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23 articles
Exhibition Review
In Your Wildest Dreams: Ensor Beyond Impressionism and Ensor’s States of Imagination
01/2025 | 1462 | 167
Pages: 51-4
related names
Reviewer:
Lloyd, Joe (Lloyd, Joe)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Ensor’s States of Imagination Plantin-Moretus Museum, Antwerp 28th September 2024–19th January 2025 | :
subjects:
In Your Wildest Dreams: Ensor Beyond Impressionism Royal Museum of Fine Arts, Antwerp 28th September 2024–19th January 2025 | :
Illustrations
Attributed works:
22. Self-portrait with flowered hat, by James Ensor. 1888. Oil on canvas, 76.5 by 61.5 cm. (Mu. ZEE, Ostend; exh. Royal Museum of Fine Arts, Antwerp).
Attributed works:
23. Temptation of St Anthony, by James Ensor. 1887. Coloured pencil and scraping, graphite, charcoal, crayon, coloured chalk and watercolour with cut and pasted elements on fifty-one sheets of paper laid on canvas, 179.5 by 154.7 cm. (Art Institute of Chicago; exh. Royal Museum of Fine Arts, Antwerp).
Attributed works:
24. Pride from the series Seven deadly sins, by James Ensor. 1904. Coloured etching on paper, 9.3 by 14.6 cm. (Museum of Fine Arts, Ghent; exh. Plantin-Moretus Museum, Antwerp).
Exhibition Review
Royal Museum of Fine Arts, Antwerp (KMSKA)
03/2023 | 1440 | 165
Pages: 332-335
related names
Reviewer:
Lammertse, Friso (Lammertse, Friso)
Subjects
dates:
places:
Reviewed Items
subjects:
Royal Museum of Fine Arts, Antwerp (KMSKA) from 24th September 2022 | :
Illustrations
Attributed works:
32. Restored façade of the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Attributed works:
33. Simulation of how the new construction fits in the patios of the historic building of the Royal Museum of Fine Arts, Antwerp (KMSKA). (Kaan Architecten).
Attributed works:
34. Installation view of the ‘Light’ gallery at the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Attributed works:
35. Installation view of the ‘Horizon’ gallery at the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Book Review
Rik Wouters: A Retrospective. Edited by Frederik Leen
09/2018 | 1386 | 160
Pages: 803-804
Article
Hans Memling’s Nájera altarpiece: new documentary evidence
02/2018 | 1379 | 160
Pages: 101-105
related names
Author:
Fransen, Bart (Fransen, Bart)
Subjects
artists:
dates:
media:
places:
places:
Illustrations
Attributed works:
1. God the Father surrounded b singing and musician angels (central panel), by Hans Memling. 1483–94. Panel, 169.7 by 212.7 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
2. God the Father surrounded b singing and musician angels (left flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231.5 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
3. God the Father surrounded b singing and musician angels (right flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231 cm. (Royal Museum of Fine Arts Antwerp).
Publication Received
Tiziano: Venezia e il papa Borgia. Edited by Bernard Aikema, with contributions by Bernard Aikema, Paola Artoni, Beverly Louise Brown, Isabella di Lenardo, Hélène Dubois, Peter Lüdemann, Sandra Rossi and Arie Wallert.
12/2013 | 1329 | 155
Pages: 841
related names
Reviewer:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
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Short Notice
Text and image: how St Jerome sees the Trinity
02/2007 | 1247 | 149
Pages: 95-96
related names
Author:
Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)
Subjects
dates:
Illustrations
Attributed works:
28. Holy Trinity, attributed to the Master of the Lille Adoration. c.1530. Panel, 63 by 50 cm. (Musée Magnin, Dijon).
Attributed works:
29. St Jerome, attributed to the Master of the Lille Adoration. c.1530. Panel, 62.2 by 48.9 cm. (Private collection, New York).
