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8 articles
Exhibition Review
Kings and Scribes: The Birth of a Nation. Winchester Cathedral
10/2019 | 1399 | 161
Pages: 858-860
related names
Reviewer:
Jenkins, Susan (Jenkins, Susan)
Subjects
dates:
Illustrations
Western art unattributed:
10. Detail from the Winchester Bible, showing Noah’s Ark (photograph John Crook).
Western art unattributed:
11. The Morley Library, Winchester Cathedral (photograph Robin Jones).
Western art unattributed:
9. Installation view of Kings and Scribes: The Birth of a Nation at Winchester Cathedral, 2019, showing fifteen mounted sculptures from the Great Screen (1447–86).
Article
The 'Great Screen' of Winchester Cathedral Part II: Style and Date
12/1993 | 1089 | 135
Pages: 796-807
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
dates:
places:
subjects:
Illustrations
Western art unattributed:
1. Western Face of the Great Screen at Winchester Cathedral, Showing the Nineteenth-Century Programme of Sculpture.
Western art unattributed:
10. Restored (Western) Face of the Great Screen, St Alban's Abbey, from the South-East.
Western art unattributed:
11. Plan of Winchester Cathedral.
Western art unattributed:
12. Thomas Becket. 1503-12. c.90 cm. High. (Henry VII's Chapel, Westminster Abbey, Triforium Level).
Western art unattributed:
13. The Annunciate Virgin. 1503-12. c.90 cm. High. (Henry VII's Chapel, Westminster Abbey, Triforium Level).
Western art unattributed:
14. Head of the Almighty. Limestone, 37.4 cm. High. (Winchester Cathedral).
Western art unattributed:
15. Head of a Bishop. Limestone, 38.2 cm. High. (Winchester Cathedral).
Western art unattributed:
16. Madonna and Child. Limestone, 48 cm. High. (Winchester Cathedral).
Western art unattributed:
17. Effigies of William Fitzalan and Joan Neville. Polychromed Limestone. (Fitzalan Chapel, Arundel).
Western art unattributed:
18. Bishop Holding a Book. Limestone. (Divinity School, Oxford).
Western art unattributed:
19. Detail of Fig.17.
Western art unattributed:
2. St Elizabeth, Detail from the Visitation. Spandrel Relief from the North Doorway of the Western Face of the Great Screen, Winchester Cathedral
Western art unattributed:
20. Detail of Fig.16.
Western art unattributed:
21. Miracle of the Jewess. Wall-Painting. (North Wall, Eton College Chapel).
Western art unattributed:
3. Rear (Eastern) Face of the Great Screen at Winchester Cathedral from the North-East. (Bishop Fox's Chapel Abuts the Screen on the South of the Southern Doorway).
Western art unattributed:
4. Bishop Waynflete's Chantry Chapel, Winchester Cathedral
Western art unattributed:
5. Rear (Eastern) Face of the Great Screen, St Alban's Abbey.
Western art unattributed:
6. Base Mouldings, Bishop Waynflete's Chapel, Winchester Cathedral.
Western art unattributed:
7. Base Mouldings of the Great Screen Panelling, Now Inside Bishop Fox's Chapel, Winchester Cathedral.
Western art unattributed:
8. Spandrel from Bishop Waynflete's Chantry Chapel, Winchester Cathedral.
Western art unattributed:
9. Spandrel from Rear Face of the Great Screen, Winchester Cathedral.
Article
The Great Screen of Winchester Cathedral I
09/1989 | 1038 | 131
Pages: 604-617
related names
Author:
Brodrick, A. (Brodrick, A.)
Author:
Darrah, J. (Darrah, J.)
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
1. Madonna and Child. Limestone, 48 cm. High. (Winchester Cathedral).
Western art unattributed:
10. Angel Fragment, No.96, after Conservation. Limestone, 27 cm. High. (Winchester Cathedral).
Western art unattributed:
11. Deacon Figure, No.22, after Conservation. Limestone, 81.3 cm. High. (Winchester Cathedral).
Western art unattributed:
12. Four King Torsos, Nos. (From Left to Right) 43, 115, 44, 45 with the Deacon Fragments behind for Scale. Limestone, 27.7, 17.8, 28.7, 29 cm. High. (Winchester Cathedral).
