• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
6 articles
Article
Peter Mathias Van Gelder’s monument to Mary, 3rd Duchess of Montagu, in St Edmund’s, Warkton, Northamptonshire
04/2013 | 1321 | 155
Pages: 220-229
Subscribe to read
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
artists:
Van Gelder, Peter Mathias / Roubiliac, Louis François
artists:
Adam, Robert, 1728-1792
buildings:
Church of Saint Edmund, Warkton, Great Britain
dates:
1770-1779 / 1780-1789
patrons:
Dukes of Montagu / Montagu, Mary, Third Duchess of Montagu, d. 1775
places:
Warkton / Northamptonshire / England
subjects:
Commemorative monuments / Sepulchral monuments / British sculpture / Architectural components / English / Composition (artistic arrangement) / Inscriptions / Payments
Illustrations
Attributed works:
1. Monument to Mary, 3rd Duchess of Montagu, by Peter Mathias Van Gelder. 1777-82. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
10. Detail of the monument illustrated in Fig.1 showing the funerary urn.
Attributed works:
11. Detail of the monument illustrated in Fig.1 showing marble repair to the rear of the figure of the widow.
Attributed works:
12. Detail of the monument illustrated in Fig.1 showing the inscription.
Attributed works:
13. Detail of the monument illustrated in Fig.1 showing the addition to the rear of the main sculptural group and the carved inscription 'I. Bentjes' and date '10 November 1781'.
Attributed works:
15. Monument to Catherine Jekyll at St Andrew's, Arthingworth, by Peter Mathias Van Gelder. c.1775. Inscribed 'Van Gelder fecit'.
Attributed works:
16. Detail of the monument illustrated in Fig.2 showing the section of drapery added by Peter Mathias Van Gelder to Roubiliac's statue of the 2nd Duchess of Montagu.
Attributed works:
17. Section of marble representing the garter sash from the monument illustrated in Fig.2.
Attributed works:
2. Monument to John, 2nd Duke of Montagu, by Louis François Roubiliac. 1749-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
3. Monument to Mary, 2nd Duchess of Montagu, by Louis François Roubiliac. 1753-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
4. Monument to Elizabeth, Duchess of Buccleuch, by Thomas Campbell. 1830-43. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
5. Detail of the monument illustrated in Fig.1 showing relief of mourning woman with an easel and palette, representing Painting.
Attributed works:
6. Detail of the monument illustrated in Fig.1 showing the weeping boy at the feet of the dying Duchess.
Attributed works:
7. Detail of the monument illustrated in Fig.1 showing the figure representing the widow.
Attributed works:
8. Detail of the monument illustrated in Fig.1 showing the angel in the main sculptural group.
Attributed works:
9. Detail of the monument illustrated in Fig.1 showing the dying Duchess.
Western art unattributed:
14. Marble altar steps, chancel, St Edmund's, Warkton, Northamptonshire.
Book Review
The Pieta in French Late Gothic Sculpture: Regional Variations
12/1998 | 1149 | 140
Pages: 834-835
Subscribe to read
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
dates:
1200-1499
places:
France
subjects:
French sculpture / Gothic (Medieval)
subjects:
Mary, Virgin: Pietà
subjects:
Christian iconography
Reviewed Items
subjects:
The Pieta in French Late Gothic Sculpture: Regional Variations | author: Forsyth, William H.
Article
The 'Great Screen' of Winchester Cathedral Part II: Style and Date
12/1993 | 1089 | 135
Pages: 796-807
Subscribe to read
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
buildings:
Winchester Cathedral, Winchester, Great Britain
dates:
1400-1499
places:
England / Winchester
subjects:
British sculpture / Choir screens
subjects:
Wood sculpture / Dating
Illustrations
Western art unattributed:
1. Western Face of the Great Screen at Winchester Cathedral, Showing the Nineteenth-Century Programme of Sculpture.
Western art unattributed:
10. Restored (Western) Face of the Great Screen, St Alban's Abbey, from the South-East.
Western art unattributed:
