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13 articles
Exhibition Review
Haegue Yang: Strange Attractors
08/2021 | 1421 | 163
Pages: 759-761
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Reviewer:
Bolwell, Sarah (Bolwell, Sarah)
Subjects
artists:
Li, Yuan-chia / Yang, Haegue, b. 1971
dates:
2020-2030
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
subjects:
Chinese art / Korean art / British art / Contemporary art
Reviewed Items
subjects:
Haegue Yang: Strange Attractors Tate St Ives 24th October 2020– 26th September 2021 | :
Illustrations
Attributed works:
30. Detail of non-linear and non-periodic dynamics, by Haegue Yang. 2020. Digital print on selfadhesive vinyl film, dimensions variable. (© the artist; exh. Tate St Ives; photograph Matt Greenwood).
Attributed works:
31. Installation view of Haegue Yang: Strange Attractors at Tate St Ives, 2021, showing Sonic intermediate – parameters and unknowns after Li, by Haegue Yang. 2020. Powdercoated steel frame, copper and nickel-plated bells, metal rings, plastic twine and broom, 215 by 172 by 172 cm. (Courtesy Galerie Barbara Wien, Berlin; photograph Matt Greenwood).
Attributed works:
32. Untitled, by Li Yuan-chia. 1993. Handcoloured blackand- white print, 24.6 by 20.5 cm. (© Li Yuan-chia Foundation; exh. Tate St Ives; DACS / Artimage 2021; photograph Phil Gammon).
Exhibition Review
Patrick Heron. Turner Contemporary, Margate
11/2018 | 1388 | 160
Pages: 950-952
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Reviewer:
Treves, Toby (Treves, Toby)
Subjects
artists:
Heron, Patrick
dates:
2010-2019
media:
Paintings
museums and institutions:
Tate St Ives, Saint Ives, Great Britain / Turner Contemporary, Margate, Great Britain
places:
Great Britain / St Ives / Margate
subjects:
British painting / French painting / Style / Abstract art / Figurative art / Tachiste / Landscapes (visual works) / Interior views / Formalism / Perception / Colour
Illustrations
Attributed works:
1. Installation view of Patrick Heron at Tate St Ives, 2018.
Attributed works:
2. Mainly ultramarine and venetian: November 1966, by Patrick Heron. 1966. Canvas, 182.9 by 213.4 cm. (Private collection; exh. Turner Contemporary, Margate).
Attributed works:
3. Sydney garden painting: December 1989: II, by Patrick Heron. 1989. Canvas, 152.4 by 213.4 cm. (Private collection; © Estate of Patrick Heron; exh. Turner Contemporary, Margate).
Publication Received
Modern Art and St Ives. By Paul Denison, Sara Matson, Rachel Smith, Chris Stephens and Michael White.
05/2015 | 1346 | 157
Pages: 359
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Reviewer:
Bond, Timothy (Bond, Timothy)
Subjects
dates:
2010-2019 / 1910-1919 / 1920-1929 / 1930-1939 / 1940-1959 / 1960-1969
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
subjects:
Exhibitions / British painting / British sculpture / Saint Ives Colony
subjects:
Abstract art / Influence / Visual sources
subjects:
Modern Art
Exhibition Review
William Scott. St Ives
09/2013 | 1326 | 155
Pages: 640-642
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Reviewer:
Treves, Toby (Treves, Toby)
Subjects
artists:
Scott, William, 1913-1989
dates:
2010-2019
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
places:
Saint Ives / England
subjects:
Reviews / Exhibitions
Exhibition Review
Peter Lanyon. St Ives
01/2011 | 1294 | 153
Pages: 56-57
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Reviewer:
Dunne, Nathan (Dunne, Nathan)
Subjects
artists:
Lanyon, Peter
dates:
2010-2019
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
places:
Saint Ives / Cornwall / England
print:
Lanyon, Peter
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Peter Lanyon | institution: Tate St Ives
Illustrations
Attributed works:
62. Field landing, by Peter Lanyon. 1963–64. Mixed media, 93 by 153 by 53.9 cm. (Austin/Desmond Fine Art Ltd.; exh. Tate St Ives).
