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20 articles
Book Review
The Radical Print: Art and Politics in Late Eighteenth-Century Britain
02/2025 | 1463 | 167
Pages: 194–195
related names
Reviewer:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
subjects:
Reviewed Items
subjects:
The Radical Print: Art and Politics in Late Eighteenth-Century Britain By Esther Chadwick. 248 pp. incl. 200 col. + b. & w. ills. (Paul Mellon Centre, London, 2024), £45. ISBN 978–1–913107–43–7. | :
Book Review
James Gillray: A Revolution in Satire
08/2023 | 1445 | 165
Pages: 924-925
related names
Reviewer:
Ogée, Frédéric (Ogée, Frédéric)
Subjects
artists:
media:
Reviewed Items
subjects:
James Gillray: A Revolution in Satire By Tim Clayton. 408 pp. incl. 205 col. + b. & w. ills. (Paul Mellon Centre for Studies in British Art, London, 2022), £50. ISBN 978–1–913107–32–1. | :
Illustrations
Attributed works:
6. Sin, Death, and the Devil, by James Gillray. Published by Hannah Humphrey, 9th June 1792. Etching, 31.8 by 40.3 cm. (Photograph Andrew Edmunds).
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10/2022 | 1435 | 164
Pages: i-xx
Subjects
Illustrations
Attributed works:
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. [SIMON PILLING, 8 DUKE STREET, SW1. Asian Art London]
Attributed works:
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1[Asian Art LOndon]
Attributed works:
Adventure in technos dystopium – dystopium infi nite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm. [EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST. Frieze Masters]
Attributed works:
An exceptionally fi ne saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1. [Asian Art London]
Attributed works:
Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 227/8 x 13¾ in. [TRINITY FINE ART]
Attributed works:
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. [BERNARD JACOBSON GALLERY, LONDON. Frieze Masters]
Attributed works:
Buddha Amoghasiddhi. Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm. [CARLTON ROCHELL ASIAN ART, NEW YORK. Frieze Masters]
Attributed works:
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE Est. £30,000-50,000 (+ fees). [Dreweatts]
Attributed works:
Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022 [Dorotheum]
Attributed works:
Evaristo Baschenis. Still Life with Musical Instruments. [Galerie Canesso]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm. [Arte-Fact]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. [ANDREW EDMUNDS, LONDON. Frieze Masters]
Attributed works:
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right) Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42 x 29 x 10 cm (16 1/2 x 11 3/8 x 4 in.) [Robilant and Voena]
Attributed works:
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7. Asian Art London]
Attributed works:
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm. [PETER HARRINGTON RARE BOOKS, LONDON. Frieze Masters]
Attributed works:
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. [HELLY NAHMAD GALLERY, LONDON. Frieze Masters]
Attributed works:
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm. ELLIOTT FINE ART, LONDON. Frieze Masters]
Attributed works:
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm. [GALERIE MITTERAND, PARIS. Frieze Masters]
Attributed works:
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. [GALERIE DE JONCKHEERE, GENEVA. Frieze Masters]
Attributed works:
Study of the hands of the Virgin, by Jean-Auguste- Dominique Ingres (1780– 1867). c.1836. Pencil on paper, 23.3 by 14.4 cm. [STEPHEN ONGPIN, LONDON. Frieze Masters]
Attributed works:
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm.[ JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1. Asian Art London]
Non-western art unattributed:
A lion-shaped incense burner. Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4. Asian Art London]
Non-western art unattributed:
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT) [Asian Art London]
Non-western art unattributed:
Head of a man. South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm. [ARIADNE GALLERIES, LONDON. Frieze Masters]
Non-western art unattributed:
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm. [J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. [MARCHANT, 120 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Snuff bottle. China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm. [SUSAN PAGE, 15 STRATTON STREET, W1. Asian Art London]
Non-western art unattributed:
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. [BONHAMS, 101 NEW BOND ST, W1. Asian Art London]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
Western art unattributed:
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent. Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705. Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.Lot 47 A lateantique silver casket with Christogram, incised decoration and gilding, 4th century A.D.Lot 372 A Gothic Madonna with apple, Salzburg, circa 1420. [Hermann Historica]
Exhibition Review
Feast and Fast: The Art of Food in Europe, 1500–1800. Fitzwilliam Museum, Cambridge
03/2020 | 1404 | 162
Pages: 246-248
related names
Reviewer:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Feast and Fast: The Art of Food in Europe, 1500–1800 Fitzwilliam Museum, Cambridge 26th November 2019–26 April | :
Illustrations
Attributed works:
18. Interior, with an old woman peeling apples, by David Teniers the Younger. c.1640–60. Oil on panel, 35.6 by 46.4. cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Recreation of an English Renaissance sugar banquet for a wedding c.1610, conceived and made by Ivan Day for the exhibition Feast and Fast: The Art of Food in Europe 1500–1800 at the Fitzwilliam Museum, Cambridge, 2019.
