88. Detail of Milo of Croton, by Etienne-Maurice Falconet (Musée du Louvre, Paris; exh. Fondation de l'Hermitage, Lausanne)
Attributed works:
89. The first reading in Madame Geoffrin's salon of The Chinese Orphan, a tragedy by Voltaire, in 1755, by Anicet-Charles-Gabriel Lemonnier (Musée national du château de Malmaison, Rueil-Malmaison)
Attributed works:
90. Portrait of an artist with the bust of Diderot, by Jean-Simon Berthélemy (Staatliche Kunsthalle, Karlsruhe; exh. Fondation de l'Hermitage, Lausanne)
Book Review
The Toms Collection. Tapestries of the Sixteenth to Nineteenth Centuries
72. Woman in a shawl, by André Derain. c. 1913. 100 by 81 cm. (National Gallery, Oslo; exh. Fondation de l'Hermitage, Lausanne).
Attributed works:
73. The three horses, by André Derain. c. 1950. Gouache on paper, 45 by 60 cm. (Galerie de la Présidence, Paris; exh. Fondation de l'Hermitage, Lausanne).
Attributed works:
74. Man with keys, by André Derain, c. 1935-40. Cut and hammered metal, 52.5 by 33.8 cm. (Private collection; exh. Fondation de l'Hermitage, Lausanne).
Attributed works:
75. The harbour, Douarnenez, by André Derain. 1920. 37 by 50 cm. (Private collection; exh. Fondation de l'Hermitage, Lausanne).
57. The Cage (First Version), by Alberto Giacometti. 1950. Bronze, 90.6 by 36.5 by 38 cm. (Annette Giacometti Estate; Exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
58. Standing Woman II, by Alberto Giacometti. 1960. Bronze, ht. 274.3 cm. (Detroit Institute of Arts; Exh. Sainsbury Centre for Visual Arts, Norwich).
88. Chair, by Ernst Ludwig Kirchner. c.1920. Wood, 82 by 83 by 40 cm. (Private Collection, Berne-Davos; Exh. Fondation Neumann, Gingins).
Attributed works:
89. Two Women, Blonde and Brunette, by Ernst Ludwig Kirchner. 1922. Coloured Woodcut, 70.5 by 41 cm. (Private Collection, Berne-Davos; Exh. Musée Jenisch, Vevey).
Attributed works:
90. Before Sunrise - Self-Portrait with Erna in Front of the Wildboden House, by Ernst Ludwig Kirchner. 1927. 119.5 by 91 cm. (Private Collection, Berne-Davos; Exh. Fondation Neumann, Gingins).
Attributed works:
91. Face of the Redeemer: Floraison, by Alexei von Jawlensky. 1921. Paper on Card, 36 by 27 cm. (Kulturhistorisches Museum, Rostock; Exh. Fondation de l'Hermitage, Lausanne).
Attributed works:
92. Variation with Red Circle, by Alexei von Jawlensky. 1918. Paper on Card, 34.5 by 26 cm. (Private Collection, Switzerland; Exh. Fondation de l'Hermitage, Lausanne).
70. Jules Bordet, by Gustave Courbet. 1870. 60 by 50 cm. (Collection S.; Exh. Musée cantonal des Beaux-Arts, Lausanne).
Attributed works:
71. La Roche pourrie, by Gustave Courbet. 1864. 60 by 73 cm. (Musée Max-Claudet, Salins-les-Bains; Exh. Musée cantonal des Beaux-Arts, Lausanne).
Attributed works:
72. The German Hunter (Or Dying Stag), by Gustave Courbet. 1859. 119.5 by 177 cm. (Musée des Beaux-Arts, Lons-Le-Saunier; Exh. Musée cantonal des Beaux-Arts, Lausanne).
Attributed works:
73. Grand panorama des Alpes, les Dents du Midi, by Gustave Courbet. 1877. 151 by 210 cm. (Cleveland Museum of Art; Exh. Musée cantonal des Beaux-Arts, Lausanne).
Publication Received
Abraham-Louis-Rodolphe Ducros: Un peintre suisse en Italie