1. Studies from the Antique with rams’ heads, barbarian trophies
and figures of Victory, by the workshop of Giovanni Battista Piranesi.
c.1755–65. Red and black chalk on paper, 46.7 by 37.4 cm. (Morgan
Library and Museum, New York).
Attributed works:
2. Pietà, by Michelangelo. 1553. Marble, height 277 cm. (Museo dell’
Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
3. Detail of Fig.1, showing a fallen Amazon supported by a companion
in a Phrygian cap.
Attributed works:
4. Mould-made pottery lamp decorated with an Amazon assisting a
fallen comrade, here reproduced in reverse. Roman (Italy), c.40–75.
Terracotta, 10.4 by 8.2 cm. (British Museum, London).
Book Review
Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion. By Ludmila Kvapilová
Vesperbilder in Bayern von 1380 bis
1430 zwischen Import und
einheimischer Produktion
By Ludmila Kvapilová. 400 pp. incl. 294 col. +
85 b. & w. ills. (Michael Imhof Verlag, Petersberg,
2017), |
:
Illustrations
Western art unattributed:
2. Pietà at Pfettrach near Freising, Prague.
c.1390. Limestone, 76 by 79 cm. (Photograph
Matthias Weniger).
5. St Michael
triumphant
over the Devil
with the donor
Antoni Joan,
by Bartolomé
Bermejo. 1468.
Panel, 179.7 by
81.9 cm. (National
Gallery, London;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Attributed works:
6. Triptych of
the Virgin of
Monterrat,
by Bartolomé
Bermejo. Panel,
156.5 by 100.5
(central panel);
156.5 by 50.2
(side panels).
(Cattedrale
Nostra Signora
Assunta,
Acqui Terme;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Attributed works:
7. Desplà Pietà,
by Bartolomé
Bermejo. Panel,
175 by 189
cm. (Museo de
la Catedral,
Barcelona;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Article
‘Una Pieta chon molte figure’: Sandro Botticelli’s altarpiece for the Florentine church of S. Paolino
1. Pietà, by Sandro Botticelli. c.1489-94 (Alte Pinakothek, Munich)
Attributed works:
3. Triptych of The Crucifixion with the Virgin and St Francis; St John the Baptist and St Mary Magdalene (the Valori altarpiece), by Filippino Lippi. c.1497-1500 (Main panel formerly Kaiser-Friedrich-Museum, Berlin, destroyed; wings Galleria dell'Accademia, Florence)
Attributed works:
4. Hypothetical reconstruction of the high altarpiece of S. Paolino based on the interpretation of Giovanni di Domenico's inventory and comparative examples (Reconstruction by the author; illustration by Matilde Grimaldi)
Attributed works:
5. Triptych of The Sudarium borne by angels; Christ and the woman of Samaria; Noli me tangere, by the Master of the St Ursula Legend (central panel) and Filippino Lippi (wings). c.1490 (Seminario Patriarcale, Pinacoteca Manfrediana, Venice)
Attributed works:
6. Pair of altarpiece wings of the Archangel Gabriel and Virgin Annunciate, by Sandro Botticelli, c.1490-1500 (Pushkin Museum of Fine Arts, Moscow)
Attributed works:
7. Pietà, by Sandro Botticelli. c.1495-1500 (Museo Poldi Pezzoli, Milan)
Western art unattributed:
2. Masini coat of arms, from Raccolta Ceramelli Papiani, fasc.3075 (Archivio di Stato, Florence)
Book Review
Giovanni Bellini. La nascita della pittura devozionale umanistica, Gli studi, E. Daffra, ed.
24. Lamentation over the dead Christ, by William Dyce (Aberdeen Art Gallery and Museums Collection, Aberdeen)
Attributed works:
25. Lamentation, by James Stirling Dyce(?) after William Dyce (Department of Prints and Drawings, British Museum, London)
Attributed works:
26. Study for a female figure in The Entombment, by William Dyce (Victoria and Albert Museum, London)
Attributed works:
27. Study for Man of Sorrows, by William Dyce (Reproduced by kind permission of the Dean and Chapter of Norwich Cathedral; photograph copyright of Jeremy W. Warren)
Publication Received
Bramantino: la Pietà Artara Ritrovata. Contributo al Percorso e alla Cronologia del Pittore Lombardo [and: Appropriating Antiquity/Saisir l'Antique: Collections et collectionneurs d'antiques en Belgique et en Grande-Bretagne au XIXe siècle (Lucernae Novantiquae 2, Etudes d'Archéologie classique de l'Université libre de Bruxelles)]
16. Pietà with St Mary Magdalen, by Agnolo Bronzino. 1529. Panel, 115 by 110 cm. (Uffizi, Florence).
Attributed works:
17. Pietà, by Pietro Perugino. c.1494. Panel, 168 by 176 cm. (Uffizi, Florence).
Attributed works:
18. Plan of S. Trinita, Showing the Placement of Bronzino's Pietà with St Mary Magdalen. (1) Original Location, 1529-52; (2) On the Pier Where Located by Vasari, Borghini and Niccolini, 1552-c.1647; (3) 'nel Pilastro alli Spin', Later Seventeenth Century; (4) On the Wall to the Right of the Sacristy, c.1740-?1810.
Attributed works:
20. Descent of Christ into Limbo (Zanchini Altar-Piece), by Agnolo Bronzino. 1552. Panel, 443 by 291 cm. (S. Croce, Florence).
Attributed works:
21. Mary Magdalen, by Desiderio da Settignano, Completed by Benedetto da Maiano. Willow-Wood, Pear-Wood, Cork and Gesso, Polychromed, 183 cm. High (Spini Chapel, S. Trinita, Florence).