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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
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06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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04/2018 | 1381 | 160
Pages: n.p.
Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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04/2017 | 1369 | 159
Pages: s.p.
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]
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04/2016 | 1357 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds, London. A pair of polished gentleman, by James Gillray (1756-1815). 1801. Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm]
Attributed works:
[August Laube, Zurich. Veduta di Piazza Navona sopra le rovine del Circo Agonale, by Giovanni Battista Piranesi (1720-78). 1751. Etching, 46.3 by 69.7 cm]
Attributed works:
[Bernard Jacobson Graphics, London. Black for Mozart, by Robert Motherwell (1915-91). 1991. Lithograph and collage, 162.6 by 104.1 cm]
Attributed works:
[C.G. Boerner, New York and Düsseldorf. A beggar seated on a bank (self portrait), by Rembrandt Harmensz van Rijn (1606-69). 1630. Etching, 11.7 by 7 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), Christ carrying the cross (detail), oil on carpet, 49.5 x 36.5 cm]
Attributed works:
[Fine Art Society, London. The marriage at Cana, by Stanley Spencer (1891-1959). 1953. Lithograph, 64.5 by 52 cm]
Attributed works:
[Galerie Alexis Bordes. 4,rue de la Paix. Paris. François Boucher (Paris, 1703-1770). Study of a Male Head wearing a Turkish Turban. c.1745. Sanguine. 21.8 x 16.7 cm (8 9/16 x 6 9/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Massimo Stanzione (Orta di Atella, c.1585 - Naples, c. 1658. Bathsheba at the her Bath. Oil on canvas, 193 x 146 cm (76 x 57 1/2 in)]
Attributed works:
[Gallery Jin, Tokyo. Jam-packed sushi, by Kurumi Wakaki, 2011. Water-based woodcut on Japanese paper, 50 by 80 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Théodule Ribot. THE FULL BOTTLE. Oil on canvas on wood. 58.7 x 40.5 cm (23 1/8 x 16 in). Signed.]
Attributed works:
[Himmelbau Printmaking Finland, Tampere. Stage 1, by Janne Laine, 2015. Etching and photogravure, 59 by 106 cm]
Attributed works:
[Karl & Faber. Amirplatz 3. Munich. Jean-François Raffaëlli, Printemps de Paris.]
Attributed works:
[Karsten Schubert, London. Bagatelle 3, by Bridget Riley. 2015. Screenprint on paper, 67 by 58.5 cm (sheet)]
Attributed works:
[Museo del Prado, Madrid. Georges de La Tour, The Cheat with the Ace of Diamonds, Paris, Musée du Louvre, Dèpartement des Peintures.]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. Hans Schäufelin (c. 1480785 - c.1540). Bearing of the Cross, c. 1516/17. Oil/panel, 52 x 43 cm]
Attributed works:
[Osborne Samuel, London. The windmill, by Sybill Andrews (1898-1992). 1933. Linocut, 33 by 23.2 cm]
Attributed works:
[Paragon | Contemporary Editions, London. Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015. Woodcut with lithographic underlays, 72.5 by 48.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A cased pair of flintlock duelling pistols by Joseph Manton, from 1815]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Royal Academy. Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London]
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06/2002 | 1191 | 144
Pages: i-xxxii
Subjects
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Illustrations
Attributed works:
Brooch-Pendant by Augusto Castellani, with a Sapphire Engraved by Giorgio Antonio Girardet. 1887-88. Enamelled Gold, Set with an Engraved Sapphire, Rubies, Pearls and a Diamond, 9.4 by 5.2 cm. (Victoria and Albert Museum, London)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Jean Louis Andre Theodore Géricault (1791 - 1824) Recto: Studies of Two Heads and Four Legs of a Dog Pen and Brown Ink over Traces of Black Chalk, within Brown Ink Framing Lines, 208 × 131mm Estimate: £6,000 - 8,000
Attributed works:
[C.John, 70 South Audley Street, London, UK] A Mortlake Tapestry Woven in Red, Blue and Brown Wools and Silks, Depicting a Scene from the Life of Diogenes with a Philosopher Departing from Diogenes, Who Is Seated Outside His Barrel with a Fort beyond. The Cartouche Inscribed, Qui Domu Amrit Hanc Me Sepeliat and Set within a Foliage Border and a Bead and Reed Frame with Strapwork Scrolls, Flowers and Foliage with the Mortlake Shield. Late 17th Century. Dimensions, 107 × 71½ in (272 × 182 cm).
