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20 articles
Short Notice
Image of a connoisseur: an unknown portrait of Pierre Jean Mariette
10/2023 | 1447 | 165
Pages: 1106–1100
related names
Author:
Friedenthal, Antoinette (Friedenthal, Antoinette)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Portrait of a man, here identified as Pierre Jean Mariette, by an anonymous artist (perhaps Jean Mariette?). 1740s. Gouache on ivory, 3.4 by 2.8 cm. (Victoria and Albert Museum, London).
Attributed works:
2. Pierre Jean Mariette, by Charles-Nicolas Cochin. 1756. Lead point on paper, diameter 11 cm. (Fondation Custodia, Paris).
Attributed works:
3. Pierre Jean Mariette, by Jean-Baptiste Massé. 1735. Black chalk, stumped, with red and white chalks and perhaps some wash on paper, 18.8 by 14.6 cm., mount 47.8 by 36.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Jean Mariette, by Antoine Pesne. 1723. Oil on canvas, 113 by 93 cm. (Musée Carnavalet, Paris).
Attributed works:
6. Pierre II Mariette, by Franz Ertinger. Black chalk on paper, 16.8 by 12.8 cm. (Fondation Custodia, Paris).
Attributed works:
7. Pierre I Mariette, by Jean Mariette after François de Poilly with a handwritten inscription ‘Petrus Mariette. Iconum mercator Parisiis’ by Pierre Jean Mariette. Etching, 4 by 3.1 cm. (Albertina, Vienna).
Article
Girodet’s ‘Coriolanus taking leave of his family’ rediscovered
10/2023 | 1447 | 165
Pages: 1094–1105
related names
Author:
Wile, Aaron (Wile, Aaron)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Coriolanus taking leave of his family, by Anne-Louis Girodet de Roussy-Trioson. 1786. Oil on canvas, 114 by 146 cm. (National Gallery of Art, Washington).
Attributed works:
10. Horatius killing his sister Camilla, by Anne-Louis Girodet de Roussy- Trioson. 1785. Oil on canvas, 111 by 148 cm. (Musée Girodet, Montargis).
Attributed works:
11. Oath of the Horatii, by Anne-Louis Girodet de Roussy-Trioson Girodet after Jacques-Louis David. 1786. Oil on canvas, 130.2 by 166.7 cm. (Toledo Museum of Art).
Attributed works:
12. Death of Socrates, by Jacques-Louis David. 1787. Oil on canvas, 129.5 by 196.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of Fig.1, showing the pose of Coriolanus and his eldest son.
Attributed works:
14. Detail of Fig.1, showing the altar to the household gods.
Attributed works:
15. Scene from a deluge, by Anne-Louis Girodet de Roussy-Trioson Girodet. 1806. Oil on canvas, 494 by 341 cm. (Musée du Louvre, Paris; Photo Josse; Bridgeman Images).
Attributed works:
16. Intervention of the Sabine women, by Jacques-Louis David. 1799. Oil on canvas, 385 by 522 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Coriolanus leaving his family to fight against his fatherland, by Henri de Favanne. 1725. Oil on canvas, 97.5 by 130 cm. (Musée d’Auxerre; akg-images).
Attributed works:
3. Coriolanus taking leave of his wife to join the Volscians in their attack upon Rome, by Étienne Aubry. c.1780. Oil on canvas, 146.7 by 196.2 cm. (Mount Holyoke College Art Museum, South Hadley).
Attributed works:
4. Coriolanus entreated by his mother, by Nicolas Poussin. c.1650. Oil on canvas, 112 by 198.5 cm. (Musée Poussin, Les Andelys).
Attributed works:
6. Detail from Roman album no.8, by Jacques-Louis David. 1775–80. Pen and black ink, brown and grey wash, black chalk, some red chalk and chalk wash on paper, mounted to album leaves, 48.7 by 33 cm. (Morgan Library and Museum, New York).
Attributed works:
7. Detail of Fig.1, showing the pose of Veturia.
Attributed works:
8. Coriolanus taking leave of his wife. Last quarter of the eighteenth century. Oil on canvas, 125 by 169 cm. (Musée d’Art et d’Histoire, Cholet; RMN-Grand Palais; Gérard Blot).
Attributed works:
9. Horatius killing his sister Camilla, by Jacques-Louis David. 1781. Ink on paper, 27.5 by 38.7 cm. (Albertina, Vienna; akg-images).
Western art unattributed:
5. Detail of Brutus. Roman, 4th century BC. Bronze, height 69 cm. (Capitoline Museums, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Article
Becoming Hubert Robert: some new suggestions
03/2021 | 1416 | 163
Pages: 244-253
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Rayner, Kari (Rayner, Kari)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Arch of Septimius Severus, by Hubert Robert. 1756. Pen, grey and beige washes on paper, 73 by 52 cm. (Musée de Valence).
