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69 articles
Publication Received
Alberto Giacometti: A Line through Time. By Claudia Milburn and Calvin Winner
11/2018 | 1388 | 160
Pages: 986
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related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Giacometti, Alberto
collectors and dealers:
Sainsbury, Robert / Sainsbury, Lisa
dates:
1900-1999
media:
Paintings / Sculpture / Drawings / Prints
museums and institutions:
Sainsbury Centre for Visual Arts, Norwich, Great Britain
places:
France / Great Britain / Norwich
subjects:
Italian sculpture / British sculpture / Collecting / Patronage / Commissions / Portraits / Influence / Primitivism (Cultural anthropology related concept) / Exhibition catalogues
Book Review
The Ormesby Psalter: Patrons and Artists in Medieval East Anglia. By Frederica C.E. Law-Turner
10/2018 | 1387 | 160
Pages: 876-877
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Reviewer:
Panayotova, Stella (Panayotova, Stella)
Subjects
artists:
St Omer Master
dates:
1300-1399
media:
Manuscripts / Illuminated manuscripts / Paintings
places:
Great Britain / Norwich
subjects:
British painting / French painting / Psalters / Patronage / Heraldry / Ornament / Marriage / Portraits / Style / Iconography
subjects:
Attributions / Ormesby Psalter
Illustrations
Western art unattributed:
1. The Beatus opening, Ormesby Psalter. c.1310–30. Parchment, 37.7 by 25 cm. (Bodleian Library, Oxford, MS Douce 366, fol.9v).
Exhibition Review
The Paston Treasure: Riches and Rarities of the Known World. Norwich Castle Museum & Art Gallery
09/2018 | 1386 | 160
Pages: 772-774
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Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
artists:
Stone, Nicholas, the Younger / Stone, Henry / Grebber, Nicholaes de
buildings:
Oxnead Hall, Oxnead, Great Britain
collectors and dealers:
Paston, William, 1st Baronet / Paston, Clement / Walpole, Horace, Fourth Earl of Orford, 1717-1797
dates:
2010-2019
media:
Paintings / Drawings / Prints / Gold / Silverwork / Furniture / Art objects / Books / Documents / Music scores / Musical instruments
museums and institutions:
Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Yale Center for British Art, New Haven, United States
places:
Great Britain / Norwich / United States / New Haven
subjects:
Collections / Collections, Private / Collecting / Country houses / Still lifes / Vanitas / Portraits / Heraldry / Cups / Jugs / Flagons / Poetry / Music / Protestantism / Alchemy / Science / Grand tours / Patronage / Commissions / Correspondence / Inventories / Archives / Technical analysis / Scientific analysis / Pigments / Identification / Attribution / Iconography
Illustrations
Attributed works:
4. Nautilus cup, attributed to Nicolaes de Grebber. 1592. Nautilus shell, silver gilt, glass and enamel, height 26.5 cm. (Museum Het Prinsenhof, Delft; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
1. Pair of flagons. London, 1598. Silver gilt, height 31.1 cm. (Metropolitan Museum of Art, New York; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
2. The Paston treasure. c.1663. Canvas, 166.8 by 247.5 cm. (Norwich Castle Museum & Art Gallery).
Western art unattributed:
3. Panel with the arms of the Paston family. Florence, c.1638. Pietre dure, 49 by 37 cm. (Sir Henry PastonBedingfeld, Oxburgh Hall, Norfolk; exh. Norwich Castle Museum & Art Gallery).
