Plate I. A-St. Paul disputing with the Greeks and Jews (Victoria and Albert Museum); B-St. Paul among his disciples (Metropolitan Museum, New York); C-St. Paul let down in a basket from the walls of Damascus (Victoria and Albert Museum); D-St. Peter essaying to walk on the Water. (Germanisches Museum, Nuremberg). Champlevé enamel on gilt copper, each 12.7 cm. by 8.5 cm. Here identified as English. English Enamels of the Twelfth Century-II
Western art unattributed:
Plate II. A-St. James the Less and St. Jude. Enamel, here identified as English. 13.6 cm. by 10.4 cm. (British Museum); B-Christ enthroned. From Bede on the Apocalypse; second half of twelfth century. (St. John's College, Cambridge); C-Seated Physician. From a medical treatise; late twelfth century. (British Museum, Harl. 1585, fol. 7 v.); D-Inscription from an enamel on Plate I; E, F-Seal of St. Alban's Abbey; G-Seated Physician. From a medical treatise; late twelfth century. (British Museum, Harl. 1585, fol. 13 r.). English Enamels of the Twelfth Century-II
Western art unattributed:
Plate III. A-Standing figure. English twelfth century drawing; B-Drawing from Terence, fol. 48 v. (Bodleian Library, Oxford; C, D, G, H-Drawings from a Bestiary of the twelfth century (British Museum, Add. MS. 11283); E, F-Drawings (British Museum, Harl. 1585, fol. 12 v.). English Enamels of the Twelfth Century-II
Plate I. Gold Cross with cloisonné enamels and carved ivory figure. German (the figure Anglo-Saxon); late tenth or early eleventh century. (Victoria and Albert Museum). [At foot, detail of the Lothar-Kreuz (reduced), in the Aachen Treasure]. English or German? A Pre-Conquest Gold Cross
Western art unattributed:
Plate II. Back of the Cross Shown on Plate I; With Inscription on the Edge (Enlarged). English or German? A Pre-Conquest Gold Cross
Plate I. The Last Judgment. Champlevé Enamel on Copper Gilt. English; About 1160. Actual Size, with Enlargement of Upper Portion. (Victoria and Albert Museum). English Enamels of the Twelfth Century-I.
Western art unattributed:
Plate II. Initials from the Winchester Vulgate. English; About 1160. (Winchester Cathedral Library). English Enamels of the Twelfth Century-I
Plate VI. A-The Three Marys at the Sepulchre. From the Benedictional of St. Æthelwold. Anglo-Saxon (Winchester); 963-984. Actual Size. (Duke of Devonshire). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VII. B-The Angel Appearing to the Shepherds, and The Flight into Egypt. From the Missal of Robert of Jumièges. Winchester, 1008-1025. About $frac{2}{3}$ (Municipal Library, Rouen). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VII. C-The Descent into Hades. From a Psalter (Cotton MS., Tiberius C, VI). Middle of 11th Century. About $frac{2}{3}$ (British Museum). Flotsam of Later Anglo-Saxon Art-IV
Western art unattributed:
Plate VIII. D-H-Subjects from Prudentius, Psychomachia. D, E, F-From Cotton MS., Cleopatra C, VIII. Winchester (?), First Quarter of 11th Century. (British Museum.) G, H-From the Malmesbury Abbey MS. Canterbury (?), Second Quarter of 11th Century. (Corpus Christi College, Cambridge.) D, E, F, Full Size; G, H, Slightly Reduced. Flotsam of Later Anglo-Saxon Art-IV
Plate V. A-Doubting Thomas, from the Benedictional of St. Æthelwold. Winchester, 963-984. (Duke of Devonshire.) B-The Baptism of Christ. Ivory carving. Late 10th century. (Martin LeRoy Collection, Paris.) C-Patience proof against the Weapons of Anger. From Prudentius, Psychomachia. End of 10th century. (British Museum, Add. MS. 24,199.) D, E-An Angel warning the Magi, and The Ascension. From the Missal of Robert of Jumièges. Winchester, 1008-1025. (Municipal Library, Rouen.) A, B, C, about full-size; D, E, about three-quarters.. Flotsam of Later Anglo-Saxon Art-III
Plate III. A-Carved ivory panel. Anglo-Saxon (Winchester); first half of the 11th century. Actual size. (Winchester Museum). B-The Translation of Enoch. Pen drawing on vellum. Anglo-Saxon (Winchester); probably second quarter of 11th century. Reduced. (Cædmon MS. Junius XI, Bodleian Library). C-Abbot Pachomius receiving a scroll from an angel. Pen drawing on vellum. Anglo-Saxon (probably Canterbury); about 1058. Actual size. (Cotton MS., Caligula, A xv, British Museum.) D-Details of ivory crosier-head on Plate IV. Flotsam of Later Anglo-Saxon Art-II.
Western art unattributed:
Plate IV. E-K-Carved Ivory Crosier-Head; Scenes from the Nativity and the Entombment. Anglo-Saxon; Middle of 11th Century. About Four-Fifths of Actual Size. (Further Details on Plate III.) (Victoria and Albert Museum). Flotsam of Later Anglo-Saxon Art-II.
Plate I. Portable Altar, Porphyry Mounted in Silver. Anglo-Saxon (Winchester) First Quarter of 11th Century. General View about Two-Thirds, with Details Full Size. (Cluny Museum, Paris). Flotsam of Later Anglo-Saxon Art-I
Western art unattributed:
Plate II. Two Pages from the Register of Newminster, Winchester, A. D. 1016-1020. Slightly Reduced. (British Museum, Stowe MS. 944). Flotsam of Later Anglo-Saxon Art-I
Conjectural Reconstruction of the Crown (After Bock).
Western art unattributed:
D-Dancing-Girl. A Dancing-Girl in Byzantine Enamel
Western art unattributed:
H-Truth. A Dancing-Girl in Byzantine Enamel
Western art unattributed:
J-Humility. A Dancing-Girl in Byzantine Enamel
Western art unattributed:
K-St. Peter. A Dancing-Girl in Byzantine Enamel
Western art unattributed:
L-St. Andrew. A Dancing-Girl in Byzantine Enamel
Western art unattributed:
Panels of the Crown of Constantine Monomachus. Cloisonné Enamel on Gold. 11th Century. Actual Size. A, B (Victoria and Albert Museum), C-L (Hungarian National Museum, Budapest). A-Dancing-Girl. B-Reverse of A. C-Dancing-Girl. F-Empress Zoe. E-Emperor Constantine Monomachus. G-Empress Theodora. A Dancing-Girl in Byzantine Enamel