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10 articles
Article
The finding of the infant Bacchus
02/2022 | 1427 | 164
Pages: 180-183
related names
Author:
Hendrikman, Lars (Hendrikman, Lars)
Subjects
dates:
sources:
Illustrations
Attributed works:
5. Young Bacchus, after Godfried Maes. After 1762. Oil on canvas, 63 by 54.7 cm. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
6. Fig.5, photographed in 2012 before cleaning and removal of overpaint in 2020. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
7. The finding of the infant Bacchus on Chios, by Godfried Maes. Last quarter of the 17th century. Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Courtesy F. Baulme Fine Arts).
Attributed works:
8. The infant Bacchus entrusted to the nymphs of Nysa; the death of Echo and Narcissus, by Nicolas Poussin. 1657. Oil on canvas, 122.6 by 180.5 cm. (Harvard Art Museums).
Attributed works:
9. Bacchus turns Acoetes’ crew into dolphins, by Godfried Maes. Last quarter 17th century, Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Leiden University Library, Print Room).
Book Review
The Neutelings Collection: Four Centuries of Medieval Sculpture. Edited by Lars Hendrikman
03/2018 | 1380 | 160
Pages: 254
related names
Reviewer:
Davies, Glyn (Davies, Glyn)
Subjects
dates:
Illustrations
Western art unattributed:
1. Panel from a triptych depicting Death and coronation of the Virgin (top of gable missing), German (Mainz?). Last quarter of the fourteenth century. Ivory with traces of polychromy, 21.9 cm. high. (Bonnefanten Museum, Maastricht, on long term loan from the V.Z.W. Fundatie voor kunst der middeleeuwen, inv. no.10-05423).
Exhibition Review
Ceramix. Maastricht, Paris and Sèvres
06/2016 | 1359 | 158
Pages: 479-480
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
dates:
Illustrations
Attributed works:
65. Garden with blue bathers, by Raoul Dufy. 1925-30 (Collection Lavock-Granoff; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
Attributed works:
66. Incontro d'inverno, by Leonardo Leoncillo. 1963 (Museo Internazionale delle Ceramiche, Faenze; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
Attributed works:
67. Untitled ceramic sketches, by Thomas Schütte. 1997-99 (Kunstsammlung Nordrhein-Westfalen, Düsseldorf; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
Publication Received
Jordaens: the making of a masterpiece
02/2009 | 1271 | 151
Pages: 112
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
artists:
places:
Reviewed Items
subjects:
Jordaens: the making of a masterpiece | author: Filtenborg, Troels , author: Hendrikman, Lars , author: Hendrikman, Lars , author: Noldus, Badeloch , author: Ohrt, Karsten , author: Schlotter, Annefloor , author: Verhave, Johanna , author: Wadum, Jørgen
Article
Jan Cornelisz Vermeyen’s ‘Cardinal Erard de la Marck’ and ‘Holy family’: a diptych reunited
02/2008 | 1259 | 150
Pages: 76-82
related names
Author:
Bagley-Young, Abigail (Bagley-Young, Abigail)
Subjects
dates:
Illustrations
Attributed works:
1. Cardinal Erard de la Marck, by Jan Cornelisz Vermeyen. c.1530. Panel, 64.3 by 55.2 cm. (Rijksmuseum, Amsterdam). Photograph taken after treatment in 2006.
Attributed works:
10. Detail of Fig.1, showing feathery brushstrokes on the edge of the hat.
Attributed works:
11. Detail of Fig.2, showing the feathery brushstrokes between the Virgin’s blue robe and the triangle of green drapery.
Attributed works:
12. Detail of the hands in Fig.1.
Attributed works:
13. The marriage at Cana, by Jan Cornelisz Vermeyen. c.1532. Panel, 66 by 85.4 cm. (Rijksmuseum, Amsterdam; on long-term loan to the Bonnefanten Museum, Maastricht).
Attributed works:
14. Detail of the left sleeve in Fig.1. Photograph taken during treatment, after filling and before retouching, with fills toned in.
Attributed works:
15. Detail of the left sleeve in Fig.1. Photograph taken after treatment.
Attributed works:
16. Anonymous copy after Fig.1. Undated, possibly seventeenth century. Panel, 50 by 65 cm. (Musée d’Art Religieux et d’Art Mosan, Liège).
