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190 articles
Exhibition Review
Sally Mann: A Thousand Crossings. J. Paul Getty Museum, Los Angeles
02/2019 | 1391 | 161
Pages: 161-163
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Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Mann, Sally
dates:
2010-2019
media:
Photographs
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States / National Gallery of Art, Washington, United States
places:
United States / Los Angeles / Washington DC
subjects:
Photography / Children / Politics / Slavery / Race / Civil wars / African Americans / Cultural history / Religion / Poetry / Literature / Portraits / Self-portraits
Illustrations
Attributed works:
28. Easter Dress, by Sally Mann. 1986. Gelatin silver print, 47 by 57.8 cm. (Patricia and David Schulte; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
29. Virginia #6, by Sally Mann. 2004. Gelatin silver print, 123.2 by 98.4 cm. (Courtesy of Edwynn Houk Gallery, New York; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
30. Battlefields, Antietam (Black Sun), by Sally Mann. 2001. Gelatin silver print, 96.5 by 123.2 cm. (Courtesy of Edwynn Houk Gallery, New York; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
The Chiaroscuro Woodcut in Renaissance Italy. National Gallery of Art, Washington
11/2018 | 1388 | 160
Pages: 953-955
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Reviewer:
Wilson, Bronwen (Wilson, Bronwen)
Subjects
art literature:
Vasari, Giorgio / Oberhuber, Konrad / Gnann, Achim
artists:
Ugo da Carpi / Titian / Andreani, Andrea / Beccafumi, Domenico / Raphael / Parmigianino
dates:
2010-2019
media:
Prints / Woodcuts
museums and institutions:
National Gallery of Art, Washington, United States / Los Angeles County Museum of Art, Los Angeles, United States
places:
United States / Los Angeles / Washington DC
subjects:
Printmaking / Chiaroscuro / Chiaroscuro woodcuts / Albums / Workshops (Organisations) / Colour / Scientific analysis / Technical analysis / Techniques / Collections / Collections, Public / Collections, Private
Illustrations
Attributed works:
4. Diogenes, by Ugo da Carpi, after Parmigianino. c.1527–30. Woodcut, 48.4 by 34.8 cm. (Los Angeles County Museum of Art; exh. National Gallery of Art, Washington).
Attributed works:
5. St Philip, by Domenico Beccafumi. c.1540. Woodcut, 28.2 by 17 cm. (Library of Congress Prints and Photographs Division, Washington; exh. National Gallery of Art, Washington).
Attributed works:
6. A skull, by Andrea Andreani, after Giovanni Fortuna (?). c.1588. Woodcut, 28.1 by 33.7 cm. (The British Museum, London; exh. National Gallery of Art, Washington).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Baselitz, Georg / Schönebeck, Eugen / Friedrich, Caspar David / Richter, Ludwig / Pforr, Franz / Kiefer, Anselm / Nolde, Emil / Kirchner, Ernst Ludwig / De Kooning, Willem
dates:
2010-2019
media:
Paintings / Sculpture
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Hirshhorn Museum and Sculpture Garden, Washington, United States / Galerie Werner & Katz, Berlin, Germany
places:
Switzerland / Basel / United States / Washington DC / Germany
subjects:
German painting / Beauty / Romanticism / Portraits / Landscapes (visual works) / Figure paintings / Nudes / World War (1939-1945) / Nazism / Politics / Brücke / Expressionism / Neo-Expressionist / Carving (processes) / Colour / Polychromy / Brushwork / Style / Influence
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
Rachel Whiteread. London
02/2018 | 1379 | 160
Pages: 155-158
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Reviewer:
Archer, Michael (Archer, Michael)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
media:
Sculpture
museums and institutions:
Tate Britain, London, Great Britain / National Gallery of Art, Washington, United States
places:
Great Britain / London / United States / Washington DC
subjects:
British sculpture / Casts (sculpture) / Public sculpture / Minimalism / Post-minimalism
Illustrations
Attributed works:
23. Chicken shed, by Rachel Whiteread. 2017. Concrete, 216 by 229 by 278 cm. (Courtesy of the artist; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
24. Untitled (One hundred spaces), by Rachel Whiteread. 1995. Resin, various dimensions (Pinault Collection, Venice; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
25. Due Porte, by Rachel Whiteread. 2016. Resin, 247 by 124 by 8 cm. (Galleria Lorcan O’Neill, Rome; © Rachel Whiteread).
Exhibition Review
Rufino Tamayo. Washington
02/2018 | 1379 | 160
Pages: 154-155
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Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
artists:
Tamayo, Rufino
dates:
2010-2019
media:
Paintings
museums and institutions:
Smithsonian American Art Museum, Washington DC, United States
places:
United States / Washington DC
subjects:
Mexican painting / Primitivism (Cultural anthropology related concept)
Illustrations
Attributed works:
20. New York seen from the terrace, by Rufino Tamayo. 1937. Canvas, 51.8 by 87.3 cm. (FEMSA Collection; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Attributed works:
21. The family, by Rufino Tamayo. 1925. Canvas, 71.1 by 83.8 cm. (William and Christopher Brunder Collection; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Attributed works:
22. Fire, by Rufino Tamayo. 1946. Canvas, 111.8 by 86.4 cm. (Collection of Mrs J. Todd Figi; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Exhibition Review
Cézanne’s portraits. London
02/2018 | 1379 | 160
Pages: 150-151
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Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Cézanne, Paul
dates:
2010-2019
media:
Paintings
museums and institutions:
National Portrait Gallery, London, Great Britain / National Gallery of Art, Washington, United States
places:
Great Britain / London / United States / Washington DC
subjects:
Portraits / French painting / Fiquet, Hortense
Illustrations
Attributed works:
14. Madame Cézanne in a red armchair, by Paul Cézanne. c.1877. Canvas, 72.4 by 55.9 cm. (Museum of Fine Arts, Boston; exh. National Portrait Gallery, London).
