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130 articles
Book Review
The Hub of the World: Art in Eighteenth-Century Rome
05/2024 | 1454 | 166
Pages: 515–518
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
art literature:
art literature:
dates:
places:
Reviewed Items
subjects:
The Hub of the World: Art in Eighteenth-Century Rome Edited by Alan P. Wintermute, with contributions by Edgar Peters Bowron, Alvar González-Palacios, J. Patrice Marandel and Melissa Beck Lemke. 360 pp. incl. numerous col. + b. & w. ills. (Nicholas Hall, New York, 2023), $65. ISBN 978–1–7326492–5–5. | :
Illustrations
Attributed works:
10. Study for St Louis Gonzago, by Pompeo Batoni. 1744. Red and white chalk on paper, 19.3 by 7.1 cm. (Private collection).
Attributed works:
11. Two English gentlemen before the Arch of Constantine, by Anton von Maron. 1767. Oil on canvas, 137 by 100.5 cm. (Private collection)
Attributed works:
9. Caricature of Pompeo Batoni, by Giuseppe Cades. c.1780. Pen and ink on paper, 11.3 by 8.3 cm. (Philadelphia Museum of Art).
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
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10/2016 | 1363 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
Exhibition Review
Hubert Robert. Paris and Washington
10/2016 | 1363 | 158
Pages: 839-840
related names
Reviewer:
Rand, Richard (Rand, Richard)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
74. Archaeologists at the Temple of Vespasian, by Hubert Robert. 1762 (Private collection; exh. National Gallery of Art, Washington)
Attributed works:
75. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. c.1759 (Privare collection; exh. National Gallery of Art, Washington)
Attributed works:
76. The destruction of the royal tombs of Saint-Denis, by Hubert Robert. 1793 (Musée Carnavalet-Histoire de Paris; exh. National Gallery of Art, Washington)
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08/2016 | 1361 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Carlo Maratti (Camerano 1625-1713 Rome) and Jan Frans van Bloemen, called Orizzonte (Antwerp 1662 - 1749 Rome). Diana and Actaeon. Oil on canvas, 76 3/4 x 57 7/8 in. (195 x 147 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Joseph Chinard (1756 - Lyon - 1813). Officer of the republican army. Terracotta, diameter 22,3 cm. Signed on the shoulder "Chinard Lyon"]
Attributed works:
[De Jonckheere, 100 rue du Faubourg Saint Honoré. Paris. 7 rue de l’Hôtel-de-Ville. Geneva. Attributed to Jan Mandijn. Haarlem circa 1500 - Antwerp circa 1560. The Temptation of St. Anthony. Panel: 22,8 x 29,6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Ludovico Mazzanti. Rome, 1686 - Orvieto, 1775. Saint Jerome. Oil on canvas, 136 x 97 cm (53 1/2 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figure's walking up a monumental stair case (detail). Oil on canvas. Height: 68 1/4 in. (173,4 cm); Width: 63 1/2 in. (161,3cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Luca Cambiaso (Moneglia 1527-1585 Madrid) Relmusto Lercari, as a Warrior, Seated on a Plinth, within a Niche (detail). Pen and brown ink and wash: 259 x 142 mm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of relieps with the angel Gabriel and Virgin of the Annunciation. Pisan Master, emplyee of Lupo di Francesco (Bonaiuto di Michele ?). Antique Carrara marble, 1st - 2nd century A.D. Italy. Pisa, c.1320-1325. Angel Gabriel: H47 x W. 30.5 x D. 20 cm. Virgin: H. 47 x W. 30 x D. 18 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A German flintlock breechloading break-action sporting gun for ball and shot by George grebe, Kassel, circa 1690]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Saroyard being Entertained by a Pinwheel (detail)]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Jean-Baptiste Oudry (Paris 1686-Beauvais 1755), Âne chargé de légumes. Oil on canvas, 48 x 61 cm. Signed et dated bottom right JB. Oudry/1741.]
Article
Two rediscovered paintings by Hubert Robert and their French revolutionary context
05/2013 | 1322 | 155
Pages: 317-323
related names
Author:
Baumgartner, Frédérique (Baumgartner, Frédérique)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
21. The Day of the Wheelbarrows, by Hubert Robert (Private collection)
Attributed works:
22. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Hubert Robert (Private collection)
Attributed works:
23. Project for the Grande Galerie of the Louvre, by Hubert Robert (Musée du Louvre, Paris; copyright RMN-Grand Palais/Art Resource NY; photographed by Stéphane Maréchalle)
Attributed works:
24. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Hubert Robert (Musée des châteaux de Versailles et de Trianon, Versailles; copyright RMN-Grand Palais/Art Resource NY; photographed by Gérard Blot)
Attributed works:
25. Labours at Champ-de-Mars for the Federation of 14th July 1790, by Jean-Louis Prieur (Musée Carnavalet, Paris)
Attributed works:
26. General Federation in Paris, July 14th 1790, by Jean-Louis Prieur (Musée Carnavalet, Paris)
Attributed works:
27. View of the gardens of Versailles towards the Tapis Vert at the time of the felling of the trees, by Hubert Robert (Musée des châteaux de Versailles et de Trianon, Versailles)
Attributed works:
28. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Charles Thévenin (Musée Carnavalet, Paris; copyright of Alfredo Dagli Orti/Art Archive at Art Resource NY)
Book Review
Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert Robert
07/2012 | 1312 | 154
Pages: 496-497
related names
Reviewer:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
artists:
places:
subjects:
Reviewed Items
subjects:
Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert Robert | author: Dubin, Nina L.
Illustrations
Attributed works:
28. View of the entrance to the Grotto di Pausilippo outside Naples, by Clément-Pierre Marillier after Hubert Robert. From J.-C.R. de Saint-Non: Voyage pittoresque; ou, Description des royannes de Naples et de Sicile, Paris 1781, I, p.83. (Getty Research Institute, Los Angeles).
