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36 articles
Exhibition Review
Antico. Washington and New York
05/2012 | 1310 | 154
Pages: 372-373
related names
Reviewer:
Motture, Peta (Motture, Peta)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Antico: The Golden Age of Renaissance Bronzes | institution: Frick Collection , institution: National Gallery of Art
Illustrations
Attributed works:
91. Seated nymph, by Antico. Probably 1503. Bronze with gilding and silvering, 19.5 cm. high. (Robert H. and Clarice Smith collection; exh. Frick Collection, New York).
Attributed works:
92. Atropos, by Antico. c.1500–11. Bronze, 29.5 cm. high. (Victoria and Albert Museum, London; exh. Frick Collection, New York).
Attributed works:
93. Atropos, by Antico. Probably after 1519. Bronze with silvering, 29 cm. high. (Kunsthistorisches Mus­eum, Vienna; exh. Frick Collection, New York).
Exhibition Review
Picasso’s Drawings, 1890–1921. New York and Washington
02/2012 | 1307 | 154
Pages: 148-149
related names
Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
subjects:
Reviewed Items
subjects:
Picasso’s Drawings 1890–1921: Reinventing Tradition | institution: Frick Collection , institution: National Gallery of Art
Illustrations
Attributed works:
75. Nudes in a forest, by Pablo Picasso. 1908. Gouache, watercolour and pencil on paper, 47.6 by 58.7 cm. (Museum of Modern Art, New York; exh. Frick Collection, New York).
Attributed works:
76. Self-portrait studies, by Pablo Picasso. 1906. Ink on paper, 31.4 by 47.9 cm. (Private col­lection, courtesy of Fundación Amine y Bernard Ruiz-Picasso; exh. Frick Collection, New York).
Attributed works:
77. Two women with hats, Paris, by Pablo Picasso. 1921. Pastel on paper, 105 by 74.9 cm. (Private collection; exh. Frick Collection, New York).
Exhibition Review
Joan Miró. London, Barcelona and Washington
08/2011 | 1301 | 153
Pages: 549-550
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Joan Miró: The Ladder of Escape | institution: Fundació Joan Miró , institution: National Gallery of Art , institution: Tate Modern
Illustrations
Attributed works:
21. The farm, by Joan Miró. 1921–22. Canvas, 132 by 147 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
22. Head of a Catalan peasant, by Joan Miró. 1925. Canvas, 147 by 115 cm. (Moderna Museet, Stockholm; exh. Tate Modern, London).
Attributed works:
23. Sketch for Head of a Catalan peasant, by Joan Miró. On the front page of Le Matin, 23rd March 1925. Pen on newspaper. (Fundació Joan Miró, Barcelona).
Exhibition Review
Gabriel Metsu. Dublin, Amsterdam and Washington
02/2011 | 1295 | 153
Pages: 122-124
related names
Reviewer:
Loughman, John (Loughman, John)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Gabriel Metsu: Rediscovered Master of the Dutch Golden Age | institution: National Gallery of Art , institution: National Gallery of Ireland , institution: Rijksmuseum
Illustrations
Attributed works:
48. A man visiting a woman washing her hands, by Gabriel Metsu. c.1662–64. Canvas, 83.7 by 67.4 cm. (Private collection, exh. National Gallery of Ireland, Dublin)
Attributed works:
49. A woman reading a letter, by Gabriel Metsu c.1664–66. Panel, 52.5 by 40.2 cm. (National Gallery of Ireland, Dublin)
Attributed works:
50. A baker blowing a horn, by Gabriel Metsu. c.1660-63. Panel, 36.5 by 30.7 cm. (Private collection; exh. National Gallery of Ireland, Dublin)
Exhibition Review
Canaletto and his rivals. London and Washington
02/2011 | 1295 | 153
Pages: 117-119
related names
Reviewer:
Craievich, Alberto (Craievich, Alberto)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Canaletto and his rivals | institution: National Gallery , institution: National Gallery of Art
Illustrations
Attributed works:
39. The Bacino di San Marco, by Canaletto. c.1738–39. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston; exh. National Gallery of Art, Washington).
Attributed works:
40. The entrance to the Grand Canal and Santa Maria della Salute from the Piazzetta, by Bernardo Bellotto. c.1742. Canvas, 150 by 122 cm. (Private collection; exh. National Gallery, London).
Attributed works:
41. The Piazza San Marco with the populace chasing bulls in celebration of the visit of Friedrich Christian of Saxony, 16 February 1740, by Giovanni Battista Cimaroli. c.1740. Canvas, 153 by 202.5 cm. (Private collection, England; exh. National Gallery of Art, Washington).
Exhibition Review
Gauguin
12/2010 | 1293 | 152
Pages: 805-808
related names
Reviewer:
Cardinal, Roger (Cardinal, Roger)
Subjects
artists:
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Gauguin. Maker of Myth | institution: National Gallery of Art , institution: Tate Modern
Illustrations
Attributed works:
31. Self-portrait with Manao tupapau, by Paul Gauguin. 1893–94. Canvas, 46 by 38 cm. (Musée d’Orsay, Paris; exh. Tate Modern, London).
