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41 articles
Article
Jan van Belcamp in London: new documents and perspectives
06/2022 | 1431 | 164
Pages: 558-567
related names
Author:
Davies, Justin (Davies, Justin)
Author:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6, showing the figures painted by Jan van Belcamp.
Attributed works:
2. Anne of Denmark and a groom, by Paul van Somer. 1617. Oil on canvas, 265.5 by 209 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
3. Anne of Denmark, by Jan van Belcamp after Paul van Somer. 1630–39. Oil on canvas, 247.2 by 144.4 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
4. Henrietta Maria, by an unknown artist, the background by Hendrik van Steenwyck. c.1635. Oil on canvas, 215.9 cm by 135.2 cm. (National Portrait Gallery, London).
Attributed works:
5. Louis XIII, by Jan van Belcamp, 1636. Oil on canvas, 201.6 by 122.6 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
6. A view of Greenwich with Charles I and Henrietta Maria among a group of courtiers, by Adriaen van Stalbemt and Jan van Belcamp. c.1632. Oil on canvas, 83.5 by 107 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
7. Henrietta Maria, by Jan van Belcamp and Hendrick van Steenwyck the Younger. 1637. Oil on panel, 51 by 44.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Article
Obituary: John White (1924–2021)
03/2022 | 1428 | 164
Pages: 326-328
related names
Author:
Gardner, Julian (Gardner, Julian)
Subjects
Illustrations
Attributed works:
The Presentation of the Virgin, by Taddeo Gaddi. c.1328–38. Fresco. (Baroncelli Chapel, S. Croce, Florence; Bridgeman Images). The painting is discussed in John White’s The Birth and Rebirth of Pictorial Space, published in 1957.
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Book Review
Optics, Ethics and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye’
10/2020 | 1411 | 162
Pages: 901-902
related names
Reviewer:
Palozzi, Luca (Palozzi, Luca)
Subjects
subjects:
Reviewed Items
subjects:
Optics, Ethics and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s ‘Moral Treatise on the Eye’ Edited by Herbert L. Kessler and Richard G. Newhauser, with Arthur J. Russel. 212 pp. incl. numerous col. + b. & w. ills. (Pontifical Institute of Medieval Studies (PIMS), Toronto, 2018), £106. ISBN 978–0–88844–209–3. | :
Exhibition Review
When Artists Drew Maps: Views and Figures of France in the Middle Ages and the Renaissance. Archives nationales, Paris
11/2019 | 1400 | 161
Pages: 946-950
related names
Reviewer:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Detail from Course of the River Aa between Wizernes and Saint-Omer (Pas-de-Calais), by Olivier Bissot and Pierre Pol. 1459. Paper with ink and gouache. (Bibliothe que d’agglomération du Pays de Saint- Omer, MS 1489; exh. Archives nationales, Paris).
Attributed works:
8. Argentoratum (Strasbourg), by Conrad Morant. Copy made in 1900 of the original from 1548. Paper and colour, 63.5 by 91.5 cm. (Archives municipales, Strasbourg; exh. Archives nationales, Paris).
Attributed works:
9. Forest rights (gruerie) in Nanteuil-le- Haudouin (Oise), by Jehan Monnerye. 1609. Parchment, ink and colour, 194 by 123 cm. (Archives nationales, Paris).
Exhibition Review
Piero della Francesca: Monarch of Painting. State Hermitage Museum, St Petersburg
03/2019 | 1392 | 161
Pages: 233-235
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
4. Portrait of a boy, attributed to Piero della Francesca. c.1480. Tempera on panel, 41 by 27.5 cm. (Museo Nacional Thyssen- Bornemisza, Madrid; exh. State Hermitage Museum, St Petersburg). 5. Sigismondo
Attributed works:
5. Sigismondo Malatesta, by Piero della Francesca. 1450s. Oil and tempera on panel, 44 by 34 cm. (Musée du Louvre, Paris; exh. State Hermitage Museum, St Petersburg).