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10/2011 | 1303 | 153
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[August Laube, Zurich. Martincho makes a bull turn in the Madrid ring, by Francisco de Goya (1746-1828). Delteil 239. Harris 219 III. I. Etching and Aquatint, 20.3 by 31.3 cm]
Attributed works:
[C.G. Boerner, New York. The Palais de Justice in Paris, seen from the Pont Notre-Dame, by Auguste Lepère. 1889. Colour woodcut on thin Japan paper, 19.2 x 30.2 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Massimo Stanzione (Orta di Atella, Campania c.1585 - 1656 Naples). The Madonna and Child. Oil on canvas, 50 1/5 x 39 2/3 (127.4 x 100.8 cm)]
Attributed works:
[Charles Beddington, London. An inlet near Naples with a castle and fisherfolk, by Charles-Joseph Vernet (1714-89). Oil on canvas, 63.3 by 98.8 cm]
Attributed works:
[David Koetser, Zurich and Amsterdam. An extensive landscape with travellers on a road, by Jan Brueghel the Elder (1568-1625). Signed and dated 1608. Oil on copper, 17.8 by 27.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. Portrait of a young hunter, by Henri-Pierre Danloux (1753-1809). Signed and dated 1802. Oil on canvas, 75.5 by 63 cm]
Attributed works:
[Frederick Baker. 1230 W. Jackson Blvd. Chicago. Stow Wengenroth Manhattan Gateway]
Attributed works:
[Galerie Canesso, Paris. Vulcan in his forge, by Pompeo Batoni (1708-87). Monogrammed and dated 1750. Oil on canvas, 94.2 by 73.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. Bassano del Grappa, c. 1510 - 1592. Jacob'd Journey. Oil on canvas, 62.5 by 96 cm (24 5/8 x 37 13/16 in)]
Attributed works:
[Galerie Giovanni Sarti, Paris. Virgin and Child, by Andrea Di Nerio (c.1331-87). Tempera, gold and silver on panel, 80 by 62 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Vicente Lopez Portana (1772-1850). Apollo and the Muses, Oil on canvas (detail)]
Attributed works:
[Haboldt & Co., Amsterdam, Paris, New York. Flora, by Vincenzo Mannozzi (1600-58). Oil on marble, 81.5 by 66.5 cm]
Attributed works:
[Harris Schrank FIne Prints, New York. Bullfighting, by Francisco de Goya (1746-1828). 1814-16. First edition. The complete set of 33 etchings with aquatint, drypoint and engraving.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. William Nicholson. The Silver Casket, 1919]
Attributed works:
[Jean-François Heim, Paris. The Velino above the Cascade of Terni, by Jean-Baptste- Camille Corot (1796-1875). 1826. Oil on paper laid down on canvas, 32.5 by 39 cm]
Attributed works:
[Osborne Samuel, London. The Eight, by Cyril Power. 1930. Signed, titled and numbered within the image. From an edition of 50. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. Hockey, 1931. Linocut. From the edition of 50. 16.8 x 28.9 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Gerolamo Genga (Urbino, 1476 - La Valle, 1551). The Madonna and Child with the Infant Saint John the Baptist and a monk (oil on canvas, 108 x 92 cm).]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Rembrandt, the fourth oriental head]
Attributed works:
[R.E. Lewis & Daughter, San Rafael, California. Maisons à Bougival, Maurice de Vlaminck. 1913. Signed and numbered '7', in pencil. From an edition of 30. Woodcut, 16.3 by 24.3 cm]
Attributed works:
[R.S. Johnson FIne Art, Chicago. Lucky chances of the swing, by Nicolas de Launay after Jean-Honoré Fragonard. Etching, 54.9 by 43.3 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Sybil Andrews, 1898-1992. Market Day, 1936. Linocut, 28 x 33.6 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Pablo Picasso. Visage Brun-Blu Ceramic Plate, 1947]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Annibale Carracci. Bologna 1560 - 1609 Roma. The Prodigal Son. Pen and brown ink and brown wash. 382 x 256 mm (15 1/8 x 10 in)]
Attributed works:
[Sims Reed, London. Petite Aurore, by Henri Matisse. 1923. Edition of 50. Lithograph, 28 by 37.5 cm]
Attributed works:
[Stair Sainty, London. Young woman in her boudoir, by Louis-Rolland Trinquesse (1746-c.1800). Oil on canvas, 80 by 62 cm]
Attributed works:
[Talabardon & Gautier, Paris. The Transporting of the orange tree, by Hubert Robert (1733-1808). Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[The Old Print Shop, New York. Lily, by Arthur Wesley Dow. 1893. Woodcut, 20.3 by 5.1 cm]
Attributed works:
[The Weiss Gallery, London. The carrying of the cross, by Nicolas Tournier (1590-1639). c.1632-35. Oil on canvas, 220 by 121 cm]
Attributed works:
[The Weiss Gallery. 59 Jermyn Street. London. Antonio David (1684-1750). Prince James Edward Stuart, The Old Pretender (1688-1766). Oil on canvas: 31 1/2 x 25 in. (80 x 63.5 cm.). Painted c. 1718]
Attributed works:
[William Weston Gallery, London. Construction, by Laszlo Moholy-Nagy (1895-1946). 1922-23. Signed in pencil. Annotated by Moholy-Nagy as: 'Probe' or trial proof. Lithograph, 59.5 by 36.1 cm]
Western art unattributed:
[Dorotheum. Dorotheergasse 17. Vienna. Circle of Piero di Cosimo (1462-1521), The Madonna and CHild with three Angels, oil on panel, tondo, diam. 89 cm, framed]
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