Attributed works:
63. High ground, by Peter Lanyon. 1956. Oil on board, 119.3 by 182.8 cm. (Private collection; exh. Tate St Ives).
Attributed works:
64. Generation, by Peter Lanyon. 1947. Oil on board, 87.6 by 33.6 cm. (Private collection; exh. Tate St Ives).
Publication Received
Pioneers of St Ives Art at Home and Abroad (1889–1914)
04/2010 | 1285 | 152
Pages: 260
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Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
2000-2009 / 1890-1899 / 1900-1919
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
print:
Saint Ives
print:
British art
subjects:
British painting / British sculpture / Saint Ives Colony / Exhibitions / Art history
Reviewed Items
subjects:
Pioneers of St Ives Art at Home and Abroad (1889–1914) | author: Tovey, David
Publication Received
St Ives Art pre-1890: The Dawn of the Colony
04/2010 | 1285 | 152
Pages: 260
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related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
1850-1899
dates:
2000-2009
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
print:
British art
subjects:
British painting / British sculpture / Saint Ives Colony / Art history
subjects:
Exhibitions
Reviewed Items
subjects:
St Ives Art pre-1890: The Dawn of the Colony | author: Tovey, David
Exhibition Review
Kenneth and Mary Martin. London, St Ives and Bexhill-on-Sea
10/2007 | 1255 | 149
Pages: 722-723
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Reviewer:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
Martin, Kenneth / Martin, Mary
dates:
2000-2009
museums and institutions:
Camden Arts Centre, London, Great Britain / Tate St Ives, Saint Ives, Great Britain
museums and institutions:
De la Warr Pavilion, Bexhill-on-Sea, Great Britain
places:
London / Saint Ives / Bexhill-on-Sea / England
print:
Martin, Kenneth
print:
Martin, Mary
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Kenneth Martin & Mary Martin: Constructed Works | institution: Camden Arts Centre , institution: De la Warr Pavilion , institution: Tate St Ives
Illustrations
Attributed works:
66. Mobile, by Kenneth Martin. 1967–68. Brass, 92.9 by 92.9 by 92.9 cm. (Nuffield Institute for Comparative Medicine, London Zoo; exh. Tate St Ives).
Attributed works:
67. Order + change (No chance). Generated by one straight line/Destruction of the square, by Kenneth Martin. 1984. Canvas, 50.8 by 102 cm. (Estate of Kenneth Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Attributed works:
68. Columbarium, by Mary Martin. 1951. Plaster, 23 by 22.5 by 4.5 cm. (Estate of Mary Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Exhibition Review
Ellsworth Kelly. London and St Ives
06/2006 | 1239 | 148
Pages: 433-434
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Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Kelly, Ellsworth
dates:
2000-2009
museums and institutions:
Serpentine Gallery, London, Great Britain / Tate St Ives, Saint Ives, Great Britain
places:
London / Saint Ives / England
print:
Kelly, Ellsworth
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Ellsworth Kelly | institution: Serpentine Gallery
Illustrations
Attributed works:
67. Red relief over dark blue, by Ellsworth Kelly. 2004. Canvas, two joined panels, 203.2 by 188 by 7 cm. (Collection of the artist; exh. Serpentine Gallery, London).
Attributed works:
68. Green, orange, yellow, by Ellsworth Kelly. 2004. Canvas, three joined panels, 219.1 by 167 cm. (Private collection; exh. Serpentine Gallery, London).
Exhibition Review
Naum Gabo. St Ives
10/2002 | 1195 | 144
Pages: 641-643
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related names
Reviewer:
Wallersteiner, Anthony (Wallersteiner, Anthony)
Subjects
dates:
2000-2009
museums and institutions:
Tate St Ives, Saint Ives, Great Britain
places:
England / Saint Ives
subjects:
Gabo, Naum
Illustrations
Attributed works:
54. Model for Constructed Torso, by Naum Gabo. 1917, Reassembled 1981. Cardboard, 39.5 by 29 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
55. Construction in Space: Diagonal, by Naum Gabo. 1921-25. Glass, Metal and Celluloid, 61 by 16.3 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
56. Construction in Space with Crystalline Centre, by Naum Gabo. 1938-40. Perspex and Celluloid, 32.4 by 47 by 22 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
57. Opus 2, by Naum Gabo. 1950. Wood Engraving, 20 by 15.6 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
58. Opus 8, by Naum Gabo. c.1969. Wood Engraving, 30.4 by 23.9 cm. (Tate, London; Exh. Tate St Ives).
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