Superbarocco: Arte a Genova da
Rubens a Magnasco
Scuderie del Quirinale, Rome
26th March–3rd July |
:
Illustrations
Attributed works:
7. Elena Grimaldi
Cavalleroni
Cattaneo, by
Anthony van
Dyck. 1623.
Oil on canvas,
243 by 138.5
cm. (National
Gallery of Art,
Washington; exh.
Scuderie del
Quirinale, Rome).
Attributed works:
8. Sacrifice to
Pan, by Giovanni
Benedetto
Castiglione,
called Il
Grechetto.
c.1640. Oil on
canvas, 218 by
316 cm. (Private
collection;
photograph
Luigino Visconti;
exh. Scuderie del
Quirinale, Rome).
Attributed works:
9. Baptism
of Christ, by
Anton Maria
Maragliano.
1723–25. Painted
and gilded wood,
220 by 210 by
135 cm. (Oratorio
di S. Giovanni
Battista, Pieve
di Teco, Imperia;
photograph
Luigino Visconti;
exh. Scuderie del
Quirinale, Rome).
Book Review
Treasury, Memory, Nature: Church Objects in the Middle Ages
Treasury, Memory, Nature: Church
Objects in the Middle Ages
By Philippe Cordez. 284 pp. incl. 75 col. ills.
(Harvey Miller, London and Turnhout, 2020),
£76.50. ISBN 978–1–912554–61–4. |
:
13. Snuff box,
by Louis Roucel.
1772–73. Sèvres
porcelain plaques
with paintings
attributed to
Louis-Denis
Armand l’aîné
after Jean-Jacques
Bachelier, c.1760.
Gold and softpaste
porcelain,
35 by 72 by 58 cm.
(Waddesdon Manor,
Buckinghamshire;
photograph
Waddesdon Image
Library / Mike
Fear).
Attributed works:
15. Installation view
of the Treasury,
Waddesdon Manor,
Buckinghamshire,
2019. (Photograph
Mike Fear).
Western art unattributed:
14. Gaius Caesar.
Roman, c.1 BC–AD
4 (cameo), AD 100–
200 (mount). Onyx,
gold and bronze,
4.9 by 3.9 cm.
(Waddesdon Manor,
Buckinghamshire;
photograph
Waddesdon Image
Library / Mike
Fear).
Exhibition Review
Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection. Strawberry Hill, Twickenham
11. Horace Walpole, by Joshua Reynolds. c.1756–57. Canvas, 127 by 110 cm. (Ragley Hall, Warwickshire; exh. Strawberry Hill, Twickenham).
Attributed works:
12. Catherine de Medici and her children, by the studio of François Clouet. 1561. Canvas, 198 by 137.2 cm. (Private collection; exh. Strawberry Hill, Twickenham).
Attributed works:
13. Installation view of Lost Treasures of Strawberry Hill in the Library, Strawberry Hill (Photograph Kilian O’Sullivan).
Exhibition Review
Luigi Valadier: Splendor in Eighteenth-Century Rome. The Frick Collection, New York
17. Detail of a deser, by Luigi Valadier. c.1778. Marbles, hardstones, glass, enamel, gilt bronze and other materials, the stand: 12.5 by 280 by 83 cm. (Royal Palace and Archaeological Museum, Madrid; exh. The Frick Collection, New York).
Attributed works:
18. Altar service for Cardinal Orsini, by Luigi Valadier. 1768. Silver-gilt. (Cathedral of San Nicola, Muro Lucano; exh. The Frick Collection, New York).
Book Review
Die Zisterzienser: das Europa der Klöster. Edited by by Gabriele Uelsberg, Lothar Altringer, Georg Mölich, Norbert Nussbaum and Harald Wolter-von dem Knesebeck
24. See-saw, by Simone Forti. 1960. Performed by Yvonne Rainer and Robert Morris at Reuben Gallery, New York, 16th–18th December 1960. (Photograph Robert R. McElroy Photographs of Happenings and Early Performance Art; Getty Research Institute, Los Angeles).
Attributed works:
25. The branch, by Anna Halprin. 1957. Performed by A.A. Leath, Anna Halprin ad Simone Forti on the Halprin’s family Dance Deck, Kentfield CA, 1957. Photograph Warner Jepson (Courtesy the Estate of Warner Jepson).
9. Front steps of La Californie with Picasso and the welder at work, by David Douglas Duncan. 1957. (From D.D. Duncan: Goodbye Picasso, New York 1975, p.65).
Western art unattributed:
2. Female statue, known as the Woman of Auxerre, c.640–630 BC. Limestone, height 75 cm. (Musée du Louvre, Paris; Bridgeman Images).
Book Review
Medieval Bodies: Life, Death and Art in the Middle Ages. By Jack Hartnell
2. Surgical instruments in use in an operation for an anal fistula. English, c.1475–1500. Pen and ink and tempera on vellum, 25.4 by 17.8 cm. (Glasgow University Library, MS Hunter 251 fol.43v; Bridgeman Images.)
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).