91. Seated nymph, by Antico. Probably 1503. Bronze with gilding and silvering, 19.5 cm. high. (Robert H. and Clarice Smith collection; exh. Frick Collection, New York).
Attributed works:
92. Atropos, by Antico. c.1500–11. Bronze, 29.5 cm. high. (Victoria and Albert Museum, London; exh. Frick Collection, New York).
Attributed works:
93. Atropos, by Antico. Probably after 1519. Bronze with silvering, 29 cm. high. (Kunsthistorisches Museum, Vienna; exh. Frick Collection, New York).
Exhibition Review
Picasso’s Drawings, 1890–1921. New York and Washington
75. Nudes in a forest, by Pablo Picasso. 1908. Gouache, watercolour and pencil on paper, 47.6 by 58.7 cm. (Museum of Modern Art, New York; exh. Frick Collection, New York).
Attributed works:
76. Self-portrait studies, by Pablo Picasso. 1906. Ink on paper, 31.4 by 47.9 cm. (Private collection, courtesy of Fundación Amine y Bernard Ruiz-Picasso; exh. Frick Collection, New York).
Attributed works:
77. Two women with hats, Paris, by Pablo Picasso. 1921. Pastel on paper, 105 by 74.9 cm. (Private collection; exh. Frick Collection, New York).
21. The farm, by Joan Miró. 1921–22. Canvas, 132 by 147 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
22. Head of a Catalan peasant, by Joan Miró. 1925. Canvas, 147 by 115 cm. (Moderna Museet, Stockholm; exh. Tate Modern, London).
Attributed works:
23. Sketch for Head of a Catalan peasant, by Joan Miró. On the front page of Le Matin, 23rd March 1925. Pen on newspaper. (Fundació Joan Miró, Barcelona).
48. A man visiting a woman washing her hands, by Gabriel Metsu. c.1662–64. Canvas, 83.7 by 67.4 cm. (Private collection, exh. National Gallery of Ireland, Dublin)
Attributed works:
49. A woman reading a letter, by Gabriel Metsu c.1664–66. Panel, 52.5 by 40.2 cm. (National Gallery of Ireland, Dublin)
Attributed works:
50. A baker blowing a horn, by Gabriel Metsu. c.1660-63. Panel, 36.5 by 30.7 cm. (Private collection; exh. National Gallery of Ireland, Dublin)
39. The Bacino di San Marco, by Canaletto. c.1738–39. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston; exh. National Gallery of Art, Washington).
Attributed works:
40. The entrance to the Grand Canal and Santa Maria della Salute from the Piazzetta, by Bernardo Bellotto. c.1742. Canvas, 150 by 122 cm. (Private collection; exh. National Gallery, London).
Attributed works:
41. The Piazza San Marco with the populace chasing bulls in celebration of the visit of Friedrich Christian of Saxony, 16 February 1740, by Giovanni Battista Cimaroli. c.1740. Canvas, 153 by 202.5 cm. (Private collection, England; exh. National Gallery of Art, Washington).
31. Self-portrait with Manao tupapau, by Paul Gauguin. 1893–94. Canvas, 46 by 38 cm. (Musée d’Orsay, Paris; exh. Tate Modern, London).
Attributed works:
32. Haystacks in Brittany, by Paul Gauguin. 1890. Canvas, 74.3 by 93.6 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
33. Mararu Noa Noa (Offerings of thanks), by Paul Gauguin. 1893–94. Woodcut, 20.5 by 35.5 cm. (Library of Congress, Washington; exh. Tate Modern, London).
Attributed works:
34. Lewdness (La Luxure), by Paul Gauguin. 1890. Gilded and polychromed oak and pine, and metal,
70.5 by 14.7 by 11.7 cm. (J.F. Willumsens Museum, Frederikssund; exh. Tate Modern, London).
Attributed works:
35. Aha oe feii? (What, are you jealous?), by Paul Gauguin. 1892. Canvas, 66 by 89 cm. (State Pushkin Museum of Fine Art, Moscow; exh. Tate Modern, London).
Attributed works:
36. Merahi Metua no Tehamana (Tehamana has many parents), by Paul Gauguin. 1893. Canvas, 76.3 by 54.3 cm. (Art Institute of Chicago; exh. Tate Modern, London).
German Master Drawings from the Wolfgang Ratjen Collection 1580–1900 |
institution: National Gallery of Art
Illustrations
Attributed works:
53. New moon above the Riesengebirge, by Caspar David Friedrich. 1810 or 1828–35. Pen and grey ink with watercolour, 26.2 by 36.3 cm. (Wolfgang Ratjen collection, National Gallery of Art, Washington).
Attributed works:
54. The artist’s wife reading in bed, by Leopold von Kalckreuth. 1885–90. Watercolour over graphite, 22.5 by 30.2 cm. (Wolfgang Ratjen collection, National Gallery of Art, Washington).
58. On the ice, by Hendrick Avercamp. c.1609. Panel, 36 by 71 cm. (Mauritshuis, The Hague; exh. Rijksmuseum, Amsterdam).
Attributed works:
59. View of Kampen, by Hendrick Avercamp. c.1613–15. Pen and brown ink, wash over graphite, 12.2 by 31 cm. (Royal Collection, London; exh. Rijksmuseum, Amsterdam).
Attributed works:
60. Skaters outside the walls of Kampen, by Hendrick Avercamp. c.1613–15. Panel, 44.5 by 72.5 cm. (Private collection; exh. Rijksmuseum, Amsterdam).
57. Dead Christ, by Gregorio Fernández. c.1625–30. Polychromed wood, glass, bark, ivory or bone, 46 by 191 by 74 cm. (Museo Nacional del Prado, Madrid, on loan to the Museo Nacional Colegio de San Gregorio, Valladolid; exh. National Gallery, London).
Attributed works:
58. The Virgin of the Immaculate Conception, by Juan Martínez Montañés. c.1628. Polychromed wood, 144 by 49 by 53 cm. (Church of the Anunciación, Seville University; exh. National Gallery, London).
Attributed works:
59. St Serapion, by Francisco de Zurbarán. 1628. Canvas, 120 by 104 cm. (Wadsworth Atheneum of Art, Hartford CT; exh. National Gallery, London).
Renaissance to Revolution, French Drawings from the National Gallery of Art, 1500–1800 |
institution: National Gallery of Art
Illustrations
Attributed works:
85. A man reclining and a woman seated on the ground, by Antoine Watteau. c.1716. Red, black and white chalk on brown paper, 24.1 by 34.9 cm. (National Gallery of Art, Washington).
Attributed works:
86. October: honey-gathering, here attributed to Claude Simpol. c.1700. Ink and wash, with white goauche, 22.7 by 30.1 cm. (National Gallery of Art, Washington).
Attributed works:
87. Portrait of a noblewoman (Madame de Pellegars?), by François Quesnel. c.1590–95. Black and red chalk with white chalk highlighting, 29 by 23.2 cm. (National Gallery of Art, Washington).