64. Untitled (cowboy), by Richard Prince. 1987. Photograph, 50.8 by 61 cm. (Rubell Family Collection;
exh. Walker Art Center, Minneapolis).
Attributed works:
65. ‘Untitled’ (Perfect lovers), by Félix González-Torres. 1987–90. Two wall clocks, 34.3 by 68.6 by 3.2 cm. each. (Wadsworth Atheneum Museum of Art, Hartford; exh. Walker Art Center, Minneapolis).
Western art unattributed:
63. Installation view of This Will Have Been: Art, Love & Politics in the 1980s at the Museum of Contemporary Art, Chicago, 2012.
Exhibition Review
Cindy Sherman. New York, San Francisco, Minneapolis and Dallas
60. Untitled #466, by Cindy Sherman. 2008. Chromogenic colour print, 259.1 by 177.8 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
61. Untitled film still #21, by Cindy Sherman. 1978. Gelatin silver print, 19.1 by 24.1 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
62. Untitled #213, by Cindy Sherman. 1989. Chromogenic colour print, 105.4 by 83.8 cm. (Courtesy of the artist and Metro Pictures, New York; exh. San Francisco Museum of Modern Art).
Exhibition Review
Claes Oldenburg. Vienna, Cologne, Bilbao, New York and Minneapolis
84. Giant soft fan, by Claes Oldenburg. 1966–67. Vinyl filled with polyurethane foam, canvas, wood, metal and plastic, 304.8 by 149.5 by 157.2 cm. (fan); 736.6 cm. (cord and plug). (Museum of Modern Art, New York; exh. Museum moderner Kunst, Vienna).
Attributed works:
85. Late submission to the Chicago Tribune architectural competition of 1922 – clothespin, version two, by Claes Oldenburg. 1967. Crayon, pencil and watercolour on paper, 55.8 by 68.5 cm. (Des Moines Art Center; exh. Museum moderner Kunst, Vienna).
Attributed works:
86. Still from Snapshots from the city, film by Stan VanDerBeek of a performance by Claes Oldenburg and Pat Muschinski. 1960. 16 mm. black-and-white film transferred to video, with sound, duration 4 min. (Exh. Museum moderner Kunst, Vienna).
Yves Klein: With the Void, Full Powers |
institution: Walker Art Center
Illustrations
Attributed works:
110. Untitled fire colour painting, by Yves Klein. 1961. Dry pigment and synthetic resin on scorched cardboard on panel, 141 by 299.6 cm. (Yves Klein Archives, Paris; exh. Walker Art Center, Minneapolis).
Attributed works:
111. Obsession with levitation (Leap into the void), by Yves Klein. 1960. Black-and-white photograph, 30 by 24 cm. (Yves Klein Archives, Paris; exh. Walker Art Center, Minneapolis).
68. Stranger no.1, by Shizuka Yokomizo. 1998. Chromogenic print, 79.4 by 79.4 cm. (San Francisco Museum of Modern Art; exh. Tate Modern, London).
Attributed works:
69. Detail from The ballad of sexual dependency, by Nan Goldin. 1979–96. Nine-carousel slide projection with soundtrack and titles; dimensions variable. (Whitney Museum of American Art, New York; exh. Tate Modern,London).
69. Homes for America, by Dan Graham. 1966–67. 35 mm. slides and carousel projector, dimensions variable. (Collection Daled, Brussels; exh. Whitney Museum of American Art, New York).
Attributed works:
70. Performance/audience/mirror, by Dan Graham. 1977. Performance at De Appel Arts Centre, Amsterdam. (Photograph courtesy of the artist; exh. Whitney Museum of American Art, New York).
Attributed works:
71. Rock my religion, by Dan Graham. 1982–84. Single channel video still. (Distributed by Electronic Arts Intermix, New York; exh. Whitney Museum of American Art, New York).
Exhibition Review
Frida Kahlo. Minneapolis, Philadelphia and San Francisco
103. The two Fridas, by Frida Kahlo. 1939. Canvas, 172 by 172 cm. (Museo de Arte Moderno, Mexico City; exh. Philadelphia Museum of Art)
Attributed works:
104. Henry Ford Hospital, by Frida Kahlo. 1932. Oil on metal, 31 by 40.2 cm. (Museo Dolores Olmedo, Xochimilco, Mexico City; exh. Philadelphia Museum of Art)
Exhibition Review
Kara Walker. Minneapolis, New York and Los Angeles
73. Cut, by Kara Walker. 1998. Cut paper and adhesive on wall, 223.5 by 137.2 cm. (Collection Donna and Cargill MacMillan, Wayzata, MN; exh. Walker Art Center, Minneapolis).
Attributed works:
74. Darkytown rebellion, by Kara Walker. 2001. Projection, cut paper and adhesive on wall, 4.3 by 11.3 m. (Musée d’Art Moderne Grand-Duc Jean, Luxembourg; exh. Walker Art Center, Minneapolis).
68. Sketch for cups 2 Picasso/Cups 4 Picasso, by Jasper Johns. 1971–72. Collage, watercolour, graphite and ink on paper, 39.1 by 51.4 cm. (The artist; exh. Whitney Museum of American Art, New York).
Attributed works:
69. The salon 1, by Otto Dix. 1921. Canvas, 86 by 120.5 cm. (Kunstmuseum Stuttgart; exh. Metropolitan Museum of Art, New York).
Attributed works:
70. Pavement of St Mark’s, Venice, by John Singer Sargent. c.1880–82. Canvas, 53.3 by 72.4 cm. (Private collection; exh. Adelson Galleries, New York).
89. Ribs, by Kiki Smith. 1987. Terracotta, ink, thread and nails, 55.9 by 43 by 25.4 cm. (Solomon R. Guggenheim Museum, New York; exh. Whitney Museum of American Art, New York).
Attributed works:
90. Born, by Kiki Smith. 2002. Bronze, 99 by 256.5 by 61 cm. (PaceWildenstein, New York; exh. Whitney Museum of American Art, New York).