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Article

The Crowning Disc of a Duecento 'Crucifixion' and Other Points Relevant to Duccio's Relationship to Cimabue

06/1983 | 963 | 125

Pages: 330-340

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Author:

Bologna, Ferdinando (Bologna, Ferdinando)

Subjects

artists:

Duccio di Buoninsegna

artists:

Giotto

dates:

1250-1299

places:

Italy / Florence

places:

Siena

subjects:

Italian painting

subjects:

Jesus Christ: Crucifixion

subjects:

Painted crosses

Illustrations

Attributed works:

10. Madonna and Child, Here Attributed to Cimabue and Duccio. Panel, 68 by 46 cm. (Pinacoteca di Santa Verdiana, Castelfiorentino; Formerly Collegiata dei SS. Ippolito e Lorenzo, Castelfiorentino).

Attributed works:

11. Winged Genius, Here Attributed to Duccio. Fresco. (Detail of the Vault of the Doctors, Upper Church, Basilica di S. Francesco, Assisi).

Attributed works:

12. Madonna and Child, by Duccio. Panel, 89 by 60 cm. (Opera del Duomo, Siena; Formerly S. Cecilia, Crevole).

Attributed works:

13. Madonna and Child, by Duccio. Panel, 67 by 47.5 cm.; After Recent Cleaning. (Museo d'arte sacra della Val d'Arbia, Buonconvento; Formerly Pieve di S. Pietro, Buonconvento).

Attributed works:

14. Detail from the Rucellai Madonna, by Duccio. 1285-86. (Uffizi, Florence; Formerly Capp. Rucellai, S. Maria Novella, Florence).

Attributed works:

2. Christ the Saviour, Here Attributed to Cimabue and Duccio. Panel, 27.5 by 22 cm. (Private Collection, Lugano).

Attributed works:

3. Detail from Crucifix, Here Attributed to Cimabue and Duccio. Panel, after Recent Cleaning. (Odescalchi Collection, Rome; Formerly Orsini Castle, Bracciano).

Attributed works:

4. Ultra-Violet Photograph of Fig. 2

Attributed works:

5. Detail from Fig. 2.

Attributed works:

6. Crucifix, Here Attributed to Cimabue and Duccio. Panel, 176.5 by 135 cm.; After Recent Cleaning. (Odescalchi Collection, Rome; Formerly Orsini Castle, Bracciano). 7. Christ the Saviour, by a Cimabuesque Master. c.1284. Panel, Diameter 21.7 cm (Terminal Disc of a Crucifix, S. Stefano, Paterno; Formerly Oratorio della Croce, Varlino, Bagno a Ripoli). 8. Christ the Saviour, by Corso di Buono. 1284. Fresco. (Detail from the St John the Evangelist Cycle, S. Giovanni Evangelista, Montelupo).

Attributed works:

9. Winged Genius, Here Attributed to Duccio. Fresco. (Detail of the Vault of the Doctors, Upper Church, Basilica di S. Francesco, Assisi).

Article

A Silver Sculpture Ascribed to Domenico Antonio Vaccaro

04/1979 | 913 | 121

Pages: 206+220-225+227

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Author:

Bologna, Ferdinando (Bologna, Ferdinando)

Subjects

artists:

Vaccaro, Domenico Antonio

dates:

1650-1749

museums and institutions:

Dahlem Museums, Berlin, Germany

places:

Italy / Naples

sources:

De Dominici, Bernardo

subjects:

Italian sculpture / Silverwork

subjects:

Attributions

subjects:

Michael the Archangel, Saint

subjects:

Italian painting / Design

subjects:

Lucifer

Illustrations

Attributed works:

1. Detail from St Michael Casting Lucifer into Hell, Here Attributed to Domenico Antonio Vaccaro. Silver and Other Materials, (Staatliche Museen, Berlin-Dahlem).

Attributed works:

26. St Michael Casting Lucifer into Hell, Here Attributed to Domenico Antonio Vaccaro. Silver and Other Materials. (Staatliche Museen, Berlin-Dahlem).

Attributed works:

27. Detail of Fig. 26. [St Michael Casting Lucifer into Hell, Here Attributed to Domenico Antonio Vaccaro. Silver and Other Materials. (Staatliche Museen, Berlin-Dahlem).]

