliot, Cornwall).
Attributed works:
8. Chest, formerly at Stowe, Buckinghamshire, attributed to James Moore the Elder. c. 1714-18. Giltwood, 118 cm. wide. (Photograph: Christie's, London).
Attributed works:
9. Chest and stand, attributed to James Moore the Elder. c. 1720. Chest: 51 by 137 by 54 cm.; stand: 33 by 130 by 66 cm. (Frank Green Collection, The National Trust, Treasurer's House, York).
Article
Jean, René and Thomas Pelletier, a Huguenot Family of Carvers and Gilders in England 1682-1726. Part II
06/1998 | 1143 | 140
Pages: 363-374
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Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Pelletier, Jean
artists:
Pelletier, René
artists:
Pelletier, Thomas
dates:
1650-1749
places:
France / England
subjects:
French sculpture / Furniture
Illustrations
Attributed works:
1. Pier Glass with Giltwood Cresting, One of a Pair Firmly Attributed to Gerrit Jensen, Supplied to Ralph Montagu. c.1692. Veneered with Ebony, Kingwood, Pewter, Brass and Copper, 152 cm. High (Boughton House, Northants).
Attributed works:
10. Fire screen, attributed to Thomas Pelletier. c.1701. Carved and gilded oak with crimson velvet panel with silver galon border, 141 cm. high by 110 cm. wide by 34.5 cm. deep. (Royal Collection, © Her Majesty Queen Elizabeth II).
Attributed works:
11. Fire screen, attributed to Jean Pelletier. c.1690. Carved and gilded walnut, 119.5 cm. high by 68.5 cm. wide by 46 cm. deep. (National Trust, Knole, Sevenoaks).
Attributed works:
12. Reverse of Fig. 11.
Attributed works:
13. Mirror frame supplied by Thomas Pelletier for Montagu House, Bloomsbury, subsequently adapted for Robert Walker's portrait of Thomas Wentworth, Earl of Strafford. Carved and gilded wood, 122 by 108 cm. (Boughton House, Northamptonshire).
Attributed works:
14. Sconce, Probably Supplied by Thomas and René Pelletier. 1705-06. Glass, 15 cm High by 26 cm Long. (Boughton House, Northamptonshire).
Attributed works:
15. Overmantel Mirror and Frame, Attributed to Thomas and René Pelletier. c.1705-06. The Frame of Gilt Hardwood, the Mirror with a verre églomisé Border of Gold and Black, 185 by 144 cm. (Carlton Hobbs, London).
Attributed works:
16. Mirror from Halnaby, Yorkshire, attributed to Thomas and René Pelletier. c.1707. Carved silvered cresting and glass frame decorated with verre églomisé in gold and blue, 203.2 by 89 cm. (Victoria and Albert Museum, London).
Attributed works:
17. Mirror attributed to Thomas and René Pelletier. c.1707. Carved giltwood cresting with glass frame decorated with verre églomisé in gold and blue, 124.4 cm. by 88.3 cm. (Victoria and Albert Museum, London).
Attributed works:
18. A Collector at Home with His Advisers, Dealers and Mat-Makers, Tentatively Attributed to John Guise, c.1720. Pen and Grey Ink over Lead Pencil, 32.5 cm by 47.5 cm. (Christ Church Art Gallery, Oxford).
Attributed works:
2. Cresting for a Mirror with the Cypher of Queen Anne, One of a Pair, the Carving Attributed to Robert Derignée, the Gilding Attributed to Thomas and René Pelletier, but Probably Supplied by Gerrit Jensen. c.1702-03. Carved and Gilded Pine, Overall Dimensions 245 by 123.5 cm. (Royal Collection, Windsor Castle; © Her Majesty Queen Elizabeth II).