11. Plan of Winchester Cathedral.
Western art unattributed:
12. Thomas Becket. 1503-12. c.90 cm. High. (Henry VII's Chapel, Westminster Abbey, Triforium Level).
Western art unattributed:
13. The Annunciate Virgin. 1503-12. c.90 cm. High. (Henry VII's Chapel, Westminster Abbey, Triforium Level).
Western art unattributed:
14. Head of the Almighty. Limestone, 37.4 cm. High. (Winchester Cathedral).
Western art unattributed:
15. Head of a Bishop. Limestone, 38.2 cm. High. (Winchester Cathedral).
Western art unattributed:
16. Madonna and Child. Limestone, 48 cm. High. (Winchester Cathedral).
Western art unattributed:
17. Effigies of William Fitzalan and Joan Neville. Polychromed Limestone. (Fitzalan Chapel, Arundel).
Western art unattributed:
18. Bishop Holding a Book. Limestone. (Divinity School, Oxford).
Western art unattributed:
19. Detail of Fig.17.
Western art unattributed:
2. St Elizabeth, Detail from the Visitation. Spandrel Relief from the North Doorway of the Western Face of the Great Screen, Winchester Cathedral
Western art unattributed:
20. Detail of Fig.16.
Western art unattributed:
21. Miracle of the Jewess. Wall-Painting. (North Wall, Eton College Chapel).
Western art unattributed:
3. Rear (Eastern) Face of the Great Screen at Winchester Cathedral from the North-East. (Bishop Fox's Chapel Abuts the Screen on the South of the Southern Doorway).
Western art unattributed:
4. Bishop Waynflete's Chantry Chapel, Winchester Cathedral
Western art unattributed:
5. Rear (Eastern) Face of the Great Screen, St Alban's Abbey.
Western art unattributed:
6. Base Mouldings, Bishop Waynflete's Chapel, Winchester Cathedral.
Western art unattributed:
7. Base Mouldings of the Great Screen Panelling, Now Inside Bishop Fox's Chapel, Winchester Cathedral.
Western art unattributed:
8. Spandrel from Bishop Waynflete's Chantry Chapel, Winchester Cathedral.
Western art unattributed:
9. Spandrel from Rear Face of the Great Screen, Winchester Cathedral.
Short Notice
A Neglected King at Ely Cathedral
11/1989 | 1040 | 131
Pages: 764-769
Subscribe to read
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
buildings:
Ely Cathedral, Ely, Great Britain
dates:
1450-1499
places:
Ely / England
subjects:
British sculpture
subjects:
Henry VII, King of England, 1457-1509
subjects:
Iconography
subjects:
Royalty
Illustrations
Attributed works:
22. Drawing of the Statue in 1772 by Michael Tyson. Pen and Wash (Society of Antiquaries, London).
Attributed works:
31. Effigy of Henry VII, by Pietro Torrigiano. Gilt Bronze. (Westminster Abbey, London).
Western art unattributed:
21. Statue of a King. 1488-1500. Painted Limestone, 36.2 cm. High. (Bishop Alcock's Chapel, Ely Cathedral).
Western art unattributed:
23. Engraving after a Drawing of the Statue by Frederick Mackenzie Reproduced in William Stevenson's Supplement to the First Edition of Mr Bentham's History and Antiquities, 1817.
Western art unattributed:
24. Statuary inside Bishop Alcock's Chapel, Ely Cathedral.
Western art unattributed:
25. Damaged Statue on the Exterior South Wall of Bishop Alcock's Chapel, Ely Cathedral.
Western art unattributed:
26. Head of a Bishop. 1488-1500. Painted Limestone, 8.4 cm. High. (Chapter Office, Ely Cathedral).
Western art unattributed:
27. Head of a Layman. c.1480-1500. Painted Limestone, 8.3 cm. High. (British Museum, London).
Western art unattributed:
28. Side View of Fig.27.
Western art unattributed:
29. Side View of Fig.21.
Western art unattributed:
30. Detail of MS Hatton 10 fol.336v. (Bodleian Library, Oxford).
Article
The Great Screen of Winchester Cathedral I
09/1989 | 1038 | 131
Pages: 604-617
Subscribe to read
related names
Author:
Brodrick, A. (Brodrick, A.)
