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21 articles
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Advertisements (front)
03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Book Review
The Radical Print: Art and Politics in Late Eighteenth-Century Britain
02/2025 | 1463 | 167
Pages: 194–195
related names
Reviewer:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
subjects:
Reviewed Items
subjects:
The Radical Print: Art and Politics in Late Eighteenth-Century Britain By Esther Chadwick. 248 pp. incl. 200 col. + b. & w. ills. (Paul Mellon Centre, London, 2024), £45. ISBN 978–1–913107–43–7. | :
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
Book Review
James Barry’s Murals at the Royal Society of Arts: Envisioning a New Public Art, W.L. Pressly
11/2015 | 1352 | 157
Pages: 791-792
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
69. A Grecian harvest home, or Thanksgiving to the rural deities Ceres and Bacchus, by James Barry. 1777-83 (Royal Society of the Arts, London)
Advertisements
Advertisements October 2012 (front)
10/2012 | 1315 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Alfred Janniot (French, 1889-1969). Elégance, circa 1930. Plaster. 99 x 48 x 11 inches (253 x 118 x 28 cm)]
Attributed works:
[CG. Boerner, New York. Saint Eustace, by Albrecht Durer. Engraving. 36 by 26 cm. Bartsch 57; Meder 60b (of k); Schoch/Mende/Scherbaum 32.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Cesare Dandini (1596 - 1657). Portrait of a Young Man, oil on canvas, oval 62.5 x 50.5 cm]
Attributed works:
[Emanuel van Baeyer, London. L'Assemblée - Au Concert, by François Dequevauviller. 1783-84. Pendant to 'L'Assemblée - Au Salon'. After gouaches by Nicolas Laureince. Engraving, 58 by 68 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Guido Reni. Calvenzano, 1575 - Bologna, 1642. Saint Jerome. Oil on canvas, 65.1 x 50 cm (25 5/8 x 19 11/16 in)]
Attributed works:
[Galerie St. Etienne, New York. Male nude (self Portrait) 1, by Egon Schiele. 1912. Delteil 239. Signed, dated and with the signet of The Sema Association, lower left. Lithograph, 44.8 by 40 cm]
Attributed works:
[Galleria Russo, Rome and Milan. Impression de boulevard (Lady of the veil), by Medardo Rosso. Bronze. Height: 70 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Naum Gabo 1890-1977. Linear Construction in Space No.1, 1950. Perspex with nylon monofilament. 8 1/4 x 8 1/4 x 2 1/4 inches; 21 x 21 x 5.6 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Camille Pissarro (Charlotte Amalie, St. Thomas 1830-1902 Paris). FourBathers (Les quatre baigneuses). Etching; 1895. Delteil 118, the exceedingly rare first of two states before the reduction of the height of the plate. Delteil cites only two impressions of this state. A brilliant impression printed with rich plate tone]
Attributed works:
[Hill-Stone, New York. Jupiter and Juno on Mount Ida, by James Barry. 1777-90. Etching, engraving and aquatint, 26 by 19.6 cm]
Attributed works:
[ifpda|printfair|2012. Park Avenue Armory, New York. Cyril Power. The Tube Station, ca. 1932. Color linocut. Edition of 60.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Girolamo da Treviso (1497-1544). Virgin with the Child and Saint Catherine. Oil on panel, 103 x 83 cm]
Attributed works:
[Mazzoleni Galleria d'Arte, Turin. The comforter, by Giorgio de Chirico. 1958. Oil on canvas, 100 by 81 cm]
Attributed works:
[Moretti, Florence, London and New York. Virgin and Child with the young St. John, by Lorenzo Lippi (1606-56). Oil on canvas, 72.5 by 109 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews. Rush Hour, 1930. Linocut, from the edition of 50, 20.9 x 25.1 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro. Market in Pontoise]
Attributed works:
[Paul Stolper Gallery, London. London, Abbey Road parade, by Peter Blake. 2012. Signed and numbered. Edition of 100. Silkscreen, 50 by 50 cm]
Attributed works:
[Piano Nobile. 129 Portland Road, London. The Violinist, 1912. Oil and tempera on board. 38 x 28 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x 72.5 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. An ancient dark night descended upon my soul I, by Ana Maria Pacheco. 2010-12. Printed on Somerset satin white, 410 gsm, in an edition of 15. 99.7 by 57.8 cm]
Attributed works:
[Robilant + Voena, London and Milan. Penitent St. Peter, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Oil on canvas, 103.5 by 82 cm]
Attributed works:
[Simon Theobald Fine Art, London. Zwiesprache (Dialogue) by Max Pachstein. 1920. Woodcut printed in colours, 40 by 32 cm]
Attributed works:
[Sims Reeds, London. Marilyn, by Andy Warhol. 1967. Screenprint, 91.4 by 91.4 cm]
Attributed works:
[Sperone Westwater. Bruce Nauman Parallaz. Shell, 1971]
Attributed works:
[The Redfern Gallery, London. Jeu de Boules, by Lill Tschudi, 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[The Redfern Gallery, London. Nudes, by Lill Tschudi, 1933. Linocut, 26 by 28 cm]
Attributed works:
[www.kunsthammer.at . Plankengasse . Wien. Josef Hoffman Wiener Werkstatte Beaten Silver, 1906]
Attributed works:
[www.kunsthammer.at . Plankengasse 7. Wien. Johan Loetz-Witwe sign. Phen gre. 356. Paris World Exhibition.]
