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21 articles
Exhibition Review
Faire parler les pierres: Sculptures médiévales de Notre-Dame
03/2025 | 1464 | 167
Pages: 268–70
related names
Author:
Williamson, Paul (Williamson, Paul)
Subjects
dates:
Reviewed Items
subjects:
Faire parler les pierres: Sculptures médiévales de Notre-Dame Musée de Cluny – Musée national du Moyen Âge, Paris 19th November 2024–16th March 2025 | :
Illustrations
Western art unattributed:
4. Bearded head. c.1230. Painted limestone, 21 by 20 by 18 cm. (Inrap, Paris; exh. Musée de Cluny, Paris).
Western art unattributed:
5. Corner block with Aaron(?). c.1230. Painted limestone, 80 by 56 by 40 cm. (Inrap, Paris; exh. Musée de Cluny, Paris).
Western art unattributed:
6. Jamb figure of St Paul. c.1145. Limestone, 135 by 45 by 36 cm. (Musée de Cluny, Paris).
Exhibition Review
Bauhaus and National Socialism
09/2024 | 1458 | 166
Pages: 968-71
related names
Reviewer:
Voigt, Wolfgang (Voigt, Wolfgang)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Bauhaus and National Socialism Klassik Stiftung Weimar 9th May–15th September | :
Illustrations
Attributed works:
26. Cover for Die Neue Linie, designed by Kurt Kranz. 1937. Print, 36.5 by 27 cm. (Private collection; exh. Klassik Stiftung Weimar).
Attributed works:
27. Advertisement for the Association of German- Aryan Clothing Manufacturers (ADEFA), designed by Herbert Bayer. 1936/37. Colour lithograph, 59.9 by 41.9 cm. (Lentos Munstmuseum, Linz; exh. Klassik Stiftung Weimar).
Attributed works:
28. Copy of the entrance gate to the Buchenwald concentration camp, designed by Franz Ehrlich. 2009 (original 1938). Steel, 186 by 99 by 24 cm. (Gedenkstätte Buchenwald, Weimar; exh. Klassik Stiftung Weimar).
Book Review
Toulouse 1300–1400: L’éclat d’un gothique méridional
01/2024 | 1450 | 166
Pages: 92–93
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
art literature:
dates:
places:
Reviewed Items
styles:
Toulouse 1300–1400: L’éclat d’un gothique méridional Edited by Béatrice de Chancel-Bardelot and Charlotte Riou. 320 pp. incl. 240 col. ills. (Réunion des musées nationaux – Grand Palais, Paris, 2022), €39. ISBN 978–2–7118–7501–6. | :
Illustrations
Western art unattributed:
1. Jean Tissendier with a model of the Rieux Chapel. French (Toulouse), c.1333–43. Limestone, with paint and gilding, 132.5 by 60 by 42 cm. (Musée des Augustins, Toulouse).
Western art unattributed:
2. Detail of St Paul. French (Toulouse), c.1333– 43. Limestone, with paint and gilding, 185 by 63 by 45 cm. (Musée des Augustins, Toulouse).
Book Review
Nogent-le-Rotrou roman et gothique
03/2023 | 1440 | 165
Pages: 338-339
related names
Reviewer:
Grant, Lindy (Grant, Lindy)
Subjects
Reviewed Items
subjects:
Nogent-le-Rotrou roman et gothique Edited by Éliane Vergnolle. 272 pp. incl. 320 col. + b. & w. ills. (Bibliothèque de la Société Française d’Archéologie, Paris, 2022), €30. ISBN 978–2–901837–94–7. | :
Book Review
Flamboyant Architecture and Medieval Technicality: The Rise of Artistic Consciousness at the End of the Middle Ages (c. 1400–c. 1530)
04/2021 | 1417 | 163
Pages: 382-383
related names
Reviewer:
Beltrami, Costanza (Beltrami, Costanza)
Subjects
Reviewed Items
subjects:
Flamboyant Architecture and Medieval Technicality: The Rise of Artistic Consciousness at the End of the Middle Ages (c. 1400–c. 1530) By Jean-Marie Guillou t. 200 pp. incl. 43 col. + 70 b. & w. ills. (Brepols, Turnhout, 2019),  75.50. ISBN 978–2–503–57729–6. | :
Illustrations
Attributed works:
7. Detail of ‘The building of the Temple of Jerusalem’ in Falvius Josephus’s Jewish Antiquities, showing a mason hollowing out a canopy to allow slate or glass to be inserted, attributed to the Master of the Munich Boccaccio. 1465–75. (Biblioth que nationale de France, Paris, MS Fr.247, fol.163r; Bridgeman Images).