Exhibition Review
The Netherlandish diptych. Washington and Antwerp
02/2007 | 1247 | 149
Pages: 121-124
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
dates:
Reviewed Items
subjects:
Prayers and Portraits: Unfolding the Netherlandish diptych | institution: Koninklijk Museum voor Schone Kunsten , institution: National Gallery of Art
Illustrations
Attributed works:
49. Virgin and Child and Willem van Bibaut, by the Master of the Magdalen Legend, c.1500 (left), and by an unknown French artist, c.1523 (right). Oak panel with integral frame, 30.4 by 20.7 cm. (left), and walnut panel with integral frame, 20.4 by 14.3 cm. (right). (Private collection; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
50. Ecce Homo and Mater Dolorosa, by the workshop of Albrecht Bouts. c.1525 (left) and c.1500 (right). Combined in a seventeenth-century(?) frame, with wings in Renaissance style. Both oak panels with the original integral frames inserted into a rectangular secondary frame, 64.5 by 84 cm. (Suermondt-Ludwig-Museum, Aachen; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
51. Virgin and Child and Portrait of Philippe de Croÿ, by Rogier van der Weyden. c.1460–65. Masonite (transferred from canvas, originally on panel), 50.8 by 33 cm. (left), and oak panel, 51.5 by 33.6 cm. (right). (Huntington Library, San Marino (left), and Koninklijk Museum voor Schone Kunsten, Antwerp (right); exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
52. Portrait of Cardinal Erard de la Marck and Holy Family, by Jan Cornelisz Vermeyen. c.1528–30. Panel, 63.7 by 54.5 cm (left), and panel, 64.3 by 54.5 cm. (right). (Rijksmuseum, Amsterdam (left), and Frans Halsmuseum, Haarlem, on loan from the Netherlands Institute for Cultural Heritage, Rijswijk; exh. Koninklijk Museum voor Schone Kunsten, Antwerp). Photographs after restoration.
Western art unattributed:
49. Virgin and Child and Willem van Bibaut, by the Master of the Magdalen Legend, c.1500 (left), and by an unknown French artist, c.1523 (right). Oak panel with integral frame, 30.4 by 20.7 cm. (left), and walnut panel with integral frame, 20.4 by 14.3 cm. (right). (Private collection; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Exhibition Review
Antwerp mannerism. Antwerp and Maastricht
04/2006 | 1237 | 148
Pages: 287-289
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
ExtravagAnt: A Forgotten Chapter of Antwerp Painting 1500–1530 | institution: Bonnefanten Museum , institution: Koninklijk Museum voor Schone Kunsten
Illustrations
Attributed works:
53. Detail from Au juste pois véritable balance, by the Master of Amiens. 1518. Panel, 173 by 97 cm. (Musée de Picardie, Amiens; exh. Bonnefanten Museum, Maastricht).
Attributed works:
54. Adoration of the Magi, by Jan de Beer and workshop (Master of Amiens?). c.1515–18. Central panel, 156 by 123 cm. (Pinacoteca di Brera, Milan; exh. Bonnefanten Museum, Maastricht).
Attributed works:
55. Adoration of the Magi, by the Master of the Antwerp Adoration. c.1520–30. Central panel, 29 by 22.2 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp; exh. Bonnefanten Museum, Maastricht).
Short Notice
More on Philippe de Croy and Jean de Froimont
02/2005 | 1223 | 147
Pages: 108-09
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
41. Detail of Jean de Froimont, here attributed to an assistant of Rogier van der Weyden. c.1465. Whole panel, 51.1 by 33.2 cm. (Musees royaux des beaux-arts de Belgique, Brussels).
Attributed works:
42. Detail of Philippe de Croy, by Rogier van der Weyden. c.1455-60. Whole panel, 49 by 30 cm. (Koninlijk Museum voor Schone Kunsten, Antwerp).
Exhibition Review
Hans Vredeman de Vries. Lemgo and Antwerp
12/2002 | 1197 | 144
Pages: 771-773
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
66. Architectural fantasy, by Hans and Paul Vredeman de Vries and Dirk de Quade van Ravesteyn. 1596. 135 by 174 cm. (Kunsthistorisches Museum, Vienna; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Attributed works:
67. Design for a marquetry panel, by Hans Vredeman de Vries. c. 1562. Etching, 16.2 by 21.5 cm. (Private collection; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
Western art unattributed:
68. Buffet cup-board. Antwerp or Zeeland, c. 1600. Oak, veneered with various woods, 174 by 152 by 70 cm. (Museum Boijmans Van Beuningen, Rotterdam; exh. Koninklijk Museum voor Schone Kunsten, Antwerp).
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