Creative Gatherings: Meeting Places
of Modernism
By Mary Ann Caws. 352 pp. incl. 133 col.
+ 78 b. & w. ills. (Reaktion Books, London, 2019),
£25. ISBN 978–1–78914–055–2. |
:
41. Walk along the quay, by Terry Frost. 1950. Canvas, 152.5 by 56 cm. (Private collection).
Attributed works:
42. Composition, by Adrian Heath. 1951–52. Canvas, 61 by 51 cm. (Private collection).
Attributed works:
43. Coloured relief, by Ben Nicholson. 1938. Oil, pencil and wash on carved board, 33.9 by 44.15 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
44. Wall relief, by Victor Pasmore. 1950. Painted plaster, 244 by 580 cm. (Kingston bus station canteen, London; destroyed).
Attributed works:
45. St Ives harbour from 3 St Andrew’s Street, by Victor Pasmore. 1950. Pen and ink, 21.5 by 28 cm. (Courtesy Offer Waterman & Co., London).
Attributed works:
46. Beach in Cornwall, by Victor Pasmore. 1950. Pen and ink on card, 26 by 32.4 cm. (Arts Council Collection, London).
Attributed works:
47. View south from Porthmeor Beach, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy of Gimpel Fils, London).
Attributed works:
48. Spiral motif: green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950. Canvas, 81.2 by 100.3 cm. (Tate, London).
Attributed works:
49. The waterfall, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 27 by 38 cm. (Courtesy Gimpel Fils, London).
Attributed works:
50. The waterfall, by Victor Pasmore. 1950–51. Black and white tile mural, 976 by 854 cm. (South-east wall of the Regatta Restaurant, Festival of Britain, London; destroyed).
Attributed works:
51. Square motif, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy Gimpel Fils, London).
Exhibition Review
Kenneth and Mary Martin. London, St Ives and Bexhill-on-Sea
66. Mobile, by Kenneth Martin. 1967–68. Brass, 92.9 by 92.9 by 92.9 cm. (Nuffield Institute for Comparative Medicine, London Zoo; exh. Tate St Ives).
Attributed works:
67. Order + change (No chance). Generated by one straight line/Destruction of the square, by Kenneth Martin. 1984. Canvas, 50.8 by 102 cm. (Estate of Kenneth Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
Attributed works:
68. Columbarium, by Mary Martin. 1951. Plaster, 23 by 22.5 by 4.5 cm. (Estate of Mary Martin, courtesy Annely Juda Fine Art, London; exh. Tate St Ives).
67. Red relief over dark blue, by Ellsworth Kelly. 2004. Canvas, two joined panels, 203.2 by 188 by 7 cm. (Collection of the artist; exh. Serpentine Gallery, London).
Attributed works:
68. Green, orange, yellow, by Ellsworth Kelly. 2004. Canvas, three joined panels, 219.1 by 167 cm. (Private collection; exh. Serpentine Gallery, London).
54. Model for Constructed Torso, by Naum Gabo. 1917, Reassembled 1981. Cardboard, 39.5 by 29 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
55. Construction in Space: Diagonal, by Naum Gabo. 1921-25. Glass, Metal and Celluloid, 61 by 16.3 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
56. Construction in Space with Crystalline Centre, by Naum Gabo. 1938-40. Perspex and Celluloid, 32.4 by 47 by 22 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
57. Opus 2, by Naum Gabo. 1950. Wood Engraving, 20 by 15.6 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
58. Opus 8, by Naum Gabo. c.1969. Wood Engraving, 30.4 by 23.9 cm. (Tate, London; Exh. Tate St Ives).