Western art unattributed:
14. King Figure, No.25, before Conservation. Limestone, 78 cm. High. (Winchester Cathedral).
Western art unattributed:
15. Reassembled King, Nos.39 and 114, before Conservation. Limestone, 27.2 cm. High. (Winchester Cathedral).
Western art unattributed:
16. Figure of St John, No.51, before Conservation. Limestone, 74.8 cm. High. (Winchester Cathedral).
Western art unattributed:
17. Head of a Bearded Man, No.60. Limestone, 24.4 cm. High. (Winchester Cathedral).
Western art unattributed:
18. Head of a Balding Man, No.63. Limestone, 25 cm. High. (Winchester Cathedral).
Western art unattributed:
19. Detail of Fig.22, Showing the Lost Head of a King. (Formerly Winchester Cathedral).
Western art unattributed:
2. Head, Called The Almighty. Limestone, 37.4 cm. High. (Winchester Cathedral).
Western art unattributed:
20. Male Head, No.54, before Conservation. Limestone, 18.8 by 13.4 cm. (Winchester Cathedral).
Western art unattributed:
21. Life-Sized Heads, Nos. (From Left to Right) 53, 64, 55, 66, 54, 63, 186, 71, before Conservation. 24.1, 23, 28.8, 31, 20.4, 25, 22.5, 22 cm. High (Winchester Cathedral).
Western art unattributed:
22. Photograph Showing Sculptural Fragments and Three Nineteenth-Century Plaster Casts at Winchester Cathedral, c. 1907.
Western art unattributed:
23. Cross-Section of Paint from the Virgin's Right Eyebrow in Fig.1, Showing: 1. Stone; 2. Bright Orange Underpaint Composed of Red and White Lead; 3. Dark Pigment of Right Eyebrow Made up of Translucent Particles of Black Ochre.
Western art unattributed:
24. Cross-Section of Paint from the Virgin's Mantle above Her Right Breast in Fig.1, Showing: 1. Orange Underpaint (Red and White Lead); 2. Grey Underpaint (Lead-White, Chalk and Black Ochre); 3. Brilliant Blue Azurite with a Small Admixture of Vermilion and Red Lake; 4. Surface Deposit.
Western art unattributed:
25. Cross-Section of Paint from the Virgin's Dress under Her Left Arm in Fig.1, Showing: 1. Stone; 2. Trace of Underpaint (Red and White Lead); 3. Vermilion; 4. Azurite - An Overlap from the Mantle; 5. Surface Deposit.
Western art unattributed:
26. Cross-Section of Paint from the Hair of Fig.18, Showing: 1. Bright Orange-Red Underpaint (Red Lead with Very Little White Lead); 2. Bright Orange-Yellow Gold Size; 3. Gold Leaf.
Western art unattributed:
27. Cross-Section of Paint from the Hair of the Balding Man in Fig.21, Showing: 1. Lead-White with a Trace of Vermilion: 2. Carbon Black, Lead-White, Red-Lead and a Trace of Vermilion.
Western art unattributed:
28. Cross-Section of Paint from the Beard below the Mouth of Fig.17, Showing: 1. Orange Underpaint (Red and White Lead); 2. Dark Brown (Minium, Lead-White, Chalk, Trace of Vermilion, Yellow and Large Particles of Black Ochre; 3. Grey-Brown with Less Minium and More White Pigment Than in Layer 2.
Western art unattributed:
3. The Great Screen at Winchester Cathedral Showing the Present, Nineteenth-Century, Programme of Sculpture.
Western art unattributed:
4. Photograph of the Feretory Area Looking South-East in Winchester Cathedral, c. 1907, Showing Sculptural Fragments.
Western art unattributed:
5. Queen, No. 236, Formerly Housed in the Cathedral Library, before Conservation. Limestone, 38 cm. High. (Winchester Cathedral).
Western art unattributed:
6. Queen, Nos.236 and 120 Reunited, before Conservation. Limestone, 60.5 cm. High. (Winchester Cathedral).
Western art unattributed:
7. Female Figure, Nos.38 and 117 Reunited, after Conservation. Limestone, c. 75 cm. High. (Winchester Cathedral).
Western art unattributed:
8. Four Female Torso Fragments, Nos. (From Left to Right) 98, 117, 110, 95, before Conservation. Limestone, 26, 29.5, 30.5, 26 cm. High. (Winchester Cathedral).