Attributed works:

28. The Sermon of St Francis Xavier, by Pierre-Jacques Gaultier. Etching after a Painting by Domenico Antonio Vaccaro.

Attributed works:

29. Detail of Fig. 26 before Restoration. [St Michael Casting Lucifer into Hell, Here Attributed to Domenico Antonio Vaccaro. Silver and Other Materials. (Staatliche Museen, Berlin-Dahlem).]

Attributed works:

30. Detail of Fig, 26. [St Michael Casting Lucifer into Hell, Here Attributed to Domenico Antonio Vaccaro. Silver and Other Materials. (Staatliche Museen, Berlin-Dahlem).]

Attributed works:

31. St Michael Casting Lucifer into Hell, Here Attributed to the Studio of Domenico Antonio Vaccaro. Gilt Bronze. (Art Market, Munich).

Attributed works:

32. St Michael Casting Lucifer into Hell, Here Attributed to the Studio of Domenico Antonio Vaccaro. Silver and Gilt Bronze. (Germanisches Nationalmuseum, Nürnberg).

Attributed works:

33. Martyrdom of St Catherine, by Domenico Antonio Vaccaro. (Gallerie Statali, Genoa).

Attributed works:

34. St Michael Casting Lucifer into Hell, by Domenico Antonio Vaccaro. Drawing. (Formerly Christie's, London).

Attributed works:

35. Miracle of St Dominic, by Domenico Antonio Vaccaro. Museo Nazionale di Capodimonte, Naples).

Attributed works:

36. Paradise, with St Michael Expelling the Rebel Angels, by Domenico Antonio Vaccaro. Drawing. (Private Collection, Rome).

Article

A New Work from the Youth of La Tour

07/1975 | 868 | 117

Pages: 434-441

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Author:

Bologna, Ferdinando (Bologna, Ferdinando)

Subjects

artists:

La Tour, Georges de

dates:

1600-1649

places:

France

subjects:

French painting / Early works / Attributions

subjects:

Caravaggesque / Genre paintings

subjects:

Dating

subjects:

Visual sources / Formal analysis / Conservation

Illustrations

Attributed works:

1. Detail from Two Old Peasants Eating Vegetables, by La Tour Illustrated in Fig. 2. [Canvas, 74 by 87 cm. (Private Collection, London).]

Attributed works:

2. Two Old Peasants Eating Vegetables, by Georges de La Tour. Canvas, 74 by 87 cm. (Private Collection, London).

Attributed works:

3. Detail from Man Eating, by Claude Vignon. Canvas. (Muzeum Narodowe, Warsaw).

Attributed works:

4. The Left Hand Section of the La Tour before Restoration and Joining. [Two Old Peasants Eating Vegetables, by Georges de La Tour. Canvas, 74 by 87 cm. (Private Collection, London).]

Attributed works:

5. The Right Hand Section of the La Tour before Restoration and Joining. [Two Old Peasants Eating Vegetables, by Georges de La Tour. Canvas, 74 by 87 cm. (Private Collection, London).]

Attributed works:

6. Detail from the La Tour Illustrated in Fig. 2. [Two Old Peasants Eating Vegetables, by Georges de La Tour. Canvas, 74 by 87 cm. (Private Collection, London).]

Attributed works:

7. Detail from The Peasant's Wife, by La Tour. (De Young Memorial Museum, San Francisco (Calif.)).

Attributed works:

8. Detail from The Beggars' Brawl, by La Tour. (Paul Getty Museum, Malibu).

Attributed works:

9. Detail from the La Tour Illustrated in Fig. 2. [Two Old Peasants Eating Vegetables, by Georges de La Tour. Canvas, 74 by 87 cm. (Private Collection, London).]