Attributed works:
2. The holy family, by Jan Cornelisz Vermeyen. c.1530. Panel, 64 by 54.4 cm. (Netherlands Institute for Cultural Heritage, Rijswijk, on long-term loan to the Frans Hals Museum, Haarlem). Photograph taken after treatment in 2006.
Attributed works:
3. Infrared reflectogram assembly of Fig.1, before treatment. The image shows deliberate scratches and a large area of damage around the left eye, which was reconstructed in the late nineteenth century. (Image: Ron Spronk).
Attributed works:
4. Cardinal Erard de la Marck, by Jan Cornelisz Vermeyen. c.1545. Etching, 34.9 by 24.7 cm. (Rijksprentenkabinet, Amsterdam)
Attributed works:
5. Left sleeve in Fig.1 early in treatment, showing overpaint and wrinkled varnish. Three small cleaning tests have been made, revealing original paint, damage and more retouching underneath.
Attributed works:
6. Detail of Fig.1. Photograph taken during cleaning in stages, showing, from left to right: a) original paint (with some damages); b) lower layer of opaque overpaint (darkened); c) upper layer of ‘sauce’-like overpaint; b) lower layer of opaque overpaint.
Attributed works:
7. Fig.1 before treatment
Attributed works:
8. Cross-section of a sample taken from the green curtain in the background of Fig.1. a) varnish and overpaint layers; b) surface coating (found on both Figs.1 and 2); c) original copper green glaze (now discoloured brown); d) original green paint: azurite and some yellowish particles towards the bottom of the layer; e) peach-coloured preparatory layer: mostly vermilion with some red lake and black particles; f) ground: chalk.
Attributed works:
9. Cross-section of sample taken from the green curtain in the middle-ground of Fig.2. a) varnish layer, containing particles; b) surface coating (found on both Figs.1 and 2); c) original copper green glaze (now discoloured brown); d) original paint: azurite with white and black particles, more brownish towards bottom of layer; e) peach-coloured preparatory layer, containing lead white and vermilion; f) ground: chalk
Advertisements
Advertisements February 2008 (Front)
02/2008 | 1259 | 150
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Berko Fine Paintings, Knokke-Heist, Belgium, at TEFAF Maastricht 08] Eugène Verboeckhoven. Ram protecting his little family. Oil on board, 79 by 107 cm. Signed and dated lower right: '1847'.
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[David Koetser Gallery, Zürich, at TEFAF Maastricht 08] Jan Miense Molenaer (c.1610-1688). Children drinking and mischief-making. c.1630. Oil on canvas, 51.2 by 67.9 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Bernardo Strozzi (Genoa, 1581-Venice, 1644). St James the Less. Oil on canvas, 85 x 62 cm (33½ x 24 in.).
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris. Exhibiting at: TEFAF, Maastricht, 7-16 March 2008] Domenico Mariolì (Messine, c.1612-1676). Euclid of Megara Dressing as a Woman to go Hear Socrates Teach in Athens. Oil on canvas, 139.5 x 223.5 cm (54 9/10 x 88 in.).
Attributed works:
[Galerie Canesso, Paris, at TEFAF Maastricht 08] Giacomo Francesco Cipper, called Il Todeschini (1664-1736). Peasants dining with a young flute player. Oil on canvas, 144 by 114 cm.
Attributed works:
[Galerie Neuse Kunsthandel GmbH, Contrescape 14, Bremen, Germany] Johann Heinrich Tischbein the Elder (Haina 1722-1789 Kassel). Gamblers at the 'Ridotto' (Palazzo Dandolo, Venice) with a self portrait of Tischbein. Oil on canvas, dim.: 108.6 x 194.9 cm. Literature: Anna-Charlotte Flohr, Johann Heinrich Tischbein d.Ä. (1722-1789) also Porträtmaler, Munich 1977.
Attributed works:
[Johnny van Haeften Ltd., London, at TEFAF Maastricht 08] Jan Brueghel the Elder (1568-1625). Aeneas and the Sybil in the underworld. Signed and dated lower right: '1593'. Oil on copper, 26.4 by 35.3 cm.