Author:
Darrah, J. (Darrah, J.)
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
buildings:
Winchester Cathedral, Winchester, Great Britain
dates:
1400-1499
places:
England / Winchester
subjects:
British sculpture / Choir screens
subjects:
Documents
subjects:
Reconstructions / Dating
Illustrations
Western art unattributed:
1. Madonna and Child. Limestone, 48 cm. High. (Winchester Cathedral).
Western art unattributed:
10. Angel Fragment, No.96, after Conservation. Limestone, 27 cm. High. (Winchester Cathedral).
Western art unattributed:
11. Deacon Figure, No.22, after Conservation. Limestone, 81.3 cm. High. (Winchester Cathedral).
Western art unattributed:
12. Four King Torsos, Nos. (From Left to Right) 43, 115, 44, 45 with the Deacon Fragments behind for Scale. Limestone, 27.7, 17.8, 28.7, 29 cm. High. (Winchester Cathedral).
Western art unattributed:
14. King Figure, No.25, before Conservation. Limestone, 78 cm. High. (Winchester Cathedral).
Western art unattributed:
15. Reassembled King, Nos.39 and 114, before Conservation. Limestone, 27.2 cm. High. (Winchester Cathedral).
Western art unattributed:
16. Figure of St John, No.51, before Conservation. Limestone, 74.8 cm. High. (Winchester Cathedral).
Western art unattributed:
17. Head of a Bearded Man, No.60. Limestone, 24.4 cm. High. (Winchester Cathedral).
Western art unattributed:
18. Head of a Balding Man, No.63. Limestone, 25 cm. High. (Winchester Cathedral).
Western art unattributed:
19. Detail of Fig.22, Showing the Lost Head of a King. (Formerly Winchester Cathedral).
Western art unattributed:
2. Head, Called The Almighty. Limestone, 37.4 cm. High. (Winchester Cathedral).
Western art unattributed:
20. Male Head, No.54, before Conservation. Limestone, 18.8 by 13.4 cm. (Winchester Cathedral).
Western art unattributed:
21. Life-Sized Heads, Nos. (From Left to Right) 53, 64, 55, 66, 54, 63, 186, 71, before Conservation. 24.1, 23, 28.8, 31, 20.4, 25, 22.5, 22 cm. High (Winchester Cathedral).
Western art unattributed:
22. Photograph Showing Sculptural Fragments and Three Nineteenth-Century Plaster Casts at Winchester Cathedral, c. 1907.
Western art unattributed:
23. Cross-Section of Paint from the Virgin's Right Eyebrow in Fig.1, Showing: 1. Stone; 2. Bright Orange Underpaint Composed of Red and White Lead; 3. Dark Pigment of Right Eyebrow Made up of Translucent Particles of Black Ochre.
Western art unattributed:
24. Cross-Section of Paint from the Virgin's Mantle above Her Right Breast in Fig.1, Showing: 1. Orange Underpaint (Red and White Lead); 2. Grey Underpaint (Lead-White, Chalk and Black Ochre); 3. Brilliant Blue Azurite with a Small Admixture of Vermilion and Red Lake; 4. Surface Deposit.
Western art unattributed:
25. Cross-Section of Paint from the Virgin's Dress under Her Left Arm in Fig.1, Showing: 1. Stone; 2. Trace of Underpaint (Red and White Lead); 3. Vermilion; 4. Azurite - An Overlap from the Mantle; 5. Surface Deposit.
Western art unattributed:
26. Cross-Section of Paint from the Hair of Fig.18, Showing: 1. Bright Orange-Red Underpaint (Red Lead with Very Little White Lead); 2. Bright Orange-Yellow Gold Size; 3. Gold Leaf.
Western art unattributed:
27. Cross-Section of Paint from the Hair of the Balding Man in Fig.21, Showing: 1. Lead-White with a Trace of Vermilion: 2. Carbon Black, Lead-White, Red-Lead and a Trace of Vermilion.