Western art unattributed:
9. Four Deacon Fragments, Nos. (From Left to Right) 86, 83, 85, 82, before Conservation. Limestone, 32.1, 27.7, 31.4, 28.3 cm. High. (Winchester Cathedral).
Article
Henry Cheere, Sculptor and Businessman and John Cheere - II
08/1958 | 665 | 100
Pages: 274-279
related names
Author:
Webb, M. I. (Webb, M. I.)
Subjects
artists:
artists:
artists:
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subjects:
Illustrations
Attributed works:
23. Monument to Sir Dudley Ryder, Workshop of Henry Cheere. (St Wulfram's Church, Grantham.)
Attributed works:
24. Monument to Sir John Brownlow, Viscount Tyrconnel, by Henry Cheere. Signed. (Paris Church, Belton, Lines.)
Attributed works:
25. Monument to Samuel Tufnell, Here Attributed to Workshop of Henry Cheere. (Parish Church, Pleshey, Essex.)
Attributed works:
26. Monument to Sir William Jolliffe, Workshop of Henry Cheere. (Parish Church, Pleshey, Essex.)
Attributed works:
27. Monument to Richard Willis, Bishop of Winchester, by Henry Cheere. Signed. (Winchester Cathedral.)
Attributed works:
28. Monument to Sir William Pole, Bt, Workshop of Henry Cheere, Probably by Richard Hayward. (Parish Church, Shute, Devon.)
Article
Some Enamels of the School of Godefroid de Claire-V
11/1919 | 200 | 35
Pages: 217-219+221
related names
Author:
Mitchell, H. P. (Mitchell, H. P.; M., H. P.; Mitchell, Mr.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Western art unattributed:
Plate XI. Some enamels of the School of Godefroid de Claire. Above, heads (enlarged) from the Henry of Blois plaque and the Alexander plaque, with inscriptions. Below, Samson carrying off the gates of Gaza. Enamelled copper gilt (slightly reduced), late 12th century (British Museum). At the side, head of Samson (enlarged), and engraved heads on the corona by Wibert in the minster-church at Aix-la-Chapelle
Article
Some Enamels of the School of Godefroid de Claire-IV
09/1919 | 198 | 35
Pages: 92+95-97+100-102
related names
Author:
Mitchell, H. P. (Mitchell, H. P.; M., H. P.; Mitchell, Mr.)
Subjects
artists:
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subjects:
subjects:
subjects:
Illustrations
Attributed works:
Fig. 1. A sketch of a quatrefoil ornament used as a pattern for the enamels.
Attributed works:
Fig. 2. A sketch for the crouching pose of St. Helena from the Charlottenburg Cross.
Attributed works:
Plate IX. Enamels with Figures of Bishop Henry of Blois and Censing Angels. Attributed to Godefroid de Claire. About 1160-5. (British Museum)
Western art unattributed:
Plate X. Drawings from English Bestiaries. A man killed by the glance of a basilisk. (Royal MS., 12. C. XIX. End of 12th century.) A warrior slaying a unicorn enticed by a virgin; a man riding on a dromedary; a man ploughing with oxen. (Royal MS., 12. F. XIII, from Rochester Priory. Early 13th century.) (British Museum.)
Article
English Primitives-II. Master William of Westminster, the Beloved Painter (c. 1200-1280), and Early Works of the Winchester School
10/1916 | 163 | 29
Pages: 281-282+284-285+287-289
related names
Author:
Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)
Subjects
dates:
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subjects:
subjects:
Illustrations
Attributed works:
Plate II. Miniature by Matthew Paris, c. 1250. (The British Museum). Reproduced in "Schools of Illumination; English School", Part II, Plate 10. English Primitives-II
Attributed works:
Plate III. Wall Paintings Here Ascribed to Master William, Monk of Westminster. (A) "Head of S. Edward the Confessor" (?) The King's Cloister, Windsor; From a Drawing by Prof. W. R. Lethaby. (B) Head of (C) on a Larger Scale, from a Full-Scale Drawing by Mr. W. E. Tristram. (C) "S. Faith", in Her Chapel, Westminster Abbey; From a Drawing by Mr. W. E. Tristram. English Primitives-II
Western art unattributed:
From a Proof of an Engraving Privately Printed in 1835 after a Miniature of an Anglo-Saxon Evangelarium, c. 1060 (The Library, Holkham Hall)
Short Notice
Winchester Cathedral
02/1908 | 59 | 12
Pages: 303