Attributed works:
[Kenneth Hurley Fine Art, Suite 1, Hall House, Llanover, Monmouthshire] Lambert de Hondt (before 1620-Malines before 1665)] A Cavalry Train passing through a wooded Landscape. Oil on canvas, 16" x 22" (40.7 x 56 cms). Signed lower left corner.
Attributed works:
[Kunsthandel A.H. Bies B.V., Eindhoven, at TEFAF Maastricht 08] Andreas Schelfhout (1787-1870) On the beach of Scheveningen. Signed and dated lower left: 'A. Schelfhout 46'. Oil on panel, 50.5 by 67.5 cm.
Attributed works:
[Kunsthandel Schlichte Bergen, P.C. Hooftstraat 53, Amsterdam, exhibiting at the European Fine Art Fair, Maastricht, 7-16 March 2008] Carl Maria Nikolaus Hummel (Weimar 1821-1907). A view of the Marmolada in the Dolomites. Oil on canvas, 24 x 51 cm.
Attributed works:
[Moretti Gallery, Piazza degli Ottaviani, 17/r, Firenze, exhibiting at TEFAF Maastricht, March 7-16 2008] Luca Cambiaso (Moneglia, 1527-Madrid, 1585). Fighting Putti. Oil on panel, 53 x 95.5 cm.
Attributed works:
[Moretti, Florence, London and New York, at TEFAF Maastricht 08] Taddeo Gaddi (c.1300-1366). St Anthony Abbot. Panel, 98 by 43 cm.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Claesz. Still life. 1637.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Lastman. Jepta and his Daughter.
Attributed works:
[Noortman, Maastricht, at TEFAF Maastricht 08] Willem van Mieris (1662-1747). A mother attending her children. Signed and dated 1728. Oil on panel, 44.5 by 38.3 cm.
Attributed works:
[Noortman, Vrijthof 49, Maastricht, at TEFAF Maastricht, 7-16 March 2008] Jan Van Huysum (1682-Amsterdam-1749). Flowers in a Terracotta Vase (detail). Oil on panel, 80 x 61 cm. Signed.
Attributed works:
[Otto Naumann, New York, at TEFAF Maastricht 08] Paulus Moreelse (1571-1638). A portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a table. Signed and dated: '1621' and inscribed: 'Aeta Sua[e] 29'. Oil on unlined canvas, 24.5 by 97 cm.
Attributed works:
[Rafael Valls Ltd., London, at TEFAF Maastricht 08] Jan Davidsz. de Heem (1606-1684). A still life with a tazza, a pewter plate and a peeled lemon, a silver-gilt cup and cover and grapes on a table. Signed: 'JDHeem'. Oil on panel, 78.3 by 62.9 cm.
Attributed works:
[Richard L. Feigen & Co., New York, at TEFAF Maastricht 08] Frans Floris (1519/20-1570). Arithmetica (Arithmetic). Signed with monogram and dated, lower center: 'FF.IV.ET.FA./1557'. Oil on canvas, 151.5 by 224.2 cm.
Attributed works:
[Richard L. Feigen & Company, 34 East 69th Street, New York] Vincent van Gogh. Town View of the Hague with the Nieuwe Kerk. Circa 1882. Watercolor, pen and ink on paper.
Attributed works:
[Rijksmuseum, Amsterdam] Frans Hals. Portrait of a couple in a landscape, probably Isaac Abrahamsz. Massa (1586-1643) and Beatrix van der Laen (1592-1639). c.1622. Oil on canvas, 140 x 166.5 cm.
Attributed works:
[Rob Smeets, Milan, at TEFAF Maastricht 08] Johann-Georg De Hamilton (1672-1737). An Arab horse with a groom. Signed and dated: 'J.G. De Ham 1698'. Oil on canvas, 48.5 by 60.5 cm.
Attributed works:
[Salomon Lilian B.V., Spiegelgracht 5, Amsterdam, The Netherlands. Exhibiting at: TEFAF Maastricht, 7-16th March 2008] Edwaert Collier (Breda before 1640-Leiden or Haarlem 1707). A Vanitas Still Life with two Globes, Books, and Inkwell, a Roemer, an Hourglass, Pearls, a Lute and a Pamphlet on a draped Table. Signed and dated 1663, middle left. Oil on canvas, 43 x 51 cm.