Article
Architecture and liturgy in the east end of Saint-Urbain, Troyes
04/2021 | 1417 | 163
Pages: 332-343
related names
Author:
Olympios, Michalis (Olympios, Michalis)
Subjects
Illustrations
Attributed works:
2. Plan of Saint-Urbain, Troyes, annotated with the major interior partitions and identification of spaces mentioned in the text. The red rectangles frame the walls and staircase turrets between the apses. Drawing by the author, after F. Salet: ‘Saint-Urbain de Troyes’, Congr s arch ologique de France 113 (1955), p.101; and M.T. Davis and L.E. Neagley: ‘Mechanics and meaning: plan design at Saint-Urbain, Troyes and Saint-Ouen, Rouen’, Gesta 39 (2000), p.163, fig.2.
Attributed works:
7 and 8. Plans of Regensburg Cathedral: (top) wall passage level; and (bottom) ground-floor level. (Repr. A. Hubel and M. Schuller, eds: Der Dom zu Regensburg, Regensburg 2010–16, V, pl.72).
Western art unattributed:
1. The central apse of Saint-Urbain, Troyes (photograph Pierre- Louis Laget).
Western art unattributed:
10. The south apse of Regensburg Cathedral, showing the wall passage between central and south apses (photograph the author).
Western art unattributed:
11. View of the choir of Regensburg Cathedral during the general synod of 1650, by Melchior Küssel. 1650. Engraving, 60.2 by 52.7 cm. (Bisch fliches Zentralarchiv Regensburg, Collectio imaginum).
Western art unattributed:
12. Detail of windows on the north side of the north apse at Saint- Urbain, Troyes (photograph the author).
Western art unattributed:
13. The clerestorey in the central apse of Saint-Urbain, Troyes, as seen from the south apse through the wall passage opening (photograph the author).
Western art unattributed:
3. The central apse of Saint-Urbain, Troyes, looking southeast (photograph the author).
Western art unattributed:
4. The chapel of the Virgin Mary in the south apse at Saint-Urbain, Troyes (photograph the author).
Western art unattributed:
5. The south side of the turning bays in the north apse at Saint-Urbain, Troyes. The ground floor doorway of the staircase turret and the access to the passage between the north and central apses are both visible (photograph the author).
Western art unattributed:
6. The central apse of Regensburg Cathedral (photograph the author).
Western art unattributed:
9. The access from the south apse of Regensburg Cathedral to the adjacent staircase turret, showing (a) the doorway leading to the turret from the central apse; and (b) the turret’s ground floor entrance (photograph the author).
Article
Horace Walpole’s queer Gothic
03/2021 | 1416 | 163
Pages: 264-269
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
Illustrations
Attributed works:
1. Horace Walpole, by J.G. Eccardt, 1754. Oil on canvas, 39.4 by 31.8 cm. (National Portrait Gallery, London).
Attributed works:
2. Sir Robert Walpole and Catherine Shorter, by J.G. Eccardt and John Wootton. c.1754, frame c.1680. Oil on canvas, 50.8 by 101.6 (painting). (Courtesy Lewis Walpole Library, Yale University, Farmington CT).
Attributed works:
3. Frontispiece to ‘Memoirs of George II’ by Horace Walpole, by Richard Bentley. 1752. Pen, ink and wash on paper. (Courtesy Lewis Walpole Library, Yale University, Farmington CT).
Attributed works:
4. Miss Prettyman in clover, by ‘Truepenny’. 1785. Etching, 17.3 by 12.5 cm. (New York Public Library).
Attributed works:
5. Illustration for ‘Ode on a Distant Prospect of Eton College’, by Richard Bentley, from Designs by Mr R. Bentley, for Six Poems by Mr T. Gray, London 1753. Etching, 37.3 by 27.3 cm. (page). (British Library, London).
Book Review
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture
02/2021 | 1415 | 163
Pages: 181-183
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
Reviewed Items
subjects:
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture By Jacqueline E. Jung. 340 pp. incl. 211 col. + 322 b. & w. ills. (Yale University Press, New Haven and London, 2020), £60. ISBN 978–0–300–21401–7. | :
Illustrations
Attributed works:
3. Faces of Wise and Foolish Virgins, seen from the ground and in natural light, arranged to show heightening of emotional expressions. Magdeburg, c.1240–50. (Photographs Jacqueline E. Jung).
Book Review
Gothic Architecture in Spain: Invention and Imitation
12/2020 | 1413 | 162
Pages: 1106-1107
related names
Reviewer:
Bork, Robert (Bork, Robert)
Subjects
art literature:
Reviewed Items
subjects:
Gothic Architecture in Spain: Invention and Imitation Edited by Tom Nickson and Nicola Jennings. 211 pp. incl. 164 col. + b. & w. ills. (Courtauld Books Online, London, 2020). ISBN 978–1–907485–12–1. | :
Obituary
Alain Erlande-Brandenburg (1937–2020)
11/2020 | 1412 | 162
Pages: 1011-1012
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