Attributed works:
32. Haystacks in Brittany, by Paul Gauguin. 1890. Canvas, 74.3 by 93.6 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
33. Mararu Noa Noa (Offerings of thanks), by Paul Gauguin. 1893–94. Woodcut, 20.5 by 35.5 cm. (Library of Congress, Washington; exh. Tate Modern, London).
Attributed works:
34. Lewdness (La Luxure), by Paul Gauguin. 1890. Gilded and polychromed oak and pine, and metal, 70.5 by 14.7 by 11.7 cm. (J.F. Willumsens Museum, Frederikssund; exh. Tate Modern, London).
Attributed works:
35. Aha oe feii? (What, are you jealous?), by Paul Gauguin. 1892. Canvas, 66 by 89 cm. (State Pushkin Museum of Fine Art, Moscow; exh. Tate Modern, London).
Attributed works:
36. Merahi Metua no Tehamana (Tehamana has many parents), by Paul Gauguin. 1893. Canvas, 76.3 by 54.3 cm. (Art Institute of Chicago; exh. Tate Modern, London).
Exhibition Review
German drawings. Washington
10/2010 | 1291 | 152
Pages: 701-702
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
collectors and dealers:
print:
Reviewed Items
subjects:
German Master Drawings from the Wolfgang Ratjen Collection 1580–1900 | institution: National Gallery of Art
Illustrations
Attributed works:
53. New moon above the Riesengebirge, by Caspar David Friedrich. 1810 or 1828–35. Pen and grey ink with watercolour, 26.2 by 36.3 cm. (Wolfgang Ratjen collection, National Gallery of Art, Washington).
Attributed works:
54. The artist’s wife reading in bed, by Leopold von Kalckreuth. 1885–90. Watercolour over graphite, 22.5 by 30.2 cm. (Wolfgang Ratjen collection, National Gallery of Art, Washington).
Exhibition Review
Hendrick Avercamp. Amsterdam and Washington
02/2010 | 1283 | 152
Pages: 122-123
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Hendrick Avercamp (1585–1634): The Little Ice Age | institution: National Gallery of Art , institution: Rijksmuseum
Illustrations
Attributed works:
58. On the ice, by Hendrick Avercamp. c.1609. Panel, 36 by 71 cm. (Mauritshuis, The Hague; exh. Rijksmus­eum, Amsterdam).
Attributed works:
59. View of Kampen, by Hendrick Avercamp. c.1613–15. Pen and brown ink, wash over graphite, 12.2 by 31 cm. (Royal Collection, London; exh. Rijksmuseum, Amsterdam).
Attributed works:
60. Skaters outside the walls of Kampen, by Hendrick Avercamp. c.1613–15. Panel, 44.5 by 72.5 cm. (Private collection; exh. Rijksmuseum, Amsterdam).
Exhibition Review
The Sacred Made Real. London and Washington
01/2010 | 1282 | 152
Pages: 50-52
related names
Reviewer:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
dates:
dates:
print:
Reviewed Items
subjects:
The Sacred Made Real. Spanish Painting and Sculpture 1600–1700 | institution: National Gallery , institution: National Gallery of Art
Illustrations
Attributed works:
57. Dead Christ, by Gregorio Fernández. c.1625–30. Polychromed wood, glass, bark, ivory or bone, 46 by 191 by 74 cm. (Museo Nacional del Prado, Madrid, on loan to the Museo Nacional Colegio de San Gregorio, Valladolid; exh. National Gallery, London).
Attributed works:
58. The Virgin of the Immaculate Conception, by Juan Martínez Montañés. c.1628. Polychromed wood, 144 by 49 by 53 cm. (Church of the Anunciación, Seville University; exh. National Gallery, London).
Attributed works:
59. St Serapion, by Francisco de Zurbarán. 1628. Canvas, 120 by 104 cm. (Wadsworth Atheneum of Art, Hartford CT; exh. National Gallery, London).
Exhibition Review
French drawings. Washington
01/2010 | 1282 | 152
Pages: 66-67
related names
Reviewer:
Stein, Perrin (Stein, Perrin)
Subjects
dates:
dates:
print:
Reviewed Items
subjects:
Renaissance to Revolution, French Drawings from the National Gallery of Art, 1500–1800 | institution: National Gallery of Art
Illustrations
Attributed works:
85. A man reclining and a woman seated on the ground, by Antoine Watteau. c.1716. Red, black and white chalk on brown paper, 24.1 by 34.9 cm. (National Gallery of Art, Washington).
Attributed works:
86. October: honey-gathering, here attributed to Claude Simpol. c.1700. Ink and wash, with white goauche, 22.7 by 30.1 cm. (National Gallery of Art, Washington).
Attributed works:
87. Portrait of a noblewoman (Madame de Pellegars?), by François Quesnel. c.1590–95. Black and red chalk with white chalk highlighting, 29 by 23.2 cm. (National Gallery of Art, Washington).
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