Never the Same River (Possible Futures, Probable Pasts) |
institution: Camden Arts Centre
Illustrations
Attributed works:
71. Installation view of Never the Same River (Possible Futures, Probable Pasts) including False Future, by Matthew Buckingham. 2007. 16 mm. colour film on a continuous 10 min. loop, projection installation with sound, cloth, steel cable and chairs. (Courtesy of the artist; exh. Camden Arts Centre, London).
Exhibition Review
Recent and current exhibitions. London (Eva Hesse)
40. Self-portrait, Crater Lane, by Wallace Berman. 1955. Photograph. (Estate of Wallace Berman, courtesy Kristine McKenna/Michael Kohn Gallery, Los Angeles; exh. Camden Arts Centre, London).
Attributed works:
41. Semina (editions 1–9), edited by Wallace Berman, with various contributors. 1955–64. Mixed media, limited edition of artist’s publication. (Estate of Wallace Berman; exh. Camden Arts Centre, London).
60. Installation view of the exhibition Richard Prince at the Serpentine Gallery, London, 2008, showing a selection from the Hoods series.
Attributed works:
61. Monsters and stuff, by Tom Friedman. 2008. Magazine collage, 203.2 by 569 cm. (Courtesy of Gagosian Gallery, London).
Attributed works:
62. that open space within, by Anya Gallaccio. 2008. Dead horse-chestnut tree, rope and findings, dimensions variable. (Thomas Dane Gallery, London; exh. Camden Arts Centre, London).
Attributed works:
63. Women from Antwerp in November, by Chantal Akerman. 2007. Video installation (detail). (Marian Goodman Gallery, New York/Paris; exh. Camden Arts Centre, London).
Exhibition Review
Kenneth and Mary Martin. London, St Ives and Bexhill-on-Sea
66. Mobile, by Kenneth Martin. 1967–68. Brass, 92.9 by 92.9 by 92.9 cm. (Nuffield Institute for Comparative Medicine, London Zoo; exh. Tate St Ives).
Attributed works:
67. Order + change (No chance). Generated by one straight line/Destruction of the square, by Kenneth Martin. 1984. Canvas, 50.8 by 102 cm. (Estate of Kenneth Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Attributed works:
68. Columbarium, by Mary Martin. 1951. Plaster, 23 by 22.5 by 4.5 cm. (Estate of Mary Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
41. Untitled (7-122) by Thomas Nozkowski. 1999. Linen on panel, 55.9 by 71.1 cm. (Exh. Haunch of Venison, London).
Attributed works:
42. Russian shooter, by Artlab (Charlotte Cullinan and Jeanine Richards). 2003. 60 by 76 cm. (Courtesy Mobile Home; exh. Whitechapel Art Gallery, London).
Attributed works:
43. Hero, by Christopher Wool. 2003. Enamel on linen, 274.4 by 182.8 cm. (Courtesy the artist and Luhring Augustine, New York; exh. Camden Arts Centre, London).
29. Details of Duration Piece #5, New York, April 1969, by Douglas Huebler. 1969. Photographs. (Museum of Fine Arts, Santa Fe; Exh. Camden Arts Centre, London).