Attributed works:
10. Diagram of holes around the edges of Fig.8. The painting may have been mounted flush to a wall. A string (or multiple strings) may have been held between nails fixed to the two vanishing points at the positions shown here, and nails positioned in the holes.
Attributed works:
11. The old bridge, by Hubert Robert. 1760. Oil on canvas, 76.2 by 100.3 cm. (Yale University Art Gallery, New Haven).
Attributed works:
12. Studies of figures, by Hubert Robert. 1760. Black and red chalks on four sheets of paper mounted on a single sheet of paper, 45.2 by 34.8 cm. (Private collection).
Attributed works:
13. Composite sheet of eight figure studies, by Hubert Robert. 1760. Red chalk on paper mounted on a single sheet of paper, 45 by 33 cm. (Private collection).
Attributed works:
14. The column, by Hubert Robert. 1789. Oil on canvas, 242.6 by 194.6 cm. (Saint Louis Art Museum).
Attributed works:
15. Detail of Fig.14, showing the figures.
Attributed works:
16. Detail of figures in A hermit praying in the ruins of a Roman temple, by Hubert Robert. c.1760. Oil on canvas, whole painting 57.8 by 70.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
17. X-radiograph of Fig.11. (Courtesy Eric Stegmaier, Yale University Art Gallery, New Haven).
Attributed works:
18. The artist in his studio, by Hubert Robert. c.1759. Red chalk on paper, 33.3 by 44.1 cm. (Private collection).
Attributed works:
2a–b. Architectural capriccio with the Basilica of Constantine and Architectural capriccio with the Arco Degli Orefici next to San Giorgio in Velabro and the Arco di Giano. Bottom, left to right 2c–d. Architectural capriccio with the Temple of Faustina, the Arch of Titus and the walls of the Farnese Gardens and Architectural capriccio with the Temple of Venus, San Francesco Romano and the Basilica of Constantine beyond, by Hubert Robert. c.1754. Oil on canvas, each 75 by 99.5 cm. (Private collection).
Attributed works:
3. Colonnade and gardens at the Villa Medici with gentlemen sketching, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
4. Remains of the Palace of Pope Julius, by Hubert Robert. 1759. Oil on canvas, 75 by 63.8 cm. (Private collection).
Attributed works:
5. Washerwomen in the ruins of the Colosseum, by Hubert Robert. Here dated c.1758. Oil on canvas, 45.1 by 57.8 cm. (Brooklyn Museum, New York).
Attributed works:
6. Infra-red reflectogram of Fig.5. (Conservation Department, Brooklyn Museum, New York).
Attributed works:
7. The obelisk, by Hubert Robert. 1789. Oil on canvas, 243.8 by 194.2 cm. (Saint Louis Art Museum).
Attributed works:
8. Infra-red photograph of a detail of Fig.7. (Courtesy Clare Walker Winfield, Saint Louis Art Museum).
Attributed works:
9. Ponte Salario, by Hubert Robert. c.1775. Oil on canvas, 91.3 by 121 cm. (National Gallery of Art, Washington).
Advertisements
Advertisements June 2005 (Front)
06/2005 | 1227 | 147
Pages: i-xxii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adrian Sassoon, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A very rare Sévres soft-past porcelain Cuvette à Masques. Painted by Jean-Louis Morin after engravings of paintings by David Teniers the Younger. 1762. Height: 17.8 cm. Width: 33.1 cm. Depth: 18.2 cm.]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Drawings in London. 2-8 July 2005. My son Cyril by William Holman Hunt, O.M.R.W.S. (1827-1910). Silverpoint on prepared paper, 25.4 by 19.9 cm.]
Attributed works:
[Angela Grafin von Wallwitz. Munich. An extremely rare art deco porcelain turkey. Modelled and signed by Andrea Pedersen, Royal Copenhagen Porcelain Factory, 1910-14. Marks: Three waves in underglaze blue, incised model no. 1222, incised modeller's mark 'APedersen'. Height: 66 cm. Width: 55cm.]
