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8 articles
Exhibition Review
Arte Povera (Pino Pascali). London
11/2011 | 1304 | 153
Pages: 758-760
related names
Reviewer:
Cullinan, Nicholas (Cullinan, Nicholas)
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Reviewed Items
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‘. . . a multitude of soap bubbles which explode from time to time . . .’. Pino Pascali’s final works 1967–68 | institution: Camden Arts Centre
Illustrations
Attributed works:
66. Installation view of Pino Pascali’s final works 1967–68 at Camden Arts Centre, London, 2011.
Exhibition Review
Contemporary exhibitions. London (Never the Same River (Possible Futures, Probable Pasts))
04/2011 | 1297 | 153
Pages: 272-274
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Reviewer:
Major, George (Major, George)
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Art
Reviewed Items
subjects:
Never the Same River (Possible Futures, Probable Pasts) | institution: Camden Arts Centre
Illustrations
Attributed works:
71. Installation view of Never the Same River (Possible Futures, Probable Pasts) including False Future, by Matthew Buckingham. 2007. 16 mm. colour film on a continuous 10 min. loop, projection installation with sound, cloth, steel cable and chairs. (Courtesy of the artist; exh. Camden Arts Centre, London).
Exhibition Review
Recent and current exhibitions. London (Eva Hesse)
04/2010 | 1285 | 152
Pages: 264-265
related names
Reviewer:
Major, George (Major, George)
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Studio­works | institution: Camden Arts Centre
Illustrations
Attributed works:
63. Installation view of works by Eva Hesse. 1965–69. Mixed media, dimensions variable. (Exh. Camden Arts Centre, London).
Exhibition Review
Wallace Berman
12/2008 | 1269 | 150
Pages: 844
related names
Reviewer:
Bradnock, Lucy (Bradnock, Lucy)
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Reviewed Items
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Wallace Berman | institution: Camden Arts Centre
Illustrations
Attributed works:
40. Self-portrait, Crater Lane, by Wallace Berman. 1955. Photograph. (Estate of Wallace Berman, courtesy Kristine McKenna/Michael Kohn Gallery, Los Angeles; exh. Camden Arts Centre, London).
Attributed works:
41. Semina (editions 1–9), edited by Wallace Berman, with various contributors. 1955–64. Mixed media, limited edition of artist’s publication. (Estate of Wallace Berman; exh. Camden Arts Centre, London).
Exhibition Review
Recent and current exhibitions
09/2008 | 1266 | 150
Pages: 627-629
related names
Reviewer:
Cullinan, Nicholas (Cullinan, Nicholas)
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artists:
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print:
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Reviewed Items
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Anya Gallaccio | institution: Camden Arts Centre
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Chantal Akerman | institution: Camden Arts Centre
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Gary Hume: Door Paintings | institution: Modern Art Oxford
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Monsters and Stuff | institution: Gagosian Gallery
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Richard Prince | institution: Gagosian Gallery
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Richard Prince: Continuation | institution: Serpentine Gallery
Illustrations
Attributed works:
60. Installation view of the exhibition Richard Prince at the Serpentine Gallery, London, 2008, showing a selection from the Hoods series.
Attributed works:
61. Monsters and stuff, by Tom Friedman. 2008. Magazine collage, 203.2 by 569 cm. (Courtesy of Gagosian Gallery, London).
Attributed works:
62. that open space within, by Anya Gallaccio. 2008. Dead horse-chestnut tree, rope and findings, dimensions variable. (Thomas Dane Gallery, London; exh. Camden Arts Centre, London).
Attributed works:
63. Women from Antwerp in November, by Chantal Akerman. 2007. Video installation (detail). (Marian Goodman Gallery, New York/Paris; exh. Camden Arts Centre, London).
Exhibition Review
Kenneth and Mary Martin. London, St Ives and Bexhill-on-Sea
10/2007 | 1255 | 149
Pages: 722-723
related names
Reviewer:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
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Kenneth Martin & Mary Martin: Constructed Works | institution: Camden Arts Centre , institution: De la Warr Pavilion , institution: Tate St Ives
Illustrations
Attributed works:
66. Mobile, by Kenneth Martin. 1967–68. Brass, 92.9 by 92.9 by 92.9 cm. (Nuffield Institute for Comparative Medicine, London Zoo; exh. Tate St Ives).
Attributed works:
67. Order + change (No chance). Generated by one straight line/Destruction of the square, by Kenneth Martin. 1984. Canvas, 50.8 by 102 cm. (Estate of Kenneth Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Attributed works:
68. Columbarium, by Mary Martin. 1951. Plaster, 23 by 22.5 by 4.5 cm. (Estate of Mary Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Exhibition Review
Contemporary Art. London and Glasgow
06/2004 | 1215 | 146
Pages: 419-420
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
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Reviewed Items
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Beck's Futures | institution: Centre for Contemporary Arts
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Christopher Wool | institution: Camden Arts Centre
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Edge of the Real | institution: Whitechapel Art Gallery
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Painting 2004 | institution: Victoria Miro (gallery)
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Thomas Nezkowski | institution: Haunch of Venison
Illustrations
Attributed works:
41. Untitled (7-122) by Thomas Nozkowski. 1999. Linen on panel, 55.9 by 71.1 cm. (Exh. Haunch of Venison, London).
Attributed works:
42. Russian shooter, by Artlab (Charlotte Cullinan and Jeanine Richards). 2003. 60 by 76 cm. (Courtesy Mobile Home; exh. Whitechapel Art Gallery, London).
Attributed works:
43. Hero, by Christopher Wool. 2003. Enamel on linen, 274.4 by 182.8 cm. (Courtesy the artist and Luhring Augustine, New York; exh. Camden Arts Centre, London).
Exhibition Review
Douglas Huebler: London
05/2002 | 1190 | 144
Pages: 307-308
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
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Catalogue: Douglas Hueber: Essay | institution: Camden Arts Centre
Illustrations
Attributed works:
29. Details of Duration Piece #5, New York, April 1969, by Douglas Huebler. 1969. Photographs. (Museum of Fine Arts, Santa Fe; Exh. Camden Arts Centre, London).
Attributed works:
30. Detail of Variable Piece #7, Limoges, France, December 1992, by Douglas Huebler. 1992. Photograph. (Collection of Marielle and Frédéric Paul, © DACS, London; Exh. Camden Arts Centre, London).