Attributed works:
15. Antoine-Fortuné Marion, by Paul Cézanne. 1870–71. Canvas, 40.6 by 32.5 cm. (Kunstmuseum, Basel; exh. National Portrait Gallery, London).
Attributed works:
16. Madame Cézanne in a red dress, by Paul Cézanne. 1888–90. Canvas, 116 by 89 cm. (Metropolitan Museum of Art, New York; exh. National Portrait Gallery, London).
Exhibition Review
French eighteenth-century paintings in American museums. Washington
08/2017 | 1373 | 159
Pages: 669-670
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Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
dates:
1700-1799 / 2010-2019
museums and institutions:
National Gallery of Art, Washington, United States
places:
United States / Washington DC
subjects:
Reviews / Exhibitions / French painting / Collections, Public
subjects:
American (United States of America)
Illustrations
Attributed works:
83. The Arts in supplication, by Carl van Loo. 1764 (Frick Art & Historical Center, Pittsburgh; exh. National Gallery of Art, Washington)
Attributed works:
84. Arria and Paetus, by François André Vincent. 1784 (Saint Louis Art Museum; exh. National Gallery of Art, Washington)
Attributed works:
85. An interior with a lady, her maid and a gentleman, by Louis Rolland Trinquesse. 1776 (Wadsworth Atheneum, Hartford CT; exh. National Gallery of Art, Washington)
Exhibition Review
Frédéric Bazille. Montpellier, Paris and Washington
06/2017 | 1371 | 159
Pages: 502-503
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Reviewer:
Adler, Kathleen (Adler, Kathleen)
Subjects
artists:
Bazille, Frédéric
dates:
2010-2019
museums and institutions:
National Gallery of Art, Washington, United States / Musée Fabre, Montpellier, France / Musée d'Orsay, Paris, France
places:
Washington DC / United States / Paris / Montpellier / France
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
65. Summer scene (the bathers), by Frédéric Bazille. 1869-70 (Harvard Art Museums, Cambridge MA; exh. National Gallery of Art, Washington)
Attributed works:
66. Studio on the rue La Condamine, by Frédéric Bazille with Edouard Manet. 1869-70 (Musée d'Orsay, Paris; exh. National Gallery of Art, Washington)
Attributed works:
67. Young woman with peonies, by Frédéric Bazille. 1870 (Musée Fabre, Montpellier; exh. National Gallery of Art, Washington)
Exhibition Review
Drawings for paintings in the age of Rembrandt. Washington and Paris
06/2017 | 1371 | 159
Pages: 500-502
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Reviewer:
Camp, An Van (Camp, An Van)
Subjects
artists:
Rembrandt van Rijn / Saenredam, Pieter / Berckheyde, Gerrit Adriaensz. / Lastman, Pieter / Bloemaert, Abraham / Maes, Nicolaes / Musscher, Michiel van
dates:
2010-2019 / 1600-1699
museums and institutions:
Frits Lugt Collection, Fondation Custodia, Paris, France / National Gallery of Art, Washington, United States
places:
Washington DC / United States / Paris / France
subjects:
Reviews / Exhibitions / Dutch painting / Cartoons (working drawings) / Drawings
Illustrations
Attributed works:
62. Reclining woman as Rachel, by Pieter Lastman (Ashmolean Museum, Oxford; exh. Fondation Custodia, Paris)
Attributed works:
63. Laban seeking the idols, by Pieter Lastman. 1622 (Musée municipal, Boulogne-sur-Mer; exh. Fondation Custodia, Paris)
Attributed works:
64. An artist in his studio with his drawings, by Michiel van Musscher. Mid-1660s (Collections of the Prince of Liechtenstein, Vaduz-Vienna; exh. National Gallery of Art, Washington)
Exhibition Review
Peter Voulkos. New York
04/2017 | 1369 | 159
Pages: 347-349
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Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Voulkos, Peter
dates:
2010-2019
museums and institutions:
Renwick Gallery, Washington DC, United States / Museum of Arts and Design, New York, United States
places:
Washington DC / United States / New York
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
93. Plate, by Peter Voulkos. 1962 (Oakland Museum of California; exh. Renwick Gallery, Washington)
Attributed works:
94. Sitting Bull, by Peter Voulkos. 1959 (Santa Barbara Museum of Art; exh. Renwick Gallery, Washington)
Attributed works:
95. Rasgeado, by Peter Voulkos. 1956 (Collection of Dick and Gloria Anderson, Kansas; exh. Renwick Gallery, Washington)
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