Attributed works:
[Bazaart, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A large maiolica plate, painted by Carlo Antonio Grue, depicting The Triumph of Galatea, after the painting by Annibale Carracci in the Palazzo Farnese in Rome. Castelli, c.1690. Diameter: 47cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. PAUL-JEAN FLANDRIN (French. 1811-1902). A Study of an African's Head. Oil on canvas. 9 5/8 x 7 7/8 inches (24.5 x 20 cm)]
Attributed works:
[C. G. Boerner. 15 Duke Street, St. James’s London, SW1Y 6DB. Drawings in London. 2-8 July 2005. Three soldiers, by Salvator Rosa (1615-1673). Black chalk, pen and brown ink, brown wash. 122 by 94 mm]
Attributed works:
[C. G. Boerner. Kasernenstrasse 13, 40213 Dusseldorf. 23 East 73rd Street, New York. Johann Christian Reinhart (1761-1847) View into a Forest, 1780s. Pen and ink over pencil with grey wash and watercolour, 183 x 230 mm. Signed at lower left C Reinhart f.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Paris (Dihl & Guérhard) ormolu-mounted porcelain still life plaque painted by Coste, circa 1800. 19 3/16 in. (48.8 cm) x 15 15/16 in (39.9 cm) overal. £40,000-60,000]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Andrea d'Angiolo, called Andrea del Sarto. (Florence 1486-1530). Head of Saint Joseph with a subsidiary of his features (recto); Two studies of legs (verso). Black and red chalk, the verso in red chalk, watermark acorn (Briquet 7435 [Florence 1430], on Giorgio Vasari's mount. 14 3/4 x 8 3/4 in (373 x 225 mm.) A study for the Zanobi Bracci Holy Family now in the Palazzo Pitte, Florence.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. TIZIANO VECELLIO, CALLED TITIAN. (Pieve di Cadore c. 1485/1490-1576 Venice). The Mater Dolorosa. Signed '.TITIANVS.F' (UPPER RIGHT). Oil on panel. 28 x 22 3/8 in (71.1 x 56.7 cm.)]
Attributed works:
[Christopher Wood, London. The Grosvenor House Art / Antiques Fair. Grosvenor House, Park Lane, London W1. 16-22 June 2005. Blanche, by George Frederic Watts. O.M. R.A. (1817-1904). Oil on Canvas, 68.5 by 50 cm.]
Attributed works:
[Connaught Brown, 2 Albemarle Street, W.1. Drawing in London. 2-8 July 2005. Rencontre de Jacob et Rachel, by Marc Chagall (1887-1985). Watercolour, 377 by 267 mm]
Attributed works:
[Connaught Brown, 2 Albemarle Street, W.1. EDUARD VUILLARD (1868-1940). Study for Portrait de Madame Lecomte, 1932. Pastel. Stamped with signature. 9 1/4 x 6 1/4 inches / 23.5 x 15.9 cm.]
Attributed works:
[Daniel Katz, Ltd. London Sculpture Week. 16-24 June 2005. French peasant woman breast-feeding (Paysanne Française), by Aimé-Jules Dalou (Paris, 1838-1902). Marble. Height: 92 cm.]
Attributed works:
[David Jones Fine Art (UK), LTD. Exhibiting at Derek Johns Ltd, 12 Duke Street, St. James’s, SW1Y. Andrea DEL SARTO. Florence 1486-1530 Florence. Study for the head of a child. Black chalk, Illegible inscription at lower right in black chalk and black ink, 156 x 144 cm.]
Attributed works:
[David Jones Fine Art (UK), LTD. Exhibiting at Derek Johns Ltd, 12 Duke Street, St. James’s, SW1Y. Drawings in London, 2-8 July 2005. Saint Francis of Paola by Lazzaro Tavarone (1556-1641). Pen and brown ink with wash, 28 by 42 cm.]
Attributed works:
[Didier Aaron. 12 Ryder Street, S.W.1. Drawings in London. 2-8 July 2005. A lion hunt (one of a pair), by Philibert-Beboit de la Rue (1718-1780). c. 1750-55. With monograms: ŒL.R., Pen and brown ink and brown wash, 39 by 55 cm.]
Attributed works:
[Errol Manners, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A Niederrhein incised slip-ware Charger. Decorated with Friedrich Wilhelm, Crown Prince of Prussia. Dated 1781. Signed: 'Hendrich Dencken'. Diameter: 42 cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Antonio TRAVI. Genoa-Sestri Ponenete, 1608-Genoa, 1665. Coastal Landscape with ruins and Fishermen. Oil on canvas, 125 x 177 cm (49 1/4 x 69 11/16 in) Initialled at lower right with the letters 'AT' entwined.]
Attributed works:
[Galerie Normand. 35, rue de Lille, 75007 Paris. ALEXANDRE-GABRIEL DECAMPS. 1803-1860. The walls of Jericho. Signed with monogram 'DC'. Oil on canvas, 25 x 34 cm (9 3/4 x 13 1/2in).]
