49. Virgin and Child and Willem van Bibaut, by the Master of the Magdalen Legend, c.1500 (left), and by an unknown French artist, c.1523 (right). Oak panel with integral frame, 30.4 by 20.7 cm. (left), and walnut panel with integral frame, 20.4 by 14.3 cm. (right). (Private collection; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
50. Ecce Homo and Mater Dolorosa, by the workshop of Albrecht Bouts. c.1525 (left) and c.1500 (right). Combined in a seventeenth-century(?) frame, with wings in Renaissance style. Both oak panels with the original integral frames inserted into a rectangular secondary frame, 64.5 by 84 cm. (Suermondt-Ludwig-Museum, Aachen; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
51. Virgin and Child and Portrait of Philippe de Croÿ, by Rogier van der Weyden. c.1460–65. Masonite (transferred from canvas, originally on panel), 50.8 by 33 cm. (left), and oak panel, 51.5 by 33.6 cm. (right). (Huntington Library, San Marino (left), and Koninklijk Museum voor Schone Kunsten, Antwerp (right); exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
52. Portrait of Cardinal Erard de la Marck and Holy Family, by Jan Cornelisz Vermeyen. c.1528–30. Panel, 63.7 by 54.5 cm (left), and panel, 64.3 by 54.5 cm. (right). (Rijksmuseum, Amsterdam (left), and Frans Halsmuseum, Haarlem, on loan from the Netherlands Institute for Cultural Heritage, Rijswijk; exh. Koninklijk Museum voor Schone Kunsten, Antwerp). Photographs after restoration.
Western art unattributed:
49. Virgin and Child and Willem van Bibaut, by the Master of the Magdalen Legend, c.1500 (left), and by an unknown French artist, c.1523 (right). Oak panel with integral frame, 30.4 by 20.7 cm. (left), and walnut panel with integral frame, 20.4 by 14.3 cm. (right). (Private collection; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
53. Detail from Au juste pois véritable balance, by the Master of Amiens. 1518. Panel, 173 by 97 cm. (Musée de Picardie, Amiens; exh. Bonnefanten Museum, Maastricht).
Attributed works:
54. Adoration of the Magi, by Jan de Beer and workshop (Master of Amiens?). c.1515–18. Central panel, 156 by 123 cm. (Pinacoteca di Brera, Milan; exh. Bonnefanten Museum, Maastricht).
Attributed works:
55. Adoration of the Magi, by the Master of the Antwerp Adoration. c.1520–30. Central panel, 29 by 22.2 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp; exh. Bonnefanten Museum, Maastricht).
Exhibition Review
Flemish Landscape Painting. Essen, Vienna and Antwerp
67. Landscape with artists at work, by Joos de Momper the Younger. c.1616. Panel, 61.2 by 93 cm (Rheinisches Landesmuseum, Bonn; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
68. Woodland landscape with pond, by Peter Paul Rubens. c.1614. Panel, 75.5 by 105.7 cm. (Liechtenstein collection, Vaduz; exh. Kunsthistorisches Museum, Vienna).
Attributed works:
69. Woodland landscape, by Gillis van Coninxloo. 1602. Panel 41.5 by 67.3 cm. (Museum in Schottenstift, Vienna; exh. Kunsthistorisches Museum, Vienna).
Publication Received
Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen / Antwerp Royal Museum Annual 1999