Non-western art unattributed:
[Galleria Ajassa, Turin. One of a pair of imaginary animals. Chinese, Tang dynasty (618 - 907). Painted terracotta. Height: 58 and 65 cm]
Non-western art unattributed:
[Galleria Stanza Del Borgo. Via Turati 7. Milano. Hosonda Eishi 1756 - 1829. Morokoshi from the House of Echizenya. Mid 1790's. Oban: mm 350 x 247. Series: Seiro bijin rokkasen. Fine impression and colour with embossing in the kimono]
Book Review
James Barry, 1741–1806: History Painter
04/2011 | 1297 | 153
Pages: 258-259
related names
Reviewer:
Allen, Brian (Allen, Brian)
Subjects
museums and institutions:
places:
Reviewed Items
subjects:
James Barry, 1741–1806: History Painter | editor: Dunne, Tom , editor: Pressly, William L.
Illustrations
Attributed works:
56. King Lear weeping over the body of Cordelia, by James Barry. c.1786-8. Canvas. (Private collection).
Publication Received
Cultivating the Human Faculties: James Barry (1741–1806) and the Society of Arts
05/2010 | 1286 | 152
Pages: 336-337
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
museums and institutions:
subjects:
Reviewed Items
subjects:
Cultivating the Human Faculties: James Barry (1741–1806) and the Society of Arts | editor: Bennett, Susan
Advertisements
Advertisements September 1992 (Front)
09/1992 | 1074 | 134
Pages: i-xxxii
Subjects
Illustrations
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Adriaen van Ostade - Circle. Seated Farmer with Hat. About 1680. Pen and Brown Ink with Wash. 11.2 × 7.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Attributed to Frans Lucas Peters (1606-1654). Landscape with Historical Buildings. Pen and Ink with Wash. 21.6 × 34.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Gottfried Bernhard Göz. St. Augustin. Brush and Pen Drawing with Wash, about 1740. 15 × 9.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Philipp Friedrich von Hetsch. (1758-1838). Two Muses. Gouache on Black Background. 50.5 × 41.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Pieter Mulier the Younger (1637-1701). Landscape with Farmhouse and Ruin. Brush Drawing with Chalk. 18.1 × 27.2 cm.
Attributed works:
[Axel Vervoordt, Castle of 's-Gravenwezel, Belgium] Throne from the Studio of the Painter Louis David and Executed by George Jacob ca. 1790.
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] Après le bain, femme s'essuyant la nuque, by Edgar Degas. (Musée d'Orsay, Paris).
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] The Guitar Player, by Edouard Manet. 1860. (Metropolitan Museum of Art, New York.)
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Jan Cossiers. The Artist's Son Cornelis. Black and Red Chalk.
Attributed works:
[Cailleux, 136 Faubourg Saint-Honore, Paris] Gilles Marie Oppenord (1672-1742) Architecture Capriccio with Sculptures. Pen, China Ink, Grey Wash. H. 427mm; W. 562mm
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris] A Stereographic Northern Astrolabe by J. Fusoris - Late 14th Century. Bronze - Diameter: 16.7 cm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] James Barry ra (Expelled) 1741-1806. The Adoration of the Shepherds, Brush and Grey Wash, over Pencil. 518 × 397mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Carlo Carlone, 1686 - Scaria - 1775. The Descent from the Cross, Oil on Canvas: 80 × 45.5 cms
Attributed works:
[Didier Aaron Inc., 32 East 67th Street, New York] Joseph-Marie Flouest, Le Serment du Jeu de Paume, Pencil, Pen and Brown Ink and Grey Wash: 131×356 mm., Signed
Attributed works:
[Flavia Ormond Fine Arts Limited, 24 Brechin Place, London] Giuseppe Passeri (Rome 1654-1714), Ecstasy of the Blessed Giacinta Marescotti. Pen and Brown Ink, Brown Wash and Sanguine with White Highlights; 321 × 226 mm.
Attributed works:
[Galerie du Carrousel, 11 Quai Voltaire, Paris] Degas Danseuse aux bas rouges. vers 1880. Pastel et craie blanche
Attributed works:
[Galerie Neuse, Contrescarpe 14, Bremen] Joachim Fries (Lübeck 1579-1620 Augsburg). Diana Borne upon a Stag. Table Automaton, Silver and Silver-Gilt, Augsburg 1610-15.