Attributed works:
[Gallery Fichter. Arndtstasse 49. D-60325. Frankfurt/Main. JULIUS SCHNOR VON CAROLSFELD. (German, 1794 Lipsia-Dresden 1872). Ink over pencil on paper, from the collection of Prince John George of Saxony. Monogrammed and dated: "18 JSC 57 d. 18 September", 21,7 x 25,9 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra, 1905-1976. The Bar, circa 1931. Watercolour and gouache. 29 3/4 x 21 1/2 inches.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. François Boucher 1703-1770, by Charles-Nicolas Cochin (1715-1790). Pencil. Diameter: 115 mm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Marten van Cleve (1527-Antwerp-1581). The Wedding Dance. On panel. 29 1/2 x 41 1/8 in. 74.9 x 105.7 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Drawings in London. 2-8 July 2005. The weir at Machynlleth, by Cornelius Varley (1781-1873). Pencil, 23.3 by 36.5 cm.]
Attributed works:
[Martin F. Bonham-Carter, Ltd, London. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London. Sévres flaring lattice pattern cup and saucer by Charles-Louis Méreaud. 1768. Blue lozenge and diamond shapes forming a gilt geometric pattern around reserve of flowers. Cup height: 6.8 cm. Saucer diameter: 14.5cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. FRANCESCO SQUARCIONE (attr.to). Padua, c. 1395-1468. Madonna and Child surrounded by cherubs, Panels, 67.6 x 40.3 cm]
Attributed works:
[Nevill Keating Tollemache. London Sculpture Week. 16-24 June 2005. Eternal Spring, by Auguste Rodin (1840-1917) Barbidienne cast. Conceived in 1898 and cast in 1918. Bronze with green patina. Height: 24.4 cm.]
Attributed works:
[Pelham galleries, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London, W1. 16-22 June 2005. The Hume sofas (one of a pair). Designed by Robert Adam, London, 1780, The carving attributed to Sefferin Nelson. Height: 109 cm. Width: 132 cm. Depth: 72.5 cm]
Attributed works:
[Peter Petrou, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. A magnificent pietre dure top (one of a pair), manufactured and stamped by Darmain & Sons, Malta. Breccia marble engraved and inlaid with panels of rosso breccia and other varieties. 157 by 93 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. A still life of flowers including roses, tulips, irises, and other flowers, all in a gilded vase resting on a marble ledge, by Nicolaes Lachtropius (active 1656-1700). Oil on canvas, 66.5 by 53.3 cm.]
Attributed works:
[Robert Bowman Gallery. London. London Sculpture Week. 16-24 June 2005. Saint George, by Sir Alfred Gilbert, RA (1854-1934). Bronze, dark brown patination. Height: 46.5 cm]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. ANTONIO ROSSELLINO. Madonna with Child. Poluchromed stucco in original aedicular frame. 15th century. H: 95 cm. L: 64.5 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Drawing in London. 2-8 July 2005. King David and three of his followers, by Cavalier d'Arpino (1568-1640).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Franz Xaver Messerschmidt, Austrian, 1736-1783. An important alabaster character head, later called rescued from drowing. 40 cm. 15 3/4 in. Estimate: £600,000-800,000.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. London Sculpture Week. 16-24 June 2005. Statue of Peter Pan, by George Frampton (1860-1928). Conceived in 1911. Bronze. Height: 300 cm.]
Attributed works:
[Thomas Williams Fine Art, Ltd. 22 Old Bond Street, W.1. Drawings in London. 2-8 July 2005. Cupid reclining in a landscape at the foot of the altar of love, by Jean Baptiste Greuze (1725-1805). Pen and grey ink and wash over pencil, 30.7 by 36.8 cm.]
Attributed works:
[Trinity Fine Art, London. London Sculpture Week. 16-24 June 2005. Pietà, by Antonio Raggi (1628-1686). Terracotta finished with white slip wash. Height: 65 cm. Width: 54 cm. Depth: 45 cm.]
Attributed works:
[Trinity Fine Art. 39 Bruton Street. London, W.1. Drawings in London. 2-8 July 2005. An Arab hunter, by Ferdinand-Victor-Eugène Delacroix (1798-1863). Black lead, pen and brown ink, watercolour, 19.4 by 15.9 cm]
Attributed works:
[Trinity Fine Art. 39 Bruton Street. London, W.1. WILLIAM HOLMAN HUNT, O.M., R.W.S. (London 1827-London 1910). The Artist's Wife, Edith Holman Hunt. Silverpoint on prepared paper, 255 x 197 mm. Signed in monogram, inscribed and dated: July 1877 Jerusalem.]
Attributed works:
[Wolseley Fine Arts. 12 Needham Road, Westbourne Grove, London, W.11 2RP. André Dunoyer de Segonzac 1884-1974, Still-life with Apples, c. 1950, watercolour 35 x 48.2 cm]
Attributed works:
[Wolseley Fine Arts. 27 Cork Street, W.1. Drawings in London. 2-8 July 2005. La Place Vintimille l'hiver, by Edouard Vuillard (1868-1940). c. 1910. Pastel on blue paper, 252 by 148 mm.]
