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25 articles
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Article
Avatars of Antiquity III: Reading the Passions
01/2021 | 1414 | 163
Pages: 40-51
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Dead Christ mourned (‘The three Maries’), by Annibale Carracci. c.1603 or c.1606. Oil on canvas, 92.8 by 103.2 cm. (National Gallery, London).
Attributed works:
10. An experiment with an air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
11. Virgin Mary with the infant Christ, attributed to Leonardo da Vinci. c.1472. Terracotta, height 49 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Self-portrait, attributed to Nicolas Poussin. c.1630. Red chalk on paper, 25.6 by 19.7 cm. (British Museum, London).
Attributed works:
13. Detail of The Lamentation, by Giotto, showing a grieving angel. c.1304. Fresco. (Arena Chapel, Padua).
Attributed works:
14. Detail of The School of Athens, by Raphael, showing Euclid with pupils. c.1510. Fresco. (Vatican Museums).
Attributed works:
15. Preparatory study for head of St John the Evangelist, by Domenichino. c.1622–25. (Royal Library, Windsor; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
16. The dying Alexander, Roman copy of c.AD 100 of a Hellenistic sculpture of c.200 BC. Marble, height 72 cm, including modern bust. (Gallerie degli Uffizi, Florence).
Attributed works:
17. Niobe and her daughter, Roman, c.AD 100, after a Hellenistic sculpture of c.300 BC. Pentelic marble, height 228 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Marsyas by Balthasar Permoser. c.1680–85. Marble, height 68.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Massacre of the Innocents, by Guido Reni. 1611–12. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Bust of Caracalla. c.AD 212. Marble, height 65 cm. (Museo Archeologico Nazionale, Naples).
Attributed works:
22. Death of Cleopatra, by Henri-Joseph-François Baron de Triqueti. 1859. Ivory with bronze, height including base 38 cm. (Private collection, London).
Attributed works:
3. Drawing illustrating Horror, by Charles Le Brun. c.1667. Black chalk on paper, 20.5 by 18.4 cm. (Musée du Louvre, Paris).
Attributed works:
4. Detail of Moses defending the daughters of Jethro, by Charles Le Brun. 1686. Oil on canvas, 113 by 122 cm. (Galleria Estense, Modena).
Attributed works:
5. Detail of The penitent Magdalen, by Charles Le Brun. c.1656–57. (Musée du Louvre, Paris).
Attributed works:
6. Chelsea Pensioners receiving the London Gazette Extraordinary of Thursday, 22nd June 1815, announcing the Battle of Waterloo, by David Wilkie. 1816–22. Oil on panel, 97.2 by 158.1 cm. (Wellington Museum, Apsley House, London).
Attributed works:
7. Detail of Fig.6, showing the face of the woman reading the list of the dead.
Attributed works:
8. Woman with a mania for gambling, by Théodore Géricault. c.1822. Oil on canvas, 77 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Marriage à-la-Mode: 2, The tête à tête, by William Hogarth. c.1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London).
Western art unattributed:
2. Detail of the Laocoön group, showing the face of Laocoön. (Museo Pio-Clementino, Vatican; Scala Archive).
Western art unattributed:
21. Fragmentary metope relief from the Temple of Zeus, Olympia, showing Athena receiving slain monster birds. c.460–50 BC. Marble, height 157 cm. (Musée du Louvre, Paris).
Exhibition Review
Max Beckmann: feminine–masculine
01/2021 | 1414 | 163
Pages: 75-77
related names
Reviewer:
Wasensteiner, Lucy (Wasensteiner, Lucy )
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Max Beckmann: feminine– masculine Hamburger Kunsthalle 25th September 2020– 24th January 2021 | :
Illustrations
Attributed works:
24. Self-portrait Florence, by Max Beckmann. 1907. Oil on canvas, 98 by 90 cm. (Hamburger Kunsthalle).
Attributed works:
25. Early men – primeval landscape, by Max Beckmann. 1939, reworked 1947–48. Gouache and ink, 49.8 by 64.5 cm. (Private collection; exh. Hamburger Kunsthalle; photograph Daxer & Marschall, Munich).
Attributed works:
26. Portrait of a Romanian woman (Portrait of Dr Heidel), by Max Beckmann. 1922. Oil on canvas, 100 by 65 cm. (Hamburger Kunsthalle).