Article

Altobello Melone

08/1955 | 629 | 97

Pages: 240-250

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Author:

Bologna, Ferdinando (Bologna, Ferdinando)

Subjects

artists:

Melone, Altobello

artists:

Romanino, Girolamo

artists:

Aspertini, Amico

artists:

Dossi, Dosso

artists:

Fernández, Pedro, called Pseudo-Bramantino

buildings:

Cattedrale di Santa Maria Assunta, Cremona, Italy

dates:

1500-1549

museums and institutions:

Accademia Carrara, Bergamo, Italy

places:

Italy / Cremona

subjects:

Italian painting / Attributions

Illustrations

Attributed works:

10. Adoration of the Shepherds, Here Attributed to Dosso Dossi. Canvas, 63.5 by 47 cm. (Formerly Private Collection, London.)

Attributed works:

11. Madonna with Infant St John, Here Attributed to Altobello Melone. Canvas. (Formerly Private Collection, London.)

Attributed works:

12. Female Portrait, by Altobello Melone (?). Panel. (Museo Civico, Padua.)

Attributed works:

13. Detail from the Agony in the Garden, by Altobello Melone. Fresco. 1517. (Duomo, Cremona.)

Attributed works:

14. Madonna in Glory, Here Attributed to the 'Pseudo-Bramantino'. Panel, 100 by 100 cm. (Private Collection, Rome.)

Attributed works:

15. Detail from St Francis Receiving the Stigmata, by the 'Pseudo-Bramantino'. Panel. (Galleria Sabauda, Turin.)

Attributed works:

2. Prophet, by a ?Northern Artist after ?Altobello Melone. (Gabinetto dei disegni, Pinacoteca Nazionale, Naples.)

Attributed works:

3. Madonna, Here Attributed to Altobello Melone. Panel, 73 by 68 cm. (Accademia Carrara, Bergamo.)

Attributed works:

4. Adoration of the Magi, by Giovan Francesco Bembo. Fresco. 1515. (Duomo, Cremona.)

Attributed works:

5. Presentation in the Temple, by Giovan Francesco Bembo. Fresco. 1515. (Duomo, Cremona.)

Attributed works:

6. Prophet, by a ?Northern Artist after ?Altobello Melone. (Gabinetto dei disegni, Pinacoteca Nazionale, Naples.

Attributed works:

7. Disputation of St Stephen, Here Attributed to Giovan Francesco Bembo. Panel, 22 by 31 cm. (Accademia Carrara, Bergamo.)

Attributed works:

8. St Stephen Driven out of the Temple, Here Attributed to Giovan Francesco Bembo. Panel, 22 by 28 cm. (Accademia Carrara, Bergamo.)

Attributed works:

9. Stoning of St Stephen, Here Attributed to Giovan Francesco Bembo. Panel, 22 by 31 cm. (Accademia Carrara, Bergamo.)

Article

The Cremonese Ceiling from Via Belvedere

06/1954 | 615 | 96

Pages: 166-171+173

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related names

Author:

Bologna, Ferdinando (Bologna, Ferdinando)

Subjects

artists:

Melone, Altobello

artists:

Corna, Luca della

artists:

Corna, Antonio della

artists:

Marziale, Marco

artists:

Boccaccino, Boccaccio

dates:

1480-1519

places:

Italy / Cremona

places:

England / London

subjects:

Italian painting / Frescoes / Ceilings / Attributions

subjects:

Visual sources / Formal analysis

Illustrations

Attributed works:

11. Central Medallion of ceiling Reproduced in Fig.5. [General View of Ceiling Representing The Muses, Here Attributed to Antonio della Corna. Frescoes. (Victoria and Albert Museum.)]

Attributed works:

12. St Julian Hospitator Killing His Parents, by Antonio della Corna. Signed and Dated 1478. (Bellini Collection, Florence.)

Attributed works:

13-16. Details from Fig.5. [General View of Ceiling Representing The Muses, Here Attributed to Antonio della Corna. Frescoes. (Victoria and Albert Museum.)]

Attributed works:

2-6. Details and General View of Ceiling Representing The Muses, Here Attributed to Antonio della Corna. Frescoes. (Victoria and Albert Museum.) (Decorative Grisaille Borders Are Shown in Their Correct Positions vis-à-vis the Figures of the Muses, but the Figures Themselves Are Not Shown in Their Correct Relative Positions.)

Attributed works:

7-10. Details from Fig.5. [General View of Ceiling Representing The Muses, Here Attributed to Antonio della Corna. Frescoes. (Victoria and Albert Museum.)]

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