Attributed works:
[Wolseley Fine Arts. Exhibiting at Gallery 27, 27 Cork Street, W.1. Drawings in London. 2-8 July 2005. Stevenstift in Leiden, by Max Liebermann (1847-1935). Charcoal on paper, 11.5 by 19.5 cm.]
Non-western art unattributed:
[Angela Grafin von Wallwitz. Postfach 101546, D-80089 Munich. Chinese Porcelain Dish. In 'Famille Verte' Style. Circa 1700. Marks: None. Measurements: L 40 cm x H 29.5 cm. Condition: One chip to rim.]
Non-western art unattributed:
[Ben Janssens Oriental Art, London. The Grosvenor House Art & Antiques Fair. The Grosvenor House, Park Lane, London W1. 16-22 June 2005. Limestone torso of a Bodhisattva. China, Northern Qi dynasty, 550-577. Height: 103 cm.]
Non-western art unattributed:
[Helen Girton Antiques, Buckingham. Japan, Arita c. 1700-20, Dutch decorated c. 1730. A rare large octagonal soup plate, made in Arita, Japan, and outside decorated in Holland in the Kakiemon taste. Mark: Incised numeral 2 or letter Z. Diameter: 23.2 cm.]
Non-western art unattributed:
[John Eskenazi, Ltd. London Sculpture Week 16-24 June. South India, Tamil Nadu. Parvati. Chola Period, late 10th-eary 11th century. Bronze. Height: 76 cm.]
Non-western art unattributed:
[Rossi & Rossi. London Sculpture week. 16-24 June 2005. Buddha Amitabha (the Buddha of Infinite Light). Mongolia, late 17th-early 18th century. Gilt copper. Heigh: 30 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. London Sculpture Week. 16-24 June 2005. Syrian green stone figure of a female. Neolithic, 7th-6th millennium BC. Variegated green and brown stone. Height: 6.4 cm.]
Western art unattributed:
[Angela Grafin von Wallwitz. Postfach 101546, D-80089 Munich. A very Rare Ansbach faience Dish. After a Chinese'Famille Verte' Original. Circa 1730-1740. Marks: None. Measurements: L 44.5 x H 33 cm. Condition: Minor chips to rim.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London W1S 1SR. An important Regencé brown tortoiseshell and brass marquetry. Toilet Mirro. Estimate: £30,000-50,000]
Western art unattributed:
[Dragesco Cramoisan, France. The International Ceramics Fair & Seminar. 16-19 June 2005. The Park Lane Hotel, London W1. A pair of Sévres hard-paste biscuit bust of Louis XVI and Marie-Antoniette. 1785-90.]
Western art unattributed:
[Mallett, 40 New Bond St., London. The Grosvenor House Art & Antiques Fair. Grosvenor House, Park Lane, London W1. 16-21 June 2005. One of an extremely rare pair of late 18th-century laburnum and ash Windsor armchairs. English or Scottish, c. 1770. Height: 106 cm. Width: 75 cm]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sèvres 'fond violet damassé' bases. 1843. Height: 15 ins (36 cm). Height: 6 1/4 ins (15.8 cm). Width: 5 1/2 ins (14cm). Marks: blue printed LP monogram.]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Apollo Reclining. North Italian, Sixteenth Century. Gilt bronze statuette. H. 13.4 cm, W. 10.5 cm, L. 24 cm.]
Western art unattributed:
[Robyn Robb. London. An extremely rare Worcester jug of 'scratch cross' type superbly painted in oriental style with an amusing scene of two crane-like birds fighting over an eel. c. 1754. Mark: two incised lines. Height: 17.6 cm.]
Western art unattributed:
[Sam Fogg, Ltd. London Sculpture Week. 16-24 June 2005. Figural capital, Saint Pons-de-Thomières, Languedoc. French. 2nd half of the 12th century.]
Advertisements
Advertisements March 1996 (back)
03/1996 | 1116 | 138
Pages: 225-226
Subjects
subjects:
Illustrations
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg Saint Honoré, Paris ] Charles-Nicolas Cochin (Paris 1715 - 1790), Allegory of Africa. Pen, Wash and Watercolour, 24.2 × 38.1 cm
Book Review
Charles-Nicolas Cochin et l'art des Lumieres
11/1994 | 1100 | 136
Pages: 768-769
related names
Reviewer:
Wrigley, Richard (Wrigley, Richard)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Charles-Nicolas Cochin et l'art des Lumieres | author: Michel, Christian
Book Review
Le voyage d'Italie de Charles-Nicolas Cochin (1758)
10/1992 | 1075 | 134
Pages: 671-672
related names
Reviewer:
Rosenberg, Pierre (Rosenberg, Pierre; R., P.)
