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18 articles
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Article
The crystal sceptre of the City of London
12/2015 | 1353 | 157
Pages: 827-831
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
dates:
Illustrations
Western art unattributed:
10. Unicorn Sword of Burgundy, made for Philip the Good, c.1420-30 (Hofburg, Vienna)
Western art unattributed:
11. Crown of Blanche of Lancaster. Paris, 1370-80, and London, 1402 (Schatzkammer der Residenz, Munich)
Western art unattributed:
12. Details of the enamel rose setting of the crown of Margaret of York. Paris, c.1460 (Domschatz, Aachen)
Western art unattributed:
4. Crystal sceptre of the City of London. Paris and London, 1380-1421 (The Corporation of the City of London)
Western art unattributed:
5. Base of the crystal sceptre illustrated in Fig.4. London and Paris, 1419-21
Western art unattributed:
6. Crown of the crystal sceptre illustrated in Fig.4. Paris, c.1380-1400
Western art unattributed:
7. Arms of England under a crystal disc in the crown of the crystal sceptre illustrated in Fig.4. After 1406
Western art unattributed:
8. Arms of Humphrey of Lancaster, Duke of Gloucester (1390-1447). London, c.1430-40 (British Library, London, Royal Ms 2 BI, fol.7r)
Western art unattributed:
9. Reliquary casket. Burgundian or Paris, c.1450-70 (Walters Art Museum, Baltimore)
Article
The Pre-Pre-Raphaelite: John Rogers Herbert
05/2014 | 1334 | 156
Pages: 311-317
related names
Author:
Langham Hooper, Nancy (Langham Hooper, Nancy)
Subjects
artists:
dates:
Illustrations
Attributed works:
19. The youth of our Lord (copy of Our Saviour subject to his parents at Nazareth, 1847), by John Rogers Herbert (Guildhall Art Gallery, London)
Attributed works:
20. Christ in the house of his parents ('The Carpenter's Shop'), by John Everett Millais (Tate, London)
Attributed works:
21. The Passover in the Holy Family, by Dante Gabriel Rossetti (Tate, London)
Attributed works:
22. A converted British family sheltering a Christian missionary from the persecution of the Druids, by William Holman Hunt (Ashmolean Museum, Oxford)
Attributed works:
23. The first introduction of Christianity into Britain, by John Rogers Herbert (Private collection)
Attributed works:
24. St Gregory the Great teaching the Roman boys to sing the chant, by John Rogers Herbert (Royal Academy of Arts, London)
Attributed works:
25. Augustus Welby Northmore Pugin, by John Rogers Herbert (Palace of Westminster Collection, London)
Attributed works:
26. Thomas Combe, by John Everett Millais (Ashmolean Museum, Oxford)
Attributed works:
27. William Bennett, by Charles Alston Collins (Ashmolean Museum, Oxford)
Calendar
August Calendar 2010
08/2010 | 1289 | 152
Pages: 572-576
Subjects
places:
Illustrations
Attributed works:
76. Cupid and Psyche, by Joshua Reynolds. 1789. Canvas, 140 by 168 cm. (Courtauld Gallery, London).
Attributed works:
77. Welsh landscape with two women knitting, by William Dyce. 1860. Oil on board, 34.3 by 49.5 cm. (National Museum Wales, Cardiff).
Attributed works:
78. Detail of Untitled, by Maurizio Cattelan. 2010. Fibreglass structure, polyuretane rubber, wood and clothes, 148 by 79 by 68 cm. (Maurizio Cattelan Archive; exh. Deste Foundation, Athens).
Attributed works:
79. Self-portrait at 17 years old, by Gillian Wearing. 2003. Chromogenic colour print, 104.1 by 81.3 cm. (Museum of Modern Art, New York).
Attributed works:
80. Portrait of Jean de Thévenot (1633–1667), by Philippe de Champaigne. 1660–63. Canvas, 58.4 by 43.2 cm.(Huntington Library, Art Collections, and Botanical Gardens, San Marino).
Exhibition Review
G.F. Watts. London and Harrogate
04/2009 | 1273 | 151
Pages: 256-257
related names
Reviewer:
Tromans, Nicholas (Tromans, Nicholas)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
G.F. Watts. Parables in Paint | institution: Saint Paul's Cathedral
subjects:
G.F. Watts: Victorian Visionary. Highlights from the Watts Gallery Collection | institution: Guildhall Art Gallery , institution: Mercer Art Gallery
Illustrations
Attributed works:
62. Hope, by G.F. Watts. c.1885–86. Canvas, 150 by 109 cm. (Private collection; exh. Guildhall Art Gallery, London).
Attributed works:
63. Time, Death and Judgment, by G.F. Watts. Late 1870s–96. Canvas, 243.8 by 168.9 cm. (On long-term loan to the Watts Gallery, Compton, from the Dean and Chapter of St Paul’s Cathedral; exh. St Paul’s Cathedral, London).
Attributed works:
64. Satan, by G.F. Watts. 1847–48. Canvas, 198.1 by 132.1 cm. (Watts Gallery, Compton; exh. Guildhall Art Gallery, London).
