• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
11 articles
Exhibition Review
Doris Salcedo
11/2015 | 1352 | 157
Pages: 809-810
Subscribe to read
Subjects
artists:
Salcedo, Doris
museums and institutions:
Solomon R. Guggenheim Museum, New York, United States / Pérez Art Museum Miami, Miami, United States / Museum of Contemporary Art, Chicago, United States
places:
United States / New York / Chicago
places:
Miami
places:
2010-2019
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
96. Detail of Atrabiliarios, by Doris Salcedo. 1992-2004 (San Francisco Museum of Modern Art; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
97. Plegaria Muda, by Doris Salcedo. 2008-10. Installation view, Centro de Arte Moderna-Fundação Calouste Gulbenkian, Lisbon, 2001 (Inhotim Collection, Brazil; exh. Solomon R. Guggenheim Museum, New York)
Attributed works:
98. Untitled, by Doris Salcedo. 1998 (Collection of Lisa and John Miller, fractional and promised gift to the San Francisco Museum of Modern Art; exh. Solomon R. Guggenheim Museum, New York)
Exhibition Review
Recent shows
04/2014 | 1333 | 156
Pages: 264-265
Subscribe to read
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
Halvorson, Josephine / Semo, Davina / Genzken, Isa
dates:
2010-2019
museums and institutions:
Museum of Modern Art, New York, United States / Museum of Contemporary Art, Chicago, United States
places:
New York / United States
private galleries:
Marlborough Gallery, New York, United States / Pace Gallery, New York, United States / Sikkema Jenkins & Co., New York, United States
subjects:
Reviews / Exhibitions
subjects:
Sculpture
Illustrations
Attributed works:
71. Foundation, by Josephine Halvorson (Exh. Sikkema Jenkins & Co., New York)
Attributed works:
72. Hospital (Ground zero), by Isa Genzken (Ovitz Family Collection, Los Angeles/Jens Ziehe, courtesy of Hauser & Wirth, London and Zürich; exh. Museum of Contemporary Art, Chicago)
Attributed works:
73. I WILL BE HARD AND HARD. MY FACE WILL TURN RAIN LIKE THE STONES, by Davina Semo (Exh. Marlborough Chelsea, New York)
Attributed works:
74. Soft shuttlecock, by Claes Oldenburg and Coosje van Bruggen (Exh. Pace Gallery, New York)
Exhibition Review
Destroy the Picture. Los Angeles and Chicago
08/2013 | 1325 | 155
Pages: 581-582
Subscribe to read
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
2010-2019 / 1940-1949 / 1950-1959 / 1960-1979
museums and institutions:
Museum of Contemporary Art, Chicago, United States / Museum of Contemporary Art (MOCA), Los Angeles, United States
places:
United States / Los Angeles / Chicago
subjects:
Reviews / Exhibitions / Avant-garde / World War (1939-1945) / Paintings / Travel
Illustrations
Attributed works:
64. Untitled fire painting (F 27 I), by Yves Klein (Yves Klein Archives; exh. Museum of Contemporary Art, Chicago)
Attributed works:
65. Untitled, by Lee Bontecou (Collection of Manfred and Jennifer Simchowitz; exh. Museum of Contemporary Art, Chicago)
Attributed works:
66. Spatial concept, expectations 58 T 2, by Lucio Fontana (Fondazione Lucio Fontana, Milan; exh. Museum of Contemporary Art, Chicago)
Exhibition Review
Art, love and politics in the 1980s. Chicago, Minneapolis and Boston
07/2012 | 1312 | 154
Pages: 517-518
Subscribe to read
related names
Reviewer:
Quiles, Daniel R. (Quiles, Daniel R.)
Subjects
dates:
2010-2019
dates:
1980-1989
museums and institutions:
Walker Art Center, Minneapolis, United States / Museum of Contemporary Art, Chicago, United States / Institute of Contemporary Art, Boston, United States
places:
United States / Minneapolis / Chicago / Boston
print:
Contemporary art
subjects:
Reviews / Exhibitions / Politics / Art / Love
subjects:
Installations (visual works) / Conceptual art
Reviewed Items
subjects:
This Will Have Been: Art, Love & Politics in the 1980s | institution: Institute of Contemporary Art , institution: Museum of Contemporary Art , institution: Walker Art Center
Illustrations
Attributed works:
64. Untitled (cowboy), by Richard Prince. 1987. Photograph, 50.8 by 61 cm. (Rubell Family Collection; exh. Walker Art Center, Minneapolis).
Attributed works:
65. ‘Untitled’ (Perfect lovers), by Félix González-Torres. 1987–90. Two wall clocks, 34.3 by 68.6 by 3.2 cm. each. (Wadsworth Atheneum Museum of Art, Hartford; exh. Walker Art Center, Minneapolis).
Western art unattributed:
63. Installation view of This Will Have Been: Art, Love & Politics in the 1980s at the Museum of Contemporary Art, Chicago, 2012.