Exhibition Review
Francis Bacon and the Masters. Norwich
08/2015 | 1349 | 157
Pages: 558 -559
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related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Bacon, Francis, 1909-1992
dates:
2010-2019
museums and institutions:
Sainsbury Centre for Visual Arts, Norwich, Great Britain
places:
Norwich / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
37. Portrait of Isabel Rawsthorne, by Francis Bacon. 1966 (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
38. A young woman, by Pablo Picasso. 1909 (State Hermitage Museum, St Petersburg; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
39. Crucifixion, by Francis Bacon. 1933 (Private collection; exh. Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
40. The Crucifixion, by Alonso Cano. c.1636-38 (State Hermitage Museum, St Petersburg; exh. Sainsbury Centre for Visual Arts, Norwich)
Exhibition Review
Art in East Anglia
01/2014 | 1330 | 156
Pages: 46-48
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Reviewer:
Radford, Robert (Radford, Robert)
Subjects
dates:
2010-2019
museums and institutions:
Sainsbury Centre for Visual Arts, Norwich, Great Britain
places:
Norwich / England
subjects:
Reviews / Exhibitions / British painting / British sculpture / East Anglian (Style)
subjects:
Art objects / Early English / Illuminated manuscripts / Art / Furniture
Illustrations
Attributed works:
55. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 cm. (Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
56. Storm on Yarmouth beach, by John Sell Cotman. 1831. Watercolour, 37 by 53.5 cm. (Norwich Castle Museum and Art Gallery; exh. Sainsbury Centre, University of East Anglia, Norwich).
Attributed works:
57. Crucifixion. English School, c. 1395. Panel, 92.5 by 48.5 cm. (Berger Collection at the Denver Art Museum; exh. Sainsbury Centre, University of East Anglia, Norwich).
Exhibition Review
The Artist’s Studio. Compton Verney and Norwich
01/2010 | 1282 | 152
Pages: 56-57
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Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
2000-2009
dates:
2010-2019
museums and institutions:
Sainsbury Centre for Visual Arts, Norwich, Great Britain / Compton Verney, nr Kineton, Warwickshire, Great Britain
places:
Norwich / Warwickshire / England
print:
Studios (work spaces)
subjects:
Reviews / Exhibitions / Studios (work spaces) / Paintings
subjects:
Artists
Reviewed Items
subjects:
The Artist’s Studio | institution: Compton Verney , institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Exhibition Review
Polish art. Norwich
08/2009 | 1277 | 151
Pages: 562-563
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related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
artists:
Kantor, Tadeusz
dates:
2000-2009
museums and institutions:
Sainsbury Centre for Visual Arts, Norwich, Great Britain
places:
Norwich / England
print:
Polish art
subjects:
Reviews / Exhibitions / Polish painting / Polish sculpture
Reviewed Items
subjects:
Take a Look at Me Now: Contemporary Art from Poland | institution: Sainsbury Centre for Visual Arts
subjects:
The Art and Theatre of Tadeusz Kantor: An Impossible Journey | institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
56. Children at their desks, from The dead class, by Tadeusz Kantor. 1975. Mixed media, 150 by 150 by 420 cm. (Cricoteka Collection, Kraków; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
57. Kolorobloki, by Nicolas Grospierre. 2006. Aluminium, 100 by 70 cm. (Collection of the artist; exh. Sainsbury Centre for Visual Art, Norwich).
Attributed works:
58. Tanagram, by Anna Molska. 2006–07. Video projection, 4 minutes, 3 seconds. (Foksal Gallery, Warsaw; exh. Sainsbury Centre for Visual Art, Norwich).
Exhibition Review
Prunella Clough. London
07/2007 | 1252 | 149
Pages: 500-501
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Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Clough, Prunella
media:
2000-2009
museums and institutions:
Tate Britain, London, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Abbot Hall Art Gallery, Kendal, Great Britain
places:
Norwich / London / Kendal / England
print:
Clough, Prunella
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Prunella Clough | institution: Abbot Hall Art Gallery , institution: Norwich Castle Museum and Art Gallery , institution: Tate Britain
Illustrations
Attributed works:
40. Printer cleaning press, by Prunella Clough. 1953. Canvas, 91.5 by 56.5 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
41. Wire landscape, by Prunella Clough. 1985. Canvas, 91.5 by 101.5 cm. (Accenture plc; exh. Tate Britain, London).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
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Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
Knight, Laura / Gaudier-Brzeska, Henri / Roberts, William, 1895-1980 / Vaughan, Keith
dates:
2000-2009
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Laing Art Gallery, Newcastle upon Tyne, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Kettle's Yard Gallery, Cambridge, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Pallant House Gallery, Chichester, Great Britain / Victoria Art Gallery, Bath, Great Britain
places:
Bath / Cambridge / Chichester / England / Newcastle-upon-Tyne / Nottingham / Norwich / Sheffield
print:
British art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
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