Attributed works:
[Christie's, 8 King Street, London, UK] Giambattista Tiepolo (Venice 1696-1770 Madrid) The Lamentation. Oil on Canvas 23¼ × 16 in. (59 × 40.5 cm.); Excluding Additions of Approx 1¼ in. to Both Sides Estimate: £1,000,000-1,500,000
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Detail of Leda and the Swan, Massimiliano Soldani Benzi (Florence 1656-1740)
Attributed works:
[David Jones, 65, rue du Faubourg Saint-Honore, Paris, France] François le Moyne 1688-1737, a Head of Christ Black, Red and White Chalk. 325 × 229 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Collier-de-Chien, by René Lalique, Paris, c.1900. Gold, Diamond and Plique-à-Jour Enamel, Width 5cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Tankard, with an Unrecorded Mark (The Arms of Saxony), probably Dresden, c.1530-50. Silver-Gilt and Enamel, ht 26.6 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Unicorn Cup Carved from a Narwhal Tusk, Circle of Leonard Kern (1588-1662). Ivory, ht 15.2 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] One of a Pair of Silver Three-Light Candelabra, London, 1808, Made by Paul Storr for Rundell, Bridge & Rundell, London, Ht 70.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Two Opposing Forms (Grey and Green), by Barbara Hepworth. Marble, ht.27.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Young Woman Holding a Piece of Sewing, by Gwen John. Oil on Canvas, 46 × 38 cm.
Attributed works:
[Exh. Master Drawings Week, London] A Study of Heads, James Gillray, (1756-1815). Pen and Black Ink and Watercolour, 169 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] American Drinks, by George Lepape, (1887-1971). Pen and Ink and Watercolour, 253 × 243mm.
Attributed works:
[Exh. Master Drawings Week, London] Diana in a Medallion, by Jacob Matham, (1571-1631). Pen and Brown Ink and Wash, 137 × 114mm.
Attributed works:
[Exh. Master Drawings Week, London] Jacopo Ligozzi Verona c.1547-1627 Florence. An Allegory of the Fall and Redemption of Man Pen and Ink, Brown Wash, Heightened with White, 415 × 275mm
Attributed works:
[Exh. Master Drawings Week, London] Mercury and Argos, by Pierre Henri de Valencienne, (1750-1819). Black Chalk, 514 × 400mm.
Attributed works:
[Exh. Master Drawings Week, London] Portrait of Peter Francis Nassau, by Richard Cosway, (c1742-1821). Graphite and Watercolour, 228 × 147mm.
Attributed works:
[Exh. Master Drawings Week, London] Preparatory Study for the Planes of Heaven, by John Martin, (1789-1854). Watercolour, Signed and Dated 1851.
Attributed works:
[Exh. Master Drawings Week, London] Studies of a Lion and a Wolf (Detail), by Bartolomeo Passarotti, (1529-1592). Red Chalk, 268 × 189mm.
Attributed works:
[Exh. Master Drawings Week, London] Study for a Seated Prophet, Luca Signorelli, (1441-1523). Black Chalk Heightened with White, 11 5/8 by 8¼ in.
Attributed works:
[Exh. Master Drawings Week, London] View of the Villa Aldobrandini at Frascati, Seen from the Garden, Hubert Robert, (1733-1808). Red Chalk, 309 × 448mm.
Attributed works:
[Exh. Master Drawings Week, London]The Head of a Young Boy Crowned with Laurel, by Lorenzo Credi, (c.1457-1537). Black Chalk and Partly Pricked for Transfer, 230 × 212mm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Netherlandish Alabaster Carving of the Pietà. Height: 33 cm (13 in). Width: 24 cm (9½ in). Depth: 13 cm (5 in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Console Table in the Manner of Matthias Lock, English, c.1745. Gilt-Wood with Marble Top, 87 × 137 × 69 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Louis XVI urns. French c.1790. Ormolu-Mounted Marble, bt.32.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Renaissance Revival Pendant, by A. Phillips. English, c.1860.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Three Dimensional Needlework Embroidery (Stumpwork) Depicting the Biblical Scene of Esther Presenting Herself to King Ahasuerus. English, c.1650. 44 × 54 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Lady with a Fan by Albert Ludovici Junior (1852-1932). British. Oil on Panel, 18.5 × 11 cm (7½ × 4½ in).