Subjects
dates:
places:
Reviewed Items
subjects:
Le voyage d'Italie de Charles-Nicolas Cochin (1758) | author: Michel, Christian
Illustrations
Attributed works:
50. Monsieur de Vandières, l'abbé Le Blanc, Monsieur Soufflot and Monsieur Cochin, by P. L. Ghezzi. Pen and Ink. (Metropolitan Museum of Art, New York).
Book Review
Charles-Nicolas Cochin et le livre illustre au XVIIIe siecle: avec un catalogue raisonne des livres illustres par Cochin 1735-1790 [and: Dictionnaire des editeurs d'estampes a Paris sous l'Ancien regime]
01/1989 | 1030 | 131
Pages: 42-43
related names
Reviewer:
Wrigley, Richard (Wrigley, Richard)
Subjects
dates:
places:
places:
subjects:
Reviewed Items
subjects:
Charles-Nicolas Cochin et le livre illustre au XVIIIe siecle: avec un catalogue raisonne des livres illustres par Cochin 1735-1790 | author: Casselle, Pierre , author: Grivel, Marianne , author: Le Bitouze, Corinne , author: Michel, Christian , author: Préaud, Maxime
Advertisements
Advertisements March 1985 (Front)
03/1985 | 984 | 127
Pages: ii-xxx
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Barend van der Meer 1659-after 1688. Still Life with a Lobster. Oil on Canvas 76 × 63 cm
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Cornelis Schut III 1629-1685. Portrait of a Young Noble Girl. Oil on Copper 24 × 19 cm
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Gaspar Pedro Verbruggen 1664-1730. Still Life with Flowers in Urn. Oil on Canvas 135 × 105 cm
Attributed works:
[Andrew Grant, 59/60 Foregate Street, Worcester] Gerrit Berckheyde, "A View in Amsterdam", Oil on Canvas, Signed and Dated 1685. Also an Important Pair of Chelsea Porcelain Peacocks, Red Anchor Period 47 cms.
Attributed works:
[Antiquaria Limited, 40 Bury Street, London] Pair of Castelli Vases Enriched in Gold. Signed Liborio Grue. c. 1740. Height: 42 cm
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Louis Seize-Pendule, Frankreich, Sign. Hippolite Lapret, 1786-89. 1 Paar Girandolen, Paris um 1800
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Porzellan-Figur, Hoechst, Entwurf von J. P. Melchior, um 1770. Porzellan-Gruppe, königl. Meissen, Entwurf von J. F. Eberlein, um 1740. Porzellan-Figur, Frankenthal, Entwurf von K. Link, um 1765
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Silberhumpen, Augsburg, 17. Jh., Meister: Marx Schaller
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Theob. Frh. von Oër, Dresden 1807-85, Öl/Lw., 53×78 cm
Attributed works:
[Bonhams, Montpelier Street, London] 'The Fourth Love Painting' 1961 by David Hockney
Attributed works:
[Bruton Gallery Ltd, Bruton, Somerset] Patrick Reyntiens. Glass painted and stained. Visions in light. illustrated 'The temptation of St Anthony (detail) : stained glass panel, 1984, 39½" x 35¾" 1010 x 910mm.
Attributed works:
[Bruton Gallery Ltd, Bruton, Somerset] Sculpture 18th, 19th and 20th century. Two companion terracotta busts by Carrier Belleuse each 27", 68.5 cms high: titled 'Bust of Diana' and 'Bust of Marguerite' the subject in each case is Marguerite Bellanger, favourite of Napoleon III.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] The Pseudo-Bles (Active Antwerp First Quarter of the 16th Century). The Adoration of the Magi. Panel 90 × 73.5 cm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] After J Zoffany James Sayer, Son of Robert Sayer the Print Publisher Mezzotint by Richard Houston. 1st State Proof before Letters. Very Good Impression. Wide Margins
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Enrico Cortona, Piazetta Guastalla, Milan] Bernardo Strozzi (1581 - 1644). Oil on Canvas 49×68 cm.
Attributed works:
[Fischer Fine Art Ltd, 30 King Street, London] David Bomberg 1890-1957. Paintings and drawings a a tribute to Lilia Bomberg. Family Bereavement, 1913. Pencil and Charcoal, 22 × 18½ ins
Attributed works:
[Galerie Maria de Beyrie, 23 rue de Seine, Paris] Exceptional Desk in Dark Cerused Oak by Pierre Legrain, with Its Chair, Which Formerly Belonged to the Writer Maurice Martin du Gard. Circa 1926. Desk: H. 80 cm - L. 179 cm - D. 89 cm. Chair: H. 78 cm - L. 67 cm - D. 60 cm.
