72. Translator's introduction: Pension arts in Dubai, by Walid Raad. 2012 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
73. Notebook volume 38: already been in a lake of fire, plates 57-58, by the Atlas Group/Walid Raad. 1991/2003 (Paula Cooper Gallery, New York; exh. Institute of Contemporary Art, Boston)
Attributed works:
74. Let's be honest, the weather helped, Saudi Arabia, by the Atlas Group/Walid Raad. 1998/2006 (Walker Art Center, Minneapolis; exh. Institute of Contemporary Art, Boston)
Exhibition Review
Art, love and politics in the 1980s. Chicago, Minneapolis and Boston
64. Untitled (cowboy), by Richard Prince. 1987. Photograph, 50.8 by 61 cm. (Rubell Family Collection;
exh. Walker Art Center, Minneapolis).
Attributed works:
65. ‘Untitled’ (Perfect lovers), by Félix González-Torres. 1987–90. Two wall clocks, 34.3 by 68.6 by 3.2 cm. each. (Wadsworth Atheneum Museum of Art, Hartford; exh. Walker Art Center, Minneapolis).
Western art unattributed:
63. Installation view of This Will Have Been: Art, Love & Politics in the 1980s at the Museum of Contemporary Art, Chicago, 2012.
98. Untitled, by Charline von Heyl. 2003. Photocopy, collage and ink on paper, 1 of 15, 60.9 by 48.2 cm. each. (Museum of Modern Art, New York; exh. Institute of Contemporary Art, Philadelphia).
Attributed works:
99. It’s vot’s behind me that I am (Krazy kat), by Charline von Heyl. 2010. Acrylic, oil on linen and canvas, 208.2 by 182.8 cm. (Private collection, New York; exh. Institute for Contemporary Art, Philadelphia).
84. Installation view of Anish Kapoor: Past, Present, Future with, in the foreground, 1000 names, by Anish Kapoor. 1979–80. Mixed media and pigment, dimensions variable. (The artist and Lisson Gallery, London; exh. Institute of Contemporary Art, Boston).
Attributed works:
85. Past, present, future, by Anish Kapoor. 2006. Wax and oil-based paint, 345 by 890 by 445 cm. (The artist and Lisson Gallery, London; exh. Institute of Contemporary Art, Boston).