Attributed works:
3. Detail of the Apron of the Table in Fig.5.
Attributed works:
4. Japanese Lacquer Top of the Table in Fig.5.
Attributed works:
5. Side table with the cypher of Queen Anne, attributed to Thomas and René Pelletier, but probably supplied by Gerrit Jensen. 1703-04. Carved and gilded pine, with Japanese lacquer top, 76 cm. high by 118 cm. wide by 67.3 cm. deep. (Collections of the Earls of Warwick, Warwick Castle).
Attributed works:
6. Side table frame with the cypher of Queen Anne, attributed to Thomas and René Pelletier, but probably supplied by Gerrit Jensen. 1702-03. Carved and gilded pine, with white marble top, 86 cm. high by 112 cm. wide by 59 cm. deep (Royal Collection, Windsor Castle; © Her Majesty Queen Elizabeth II).
Attributed works:
7. Japanese Lacquer Cabinet on Giltwood Stand, One of a Pair, the Stand Attributed to Thomas and René Pelletier; Probably Supplied by Gerrit Jensen for Kensington Palace, c.1704. Carved and Gilded Pine, 86 cm. High, 106 cm. Wide, 57 cm. Deep. (Royal Collection, © Her Majesty Queen Elizabeth II).
Attributed works:
8. Marble table top (detail of Fig.9) incorporating four cyphers of Queen Anne. c.1705. The top inlaid with a variety of multi-coloured marbles; the marble top 154 cm. long; 80 cm. wide. (Royal Collection, Buckingham Palace; © Her Majesty Queen Elizabeth II).
Attributed works:
9. Side table frame, attributed to Thomas Pelletier with marble top incorporating the cypher of Queen Anne. c.1705. Carved and gilded pine, 146 cm. long by 73.5 cm. wide by 77.5 cm. high. (Royal Collection, Buckingham Palace; © Her Majesty Queen Elizabeth II).
Article
Jean, René and Thomas Pelletier, a Huguenot Family of Carvers and Gilders in England 1682-1726. Part I
11/1997 | 1136 | 139
Pages: 732-742
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related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Pelletier, Jean
artists:
Pelletier, René
artists:
Pelletier, Thomas
dates:
1650-1749
places:
England
subjects:
Furniture / Frames / Documents
Illustrations
Attributed works:
1. Table Frame, One of a Pair, Formerly Attributed to Jean Pelletier, Possibly Supplied by Cornelius Gole. c. 1690. Carved Limewood and Walnut Stand, with Carved Pine and Associated White Marble Top, 75.4 by 94 by 65.5 cm. (Royal Collection, Hampton Court).
Attributed works:
10. Hortense Manzini, Duchess of Mazarin, Attributed to Peter Lely. In Its Giltwood Frame by Thomas and René Pelletier. c. 1707-08. 168.9 by 116.8 cm. (Canvas Only). (Boughton House, Northants).
Attributed works:
11. Pier-Table, Attributed to Jean and René Pelletier. c. 1689. Carved, Gilded Pine with Carved, Gilded Gesso Top, 81 by 127 by 68.5 cm. (Boughton House, Northants).
Attributed works:
12. Sconce, One of a Pair, Formerly Attributed to Jean Pelletier; The Carving Now Attributed to Robert Derignée with Gilding by Jean Pelletier. c. 1691. Carved Giltwood, 94 by 109 cm. (Boughton House, Northants).
Attributed works:
13. Still Life with Flowers, by Jean Baptiste Monnoyer, in Its Giltwood Frame Supplied by Jean Pelletier. c. 1693. 94 by 87.6 cm. (Boughton House, Northants).
Attributed works:
14. Carved and Gilded Gesso Top of the Table Shown in Fig. 11, with Cypher and Coronet of Ralph, Earl of Montagu. [Pier-Table, Attributed to Jean and René Pelletier. c. 1689. Carved, Gilded Pine with Carved, Gilded Gesso Top, 81 by 127 by 68.5 cm. (Boughton House, Northants).]
Attributed works:
15. Detail of Table Shown in Fig. 11. [Pier-Table, Attributed to Jean and René Pelletier. c. 1689. Carved, Gilded Pine with Carved, Gilded Gesso Top, 81 by 127 by 68.5 cm. (Boughton House, Northants).]