Attributed works:
6. The Annunciation, by Piero della Francesca. 1459–68. Oil and tempera on panel, 338 by 230 cm. (Galleria Nazionale dell’Umbria, Perugia; exh. State Hermitage Museum, St Petersburg).
Book Review
Carlo Crivelli et le matérialisme mystique du Quattrocento. By Thomas Golsenne
08/2018 | 1385 | 160
Pages: 698-699
related names
Reviewer:
Hilliam, Amanda (Hilliam, Amanda)
Subjects
art literature:
artists:
dates:
media:
places:
Illustrations
Attributed works:
3. Virgin and Child, by Carlo Crivelli. c.1480. Tempera on panel, 48.5 by 33.6 cm. (Victoria and Albert Museum, London).
Article
The Paston prospective
07/2018 | 1384 | 160
Pages: 536-544
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
collectors and dealers:
dates:
Illustrations
Attributed works:
10. Charles I, Henrietta Maria and Charles II when Prince of Wales, dining in public, by Gerrit Houckgeest. 1635. Panel, 63.2 by 92.4 cm. (The Royal Collection; © H.M. Queen Elizabeth II).
Attributed works:
2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).
Attributed works:
5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).
Attributed works:
6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).
Attributed works:
7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.
Attributed works:
8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).
Western art unattributed:
1. Detail of Fig.4.
Western art unattributed:
3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.
Western art unattributed:
4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).
Western art unattributed:
9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.
Article
In his father’s workshop: Giovanni Bellini’s paintings for the Scuola di S. Giovanni Evangelista, Venice
04/2018 | 1381 | 160
Pages: 283-290
related names
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
collectors and dealers:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Birth of the Virgin, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
10. Portrait of Jacopo Antonio Marcello, by Giovanni Bellini. 1453, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius, 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of St James before Herod Agrippa, by Andrea Mantegna, c.1451–52. Fresco. Formerly in the Eremitani Church, Padua, destroyed 1944.
Attributed works:
13. Detail of The wedding at Cana, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
14. Equestrian statue of Gattamelata (detail) by Donatello. c.1446–52. Bronze, 340 by 390 cm. (S. Antonio, Padua).
Attributed works:
15. The Adoration of the Magi (detail) here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 111 by 151 cm. (Stanley Moss, New York).
Attributed works:
16. Detail of Fig.1.
Attributed works:
17. Woman at the Mirror (detail), by Giovanni Bellini. 1515. Oil on panel, 62.9 by 78.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
18. Annunciation (detail), by Giovanni Bellini. c.1465. Panel, 67 by 72 cm. (SS. Giovanni e Paolo, Venice).
Attributed works:
19. Detail of Fig.2.
Attributed works:
2. Annunciation, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 113 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
20. Detail of Fig.1.
Attributed works:
21. The Potenziani Madonna (detail), by Giovanni Bellini. c.1458–60. Tempera and oil on panel, 54 by 40 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Imago pietatis (detail), by Giovanni Bellini. c.1455. Tempera on panel, 50.5 by 40.4 cm. (Museo Poldi Pezzoli, Milan).
Attributed works:
23. The Presentation of Christ in the Temple (detail), here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
3. Birth of the Virgin, by Jacopo Bellini and workshop. c.1444. Tempera on panel, 35 by 40 cm (S. Alessandro, Brescia).
Attributed works:
4. Madonna of the cherubim, by Jacopo Bellini. c.1455. Oil on panel, 77 by 60 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Birth of the Virgin (detail), after a design by Giambono, c.1440. Mosaic. (Cappella dei Mascoli, S. Marco, Venice).
Attributed works:
6. The Presentation in the Temple (detail), by Andrea Mantegna. Early 1450s. Tempera on canvas, 69 by 86.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. St Maurice (detail), by Giovanni Bellini, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius. 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940),
Attributed works:
9. Detail of Fig.1.
Book Review
Georges Seurat: The Art of Vision. By Michelle Foa
12/2017 | 1377 | 159
Pages: 997-998
Subjects
art literature:
artists:
Illustrations
Attributed works:
53. Chahut, by Georges Seurat. 1889–90 (Kröller-Müller Museum, Otterlo).
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