Attributed works:
[Gallery Lingard, Old Registry office, 250 King's Road, London] G. G. Scott (1811-1878) and W. B. Moffatt (1812-1887). Perspective of the Church of the Holy Trinity, Stretford Road, Hulme, Manchester 1841-1844. Pen and Black Ink & Watercolour over Pencil. 20¼ × 28 Inches. (52.7 × 71.1 cm).
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm (Lugt 271, 272, and 1442), Samuel, Graf von Festetits (Lugt 926) and Freidrich Kalle (Lugt 1021).
Attributed works:
[HMSO, 51 Nine Elms Lane, London] Regency Portraits by Richard Walker
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] C. de Man. New Church in Delft
Attributed works:
[Ivo Bouwman, Lange Vijverberg 20, The Hague] Maurits Escher, Day and Night, Signed and Inscribed Eigen Druk
Attributed works:
[Maître Guy Loudmer, Hotel Drouot, Rooms 5&6, Paris] Picasso. From the Vollard Suite of One Hundred Signed Engravings. Photo: "A Young Girl Guiding the Minotaur."
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Jacques Lipchitz. Seated Bather, 1917, Bronze with Brown Patina, Height 32⅝ in./83 cm, Cast 5 of an Edition of 7.
Attributed works:
[Me Stéphane Deurbergue, 19 boulevard Montmarte, Paris] Goya "A Sculptor", Septa Drawing no 90 of the Album F - 20,5 × 14 cm. Expert: M. de Bayser
Attributed works:
[National Gallery of Ireland, Merrion Square, West Dublin] Juno Confiding Io to the Care of Argus. (National Gallery of Ireland)
Attributed works:
[Peter Nauhm/Chris Beetles, 5 Ryder Street, London] Richard Dadd, Titania Sleeping. Oil on Canvas, 25½ × 30½ Inches
Attributed works:
[Phillips, 7 Blenheim Street, London] Sir Thomas Lawrence PRA, "Portrait of Felicity Trotter", Oil on Canvas, 30" x 24¾".
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Johannes Lingelbach, Circa 1665. Oil on Canvas, 121.9 by 168.9 cm. Signed, bottom Centre: 'Johan Lingelbach Me Fecit'
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Jean Baptiste Camille Corot. Rome: Ile et Pont San Bartolomeo. Oil on Paper Laid down on Canvas. c. 1826-28. 25 by 39 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sir Peter Paul Rubens, The Martyrdom of St. Ursula and Her Companions, Oil on Panel, 64.5 by 49.5 cm.
Attributed works:
[Spencer A. Samuels, 11 East 57th Street, New York] Charles Nicholas Cochin (Paris 1715-1790). La Gerusalemme Liberata by Torquatoo Tasso. Black Chalk, Squared for Transfer. 4½ × 6 Inches (11.6 × 15.2 cm). One of a Set of Twenty Sketches for the Engraved Series Commissioned in 1784 by "Monsieur", the Future Louis XVIII.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Augustus Charles de Pugin (1762-1832). Watercolour and Gouache, 12½ × 18⅞ in. (31.8 × 48 cm). View of the Louvre and of the Institut from the Pont Neuf. Signed Lower Left
Attributed works:
[William Drummond, The Bury Street Gallery, London] Thomas Gainsborough R. A. Hayes No. 445
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Large Isnik Blue and White Pottery Dish, Mid 16th Century, 42 cm. Diam. Estimate: £7,000-9,000
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Isnik Blue and White Pottery Jug, Third Quarter 16th Century, Height 23.8 cm. Estimate: £5,000-8,000
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Isnik Pottery Tankard, Circa 1580, Height 22.5 cm. Estimate: £4,000-6,000
Western art unattributed:
Christ in Majesty, from the Trinity College Gospels. Gold and Colour on Vellum. (Ms. B.10.4, Fol. 16b, Trinity College, Cambridge; Exh. British Museum).
