71. Signs that say what you want them to say and not signs that say what other people want them to say, by Gillian Wearing. 1992–93. C-type print mounted on aluminium, dimensions variable. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London)
Attributed works:
72. Trauma, by Gillian Wearing. 2000. Colour video on monitor with sound, 30 mins. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
Attributed works:
73. Me as Cahun holding a mask of my face, by Gillian Wearing. 2012. Framed bromide print, 149 by 120.5 cm. (Courtesy of Maureen Paley, London; exh. Whitechapel Gallery, London).
28. Broadway boogie woogie (Sculptural study, twenty-part vertical construction), by Fred Sandback. 1991/2011. Red, yellow and blue acrylic yarn, dimensions variable. (Courtesy of the artist and David Zwirner, New York; exh. Whitechapel Gallery, London).
Exhibition Review
London exhibitions. London (Paul Graham: Photographs 1981–2006)
26. Man reading paper, Bloomsbury DHSS, Central London, by Paul Graham. 1985. Photographic print, 87.2 by 106 cm. (Courtesy of the artist and Anthony Reynolds Gallery, London; exh. Whitechapel Gallery, London).
69. Boat, by Bethan Huws. 1983–92. Reed, approx. 3 cm. high. (Courtesy of the artist; A.D.A.G.P. Paris and DACS London; exh. Whitechapel Gallery, London).
40. General view of the Island of Neveranger, by Adolf Wölfli. 1911. Pencil and crayon on newsprint, 99.8 by 71.2 cm. (Adolf-Wölfli-Stiftung, Kunstmuseum Bern; exh. Irish Museum of Modern Art, Dublin).
Attributed works:
41. The Cancan (La danse du Cancan), by Guillaume Pujolle. 1922. Watercolour on paper, 31 by 23.3 cm. (Irish Museum of Modern Art, Dublin, on loan from the Musgrave Kinley Outsider Art Collection; exh. Irish Museum of Modern Art, Dublin).
67. Underwater world, by Paul McCarthy and Damon McCarthy. 2005. Steel, wood and motor, 730 by 1257 by 910 cm. (Exh. Haus der Kunst, Munich).
Attributed works:
68. Penis hat, by Paul McCarthy. 2001. Charcoal, pencil, oil stick and collage on paper, 425.1 by 254 cm. (Judith Rothschild Foundation Contemporary Drawings Collection, New York; exh. Haus der Kunst, Munich).
55. The day after, by Edvard Munch. 1894-95. 115 by 152 cm. (National Gallery, Oslo; exh. Whitechapel Art Gallery, London).
Attributed works:
56. Stills from Crumpling Shanghai, by Song Dong. 2000. Video. (The artist; exh. Whitechapel Art Gallery, London).
Attributed works:
57. The dry cleaning store, by George Segal. 1964. Plaster, wood, metal, neon and paper, 213 by 213 by 244 cm. (Moderna Museet, Stockholm; exh. Whitechapel Art Gallery, London).
Attributed works:
Le Bal masqué à l'Opéra, by Edouard Manet. 1873. 59.1 by 72.5 cm. (National Gallery of Art, Washington; exh. Whitechapel Art Gallery, London).