Attributed works:
16. Still Life with Flowers, by Jean Baptiste Monnoyer. In Its Giltwood Frame Supplied by Thomas and René Pelletier. c. 1699. 149 by 110.5 cm. (Boughton House, Northants).
Attributed works:
17. Still Life with Flowers, by Jean Baptiste Monnoyer. In Its Frame Supplied by Jean Pelletier. 1702. Carved and Painted Pine, 179 by 138.5 cm. (Boughton House, Northants).
Attributed works:
18. Detail of Frame, Supplied by Jean and René Pelletier on a Portrait of Frances Savile, Lady Brudenell. Carved and Gilded Wood, 196.2 by 138.5 cm. (Entire) c. 1689. (Boughton House, Northants).
Attributed works:
19. Detail of Frame, Supplied by Jean and René Pelletier on a Circular Still Life by Jean Baptiste Monnoyer. c. 1689. Carved and Gilded Wood, 131.5 cm. diam. (Boughton House, Northants).
Attributed works:
2. Leg from the Table Shown in Fig. 1, Shown Stripped of Its Gilding and with Restorations Undertaken in 1990. [Table Frame, One of a Pair, Formerly Attributed to Jean Pelletier, Possibly Supplied by Cornelius Gole. c. 1690. Carved Limewood and Walnut Stand, with Carved Pine and Associated White Marble Top, 75.4 by 94 by 65.5 cm. (Royal Collection, Hampton Court).]
Attributed works:
20. The Pelletier Seal on René and Thomas Pelletier's Receipt to Ralph, Duke of Montagu's Executors. 1712. (Boughton House, Northants).
Attributed works:
3. Candlestand, One of Eight from a Set of Twelve, Supplied by Jean Pelletier. c. 1699. Carved and Gilded Oak with Lime, 155.5 by 56 by 48.5 cm. (Royal Collection, Hampton Court).
Attributed works:
4. Table Frame, Supplied by Jean Pelletier. 1699. Carved and Gilded Lime and Pine, Original White Marble Table with Black Border, 72 by 116 by 63 cm. (Boughton House, Northants).
Attributed works:
5. Table Frame, One of a Pair, Supplied by Jean Pelletier. c. 1699. Carved and Gilded Pine with Slate Top, Overlaid with giallo Marble and a fleur-de-pêche Border, 78.7 by 127 by 68 cm. (Royal Collection, Windsor Castle).
Attributed works:
6. Candlestand, One of Two Pairs, Supplied by Jean Pelletier. c. 1701. Carved and Gilded Wood, 166.5 by 53.5 cm. (Royal Collection, Hampton Court).
Attributed works:
7. Table Frame, One of a Pair, Supplied by Jean Pelletier. 1701. Carved and Gilded Pine with verde antico Marble Top, 79 by 165 by 76.2 cm. (Royal Collection, Buckingham Palace, London).
Attributed works:
8. Table Frame, One of a Pair, Supplied by Jean Pelletier, but Here Attributed to Peter Rieusset. c. 1699. Turned, Joined Walnut with Contemporary Marble Top, White with Black Border, 81 by 128 by 72 cm. (Royal Collection, Hampton Court).
Attributed works:
9. Charles II in Garter Robes, by Peter Lely. In Its Giltwood Frame by Jean, René and Thomas Pelletier. c. 1695. 203.2 by 134.6 cm. (Boughton House, Northants).
Short Notice
Admiral Keppel's 'Freedom Box' from the City of London
06/1993 | 1083 | 135
Pages: 403-410
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Author:
Murdoch, Tessa (Murdoch, Tessa)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
artists:
Bacon, John, I, 1740-1799
dates:
1750-1799
places:
England / London
subjects:
Keppel, Augustus
subjects:
Art objects / Freedom Boxes
Illustrations
Attributed works:
32. The Lid of Fig. 33, Showing the City of London Crowning Keppel with a Laurel Wreath Flanked by Figures of Justice and Fame. (Museum of London).