Attributed works:
[Salomon Lilian, Amsterdam, at TEFAF Maastricht 08] Balthasar van der Ast (1593/94-1657). A still life of a pewter platter filled with grapes and pears, a Wanli porcelain dish of grapes, peaches, cherries and apricots, a Wanli porcelain vase of flowers, and scattered fruit, flowers and shells on a wooden table. Signed, lower centre. Oil on canvas, 64.1 by 114.3 cm.
Attributed works:
[Venator & Hanstein, Cäcilienstrasse 48, Cologne, Germany] Ovid. L'art d'aimer. 1935. Illustrated by A. Maillol. Binding by Semet & Plumelle.
Exhibition Review
Antwerp mannerism. Antwerp and Maastricht
04/2006 | 1237 | 148
Pages: 287-289
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
ExtravagAnt: A Forgotten Chapter of Antwerp Painting 1500–1530 | institution: Bonnefanten Museum , institution: Koninklijk Museum voor Schone Kunsten
Illustrations
Attributed works:
53. Detail from Au juste pois véritable balance, by the Master of Amiens. 1518. Panel, 173 by 97 cm. (Musée de Picardie, Amiens; exh. Bonnefanten Museum, Maastricht).
Attributed works:
54. Adoration of the Magi, by Jan de Beer and workshop (Master of Amiens?). c.1515–18. Central panel, 156 by 123 cm. (Pinacoteca di Brera, Milan; exh. Bonnefanten Museum, Maastricht).
Attributed works:
55. Adoration of the Magi, by the Master of the Antwerp Adoration. c.1520–30. Central panel, 29 by 22.2 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp; exh. Bonnefanten Museum, Maastricht).
Exhibition Review
Pieter Brueghel, the younger: Maastricht and Brussels
03/2002 | 1188 | 144
Pages: 181-183
related names
Reviewer:
Honig, Elizabeth Alice (Honig, Elizabeth Alice)
Subjects
dates:
subjects:
Illustrations
Attributed works:
58. Detail of The Census at Bethlehem (Fig.61).
Attributed works:
59. Detail of The Census at Bethlehem, after Pieter Bruegel the Elder. Panel. (Museum Mayer van den Bergh, Antwerp; Exh. Bonnefantenmuseum, Maastricht).
Attributed works:
60. Detail of The Census at Bethlehem, after Pieter Bruegel the Elder. Panel. (Musée des Beaux-Arts, Arras; Exh. Bonnefantenmuseum, Maastricht).
Attributed works:
61. The Census at Bethlehem, after Pieter Bruegel the Elder. Panel, 122 by 174 cm. (Bonnefantenmuseum, Maastricht).
Attributed works:
62. The Peasant Lawyer, after Pieter Bruegel the Elder. Panel, 73 by 105 cm. (Bonnefantenmuseum, Maastricht).
Book Review
Catalogue of the Italian Paintings in the Bonnefantenmuseum
02/1997 | 1127 | 139
Pages: 123-124
related names
Reviewer:
Strehlke, Carl Brandon (Strehlke, Carl Brandon; S., C. B.; Strehlke, C. B.; Strehlke, Carl Brandos)
Subjects
Reviewed Items
subjects:
Catalogue of the Italian Paintings in the Bonnefantenmuseum | author: Hoyle, Michael , author: Jong-Janssen, C. E. de
Illustrations
Attributed works:
41. Rest on the Flight into Egypt, Attributed to Lorenzo Costa. 95 by 121 cm. (Bonnefantenmuseum, Maastricht).
Attributed works:
42. Virgin and Child, Attributed to Nicolò Pizzolo. Tempera and Gold on Panel, 59.5 by 45.7 cm. (Bonnefantenmuseum, Maastricht).
Exhibition Review
Anish Kapoor. The Bonnefanten Museum; Maastricht and Tilburg
06/1995 | 1107 | 137
Pages: 407-408
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
59. The Bonnefanten Museum, Maastricht, Seen from the Riverside.
Attributed works:
61. Untitled, by Anish Kapoor. 1992. Sandstone and Pigment, 230 by 122 by 103 cm. (Lisson Gallery, London; Exh. De Pont Foundation, Tilburg).
Western art unattributed:
60. The Gallery of Contemporary Art, on the Second Floor of the Bonnefanten Museum, Maastricht, with Works by Verhoef, Dorner, Ryman, Serra and Others.