Exhibition Review
William Powell Frith. London
03/2007 | 1248 | 149
Pages: 201-202
related names
Reviewer:
Hardy, Pat (Hardy, Pat)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
William Powell Frith: Painting the Victorian Age | institution: Guildhall Art Gallery , institution: Mercer Art Gallery
Illustrations
Attributed works:
53. The railway station, by William Powell Frith. 1862. Canvas, 116.7 by 256.4 cm. (Royal Holloway, University of London; exh. Guildhall Art Gallery, London).
Attributed works:
54. Many happy returns of the day, by William Powell Frith. 1856. Canvas, 79.5 by 113 cm. (Mercer Art Gallery, Harrogate Museums and Arts; exh. Guildhall Art Gallery, London).
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11/1999 | 1160 | 141
Pages: i-xvi
Subjects
artists:
subjects:
Illustrations
Attributed works:
Byzantine Lady, by Vanessa Bell. 1912. 72.5 by 51 cm. (© 1961 Estate of Vanessa Bell; © Crown Copyright: UK Government Art Collection)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Adolph von Menzel (Breslau 1815-1905 Berlin). "View from a Window" (Schöneberger Ufer Berlin) Charcoal Drawing Signed with Monogram. "AM" Dated: Aug. (18)89 11.3 × 18 cm
Attributed works:
[B. A. Wright, P.O. Box 1659, Bath, UK] Gustave Courbet "Solitude". Oil on Canvas, Signed. Canvas Size: 32 × 26 Inches
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Anton Raphael Mengs (1737-1779). John Stewart. Viscount Garlies. Oil on Canvas; 99.3 × 72 cm. Indistinctly Signed and Dated at Lower Right: Antonio Raphael Mengs / [...] / fecit Roma 1758
Attributed works:
[Emanuel Von Baeyer, London, UK] Joseph Hoffmann. (1764 - Cologne - 1812). The Rape of Helena by Paris. Pen and Ink in Black with Brown and Brown Ochre; Heightened in White. Constructed in Five Sections. 63 × 90 cm.
Attributed works:
[Guildhall Art Gallery, London, UK] John Singleton Copley (1738-1815). The Defeat of the Floating Batteries at Gibraltar, September 1782 (1783-1791). Oil on Canvas: 5.4m × 7.6m. Commissioned by the Corporation of London, 1783.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Frans Hals (Antwerp 1582/3-1666 Haarlem). Portrait of a Lady. Oil on Canvas, 39½ × 31 3/4 Inches (100.5 × 180.5 cm).
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] View of Harrow from Kilburn, oil on Canvas, 19 3/4 × 25½ in (50.3 × 64.8 cm). Signed, Inscribed and Dated: 'Julius Ibbetson Pinx/Kilburn 1787'
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Jan Lievens. (Leiden 1607 - 1674 Amsterdam). Quarrelling Card Players and Death. Oil on Canvas. 26 1/3 × 33½ ins. (67 × 85 cm.).
Attributed works:
[Ketterer Kunst, Hamburg, vorm., F. Dorling, Germany] J. W. Weinmann, Phytanthoza Iconographia. Regensburg 1735-45. "The First Successful Botanical Book Using Color-Printed Mezzotint." Vagabonds Resting before Tavern, Jacob Duck (1600-1667), Oil on Board. New York/Manhattan, 1851, Aquatint
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Hans Hoffmann. Der Hase, 1582. Watercolour, 21,7 × 18,2 cm. Monogrammed and Dated Estimate: £ 160-230,000.-. Auction Old Master Paintings, Dec.4
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Vincent Van Gogh. Watermill at Gennep, 1884
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Gaspard Dughet, Called Gaspard Poussin. Oil on Canvas. 50 × 63,8 cm. Estimate DM 150.000,- (€ 76.700,-)
Attributed works:
[Richard L. Feign & Company, 64 East 77th Street, New York, New York] Giovanni Andrea Donducci, Called Il Mastelletta, c.1615. Oil on Canvas, 73.3 by 81.2 cm.
Attributed works:
[The Akram Ojjeh Collection tour through Christie's; New York, Monaco, London] Jean-Honore Fragonard (1732-1806) LeVerrou. Oil on Panel, 10¼ × 12¼ in. (26.5 × 32.5 cm.) Including an Addition of 3/4 in. (1.7 cm.) Estimate: £1,000,000-1,400,000
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Cradle, Algeria, 20th Century
Western art unattributed:
[Carlton Hobbs, 8 Little College Street, London, UK] The Fonthill Table Top. A Magnificent Inlaid Marble Top. Rome. Circa 1580 Width 56½ Inches (141 cm); Depth: 43 Inches (109 cm).
Book Review
The Works of Art of the Corporation of London
10/1987 | 1015 | 129
Pages: 683
related names
Reviewer:
Fox, Celina (Fox, Celina)
Subjects
dates:
places:
Reviewed Items
subjects:
The Works of Art of the Corporation of London | author: Knight, Vivien
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