Attributed works:
33. Freedom Box Presented to Admiral Keppel by the Corporation of London, 1779. Enamelled Gold on a Wooden Carcase, 15.8 cm. Long, 9.3 cm. Wide, 6.8 cm. High. (Museum of London).
Attributed works:
34. Back Panel of Fig. 33, Showing Truth and Scrutiny and Honour Placing a Herald's Cap on Military Virtue. (Museum of London).
Attributed works:
35. Design for the Back Panel, by John Bacon. Pen and Ink and Wash, 6.3 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
36. Design for the Left-Hand End Panel, Showing the British Triton Advancing and the French Triton Being Allowed to Escape under the Mantle of Night, by John Bacon. Pen and Ink and Wash, 6.3 by 8.8 cm. (Victoria and Albert Museum, London).
Attributed works:
37. Design for the Right-Hand End Panel, Showing Mercury with a Money Bag Crossing the Sea Protected by a British Triton, by John Bacon. Pen and Ink and Wash, 6.3 by 8.8 cm. (Victoria and Albert Museum, London).
Attributed works:
38. Design for the Front Panel, Showing the Arms, Supporters and Regalia of the City of London, by John Bacon. Pen, Ink and Wash, 6.3 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
39. Design for the Bottom Panel, with an Inscription Tablet in the Centre, by John Bacon. Pen, Ink and Wash, 8.7 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
40. Design for the Top of the Box, Showing the City, Supported by Justice, Presenting the Freedom to Keppel Flanked by Mars and Neptune, by John Bacon. Pen, Ink and Wash, 8.7 by 15cm. (Victoria and Albert Museum, London).
Attributed works:
41. Design for Admiral Keppel's Freedom Box, by Robert Adam. c.1779. Pencil, Pen, and Wash, 30 by 15.9cm. (Sir John Soane's Museum, London).
Attributed works:
42. Title Page of the Description of the Freedom Box, London, Incorporating John Bacon's Design for the Top of the Box. 1779. (Museum of London).
Attributed works:
43. Engraving by J. Collyer after William Charron Showing the Top of the Box as Executed, from the Description of the Freedom Box, 1779. (Museum of London).
Western art unattributed:
44. Binding of the Description of the Freedom Box. Red Morocco Tooled with Gold, 32.7 by 25 cm. (Museum of London).
Article
Roubiliac as an Architect? The Bill for the Warkton Monuments
01/1980 | 922 | 122
Pages: 40-46
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related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
artists:
Roubiliac, Louis François
artists:
Read, Nicholas
artists:
Ware, Isaac
buildings:
Church of Saint Edmund, Warkton, Great Britain
dates:
1700-1799
patrons:
Dukes of Montagu
places:
England / France / Warkton
subjects:
French sculpture / Sepulchral monuments
subjects:
French architecture / British architecture
subjects:
British sculpture / Documents
Illustrations
Attributed works:
59. Monument to John, 2nd Duke of Montagu, (Seen from the East) by L. F. Roubiliac. (Warkton Church, Northamptonshire).
Attributed works:
60. Monument to Mary, 2nd Duchess of Montagu (Seen from the East). by L. F. Roubiliac. (Warkton Church, Northamptonshire).
Attributed works:
62. The Chancel of Warkton Church, Seen from the Nave.
Attributed works:
63. Model of the Duke of Montague's Monument, Showing the Earlier Design Executed before the Additions Mentioned in the Bill. (Victoria and Albert Museum).
Attributed works:
64. The Communion Rails, Black Marble 'Dotts' and Half 'Dotts' Seen from the Chancel. (Warkton Church).
Western art unattributed:
61. Warkton Church, Northamptonshire: The Exterior from the South East.
Western art unattributed:
Fig. A. Plan of the Chancel St Edmund's Church, Warkton.