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Console Tables, by Gabriele Capello after Drawings by Pelagio Palagi. Italian c.1835. Yew wood, 110 × 117 × 59.5 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Pompeo Batoni (Lucca 1708 - 1787 Rome) Portrait of Robert Clements, Later 1st Earl of Leitrim (1732-1804). Oil on Canvas, 101 × 73 cm (39 /34 x 28 3/4 ins)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Paul Colin (1889-1985) La folie de la danse Pen and Ink and Gouache, 21.8 × 16 cm Marcel Sauvage, Les Mémoires de Joséphine Baker, Paris, Undated (1927), p. 21
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Philips Wouwerman (1619 - Haarlem - 1668) Soldiers Carousing with a Serving Woman Outside a Tent. Oil on panel. 16 × 13 3/4 in. (40.7 × 35 cm)
Attributed works:
[Keshishian, 73 Pimlico Road, London, UK] The Defeat of Porus A Fine Brussels Tapestry from the Series The Story of Alexander after Charles Le Brun, Woven in the Workshop of Geraert Peemans, Circa 1690. 16 ft 5 in × 10 ft 8 in (487 × 311 cm). Similar Example: Wurzburg Palace, Residenz, Germany.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Robert Cozens 1752 - 1797. The Valley of the Eisak near Brixen in the Tyrol Watercolour Size: 9 7/8 x 14 7/8 Inches Painted Circa 1783-4
Attributed works:
[Marks Fine Antique Silver, 49 Curazon Street, London, UK] The Strafford Wine Coolers. A Remarkable Pair of Queen Anne Silver Wine Coolers David Willaume, London, Circa 1711
Attributed works:
[National Gallery of Ireland, Merrion Square West, Dublin, Ireland] Julius Gari Melchers, The Communicant, c.1900, Oil on Canvas, Courtesy of Detroit Institute of Arts
Attributed works:
[National Portrait Gallery, London, UK] Georgiana, Lady Greville by George Romney, c.1771 © Courtauld Gallery, Courtauld Institute, London
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] The Harvey Suite: A Set of George III Drawing Room Furniture Comprising Four Mahogany Armchairs and a Pair of Window Seats of Outstanding Quality.
Attributed works:
[Rupert Wace Ancient Art Limited, 14 Old Bond Street, London, UK] Roman Bronze of Aphrodite 2nd century AD Height 24 cms
Attributed works:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Robert Hooke, Micrographica, London 1665
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to Alessandro Bonvicino Called Moretto da Brescia (1498-1554) Young Man Holding a Staff Red Chalk, 225 × 160mm. Estimate: £30,000-50,000 €48,000-80,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jean-Etienne Liotard (1702-89) Portrait of Anton Corfiz, Count Ulfield, Austrian Ambassador to the Ottoman Court 1740-41 Gouache and Watercolour over Black Chalk on Vellum, 316 × 230 mm Estimate: £300,000-500,000 €480,500-900,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Victorian Cut Crystal Glass, Silvered-Metal and Button-Upholstered Armchair Circa 1882 by F & C Osler Estimate: £15,000 - 20,000 Part of a Group of Cut Crystal Glass Furniture Stamped by and Attributed to the Birmingham Firm of F & C Osler
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Aimé-Jules Dalou (Paris 1838-1902). Allegorical Figure of a Nude Seated Woman, Probably Minerva. Dark Brown-Black Wax Maquette; on Original Rectangular Wood Base; Signed on the Right of the Wax Base: Dalou. Height of the Wax Figure: 36 cm.
Attributed works:
[Victor Franses Gallery, 57 Jermyn Street, London, UK] A Fine and Rare 19th Century French Bronze Model of an Owl and Tortoise by Jean-Baptiste Clésinger (1814-1883).
Attributed works:
[Wolseley Fine Arts, 12 Needham Road, Westbourne Grove, London, UK] Aristide Maillol, Femme debout en mouvement, c. 1920. Sanguine, 34 × 23 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Blue-and-White Octagonal Baluster Vases and Covers. Japanese, Arita, 17th c. ht. 85 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Art Deco Three-Drawer Chest with Shagreen Panels. English, c.1930. 76 × 91 × 53 cm.
Western art unattributed:
[Galerie Bresset, 5, quai Voltaire, Paris, France] Sculpted Heads
Western art unattributed:
[Galerie Chevalier, 17 quai Voltaire, Paris, France] Antique Tapestries - Oriental Rugs European Rugs - Antique Textiles
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Florentine, Mid 16th Century. A Pair of Large and Impressive Mannerist Bronze Groups of Allegorical Male Figures Astride Fantastic Beasts Overall Heights: 91 and 93cm Estimate: £1,000,000-1,500,000
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