Western art unattributed:
28. Cross-Section of Paint from the Beard below the Mouth of Fig.17, Showing: 1. Orange Underpaint (Red and White Lead); 2. Dark Brown (Minium, Lead-White, Chalk, Trace of Vermilion, Yellow and Large Particles of Black Ochre; 3. Grey-Brown with Less Minium and More White Pigment Than in Layer 2.
Western art unattributed:
3. The Great Screen at Winchester Cathedral Showing the Present, Nineteenth-Century, Programme of Sculpture.
Western art unattributed:
4. Photograph of the Feretory Area Looking South-East in Winchester Cathedral, c. 1907, Showing Sculptural Fragments.
Western art unattributed:
5. Queen, No. 236, Formerly Housed in the Cathedral Library, before Conservation. Limestone, 38 cm. High. (Winchester Cathedral).
Western art unattributed:
6. Queen, Nos.236 and 120 Reunited, before Conservation. Limestone, 60.5 cm. High. (Winchester Cathedral).
Western art unattributed:
7. Female Figure, Nos.38 and 117 Reunited, after Conservation. Limestone, c. 75 cm. High. (Winchester Cathedral).
Western art unattributed:
8. Four Female Torso Fragments, Nos. (From Left to Right) 98, 117, 110, 95, before Conservation. Limestone, 26, 29.5, 30.5, 26 cm. High. (Winchester Cathedral).
Western art unattributed:
9. Four Deacon Fragments, Nos. (From Left to Right) 86, 83, 85, 82, before Conservation. Limestone, 32.1, 27.7, 31.4, 28.3 cm. High. (Winchester Cathedral).
Article
Pietro Torrigiano's Portrait Bust of King Henry VII
12/1988 | 1029 | 130
Pages: 892-902
Subscribe to read
related names
Author:
Galvin, Carol (Galvin, Carol)
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
artists:
Torrigiano, Pietro
dates:
1500-1519
museums and institutions:
Victoria and Albert Museum, London, Great Britain
places:
England / Italy / London
subjects:
Italian sculpture / Effigies
subjects:
Henry VII, King of England, 1457-1509
subjects:
Conservation / Technical analysis
Illustrations
Attributed works:
12. Funeral Effigy Head of Henry VII (Left), and Henry VII Bust by Pietro Torrigiano.
Attributed works:
14. Reference Points Common to Both Bust and Effigy Head, on Which the Measurement Survey Was Based.
Attributed works:
2. Henry VII, by Michiel Sittow. 1505. Panel, 42.5 by 30.5 cm. (National Portrait Gallery, London).
Attributed works:
3. Henry VII, by Pietro Torrigiano. c.1509-11. Terracotta, 60.5 by 68 by 35 cm. (Victoria & Albert Museum, London).
Attributed works:
4. Henry VIII, by Pietro Torrigiano. Terracotta, 62.2 by 78.7 by 35.9 cm. (Metropolitan Museum, New York).
Attributed works:
5. Bishop John Fisher, by Pietro Torrigiano. Terracotta, 61.1 by 65.1 by 33.7 cm. (Metropolitan Museum, New York).
Attributed works:
6. Broken Fragments of Henry VII by Torrigiano, with Sculptor's Rifflers and Mutton Bones Found Inside.
Attributed works:
8. Internal View of the Bust of Henry VII, Showing the Dragmarks Left by the Sculptor's Fingers.
Attributed works:
9. Funeral Effigy of Henry VII after War-Time Damage. (Photograph by Courtesy of the Dean and Chapter of Westminster).
Western art unattributed:
10. X-Ray of Funeral Effigy of Henry VII.
Western art unattributed:
11. X-Ray from Top of Funeral Effigy Head of Henry VII.
Western art unattributed:
13. Effigy Head of Henry VII before Conservation and Restoration. (Photograph by Courtesy of the Dean and Chapter of Westminster).
Western art unattributed:
7. Funeral Effigy of Henry VII, as Photographed for W. H. St-J. Hope. (Taken from Archaeologia 1907).