Exhibition Review
David Park: A Retrospective
01/2021 | 1414 | 163
Pages: 77-79
related names
Reviewer:
Baker, Kenneth (Baker, Kenneth)
Subjects
artists:
dates:
Reviewed Items
subjects:
David Park: A Retrospective San Francisco Museum of Modern Art 4th October 2020– 18th January 2021 | :
Illustrations
Attributed works:
27. Rehearsal, by David Park. c.1949–50. Oil on canvas, 116.8 by 90.8 cm. (Oakland Museum of California; © Estate of David Park; courtesy Natalie Park Schutz, Helen Park Bigelow and Hackett Mill, San Francisco; exh. San Francisco Museum of Modern Art).
Attributed works:
28. Four men, by David Park. 1958. Oil on canvas, 144.8 by 233.7 cm. (Whitney Museum of American Art, New York; © Estate of David Park; courtesy Natalie Park Schutz, Helen Park Bigelow and Hackett Mill, San Francisco; exh. San Francisco Museum of Modern Art).
Attributed works:
29. Two heads, by David Park. 1959. Oil on canvas, 50.8 by 86.4 cm. (Private collection; exh. San Francisco Museum of Modern Art).
Article
New light on Pierre Bonnard’s wife and model Marthe
05/2020 | 1406 | 162
Pages: 412-419
related names
Author:
Whelan, Lucy (Whelan, Lucy)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Man and woman, by Pierre Bonnard. 1900. Oil on canvas, 115 by 72.3 cm. (Musée d’Orsay, Paris; RMN Grand-Palais).
Attributed works:
2. Diary sketches, by Pierre Bonnard. Pages of his Agenda 1928 dated 21st–24th March 1928. Pencil on paper, page 13.5 by 7.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Woman with dog (Mme Bonnard and her dog Ubu), by Pierre Bonnard. 1906. Oil on wood panel 36.5 by 45 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
4. The window, by Pierre Bonnard. 1925. Oil on canvas, 108.6 by 88.6 cm. (Tate, London).
Attributed works:
5. The bath, by Pierre Bonnard. 1925. Oil on canvas, 86 by 120 cm. (Tate, London).
Attributed works:
6 and 7. Illustrations for Marie, by Pierre Bonnard. 1898. Process prints, page 18.5 by 11.6 cm. (Repr. in P. Nansen: Marie, dessins de Pierre Bonnard, Paris 1898, pp.29 and 35 respectively; Bibliothèque national de France, Paris).
Attributed works:
8. Studio of Pierre Bonnard, Le Cannet, France, by Henri Cartier- Bresson. 1944. Gelatin silver print, 27 by 17.4 cm. (Fondation Henri Cartier-Bresson, Paris; Henri Cartier-Bresson / Magnum Photos).
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Exhibition Review
Pure Rubens. Museum Boijmans Van Beuningen, Rotterdam
11/2018 | 1388 | 160
Pages: 955-958
related names
Reviewer:
Jaffé, David (Jaffé, David)
Subjects
dates:
Illustrations
Attributed works:
7. Sketch for the Rape of Europa, by Peter Paul Rubens. 1636. Panel, 18.9 by 13.7 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
8. The recognition of Phililpoemen, by Peter Paul Rubens and Frans Snyders. c.1609. Canvas, 201 by 311 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
9. Sketch for The recognition of Phililpoemen, by Peter Paul Rubens. c.1609. Panel, 50.5 by 66.5 cm. (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam).
Book Review
Luc Tuymans Catalogue Raisonné of Paintings: Volume I, 1972–1994. Edited by Eva Meyer-Hermann
10/2018 | 1387 | 160
Pages: 885-886
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
media:
places:
Illustrations
Attributed works:
7. Needles, by Luc Tuymans. 1972. Canvas, 151 by 100 cm. (21st Century Museum of Contemporary Art, Kanazawa).
Book Review
The Cotman Collection: John Sell Cotman at Leeds Art Gallery. By David Hill and Theodore Wilkins
10/2018 | 1387 | 160
Pages: 882-883
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
art literature:
media:
museums and institutions:
places:
Illustrations
Attributed works:
5. Portrait of ?Mrs Parr, sister of Mrs John Sell Cotman, Called ‘Portrait of Mrs J S Cotman’, by John Sell Cotman. c.1815. Graphite and white chalk on wove paper, 30.4 by 23 cm. (Leeds Art Gallery; Bridgeman Images).
Book Review
Ashcan Art, Whiteness, and the Unspectacular Man. By Alexis L. Boylan
10/2018 | 1387 | 160
Pages: 884-885
related names
Reviewer:
Griffin, Randall C. (Griffin, Randall C.)
Subjects
media:
Illustrations
Attributed works:
6. Men of the docks, by George Bellows. 1912. Canvas, 114.3 by 161.3 cm. (National Gallery, London).
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