Western art unattributed:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Adriaen Pietersz. van de Venne 1589-1662. A Dutch Prince and His Courtiers in a Landscape. Oil on Canvas 106 × 128 cm
Article
Sèvres Artists and Their Sources II: Engravings
11/1980 | 932 | 122
Pages: 748-759+761-762
related names
Author:
Bellaigue, Geoffrey de (Bellaigue, Geoffrey de)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
50. Detail of a Vase (vase antique ferré). Sèvres Porcelain. Dated 1764, with the Mark of the Artist J.-L. Morin. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
51. Detail of the Pair to Fig.50. [Detail of a Vase (vase antique ferré). Sèvres Porcelain. Dated 1764, with the Mark of the Artist J.-L. Morin.] (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
52. Attributs Militaires, Engraved by P.-F. Tardieu, after J.-C. Delafosse.
Attributed works:
53. Attributs de Guerre, Engraved by P.-F. Tardieu, after J.-C. Delafosse.
Attributed works:
54. Le Bon Père, Engraved by J.-P. Lebas, after David Teniers the Younger. 1735.
Attributed works:
55. Detail of a Flower Vase (vase hollandois). Sèvres Porcelain. Dated 1764, with an Unidentified Mark. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
56. Detail of One of a Pair of Vases. Sèvres Porcelain. Unmarked, Possibly c. 1770. The Painting is Attributed to C.-N. Dodin. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
57. Cup and Saucer (gobelet litron). Sèvres Porcelain. Scenes Probably Painted by Pithou l'aine. Height of Cup 7.7 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
58. Detail of an Engraving, by G. Texier and J.-P. Lebas, after Philips Wouwermans.
Attributed works:
59. Le Marchand de Village, Engraved by A.-L. Romanet, after J. C. Seekatz. 1766.
Attributed works:
60. Le Chasseur prenant des Forces, Engraved by C. W. Weisbrod, after Peeter Bout. 1774.
Attributed works:
61. Detail of One of a Pair of Vases (vase antique ferré). Sèvres Porcelain. c.1765-70, with the Marks of the Gilder J.-P. Boulanger. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
62. Le Soldat en Semestre, Engraved by F. R. Ingouf after Sigmund Freudeberg. 1777.
Attributed works:
63. Detail of Fig.64.
Attributed works:
64. One of a Pair of Vases (vase des âges, 3ème grandeur). Sèvres Porcelain. c.1780. Both Bear the Mark of the Gilders E. H. Leguay and Vincent jeune. Height 35.3 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
65. Vase (vase à panneaux). Sèvres Porcelain. Dated 1777, the Painting of the Reserve is Attributed to Antoine Caton. Height 47.3 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
66. Le Concert Russien, Engraved by René Gaillard, after J.-B. Le Prince. 1768.
Attributed works:
67. Frieze, Engraved by Chéreau, after Henri Salembier.
Attributed works:
68. Cup and Saucer (goblet litron). Sèvres Porcelain. Dated 1787, with the Mark of the Artist Le Bel jeune. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
69. Engraving, by J.-J. Avril, after Jean Pillement.
Attributed works:
70. Detail of One of a Pair of Hard-Paste Vases. Sèvres Porcelain. Platinum and Gold on a Black Ground. c.1790. Both Bear the Mark of the Gilder Girard. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
71. Engraving, by Joseph Wagner, after Francesco Zuccarelli.
Attributed works:
72. Detail of a Plate, Part of Louis XVI's Service. Sèvres Porcelain. Dated 1790, with the Marks of the Artist C.-N. Dodin and the Gilder E.-H. Leguay. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
73. Vase (vase angora). Sèvres Porcelain. c.1770, It Bears the Mark of the Artist C.-N. Dodin. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
74. Detail of Fig.73.
Attributed works:
75. La Beauté gouvernée par la Raison, Engraved by J.-M. Delattre, after Angelica Kauffmann. (Collection David Alexander).
Attributed works:
76. Engraving, by J.-B. Tilliard, after Charles Monnet from Fénélon, Les Aventures de Telemaque, 1783.
Attributed works:
77. Cup and Saucer (gobelet litron). Sèvres Porcelain. Dated 1781, with the Marks of the Artist Antoine Caton and the Gilder E.-H. Leguay. Height of Cup 7.7 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
78. Engraving, by J.-B. Tilliard, after Charles Monnet. 1773. From Fénélon, Les Adventures de Telemaque, 1783.
Attributed works:
79. Wine Bottle Cooler, Part of Louis XVI's Service. Sèvres Porcelain. Probably Dates from 1790, with the Mark of the Gilder E.-H. Leguay. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
80. The Death of Lucretia, Engraved by Claude Mellan, after Simon Vouet.
Attributed works:
81. Plate, Part of Louis XVI's Service. Sèvres Porcelain. It Probably Dates from 1787, with the Mark of the Gilder E.-H. Leguay. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
82. Coriolan Banni, Engraved by A.-J. Duclos, after S.-D. Mirys.
Attributed works:
83. Detail of a Plate, Part of Louis XVI's Service. Sèvres Porcelain. Dated 1789, with the Marks of the Artist C.-N. Dodin and the Gilder E.-H. Leguay. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
84. Coriolan fléchi par les Prières de sa Mère, Engraved by Joseph de Longueil, after S.-D. Mirys.
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