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5 articles
Editorial
Funding the arts in the United States
05/2017 | 1370 | 159
Pages: 359
Subjects
places:
subjects:
Exhibition Review
Alexander Calder
06/2014 | 1335 | 156
Pages: 417-418
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
94. Gibraltar, by Alexander Calder (Museum of Modern Art, New York; exh. Los Angeles County Museum of Art)
Attributed works:
95. Eucalyptus, by Alexander Calder (Calder Foundation, New York; exh. Los Angeles County Museum of Art)
Editorial
Confronting the present: museums in Los Angeles
09/2013 | 1326 | 155
Pages: 591-593
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
subjects:
Illustrations
Attributed works:
I. The J. Paul Getty Center, Brentwood, Los Angeles, by Richard Meier & Partners. 1997. (Photograph copyright of the J. Paul Getty Trust)
Attributed works:
II. The Los Angeles County Museum of Art, by William L. Pereira and Associates. 1965. (Photograph copyright of the Museum Archives/LACMA, photographic archives, 2012)
Attributed works:
III. Installation view of The Presence of the Past: Peter Zumthor Reconsiders LACMA, showing a model of the proposed building. (Photograph copyright of the Museum Associates and LACMA, 2013; exh. Los Angeles County Museum of Art)
Article
A substitute for history: the origins and exhibition of Rachel Whiteread’s ‘Untitled (Room 101)’, 2003
11/2010 | 1292 | 152
Pages: 736-743
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
dates:
museums and institutions:
places:
places:
Illustrations
Attributed works:
45. Broadcasting House, 2–22 Portland Place, London W1. 1932. Designed by George Val Myer and Francis James Watson-Hart. (Photograph by Janet Hall, 1995; RIBA Library Photographs Collection).
Attributed works:
46. Untitled (Room 101), by Rachel Whiteread. 2003. Jesmonite and mixed media, 300 by 500 by 643 cm. (Centre Georges Pompidou, Paris; photographed by Mike Bruce in 2003 in the Cast Courts of the Victoria and Albert Museum, London; courtesy of Gagosian Gallery, London).
Attributed works:
48. Interior of Room 101 at Broadcasting House prior to demolition. 2003. (Photograph by Jeremy Young).
Attributed works:
49. Interior of Room 101 at Broadcasting House prior to the casting of Untitled (Room 101). 2003. (Photograph by Rachel Whiteread).
Attributed works:
50. Installation view of Untitled (Room 101) in the Cast Courts of the Victoria and Albert Museum, London, showing the cast windows. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
52. Ghost, by Rachel Whiteread. 1990. Plaster on steel frame, 269 by 355.5 by 317.5 cm. (National Gallery of Art, Washington; photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
54. House, by Rachel Whiteread. 1993, demolished 1994. Concrete. (Photograph by John Davies).
Attributed works:
55. Detail of Fig.46 showing damaged masonry. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
56. Untitled (Room 101), by Rachel Whiteread. 2003. Collage, 29.7 by 42 cm. (Courtesy of the artist).
Attributed works:
57. Installation view of Untitled (Room 101) at the V. & A. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
58. Untitled (Room 101) in the exhibition Rachel Whiteread: Walls, Doors, Floors and Stairs at Kunsthaus Bregenz. 2005. (Photograph by Markus Tretter).
Western art unattributed:
47. Plan of the first floor of Broadcasting House showing original uses. (Drawing courtesy of MJP Architects Ltd.; annotations by the author).
Western art unattributed:
51. 486 Archway Road, London N6. c.1979. (Photograph by Mark Wainwright).
Western art unattributed:
53. 193 Grove Road, London E3, prior to the casting of House. 1993. (Photograph by John Davies).
Short Notice
New information on Barnett Newman’s exhibition history, 1948–52
07/2008 | 1264 | 150
Pages: 473-477
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
artists:
dates:
Illustrations
Attributed works:
49. Onement IV, by Barnett Newman. 1949. Oil and casein on canvas, 83.8 by 96.5 cm. (Allen Memorial Art Museum, Oberlin College, Oberlin OH).
Attributed works:
50. Genetic moment, by Barnett Newman. 1947. Canvas, 96.5 by 71 cm. (Fondation Beyeler, Riehen/Basel).
Western art unattributed:
46. Installation photograph of Barnett Newman’s 1950 solo exhibition at Betty Parsons Gallery, New York, showing (left to right): Onement III, Covenant, Horizon light (hung vertically) and The promise. Photograph by Aaron Siskind. (Courtesy of the Barnett Newman Foundation, New York; © The Aaron Siskind Foundation, New York).
Western art unattributed:
47. Barnett Newman at his 1950 solo exhibition, Betty Parsons Gallery, New York. Shown are (left to right): part of The promise, Be I, Yellow painting and End of silence. Photograph by Aaron Siskind. (Courtesy of the Barnett Newman Foundation, New York; © The Aaron Siskind Foundation, New York).
Western art unattributed:
48. Part of the west wall at Barnett Newman’s 1950 solo exhibition, Betty Parsons Gallery, New York, showing (left) Concord and (right) Tundra. Photograph by Aaron Siskind. (Courtesy of the Barnett Newman Foundation, New York; © The Aaron Siskind Foundation, New York).