Exhibition Review
Luc Tuymans. Columbus and San Francisco
04/2010 | 1285 | 152
Pages: 270-271
Subscribe to read
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Tuymans, Luc
dates:
2010-2019
museums and institutions:
San Francisco Museum of Modern Art, San Francisco, United States / Wexner Center for the Arts, Columbus, United States
museums and institutions:
Dallas Museum of Art, Dallas, United States / Museum of Contemporary Art, Chicago, United States / BOZAR, Brussels, Belgium
places:
United States / San Francisco / Dallas / Columbus (Ohio) / Chicago / Brussels / Belgium
print:
Tuymans, Luc
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Luc Tuymans | institution: San Francisco Museum of Modern Art , institution: Wexner Center for the Arts
Illustrations
Attributed works:
75. Gaskamer (Gas chamber), by Luc Tuymans. 1986. Canvas, 61 by 82.5 cm. (Over Holland Collection; exh. San Francisco Museum of Modern Art).
Attributed works:
76. The Secretary of State, by Luc Tuymans. 2005. Canvas, 45.7 by 61.5 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
77. Heritage VI, by Luc Tuymans. 1996. Canvas, 53 by 43.5 cm. (David Zwirner, New York; exh. San Francisco Museum of Modern Art).
Publication Received
Jeff Koons
07/2009 | 1276 | 151
Pages: 486
Subscribe to read
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Koons, Jeff
dates:
1970-1979 / 1980-1989 / 1990-1999 / 1990-2009
museums and institutions:
Museum of Contemporary Art, Chicago, United States
print:
Koons, Jeff
subjects:
American sculpture (United States of America) / Exhibition catalogues / Interviews
Reviewed Items
subjects:
Jeff Koons | editor: Bonami, Francesco
Exhibition Review
Art from Brazil. London and Leeds
05/2006 | 1238 | 148
Pages: 356-357
Subscribe to read
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
museums and institutions:
Barbican Art Gallery, London, Great Britain / Henry Moore Institute, Leeds, Great Britain / Museum of Contemporary Art, Chicago, United States / Bronx Museum of the Arts, New York, United States
museums and institutions:
Haus der Kulturen der Welt, Berlin, Germany
places:
Berlin / Chicago / England / Germany / Leeds / London / United States
places:
New York
print:
Brazilian art
subjects:
Reviews / Exhibitions / Brazilian / Art / Installations (visual works) / Sculpture / Performance art / Photographs
Reviewed Items
subjects:
Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil | institution: Henry Moore Institute
Illustrations
Attributed works:
41. Tropicália, by Hélio Oiticica. 1967. (Exh. Barbican Art Gallery, London).
Attributed works:
42. Rosa, samba dancer from Mangueira, emerges from the ‘Egg’ wearing a parangolé and a T-shirt with the slogan ‘Seja marginal, seja herói!’/‘Be an outlaw, be a hero!’, by Lygia Pape and Hélio Oiticica. 1968. Photograph. (Exh. Barbican Art Gallery, London).
Attributed works:
43. Installation view of Open Space/Closed Space at the Henry Moore Institute, Leeds, showing (l to r): Emptied cube, by Franz Weissmann. 1951. Steel with wooden base, 75 by 64 by 64 cm. (Franz Weissmann estate, Rio de Janeiro); The Indian and the fallow deer, by Victor Brecheret. 1950. Bronze, 79.5 by 101.8 by 47.6 cm. (Museu de arte contemporânea da Universidade de São Paulo); Tripartite unity, by Max Bill. 1948. Stainless steel, 114 by 88.3 by 98.2 cm. (Museu de arte contemporânea da Universidade de São Paulo).
Exhibition Review
Lee Bontecou. Chicago and New York
02/2004 | 1211 | 146
Pages: 137-138
Subscribe to read
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Bontecou, Lee
dates:
2000-2009
museums and institutions:
Museum of Contemporary Art, Chicago, United States
places:
Chicago / United States
print:
Bontecou, Lee
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Lee Bontecou: A Retrospective | institution: Hammer Museum , institution: Hammer Museum , institution: Museum of Contemporary Art , institution: Museum of Modern Art
Illustrations
Attributed works:
69. Untitled, by Lee Bontecou. 1970. Vacuum-formed plastic, 76.2 by 144.8 by 53.3 cm. (Private collection, New York; exh. Museum of Contemporary Art, Chicago)
Attributed works:
70. Untitled, by Lee Bontecou. 1966. Welded steel, canvas epoxy, fabric, leather and wire, 183.5 by 277.5 by 55.9 cm. (Fonds National d'Art Contemporain, Paris; exh. Museum of Contemporary Art, Chicago)
Attributed works:
71. Untitled, by Lee Bontecou. c.1980-98. Welded steel, porcelain, wire mesh, canvas and wire, 210 by 240 by 180 cm. (Knoedler &Co., New York; exh. Museum of Contemporary Art, Chicago)
Exhibition Review
Chuck Close. New York and Chicago
08/1998 | 1145 | 140
Pages: 583-584
Subscribe to read
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Close, Chuck
dates:
1990-1999
museums and institutions:
Museum of Contemporary Art, Chicago, United States
museums and institutions:
Museum of Modern Art, New York, United States
places:
Chicago / New York / United States
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
84. Big Self-Portrait, by Chuck Close. 1967-68. 273.1 by 212.1 cm. (Walker Art Center, Minneapolis; Exh. Museum of Contemporary Art, Chicago).
Attributed works:
85. Fanny/Fingerpainting, by Chuck Close. 1985. 259.1 by 213.4 cm. (National Gallery of Art, Washington; Exh. Museum of Contemporary Art, Chicago).
next
load more