Attributed works:
[Galerie Salis, Imbergstrasse 25, Salzburg] Edgar Degas (1834-1917) "Buste de femme" 1897. Charcoal on Paper 23 × 35 cm, Signed with the Red Signature Stamp Lower Left
Attributed works:
[Huguette Beres, 25 Quai Voltaire, Paris] Delacroix Cavalier mamelouk. 1849
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Frans Pourbus I, (Bruges 1545 - Anvers 1581). Le Paradis Terrestre, Oil on Panel 55 × 71,5 cm. Signed and Dated "F. Pourbus fe(cit)inv(enit) 1566"
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Théodore Géricault (Rouen 1791-Paris 1824), "Portrait de cheval". Oil on Canvas 34 × 44 cm. (13⅜ × 17¼ in.).
Attributed works:
[Julius Böhler, Pacellistrasse 4, Munich] A Bronze Statuette of Mercury Playing the Flute, from the workshop of Barthélemy Prieur, ca. 1600. Olive coloured patina under traces of dark brown lacquer, height 20.2 cm. A version of this rare model appears in the inventory of the collection of André le Nostre drawn up in 1700, under no.350 (see J. Guiffrey, Testament et Inventaire après décès de André le Nostre, in: Nouvelles Archives de l'Art français, 1911, p.254).
Attributed works:
[Marlborough Fine Art (London) Ltd/Marlborough Graphics Ltd, 6 Albemarle Street, London] Space, Life and Time, 1991. Oil and Spray Paint on Canvas, 71 × 73⅞ in./180.3 × 187.6 cm.
Attributed works:
[Paul Prouté S.A., 74 Rue de Seine, Paris] Marcantonio Franceschini, (Bologna 1648 - 1729). Two Angels and a Putto (From the Right Side of a Composition Showing the Virgin with S. Caterina dei Vigri Taking the Christ Child into Her Arms). Black Chalk Heightened with White, and Grey Wash on Several Joined Sheets of Paper Laid on Canvas. 173 by 147 cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London] Jacques Stella, Bathsheba Receiving the Message of King David, Circa 1635-40. Oil on Canvas, 38⅞ by 51¾ Inches (99 by 132 cm.). Signed and Dated on the Fountain, Lower Left: "J. Stella 16..."
Attributed works:
[Société Labatut, 199bis Bld Saint-Germain, Paris] Bartolomeo Manfredi (Ostiano 1582 - Rome 1622). The Apostles Peter and Paul, Canvas, 55.5 × 72 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Urbino Dish, 1540, Painted by the "Della Rovere" Painter, with Paris Assassinating Achilles in the Temple of Apollo. From the Sale of Continental Ceramics & Glass, 6 October. Estimate: £8,000-12,000
Attributed works:
[Tzwern - Aisinber Fine Arts S.A., 36 rue aux Laines, Brussels] On the Cliffs, Langland Bay, Wales 1897. Pastel on Paper, 28.5 × 36.5 cm. Signed and Dated "Sisley 97"
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] Giovanni Francesco Grimaldi, Bologna 1606-1680 Rome. Two Figures Overlooking a Landscape from a Fortress. Pen and Brown Ink with Brown Washes, 14¼ × 11 Inches (362 × 280 mm)
Western art unattributed:
[Alexander George Ley & Sons, 13 Brecknock Road, London] George II Kent Style Frame with Carved Top Shell, Running Egg and Dart Outset Corners, with Husk Drops and Pierced Chain to Centre
Western art unattributed:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] South German, 2nd Half of the 15th cent. St. Maria Magdaleny. Pen and Brown Ink with Wash. 70.2 × 29.7 cm.
Western art unattributed:
[Bernard Blondeel, Schuttershofstraat 5, Antwerp] Court Scene. Brussels, c. 1525, H. 335 cm. × W. 200 cm.
Western art unattributed:
[Brimo de Laroussilhe, 11 rue de Lille, Paris] Fragment from a voussoir England (Probably St Albans), about 1160-1175, Stone, Height 32cm
Western art unattributed:
[Galeire Achkar Charrière, 232 Boulevard Saint Germain, Paris] Lit de repos (or lit de jour), Louis XIV Period. Carved Giltwood (Retaining Its Original Gilding) the Central Medallion of the Headboard Containing Two Interlaced Ls and the Letter M. 163 cms Long by 75 cms Wide by 113 cms High.
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] "Miniatore di S. Michele a Murano", Initial "G": "S. Biagio". XV cent., Tempera on vellum 157 × 120 mm.
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Pages: i-lxxii
Subjects
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Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
Short Notice
Testaments of Friendship; Two New Portraits by James Barry of Francis Douce and Joseph Nollekens
01/1986 | 994 | 128
Pages: 27-29+31
related names
Author:
Brown, David Blayney (Brown, David Blayney; Brown, David)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
33. Joseph Nollekens the Sculptor, Ascribed to Mary Moser, Here Attributed to James Barry. 63.5 by 48.3 cm (Yale Center for British Art, Paul Mellon Collection).
Attributed works:
34. Francis Douce, by James Barry. Signed and Dated 1803. Pen and Ink, 29.5 by 24.2 cm. (Collection Dr Berthold Wolpe, London).
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