museums and institutions:
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and
beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have
been mounted flush to a wall. A string (or multiple strings) may have
been held between nails fixed to the two vanishing points at the positions
shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by
100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks
on four sheets of paper mounted on a single sheet of paper, 45.2 by
34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760.
Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm.
(Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm.
(Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple,
by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm.
(J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art
Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper,
33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of
Constantine and Architectural capriccio with the Arco Degli Orefici next
to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right
2c–d. Architectural capriccio with the Temple of Faustina, the Arch of
Titus and the walls of the Farnese Gardens and Architectural capriccio
with the Temple of Venus, San Francesco Romano and the Basilica of
Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by
99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching,
by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on
canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert.
Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum,
New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn
Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm.
(Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker
Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas,
91.3 by 121 cm. (National Gallery of Art, Washington).
